The ‘Molyneux problem’ is typically framed in terms of the crossmodal matching of shape information from touch to vision. Indeed, shape along with intensity have commonly been considered amodal stimulus properties/dimensions (at least by developmental researchers). However, it is important to note that what is common, if anything, to the senses differs in the two cases: It is the physical stimulus (and possibly also the associated phenomenology) that is thought to be the same in the case of crossmodal (or intermodal) (...) shape matching between touch and vision, whereas it is the nature of the underlying neural encoding that is said to be similar in the case of crossmodal matching of auditory and visual stimulus intensity. While the first empirical data to have been published on these two forms of putatively amodal crossmodal matching appeared to suggest that they both emerge surprisingly early in the course of human development (i.e., within the first month of life), certain of these seminal findings have proved difficult to replicate. Ultimately, therefore, there is currently little convincing evidence to support the notion that such putatively innate crossmodal matching of amodal stimulus dimensions is actually different in kind from the various other crossmodal correspondences that are seemingly acquired at various points during the course of human development (typically as a result of the internalization of the crossmodal statistics of the environment). As such, there may be nothing particularly special about the type of crossmodal matching thought to underlie the ‘Molyneux problem’, and continued interest in the issue may inadvertently have helped to sustain a misguided account of the differences between different types of crossmodal correspondence. (shrink)

Perceptual similarity is one of the most fiercely debated topics in the philosophy and psychology of perception. The documented history of the issue spans all the way from Plato – who regarded similarity as a key factor for human perceptual experience and cognition – through to contemporary psychologists – who have tried to determine whether, and if so, how similarity relationships can be established between stimuli both within and across the senses. Recent research on cross-sensory associations, otherwise known as crossmodal (...) correspondences – that is, the existence of observable consensual associations, or mappings, between stimuli across different senses – represents an especially interesting field in which to study perceptual similarity. In fact, most accounts of crossmodal association that have been put forward in the literature to date evoke perceptual similarity as a key explanatory factor mediating the underlying association. At the same time, however, these various accounts raise several important theoretical questions concerning the very nature of similarity, with, for example, the sensory, affective, or cognitive underpinnings of similarity judgements remaining unclear. We attempt to shed light on these questions by examining the various accounts of crossmodal associations that have been put forward in the literature. Our suggestion is that perceptual similarity varies from being phenomenologically-based to conceptually-based. In particular, we propose that the nature of the associations underlying similarity judgements – whether these associations are phenomenologically-, structurally-, emotionally-, or conceptually-based – may be represented in a two-dimensional space with associative strength on one axis, and cognitive penetrability on the other. (shrink)

Odour-sound correspondences provide some of the most fascinating and intriguing examples of crossmodal associations, in part, because it is unclear from where exactly they originate. Although frequently used as similes, or figures of speech, in both literature and poetry, such smell-sound correspondences have recently started to attract the attention of experimental researchers too. To date, the findings clearly demonstrate that the majority of non-synaesthetic individuals associate orthonasally-presented odours with various different sound properties, e.g., pitch, instrument type, and timbre, in a (...) non-random manner. What is more, these auditory-olfactory associations exhibit a number of features that are common to other crossmodal associations, such as their consistency over time, and their bidirectionality. However, the psychological mechanism underpinning these associations in the general population remain unclear, with a number of distinct hypotheses having been put forward over the years. In this chapter, we consider auditory-olfactory associations in art and science, focusing on poetry, music composition, and performance. First, we provide examples of the use of auditory-olfactory synaesthetic metaphors in poetry, from William Shakespeare through to Romanticism, illustrating how crossmodal associations have appeared in literature for centuries. Then, we move on to focus on music composition and performance, describing a number of examples where auditory stimuli have been purposely matched with crossmodally corresponding olfactory and/or visual stimuli. Considering the scientific study of smell-sound correspondences, we review the key psychophysical studies demonstrating that, beyond the artistic context, robust and non-random crossmodal associations are also triggered in the majority of the general population. We discuss a number of hypotheses that have been put forward over the years to account for such associations, focusing on the idea that certain correspondences between olfactory and auditory stimuli are mediated by the emotional character of the component stimuli. (shrink)

L’étude de l’impact émotionnel des séparations entre les mères migrantes, leurs enfants confiés au pays d’origine et ceux nés en pays d’accueil permet d’apporter un éclairage sur une problématique non négligeable au sein d’institutions médico-sociales. Cet article vise à analyser certains effets de ces séparations à partir de l’analyse de cinq entretiens avec des mères migrantes et au travers d’une méthode d’analyse qualitative. Les paramètres mis en avant sont ceux qui influent sur les modalités de choix de confiage des enfants (...) au moment du départ du pays d’origine, les conséquences dépressogènes pour les mères des séparations à long terme et leurs effets sur les interrelations entre frères et sœurs. L’absence de lien proximal avec les enfants confiés conduit les mères à faire appel à des stratégies de transmission de valeurs culturelles éducatives pour maintenir les liens dans la fratrie. (shrink)

This paper focuses on the central theme of this conference and discusses how higher education can help us in accomplishing our humanization. It looks at the critical educational theory of Herbert Marcuse, and examines his notion of the dis-alienating power of the aesthetic imagination. In his view, aesthetic education can become the foundation of a re-humanizing critical theory. I question the epistemological underpinnings of Marcuse's educational philosophy and suggest an alternative intellectual framework for interpreting and releasing the emancipatory power of (...) education. (shrink)

In this essay I seek to critically evaluate some forms of holism and organicism in biological thought, as a more deflationary echo to Gilbert and Sarkar's reflection on the need for an 'umbrella' concept to convey the new vitality of holistic concepts in biology (Gilbert and Sarkar 2000). Given that some recent discussions in theoretical biology call for an organism concept (from Moreno and Mossio’s work on organization to Kirschner et al.’s research paper in Cell, 2000, building on chemistry to (...) articulate what they called “molecular vitalism,” studying the “vitalistic” properties of molecular, cellular, and organismal function, and Pepper and Herron’s suggestion in their 2008 paper that organisms define a category that evolutionary biology cannot do without), the question, what concept of organicism are they calling for? To what extent are such claims philosophically committed to a non-naturalistic concept of organism as organizing centre, as a foundational rather than heuristic concept – or possibly a “biochauvinism,” to use Di Paolo’s term (Di Paolo 2009)? My aim in this paper is to conceptually clarify the forms of holism and organicism that are involved in these cases (and I acknowledge that the study of early 20th-century holisms [Peterson 2010] indicates that not all of them were in fact ‘organicist’ or ‘biologistic’). I suggest that contemporary holists are still potentially beholden to a certain kind of vitalism or “biochauvinism”; but that when they reduce their claims to mere heuristics, conversely, they risk losing sight of a certain kind of organizational “thickness”, a “vital materiality” (Wheeler 2010) which is characteristic of biological systems (Bechtel 2007). And I ask if it is possible to articulate a concept of biological holism or organicism which is neither an empirical ‘biochauvinism’ nor a metaphysical ‘vitalism’? (shrink)

Montaigne ha trasformato radicalmente l’idea di scetticismo tramandatagli dal­l’antichità. Egli ritiene infatti che la meta del pensiero non debba con­sistere nella quiete dello spirito, come so­stenevano gli scettici antichi, ben­sì che ci manteniamo fedeli alla condizione umana se riconosciamo la nostra fondamentale mutevolezza e arrischiamo prospettive differenti, senza tut­­tavia identificarci in esse al punto da non essere disposti a rivederle o ab­bandonarle.Montaigne had completely transformed the skepticism’s idea handed down to him from the past. While the ancient skeptics believed that (...) the thought’s aim had to be the stillness of spirit, Montaigne maintained that we stick to our human condition since we truly recognize our fundamental fickleness. Following this path, it’s possible to look at the world from many different perspectives. However, one doesn't look for a point of view with which one might identify, but rather to remain open to reassessment and change. (shrink)

Nel suo libro Le jardin imparfait Tzvetan Todorov difende una visione dell’umanesimo modesta e plurale. Ai detrattori, in particolare francesi, degli ideali umanistici egli rimprovera una concezione della modernità troppo semplicistica e incapace di comprendere quanto l’enfasi sull’individuo e sulla sua volontà sia bilanciata in essa da un’analoga enfasi sulla socievolezza umana e sulla natura relazionale dell’identità personale. L’umanesimo moderno, a ben vedere, non è una religione, non aspira cioè a porre l’uomo al posto di Dio. Il suo obiettivo è (...) piuttosto preservare la dignità umana senza l’illusione di poter appagare completamente il nostro bisogno di senso.In his book Le jardin imparfait, Tzvetan Todorov argues for a view both modest and plural of humanism. He reproaches the detractors of the humanist ideals, especially the french ones, for entertaining a too simplistic idea of modernity and for not understanding how the emphasis upon the individual is counterbalanced, here, by an analogous emphasis upon human sociability and the social nature of personal identity. Indeed, modern humanism is not a religion, it does not aim at substituting God with man. Its goal is rather to safeguard human dignity without dreaming of fulfilling all our demands of meaning. (shrink)

A l'intérieur d'une langue, il s'agit d'analyser le passage de la frontière des genres, le transfert des modèles ou des paradigmes, la situation sur l'« entre-deux » des domaines théoriques et des modèles grammaticaux comme élargissements de la notion de « traduction interne ». Cette réflexion s'étend aux questions de la traductibilité politique d'une doctrine ou d'une pensée, d'une politique de la traduction, du traducteur et de sa clandestinité dans la détermination des politiques culturelles. Si traita di analizzare, allinterno di (...) una stessa lingua, dove passa il confine fra generi, il trasferimento dei modelli dei paradigmi, la situazione dello « spazio intermedio » dei campi teoretici e grammaticali, in quanto allargamento délia nozione di « traduzione interna » . Questa riflessione si estende fino ai problemi di traducibilità política di una dottrina o di un pensiero, di una politica délia traduzione, del traduttore e délia sua clandestinità per quanto riguarda le polinche culturali. (shrink)

Early modern automata, understood as efforts to ‘model’ life, to grasp its singular properties and/or to unveil and demystify its seeming inaccessibility and mystery, are not just fascinating liminal, boundary, hybrid, crossover or go-between objects, while they are all of those of course. They also pose a direct challenge to some of our common conceptions about mechanism and embodiment. They challenge the simplicity of the distinction between a purported ‘mechanistic’ worldpicture, its ontology and its goals, and on the other hand (...) an attempt to understand ourselves and animals more broadly as flesh-and-blood, affective entities (that is, not just breathing and perspiring, but also desiring and ‘sanguine’ machines, as La Mettrie might have put it). In what follows I reflect on the complexity of early modern mechanism faced with the (living) body, and its mirror image, contemporary theories of embodiment. At times, embodiment theory seems to be governed by a fascination with what the Artificial Life researcher Ezequiel Di Paolo has called ‘biochauvinism’ (Di Paolo, “Extended Life”): an unquestioned belief that ‘living bodies are special’. Yet how does the theorist define this special status? The question is apparently a simple one, or at least promptly yields an aporia which appears simple: to borrow a provocative phrase from Terry Eagleton, embodiment theory is obsessed by the body but terrified of biology. Yet at the same time, at least since Hubert Dreyfus and Andy Clark’s groundbreaking works, embodiment has been a legit part of cognitive science, yielding the even more recently emerged field of ‘embodied cognition’ (see the work of Larry Shapiro), which seeks to depart from traditional cognitive science, especially the latter’s understanding of cognition as computational, in order to instead underscore “the significance of an organism’s body in how and what the organism thinks,” in Shapiro’s words. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Giulio Castellani (1528-1586): A Sixteenth-Century Opponent of Scepticism CHARLES B. SCH1VHTT THE PROBLEMOF THE ORIGINS of scepticism in early modern philosophy has been a much debated issue. Sanches, Montaigne, Charron, and Bayle all contributed to the milieu which made it possible for the sceptical direction of thought to develop into such a potent force by the time of David Hume. The actual origins of modern scepticism, which seem (...) to go back to a slightly earlier date, lie in the confluence of several different intellectual movements during the early years of the sixteenth century: Christian anti-intellectualism, the reintroduction of the literary remains of the ancient sceptical tradition, the epistemological developments of scholastic nominalism, and certain inherent tendencies of Renaissance humanism. It is in the early decades of the sixteenth century that the seeds which later blossomed forth at the time of Hume originally took root. Hume himself merely reaped the harvest of several hundred years of sceptical preparation? Aside from certain manifestations of doubt which developed out of the epistemological theories of fourteenth-century nominalism, the origins of modern scepticism are generally held to date from the first publication of Sextus Empiricus' ancient summaries of Pyrrhonism during the decade of the 1560's. While it has previously been recognized that at least hints of scepticism were current in the fifteenth and early sixteenth centuries, the implications to be derived from this fact do not seem to have been adequately exploredT I shall not here go into these early manifestations of scepticism in a detailed way. Rather, I shall briefly touch upon a few little-known examples of the influence of ancient scepticism during the Reniassance and, then, I shall focus upon an early and practically neglected attack upon scepticism published before the first printings of Sextus Empiricus' writings. I shall discuss the circumstances of the composition of Giulio Castellani's anti-sceptical work, Adversus Marci TuIlii Ciceronis academicas questiones disi For a recent survey of early modem scepticism see Richard H. Popkin, The History o] Scepticism /tom Erasmus to Descartes (Assen: 1960). Of the large literature which connects scepticism with religious doubt during this period see especially Henri Busson, Les sources et le dgveloppement du rati~nalizme dar~ la litt~rature ]ran~aise de la Renaissance (Paris: 1957) and Don Cameron Allen, Doubt's Boundless Sea (Baltimore: 1964). The di.~cussionof this period seems to be the weakest part of Popkin's excellent book, particularly with regard to the treatment which he gives to Italian thought. See, also, his other articles, especially,"Skepticismand the Counter-Reformation in France," Archiv/fir Re/armationsgeschichte, LI (1960),58-86and "The High Road to Pyrrhonism," American Philosophical Quarterly, II (1965),18--32.In my forthcoming study, Gian]rancesco Pico (1469-1533) and His Critique o/Aristotle, I give a detailed analysis of the major representative of early sixteenthcentury scepticism. [151 16 HISTORY OF PHILOSOPHY putatio (1558), which antedates the first printing of Sextus Empiricus by four years, indicating that scepticism was already widespread enough to provoke an attack from the camp of the dogmatists. Furthermore, I shall analyze Castellani 's arguments in the context of the philosophical views of the mid-sixteenth century. Scepticism in the Early Renaissance Direct knowledge of the major ancient source of scepticism, the already mentioned writings of Sextus Empiricus, was rare throughout the Middle Ages. There are but two known extant Latin manuscripts which date before 1400. s From the fifteenth century we know of two more manuscripts, neither complete in itself, but together containing a significant portion of the extant writings of Sextus. 4 This evidence indicates that Sextus' works were not well known in translation before the first Latin editions of The Oulines o] Pyrrhonism (1562) and of Against the Mathematicians (1569). With the advent of an increased interest in and knowledge of Greek in Western Europe in the fifteenth century, we find a corresponding increase in the number of Greek manuscripts of Sextus Empiricus. Consequently, by the time of the first printings, an appreciable number of copies of his writings were available. Some were brought from the East, but a large number also are attributable to European scribes. 5 We also know that in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 475 whereas in some texts Aquinas explicitly teaches that the higher senses of vision and hearing are the ones that mainly (praecipue, principaliter) lead to aesthetic experience.t5 Moreover, the statement that only in the thirteenth century was the question of the distinction between the higher and lower senses explicitly raised (p. l13f.), is true only if the author meant to exclude the pre-medieval or patristic as well (...) as the ancient period of philosophy.16 Finally, there is one technical weakness in this book that cannot be left unmentioned. The overwhelming majority of references are not to the original medieval texts treated and/or quoted in the three-volume edition, but to the number of volume and page in that edition. Thus the reader must be both familiar with French and in possession of the original three-volume work, or remain hopelessly frustrated every time he wishes to consult the original texts or at least know which texts are being mentioned. Yet, if one knows French, he does not need the English translation; and if he is also fortunate enough to have access to the original three-volume version, he will not need the abridged version of the original work at all. For this reason, should there be a second edition of this translation, the references should be changed from the l~tudes to the original medieval works. Although the negative remarks are more lengthy in this review than the positive evaluation is, it would be a grave mistake to conclude from this that the defects outweigh the value of the book. As a matter of fact, upon finishing the reading of this translation of De Bruyne's work, this reviewer was left with the conviction that, in the final balance, the reader can only greatly benefit from this work, and we all owe gratitude to the translator for having made this highly informative work available in the English language. FRANCIS J. KOVACH University of Oklahoma 1~ Summ. theol. I-II,27,1,ad 3; In Psalm. 44,2. ~6 Cf. Plato, Hipp. maL 298 A; Gorg. 474 D; Leg. XII, 961 D; Aristotle, De an. III,3, 429a 3; Augustine, De lib. arb. II,7, 16-19; 14,38; De ord. II,ll, etc. Le origini del metodo analitico: il Cinquecento. By Angelo Crescini. (Udine: Del Bianco, 1965. Published by the Istituto di Filosofia, Facnlt~ di Lettere e Filosofia of the Universit~ degli Studi di Trieste. Pp. 340. L 5,000) Professor Crescini has certainly picked a topic of great interest upon which to write. Recent students of Renaissance logic such as N. W. Gilbert, V. Mufioz Delgado, W. Ong, G. Papuli, W. Risse, and C. Vasoli have pointed out the vitality and significance associated with the development of the logical thought of the period. The general question of methodology has produced an enormous scholarly literature in recent years,I but much remains to be done before we fully understand how various methodologies have evolved and what relation philosophical discussions of method have had to the actual practice of science. Therefore, it would be most desirable to have a 1 For further information see Laurens Laudan, "Theories of Scientific Method from Plato to Mach: A Bibliographical Review," History of Science 7 (1968), 1-63. 476 HISTORY OF PHILOSOPHY detailed, comprehensive, and accurate study of the evolution of analytic method during the sixteenth century, particularly in view of the significance taken on by such a methodology with the 'rise of modern science'. With such a background in view the reviewer comes to this volume in anticipation of being generally enlightened on various matters. Unfortunately, Crescini's book is on the whole disappointing, although nearly everyone will find the odd bit of information of which he was not previously aware. It definitely does not, however, establish a solid foundation for later studies. The book is organized into three principal parts, dealing with the development of the analytic method in logic (pp. 21-188), in the natural sciences (pp. 189-284), and in mathematics (vv. 285-328). The first section treats discussions of the topic among writers on logical subject, under which heading are included 'humanist' logicians such as... (shrink)

Montesquieu cercò di dimostrare come, sotto la diversità degli eventi, la storia abbia un ordine e manifesti l'azione di leggi costanti. Ogni ente ha le proprie leggi. Le istituzioni e le leggi dei vari popoli non costituiscono qualcosa di casuale e arbitrario, ma sono strettamente condizionate dalla natura dei popoli stessi, dai loro costumi, dalla loro religione e sicuramente anche dal clima. Al pari di ogni essere vivente anche gli uomini, e quindi le società, sono sottoposte a regole fondamentali che (...) scaturiscono dall'intreccio stesso delle cose. Queste regole non debbono considerarsi assolute, cioè indipendenti dallo spazio e dal tempo; esse al contrario, variano col mutare delle situazioni; come i vari tipi di governo e delle diverse specie di società. Ma, posta una società di un determinato tipo, sono dati i principi che non può derogare, pena la sua rovina. Ma quali sono i tipi fondamentali in cui si può organizzare il governo degli uomini? Montesquieu ritiene che i tipi di governo degli uomini siano essenzialmente tre: la repubblica, la monarchia e il dispotismo. Ciascuno di questi tre tipi ha propri princìpi e proprie regole da non confondersi tra loro. Il principio che è alla base della repubblica è, secondo Montesquieu, la virtù, cioè l'amor di patria e dell'uguaglianza; il principio della monarchia è l'onore ossia l'ambizione personale; il principio del dispotismo, la paura che infonde nei cuori dei sudditi. La repubblica è la forma di governo in cui il popolo è al tempo stesso monarca e suddito; il popolo fa le leggi e elegge i magistrati, detenendo sia la sovranità legislativa sia quella esecutiva. (shrink)

Dans ce travail, nous tentons de démontrer que l’interrogation merleau-pontienne sur l’art s’ordonne selon trois mouvements spéculatifs distincts et successifs. Dans les années quarante, l’élaboration d’une phénoménologie de la perception conduit Merleau-Ponty à aborder l’art à partir de l’oeuvre d’art et du sujet percevant qui la reçoit, c’est-à-dire du spectateur. Au début des années cinquante, cette phénoménologie de l’oeuvre d’art et de la perception esthétique fait place à une philosophie de l’expression. Le point de départ du questionnement artistique change : (...) il est, non plus le sens exprimé, mais l’acte expressif ou créateur. La signification de l’oeuvre d’art se voit dès lors ressaisie à partir du sens d’être de l’artiste : l’oeuvre est une réponse aux manques perceptifs de l’artiste. À la fin des années cinquante, le cheminement merleau-pontien connaît un tournant ontologique. Merleau-Ponty en vient à régresser en-deçà de l’artiste, vers l’Être même, lequel s’impose finalement comme le créateur véritable. La dernière philosophie de l’art merleau-pontienne prend dès lors les allures d’une traditionnelle philosophie de l’inspiration.In this work, we undertake to demonstrate that the merleau-pontian inquiry into art orders itself according to three distinct and successive speculative movements. In the 1940s, the elaboration of a phenomenology of perception led Merleau-Ponty to approach art starting from the work of art and the perceiving subject who receives it, the spectator. From the beginning of the 1950s, this phenomenology of the work of art and aesthetic perception gave way to a philosophy of expression. The point of departure for artistic questioning changes: it is no longer the meaning expressed, but the expressive or creative act. The signification of the work of art sees itself from this moment understood starting from the meaning of being for the artist: the work is a response to perceptive omissions of the artist. At the end of the 1950s, the merleau-pontian progress of thought experiences an ontological turning. Merleau-Ponty wants to regress below the artist, toward Being itself, which imposes itself finally as the true creator. The last merleau-pontian philosophy of art takes from this moment the aspects of a traditional philosophy of inspiration.In questo lavoro cerchiamo di mostrare come l’interrogazione merleau-pontiana attorno all’arte si dispieghi secondo tre movimenti speculativi distinti e successivi. Negli anni Quaranta l’elaborazione di una fenomenologia della percezione porta Merleau-Ponty a esaminare l’arte a partire dall’opera e dal soggetto percipiente che la fruisce, ossia dallo spettatore. All’inizio degli anni Cinquanta, tale fenomenologia dell’opera d’arte e della percezione estetica cede il passo a una filosofia dell’espressione. Il punto di partenza dell’interrogazione artistica cambia: non è più il senso espresso, ma l’atto espressivo o creativo. Il significato dell’opera d’arte è quindi ricompreso a partire dal senso d’essere dell’artista: l’opera è una risposta alle lacune percettive dell’artista. Alla fine degli anni Cinquanta assistiamo a una svolta ontologica nell’itinerario merleau-pontiano. La ricerca di Merleau-Ponty ci conduce al di qua dell’artista, verso l’Essere stesso, che s’impone infine come l’autentico creatore. L’ultima filosofia dell’arte merleau-pontiana assume i contorni di una tradizionale filosofia dell’ispirazione. (shrink)

Dans son livre Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso met en évidence la présence de la pensée merleau-pontienne dans les réflexions contemporaines relevant des visual studies, de la médiologie et des études cinématographiques. Les analyses menées révèlent un Merleau-Ponty à l’origine d’un certain nombre de « tournants » majeurs dans le questionnement, touchant notamment à la conception de l’image et du médium. Enfin, l’une des ambitions – et l’une des réussites – de l’ouvrage (...) est de restituer l’apport significatif de Merleau-Ponty pour les film studies. A.C. Dalmasso jette des lumières nouvelles sur une interrogation en constante évolution, en s’appuyant à la fois sur les textes bien connus et les « inédits ».In her book Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso brings to light the presence of Merleau-pontian thought in contemporary reflections relevant to visual studies, as well as film and media studies. The analyses she carried out reveal a Merleau-Ponty at the origin of a certain number of major “turns” in the inquiry, touching notably on the conception of the image and of the medium. Besides, one of the ambitions – and one of the successes – of the work is to demonstrate the significant contribution of Merleau-Ponty for film studies. A.C. Dalmasso throws new light on an interrogation in constant evolution, stressing both well-known texts and unpublished manuscripts.Nel volume Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso mette in evidenza la presenza del pensiero merleau-pontyano nelle riflessioni contemporanee dei visual studies, della teoria del cinema e dei media. Le analisi che vi sono condotte rivelano un Merleau-Ponty all’origine di alcune importanti “svolte”, che riguardano in particolare la concezione dell’immagine e del medium. Inoltre, una delle ambizioni – e uno degli aspetti più originali – dell’opera è quella di restituire il significativo apporto di Merleau-Ponty per l’ambito dei film studies. A.C. Dalmasso fa luce in modo innovativo su un tema di ricerca in costante evoluzione, appoggiandosi ad un tempo su scritti più noti e su alcuni testi “inediti”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:92 HISTORY OF PHILOSOPHY seulement apr~s qu'on a drmontr6 son existence (pp. 182, 183, 185, 188). Or ceci nous parait tout h fait erronr: la critique mrt~physique de l'activit6 rrv~le qu'elle implique drpendance, et non seulement par rapport ~t d'autres 8tres finis (ce qu'Aristote a drift vu), mais par rapport ~t une Cause transcendante et infinie qui, en crrant l'~tre fini, lui donne constamment le pouvoir de se drpasser (...) en produisant ses aetes seconds. C'est pourquoi l'analyse mrtaphysique de l'activit6 est une des voies qui conduisent ~t la drcouverte de Dieu. Scot lui-m~me, du reste, reconnait que tout changement implique drpendance et rrv~le l'existence d'un Etre immuable et absolu (pp. 184-185). Ceci nous donne l'occasion de revenir h la prima via de Thomas d'Aquin. La libert6 avec laquelle nous avons discut6 nagu~re la valeur des quinque viae ne permet pas de nous SOUl~onner d'attachement servile aux positions du saint Docteur. La prima via est une preuve incomplete de l'existence de Dieu entendu comme le Crrateur unique de l'univers, nous avons dit et redit pourquoi. Mais l'argumentation qui s'appuie sur le principe de motion nous a toujours paru et nous parait encore inattaquable: dans la Summa contra Gentiles (I, 13), Thomas 6tait encore emp~tr6 dans la physique d'Aristote, mais, dans la Summa theologiae il se maintient strictement au plan mrtaphysique : un ~tre qui change vraiment ne saurait changer par lui-mSme. Ce principe est inrbranlable et la critique de Duns Scot est inol~rante ici. F. VAN STEENBERGHEN Louvain Francesco Sanchez. By Salvatore Miecolis. (Bari: Tipografia Levante, 1965. Universith di Bari, Pubblicazioni dell'Istituto di filosofia, no. 8. Pp. 100, one plate. No price given). Francisco Sanches,1 the Portuguese philosopher and physician of Jewish parentage who was also a relative of Montaigne, ranks as one of the more interesting of sixteenthcentury thinkers. Not only is he an important reviver of scepticism in the sixteenth century, but his best known work Quod nihil scitur (first printed in 1581) was still well enough known in the next century to draw several separate attacks. What is more, various scholars have pointed out the similarities between the arguments used in Sanches' work and Descartes' cogito argument. Though there are now quite a number of studies on Sanches, especially in Portuguese, there is not yet a defnitive study of aU aspects of his life, thought, and influence. In English there is very little indeed and we could well use a monograph or at least an article on Sanches to make some of his ideas accessible to a wider audience. A definitive study will require much work and 1 This is the Portuguese form of his name. It is also sometimes given the Spanish spelling 'Sanchez' as in the title of Miccolis' book. He was born near the Spanish-Portuguese border about 1550 and moved to France, while still a boy, and there spent the remainder of his life. There has been much discussion whether Sanches was in fact Portuguese or Spanish by birth and, consequently, which is the correct form of his name. It does not seem as though the question of his nationality can be answered with certainty. We have chosen to use the Portuguese form since the Portuguese seem to have adopted him as one of their philosophers more frequently than have the Spanish. BOOK REVIEWS 93 would have to use the extensive notes made by H. P. Cazac, who died before he could utilize all of the material which he had collected,z For these reasons one might look to Miccolis' book as a new contribution to Sanches studies. One is bound to be disappointed, however, for little new material is brought forth here and even previous studies on Sanches are not fully utilized. Although this study has the format of a book, its length is little more than that of a substantial article (ca. 25,000 words). After a very brief introductory section on the life and works of Sanches, the author treats the Quod nihil scitur and 'Sanches and medicine' in... (shrink)

This paper examines the ethical and legal duties of confidentiality owed by the nurse, with special reference to obligation to the employer. The main focus is on exploring the parameters of that duty and determining circumstances in which it might be ethically and legally justifiable to disclose confidential information. It is submitted that the obli gation to preserve the confidence of the patient or employer is relative rather than abso lute. In exceptional cases, disclosure is permissible in order to prevent (...) harm to others or to promote a greater public good. A number of suggestions for reform are also made, with a view to reinforcing nurses' ethical and legal rights to exercise discretion to dis close confidential information in appropriate cases in order to protect themselves from victimization by employers. Cet article passe à l'examen les devoirs éthiques et légales de la confidence que les infirmiers/ères doivent obligatoirement à leur employeur. Le point de mire est l'exploration des donnés de cette obligation, et la détermination des circonstances dans lesquelles il est légitime, éthiquement et légalement, d'exposer de l'information confidentielle. Il est suggéré que l'obligation de préserver la confiance du malade ou de l'employeur est relative plutôt qu'absolu. Dans des cas exceptionels pourtant, la révélation d'information est permisible pour prévenir le mal des autres ou pour promouvoir un plus grand bien public. Quelques suggestions pour réformes sont proposées en vue du renforcement des droits éthiques et légales des infirmiers/ères d'exercer la discretion en ce qui concerne la révélation d'information dans des cas bien choisis, et de les protéger des représailles de l'employeur. Dieser Artikel prüft die ethischen und legalen Pflichten des Vertrauens, die das Pflegepersonal dem Arbeitsgeber schuldet. Das Zentrum des Arguments ist eine Untersuchung dieser Pflichten, und eine Festsetzung der Umstände, in welchen es ethisch und rechtlich möglich ist, Information bekannt zu machen. Es ist anerkennt, dass die Pflicht des Vertrauens des Patienten oder des Arbeitsgebers zu behalten, eher relativ als absolut ist. In aussergewöhnlichen Fällen jedoch ist die Bekanntgabe von Information erlaubt, um das Böse zu verhindern und das Gute aller zu fördern. Eine Anzahl von Vorschlägen für Reformen sind gemacht, mit der Absicht, die ethischen und legalen Rechte des Pflegepersonals, in gegebenen Fällen Information bekannt zu machen, zu verstärken, und es von ungerechter Behandlung eines Arbeitsgebers zu schützen. (shrink)

Of course, it may be said that the impulsion to “make sense of existence” is just the beginning of wish fantasy, a desperate subterfuge to conceal the unbearable truth that existence is indeed absurd. This may be the case. But at least let us give the matter a hearing before we make up our minds to dis miss it.1.

Hume is widely regarded as the grandfather of emotivism and indeed of non-cognitivism in general. For the chief argument for emotivism - the Argument from Motivation - is derived from him. In my opinion Hume was not an emotivist or proto-emotivist but a moral realist in the modern ‘response-dependent’ style. But my interest in this paper is not the historical Hume but the Hume of legend since the legendary Hume is one of the most influential philosophers of the present age. (...) According to Michael Smith ‘the Moral Problem’ – the central issue in meta-ethics - is that the premises of Hume’s argument appear to be true though the non-cognitivist conclusion appears to be false. Since the argument seems to be valid, something has got to give. Smith struggles to solve the problem by holding on to something like the premises of the argument whilst trying to fend off the conclusion. In my view this is a wasted effort. Hume was not arguing for non-cognitivsm in the first place, and the arguments for non-cognitivism that can be extracted from his writings are no good. Either the premises are false or the inferences are invalid. And this is despite the fact that Hume was substantially right about reason and the passions. Thus ‘the Moral Problem’ is not a problem, and the legendary Hume does not deserve his influence. -/- An important theme in this paper is the concept of a DTAD or a dispositions to acquire desires. These play an important role in motivation but unlike desires (with which they are sometimes confused ) they are NOT propositional attitudes. (shrink)

In part one of this essay i defend the thesis that the "greatest genera" of the "sophist" are not the metaphysical ideas of the earlier dialogues, and that the "participation" of these genera in each other is to be understood from a linguistic or logical, rather than metaphysical, perspective. the genera are like concepts, not essences. in part two i argue that the stranger's doctrine of the genera means that they cannot be unified, self-predicative, separable, and stable; the doctrine deteriorates (...) for reasons internal to itself. i suggest throughout that the stranger's philosophical orientation is more "subjectivistic" than that of (plato's) socrates; unlike the ideas, the genera are subject to the soul's intellectual motion and productive capacity. finally, i suggest that there is no convincing reason for holding that the stranger's views are superior to those of socrates. (shrink)