Nation-wide community quarantines and social distancing are part of the new normal because of the global COVID-19 pandemic. Since extensive and prolonged lockdowns are relatively novel experiences, not much is known about the well-being of individuals in such extreme situations. This research effort investigated the relationship between well-being elements and resiliency of 533 Filipino adults who were placed under the nationwide enhanced community quarantine during the COVID-19 pandemic. Participants comprised of 376 females and 157 males. The median and mode ages (...) of the participants is 23 years, while 25 is the mean age. PERMA Profiler was used to measure participants’ well-being elements, while Connor-Davidson Resiliency Scale-10 was used to measure their resiliency. Collected data were analyzed using the regression model and necessary condition analysis. This study corroborated that all the five pillars of well-being are significant positive correlates of resiliency in quarantined adults. The results shown accomplishment positively predicts resiliency, while negative emotions negatively predict resiliency. Lastly, the five pillars of well-being are necessary-but-not-sufficient conditions of resiliency. Our results cast a new light on well-being elements as constraints rather than enablers of resiliency. This novel result shows that optimum resiliency is only possible when all the five pillars of well-being are taken care of and when a person is at least minimally contented with their physical health. The present findings underscore the importance of a holistic as against an atomistic approach to maintaining good mental health, which suggests that deficiencies in certain areas of well-being may not be fully addressed by overcompensating on other areas, as all five pillars of well-being are necessary-but-not-sufficient conditions of resiliency. The study ends with the recommendation for the use of necessary condition analysis to study both classical and novel psychological research problems. (shrink)

Anselm’s original argument for the existence of God seems to pull in opposite directions. On the one hand, it is not easy to see what, if anything, is wrong with it; on the other, it seems incredible that the existence of a being like God could be proved entirely a priori. This paper presents a diagnosis of what seems to be wrong with Anselm’s original reasoning. The diagnosis is general enough to be of use elsewhere, and it is this: conceptual (...) possibilities are inferential dead-ends, not free inference tickets to prove any substantial claim. It remains to be seen if other versions of Anselm’s original insight, both contemporary and not, fall into the same conceptual possibility trap. (shrink)

The aim of this work is to analyze a political concept derived from a religious myth. I will analyze both by means of the genealogical method of the mimetic violence because this genealogical method looks for the origin of concepts and myths within the human culture. Its basic assumption goes like this: the mimetic sacrifice causes the ritual sacrifice, and the ritual sacrifice causes in its turn the myth and the prohibitions. The political concept, derived from the mimetic violence, is (...) the notion of concord or unanimity.One critic says of René Girard: "Girard is one of the last hedgehog types who survive, according to Isaiah Berlin's typology subtly deduced of Archilochus's dictum: the fox knows many... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Theory of the Apophantic Judgment According to René GirardDesiderio Parrilla Martínez (bio)introduction: criticism of judgment in rené girardIn his essay "Belief (Cultural Memory in the Present)" ("Credere di credere") Gianni Vattimo stated the conditions of possibility of a "weak and post-metaphysical Christianity" founded in René Girard´s victimary hypothesis.1 According to Vattimo, mimetic theory allows abandoning traditional metaphysics and the classical theory of truth, based on the judgment. In later (...) works, Vattimo insisted on the epistemological virtues of mimetic theory to reform the classical theory of adequacy2 and the theological implications of this reform.3 Mimetic theory definitely unmasks the violence of the "strong metaphysic," to enable the advent of a weak metaphysics and a kenotic theology based on love: "According to him, it is the survival of the victim-based mechanism, albeit in attenuated form, that explains the recurrence of violence in the history of Christianity. To complete Girard's argument, we learn from Heidegger that what Girard calls the victim-based mechanism is metaphysical objectivism."4 The Erlebnis (non-conceptualized experience) of this theological weakening [End Page 147] has occurred as an event from a previous epistemological weakening, which mimetic theory itself contributes to consolidating.5This drift toward the epistemological nihilism generated a debate between Gianni Vattimo and René Girard, who rejected this conclusion drawn from his mimetic theory.6 The transcript of this controversy first appeared in Verità o fede debole? Dialogo su cristianesimo e relativismo (2006) [Christianity, Truth, and Weakening Faith (2011)], a compilation of three dialogues on three fundamental concepts: truth, secularization, and relativism. In the first part, focused on the epistemological question of truth, Girard affirms he isn't accurately recognized in Vattimo´s thought, showing his distance and warning that, unlike the Italian thinker, his thinking is primarily realistic: "Personally, I agree with Vattimo when he says that Christianity is a revelation of love, but I do not exclude that it is also a revelation of truth. Because truth and love coincide and are one in Christianity."7 In the same chapter, Vattimo challenges René Girard for not having extracted the ultimate consequences of his mimetic theory, because he stays trapped in the realistic ontology of a pre-mimetic mentality: [Vattimo:] "In sum, the only thing I really can't go along with in Girard is his faith in the salvific power of truth, whether it be revealed or discovered by science."8However, in the controversy René Girard could not fail to recognize the central thesis of Gianni Vattimo, according to which his work involved a critique of the classical interpretation of judgment: "I think that there is some kind of incompatibility between traditional philosophy and mimetic theory. I feel, for instance, that scholars influenced by Thomism are handicapped in regard to mimetic theory, because they have to work with neatly distinguished categories. Philosophy is looking for logical foundation as well. It is difficult for philosophers to accept a mechanism that triggers opposite effects. Therefore, it always excludes the real anthropological foundation."9 René Girard acknowledges that in his eagerness to keep up the anthropo-genesis, he cannot avoid judging the theory of judgment from the mimetic theory.10 This critique appears since the beginning of his investigation in Things Hidden since the Foundation of the World, when Girard distinguishes between Heraclitus's logos and the logos of John's gospel.11 In Violence and the Sacred he proceeded to investigate the historical origins of both forms of logos and discovered that a hidden reality underlay the evidence of the canonical judicative structure, using the resources of Derridean deconstruction, of which Girard acknowledges his debt.12René Girard's relationship with philosophy is problematic. Mimetic theory criticizes all human cultural constructions, including mythology and philosophy. However, in The Scapegoat René Girard approaches the issue of "judgment" as a place of truth. His relationship with philosophy therefore needs to be [End Page 148] recognized and his contribution valued. In this work Girard exposed the evolution and transformations that have resulted in the classic judicative structure, showing the assumptions of the last supplement of logical truth.13 In Of Grammatology Derrida took up the term "suppl... (shrink)

This text highlights not only how highly Charles S. Peirce esteems philosophical study, but also the close connection between philosophy and science, something he always emphasized. For Peirce, as for medieval scholars, philosophy —even metaphysics— should be pursued with a scientific attitude. I believe following his counsel here is essential to thinking about how philosophy should be taught today. -/- My exposition is divided into four sections: 1) A brief presentation of Peirce, focusing on his work as a professional scientist (...) and a scientific philosopher; 2) Peirce considered as an educational philosopher; 3) Some practical suggestions I have drawn from Peirce's ideas and from my experience teaching philosophy today; and finally, 4) A brief conclusion. (shrink)

This paper provides the framework for understanding Galileo’s request to the Grand Duke of Tuscany, in 1610, to be appointed in Florence as both Mathematician and Philosopher. By explicitly choosing such a title, he wished to stress the fact that his own work aimed at contributing to the new physical astronomy with which Copernicus inaugurated what is now called the Scientific Revolution. As opposed to Ptolemy, who understood astronomy as a purely mathematical tool in order to “save the phenomena” and (...) allow for accurate predictions, Galileo – very much in line with Copernicus and Kepler, as well as Newton after him – supported the reality of the Copernican system not only against Aristotle and Ptolemy, but also against Tycho Brahe. And, as it turned out after 1616, against the Church itself, which, in full accord with Osiander’s unsigned preface to the De revolutionibus, refused to see in the Copernican theory anything more than a mere working hypothesis to which astronomers were allowed to appeal only for computations. (shrink)

Psiche sets up a close-knit comparison between the psychology of Plato's Republic and Freud's psychoanalysis. Convergences and divergences are discussed in relation both to the Platonic conception of the oneiric emergence of repressed desires that prefigures the main path of Freud's subconscious, to the analysis of the psychopathologies related to these theoretical formulations and to the two diagnostic and therapeutic approaches adopted. Another crucial theme is the Platonic eros - the examination of which is also extended to the Symposium and (...) Phaedrus - taken up explicitly by Freud in relation to the concept of libido. Finally, the author also addresses the two themes - of, inter alia, a metapsychological nature - inherent to the moral dimension. -/- Psiche istituisce un confronto ravvicinato tra la psicologia della "Repubblica" di Platone e la psicoanalisi di Freud. Convergenze e divergenze vengono discusse in relazione sia alla concezione platonica dell'emersione onirica dei desideri repressi, che prefigura la via regia per l'inconscio di Freud, sia all'analisi delle psicopatologie correlate a tali impostazioni teoriche, sia ai due approcci diagnostici e terapeutici adottati. Altro tema cruciale è l'eros platonico - la cui disamina viene estesa anche al "Simposio" e al "Fedro" - ripreso esplicitamente da Freud in relazione al concetto di libido. L'autore affronta, infine, le due tematizzazioni, di natura metapsicologica e non solo, inerenti alla dimensione morale. (shrink)

Dan ZAHAVI, Husserl and Transcendental Intersubjectivity. A Response to the Linguistic-Pragmatic Critique ; Françoise DASTUR, Chair et langage. Essais sur Merleau-Ponty ; Jean GREISCH, Michel Henry et l’épreuve de la vie ; Elisabeth STRÖKER, The Husserlian Foundations of Science ; John McCUMBER, Metaphysics and Oppression, Heidegger’s Challenge to Western Philosophy ; Marc RICHIR, Phénoménologie en esquisses. Nouvelles fondations ; Raphaël GÉLY, La genèse du sentir. Essai sur Merleau-Ponty ; John SALLIS, Force of Imagination: The Sense of the Elemental ; Bin (...) KIMURA, L’entre. Une approche phénoménologique de la schizophrénie ; Dermot MORAN, Tim MOONEY, The Phenomenology Reader ; Ion COPOERU, Structuri ale constituirii ; Fabio CIARAMELLI, La distruzione del’desiderio. Il narcisismo nell’epoca di consumo di massa ; Pierre KELLER, Husserl and Heidegger on Human Experience. (shrink)

In Horae canonicae W. H. Auden ha messo a tema la dimensione mi­metica della condizione umana. Il saggio ricostruisce in tal senso l’an­tropologia negativa di Auden, prendendo le mosse dall’analisi del desi­de­rio di riconoscimento quale elemento centrale dell’identità storica. Attra­ver­so una lettura dei motivi della folla e del doppio, e sullo sfondo del poe­ma The Age of Anxiety e della produzione saggistica di Auden, si mo­stra che la «routine della lode e del biasimo» innesca meccanismi imi­tativi di sdoppiamento e rivalità (...) che, se da un lato anticipano le tesi di Ca­netti e Girard, dall’altro rinviano a una concezione mi­metico-rituale e mi­metico-negativa della poesia.In Horae canonicae W.H. Auden brings into focus the mimetic dimension of human condition. This essay reconstructs Auden's negative anthropology, starting from his analysis of the desire for recognition as a central feature of historical identity. Through an interpretation of the themes of the crowd and of the double, and on the background of the long poem The age of anxiety and of his literary essays, it will be shown that for Auden the «routine of praise and blame» ignites mechanisms of rivalry and doubling that, besides anticipating some ideas of Canetti and Girard, are connected with a ritual and negative mimetic conception of poetry. (shrink)

In questo dialogo radiofonico del 1964 Bloch e Adorno discutono della nostalgia per ciò che non è ancora, per un qualcosa che manca, come af¬fermato nel Mahagonny di Bertolt Brecht. L’utopia, in Moro e Campa¬nella, era l’isola in cui vigeva uno stato di cose giusto, la optima res pu¬blica. L’utopia è quindi ricerca di realizzazione, di libertà, di giustizia. Nonostante oggi la parola ‘utopia’ sia caduta in discredito a causa del com¬piersi di un gran numero di cosiddetti sogni utopici, tutti (...) gli uomini si ren¬dono conto che qualcosa di meglio è davvero possibile. Bloch sostiene che l’utopia è una parte ineliminabile del pensiero, mentre Adorno argomenta che l’idea di utopia coincide con la trasformazione della totalità, con la ca¬pacità, da riconquistare, di immaginare la totalità come qualcosa che po¬trebbe essere completamente differente.In this 1964 radio talk, Ernst Bloch and Theodor W. Adorno debate about the desire for something that is not, for «Something’s missing», as stated by Bertolt Brecht’s Mahagonny. Utopia, by Thomas More and Tommaso Campanella, was the island of good social order, optima res publica: uto¬pia is then search for happiness, for freedom, for justice. Though nowa¬days ‘utopia’ has become discredited by the fulfilling of a large number of so-called utopian dreams, all men know that something better is really pos¬sible. Bloch argues that utopian thinking is a fundamental part of thought itself, while Adorno states that the idea of utopia coincide with the trans¬formation of totality: men must reconquest the capability to imagine the totality as something that could be completely different. (shrink)

The aim of this paper is twofold. Firstly to show the partial agreement between two ap-proaches to capitalism, considered as will of power and perverse metamorphosis of desire: Magatti’s conception of ‘techno-nihlist capitalism’ and the idea of ‘libidinal economy’, proposed by Deleuze&Guattari and Lyotard. Secondly, to evaluate the difference be-tween Magatti and Deleuze, in the light of the impact of financial crisis, understood as contraction of will of power and crisis of desire. From this clinical point of view, what is (...) at stake is reconceptualizing the nature of desire as a generative power, against the deleuzian concept of desire as nomad and anonyme flux: the key question is the possibility to think the will of power as a desire to shape social bonds, beyond its perverse temptation to kill the Other. (shrink)

: Sinhababu’s Humean Nature contains many interesting and important ideas, but in this short commentary I focus on the idea of vivid representations. Sinhababu inherits his idea of vivid representations from Hume’s discussions, in particular his discussion of calm and violent passions. I am sympathetic to the idea of developing Hume’s insight that has been largely neglected by philosophers. I believe that Sinhababu and Hume are on the right track. What I do in this short commentary is to raise some (...) questions about the details. The aim of asking these questions is not to challenge Sinhababu’s proposal, but rather to point at some interesting issues arising out of his proposal. The questions are about the nature of vividness, the effects of vivid representations, and Sinhababu’s account of alief cases. Keywords: Vivid Representation; Desire; Procrastination; Akrasia; Alief Le rappresentazioni vivide e i loro effetti Riassunto: Humean Nature di Neil Sinhababu contiene molte idee interessanti e importanti; tuttavia in questo breve commento intendo concentrarmi sulle rappresentazioni vivide. Sinhababu eredita l’idea di rappresentazione vivida dalle analisi di Hume, in particolare dall’analisi delle passioni calme e violente. Condivido l’intento di sviluppare questa intuizione di Hume, ampiamente trascurata dai filosofi. Credo che Sinhababu e Hume siano sulla strada giusta. Quanto intendo fare in questo breve commento è sollevare alcune questioni di dettaglio, il cui fine non è quello di mettere in discussione la proposta di Sinhababu, quanto piuttosto di indicare alcuni punti interessanti che emergono dalla sua proposta. Le mie questioni investono la natura della vividezza, gli effetti delle rappresentazioni vivide e la descrizione di Sinhababu dei casi di alief. Parole chiave: Rappresentazione vivida; Desiderio; Temporeggiare; Akrasia; Cattiva volontà. (shrink)

Mauro Carbone’s The Flesh of Imagesexplores the status of images as the precession of the invisible and the visible in Merleau-Ponty’s notion of “sensible ideas” ideas, but is at the same time a concise, original, and illuminating exploration of Merleau-Ponty’s sense of the flesh and his later philosophy, as well as speculating on an important historical shift in the sense of Being. Carbone articulates the flesh as the traversal, by Visibility, of the seer as Being, where the invisible is shown (...) forth indirectly by the visible and is ultimately the activity of visible Being that manifests a sort of desire to see itself through enveloping the visible beings that are seers. Carbone utilizes the notion of “voyance” as a seeing further into what had not been present before as the opening of a latency that is carried forth as the invisible’s pregnancy within the visible that ultimately brings into undecidability the primacy of perception and that of imagination,as well as being a retrograde movement within time that allows access to a mythical time and renders a differing, an immemorial time that has never been—the time in which Proust’s and Merleau-Ponty’s “sensible ideas” live. Carbone details Merleau-Ponty’s“ontological rehabilitation of the surface” in which the surface like the film screen is no longer a veil as constituting an obstacle, but rather is the surface of manifestation of Being, expressing the modern mutation in the relation to Being.Dans The Flesh of Images, Mauro Carbone explore le statut des images en tant que précession du visible et de l’invisible à partir de la notion d’« idées sensibles », mais il offre en même temps une étude à la fois synthétique, originale et éclairante du sens de la chair et de la pensée du dernier Merleau-Ponty, ainsi qu’une réflexion théorique sur un tournant historique fondamental dans le sens de l’Être. Carbone articule une pensée de la chair comme ce qui est transversal – par la Visibilité – au voyant en tant qu’Être, où l’invisible se donne à voir de manière indirecte à même le visible et est ultimement l’activité de l’Être visible qui vient manifester une sorte de désir de se voir par le fait même d’envelopper les êtres visibles qui sont voyants. Carbone se sert ainsi de la notion de « voyance » en tant que voir plus ou plus loin ce qui ne s’est pas encore présentifié comme l’ouverture d’une latence qui est portée en tant que prégnance invisible au sein du visible, ce qui fait que le primat entre perception et imaginaire devient indécidable, se construisant comme un mouvement temporel rétrograde, qui donne accès à un temps mythique et réalise un temps différé et immémorial qui n’a jamais été présent – le temps des idées sensibles de Proust et de Merleau-Ponty. Carbone expose la « réhabilitation ontologique de la surface » opérée par Merleau-Ponty en ce que la surface de l’écran cinématographique ne fonctionne plus comme un voile, c’est-à-dire ne constitue plus un obstacle, mais est plutôt la surface sur laquelle l’Être se manifeste, en exprimant la mutation contemporaine de notre relation à l’Être. The Flesh of Images di Mauro Carbone esplora lo statuto delle immagini come precessione di visibile e invisibile, secondo la nozione merleau-pontiana di “idee sensibili”, ma allo stesso tempo costituisce un’indagine concisa, originale e illuminante del concetto di carne e del pensiero dell’ultimo Merleau-Ponty. Il volume riflette inoltre su un importante slittamento storico nella concezione dell’Essere. Carbone articola il concetto di carne come ciò che è trasversale, attraverso la Visibilità, al vedente in quanto Essere, in cui l’invisibile appare indirettamente attraverso il visibile e in cui, in ultima analisi, è l’attività dell’Essere visibile che manifesta una sorta di desiderio di vedere se stesso rivestendo quegli esseri visibili che sono i vedenti. Carbone impiega la nozione di “voyance” per indicare un vedere oltre che coglie ciò che non si è ancora reso presente. Si tratta dell’apertura di una latenza che emerge come pregnanza dell’invisibile all’interno del visibile. Tale dinamica conduce a un’indecidibilità del primato della percezione e dell’immaginazione, costituendo al contempo un movimento temporale retrogrado che permette di accedere a un tempo mitico e che realizza un tempo differito e immemoriale che non è mai stato presente – il tempo delle “idee sensibili” di Proust e di Merleau-Ponty. Carbone espone la “riabilitazione ontologica della superficie” condotta da Merleau-Ponty, secondo cui la superficie dello schermo cinematografico non è più un velo che ostacola, ma piuttosto una superficie su cui l’Essere si manifesta, che esprime la trasformazione contemporanea della nostra relazione all’Essere. (shrink)

Throughout history, dogmatists and sceptics of various branches have been inclined to agree on the description of man as a 'filaletes zoon' - a 'truth-loving animal' as Sextus Empiricus had defined him - on the fact that 'the desire to know is innate in man' and on interpreting this as the ideal force inspiring the search for knowledge. The two parties have, however, always dissented considerably about the consequences to be drawn from such a vision of man as a knowledge-seeker. (...) This paper seeks to clarify the discrepancies occurring between the sceptical and the dogmatic understanding of man's epistemophilics impulse, through first using the metaphysical argument ex communi omnium sciendi desiderio proposed by Pierre de Villemandy in his Scepticismus Debellatus, and then Cicero's more sceptical and purely anthropological reading of the characterization of man as a knowledge-seeker. The paper then goes on to discuss the salient features that in different times and manners have characterized the philosophical debate on the topic. (shrink)

Portuguese translation by Desiderio Murcho of "Could God's Purpose Be the Source of Life's Meaning?" (Religious Studies 2000).

The essay aims to disclose British sociologist Ruth Levitas’s proposal regarding the thorny issue of the lack of consensus about the definition of the concept of utopia, a issue which, in the Levitas’s view, results in a widespread terminological confusion and in the omnipresent risk of arbitrary selection of the material. After an accurate analysis of the main theoretical and epistemological approaches on the topic, Levitas suggests an inclusive definition which would allow to cross the boundaries imposed by «restrictive» characterizations, (...) for the purpose of creating a higher degree of agreement with regards to what may be included within the concept of "utopia". Too «limitative» definitions would instead lead to misleading conclusions about the destiny and the function of the utopian genre, among which the widespread belief that utopia is in decline or, even worse, definitively disappeared. Finally, Levitas suggests a «sociology of utopia» through an analysis of the correlations between the two form of knowledge, correlations which, in her view, has been repressed for decades. (shrink)

: In this commentary on Sinhababu’s Humean Nature I will explore three lines of inquiry. The first asks about the explanatory power of the Desire-Belief Theory of Reasoning, by way of wondering about how desires and beliefs combine with one another. The second question continues along these lines, asking about the further conditions Sinhababu places on reasoning and whether a theory of reasoning can be normatively neutral. The third points out the need for more clarity in his account of intention (...) by contrasting it with practical reasoning. Keywords: Desire; Belief; Humean Psychology; Intention; Practical Reasoning Meccanica e psicologia del ragionamento pratico Riassunto: In questo commento su Humean Nature di Neil Sinhababu intendo esplorare tre linee di indagine. La prima si interroga sul potere esplicativo della Desire-Belief Theory of Reasoning, indagando come desideri e credenze si combinano reciprocamente. La seconda prosegue su questa strada, interrogando le ulteriori condizioni che Sinhababu pone sul ragionamento e chiedendomi se una teoria del ragionamento possa essere normativamente neutrale. La terza individua il bisogno di maggiore chiarezza nella sua descrizione dell’intenzione, mostrandone le differenze rispetto al ragionamento pratico. Parole chiave: Desiderio; Credenza; Psicologia humeana; Intenzione; Ragionamento pratico. (shrink)

It is precisely through movement that the subject inscribes itself into the world and becomes visible to others. The subject is a movement directed to the outside, that is to say, the subject is desire. Desire is the “tension” toward the “extrême dehors” that we call the world. In all of his works Maurice Merleau-Ponty reaffirms, without thematizing it, a conception of life as movement, and of body as action and desire: the human being is “a certain lack of....” In (...) other words, it is the distance between myself and the absent that drives me to move, to annul the distance through motion. Thus life is nothing but the unfinished act of moving into space and thereby creating space—the space in which we, as desire and movement, encounter both others and the world. As the act of moving is the way one appears to another, every relationship is based on appearing. In short, life is the movement that leads us towards the world and coincides with our desire to make it appear.C’est précisément par le mouvement que le sujet s’inscrit dans le monde et devient visible pour les autrui. Le sujet est un mouvement dirigé au dehors, c’est-à-dire, le sujet est désir. Le désir est la « tension » vers le « dehors extrême » que nous appelons le monde. Partout, Merleau-Ponty affirme, sans la thématiser explicitement, une conception de la vie comme mouvement, et une conception du corps comme action et désir : l’homme est « un certain manque de ». En d’autres termes, c’est la distance entre moi-même et l’absente qui me force à bouger, à annuler la distance à partir du mouvement. Donc la vie n’est rien que l’acte inachevé de bouger dans l’espace et par là la création de l’espace – l’espace dans lequel nous, comme désir et mouvement, rencontrons les autrui et le monde. Comme l’action est le moyen par lequel l’un apparait à l’autre, tous les rapports sont basés sur l’apparence. En bref, la vie est le mouvement qui nous amène vers le monde et qui coïncide avec notre désir de le faire apparaître.È attraverso il movimento che il soggetto si iscrive nel mondo e diviene visibile per l’altro. Il soggetto è un movimento in direzione del “fuori”, il che significa che il soggetto è desiderio. Il desiderio è “tensione” verso quell’“estremo fuori” che chiamiamo mondo. Ovunque Merleau-Ponty riafferma, senza tematizzarlo esplicitamente, una concezione della vita come movimento, e una concezione del corpo come azione e desiderio: l’uomo è “una certa mancanza di”. In altri termini, è la distanza tra me e l’assente che mi forza a muovermi, ad annullare la distanza tramite il movimento. Dunque la vita non è che l’atto incompiuto di questo muoversi nello spazio e di questo creare lo spazio – lo spazio nel quale noi come desiderio e movimento incontriamo gli altri e il mondo. E poiché l’azione è il mezzo attraverso cui l’uno appare all’altro, tutti i rapporti sono basati sull’apparenza, e la vita è il movimento che ci conduce verso il mondo e che coincide col nostro desiderio di farlo apparire. (shrink)

Ruins, their evocations and enigmas, have been a source of fascination since the advent of civilization. Both coordinating and distressing the relations of space and time, ruins are unparalleled catalysts of cultural analysis, as both history and adumbration. Ruins, and the concept of ruin on which they ‘rest’ and through which they decay, can be regarded in space, as strata, in time, as sedimenta, and in dynamic terms, as lamina. This essay works down through each focusing on the forceof ruin (...) occurring between them. The essay itself is a lamination: Anselm Kiefer's exploration of ruins as artefacts, in recent works such as ‘Falling Star’, shown at Paris’ Grand Palais in the summer of 2007 as the first installation in its Monumenta series, plays across many dimensions of ruins’ themes; Derrida's exploration of the very idea of ruin – not ruins but ruin, as artefacture – conceptualizing ruins’ liminal nature, at the very limit of phenomenology, in Mémoires d'aveuglesand elsewhere; the ruin-caught-in-motion of the virtually unknown French-Italian painter ‘Monsù Desiderio’; and the linguistic ruin of Samuel Beckett's ‘D'un ouvrage abandonné’ and ‘Sans’. Each contributes to the others as ruins and ruin accumulate. Finally, ruin's decay passes into and through a passe partout into the uninhabitable. (shrink)

Phénoménologie de la vie et cosmologieJ’ai établi dans mes précédents ouvrages que la corrélation universelle entre l’étant transcendant et la subjectivité, corrélation qui constitue l’objet propre de laphénoménologie, mettait originairement en rapport une Vie et un Monde plutôt qu’une simple conscience et son objet. J’ai donc montré que la phénoménologie s’accomplissait sous la forme d’une phénoménologie de la vie comprenant celle-ci comme le sens originaire de la conscience, elle-même déterminée comme désir pour autant qu’elle est traversée par une vie qui (...) la déborde et l’ouvre à une transcendance. Mais il reste à s’interroger sur l’être même de cette relation, sur le soubassement ontologique permettant de rapporter l’un à l’autre la vie et le monde. Ceci revient à questionner l’essence même de la vie, en tant que sa différence, comme vie subjective, n’exclut pas mais appelle au contraire son appartenance au monde. Je voudrais montrer que c’est au plan du mouvement et, par conséquent, dans le cadre d’une dynamique phénoménologique que cette articulation est pensable. En rapportant la vie au mouvement qui la caractérisecomme désir et le monde au procès « physique » de phénoménalisation qu’il est en dernière analyse et dans lequel le mouvement de la vie s’inscrit, on se donne les moyens d’articuler vie et monde et de dépasser ainsi leur dualité vers leur sol ontologique commun.Fenomenologia della vita e cosmologiaHo stabilito nelle mie opere precedenti che la correlazione universale tra l’ente trascendente e la soggettività, correlazione che rappresenta l’oggetto proprio della fenomenologia, metteva originariamente in rapporto una Vita e un Mondo piuttosto che una semplice coscienza e il suo oggetto. Ho dunque dimostrato che la fenomenologia si realizzava sotto la forma di una fenomenologia della vita che comprende quest’ultima come il senso originario della coscienza, a sua volta determinata come desiderio in quanto attraversata da una vita che la oltrepassa e l’apre ad una trascendenza. Ma bisogna ancora interrogarsi sull’essere stesso di questa relazione, sul fondamento ontologico che permette di mettere in rapporto reciproco la vita e il mondo. Questo porta a mettere in questione l’essenza stessa della vita, in quanto la sua differenza, come vita soggettiva, non esclude ma implica al contrario la sua appartenenza al mondo. Vorrei mostrare che è sul piano del movimento e, di conseguenza, nel contesto di una dinamica fenomenologica, che questa articolazione è pensabile. Rapportando la vitaal movimento che la caratterizza come desiderio e il mondo al processo « fisico » di fenomenalizzazione nel quale in ultima analisi esso consiste e nel quale il movimento della vita s’iscrive, possiamo articolare vita e mondo e oltrepassare così la loro dualità verso il loro suolo ontologico comune. (shrink)

L’autore presenta lo sviluppo del proprio metodo a partire dal background psicologico sperimentale da cui proviene e dal quale ha preso le distanze, a partire dal desiderio di studiare l’essere umano con un approccio globale, un metodo scientifico non frammentario. L’incontro con la filosofia di Edmund Husserl ha connotato questo suo percorso, in essa egli ha scoperto un approccio che rendesse possibile la ricerca sui fenomeni umani proprio con i criteri che andava inseguendo. Il metodo di ricerca che ha (...) quindi elaborato si basa sul lavoro di Husserl e di Merleau-Ponty. L’articolo descrive brevemente questo metodo.The author explains that his background was in experimental psychology but that he wanted to study the whole person and not fragmented psychological processes. He also desired a non-reductionistic method for studying humans. Fortunately he came across the work of Edmund Husserl and discovered in the latter’s thought a way of researching humans that met the criteria he was seeking. Eventually he developed a phenomenological method for researching humans in a psychological way based upon the work of Husserl and Merleau-Ponty. This article briefly describes the method. (shrink)

Studi e relazioni: Una "sorta di amaro de fortuna" : la vita di Castruccio Castracani da Lucca (1520) -- L'uomo "è pienamente uomo unicamente quando gioca" : istinto del gioco ed eeducazione estetica in Friedrich Schiller -- Iatròs philósophos isótheos : Karl Jaspers e la relazione medico-paziente nell'età della tecnica -- L'incidenza delle TIC sulla didattica della storia della filosofia -- Prefazioni e presentazioni: Il Campanella di Paul Lafargue -- Marcuse e Fromm lettori e interpreti dei Manoscritti del 1844 di (...) Karl Marx -- "Democrito che 'l mondo a caso pone"? : Enriques interprete di Democrito e dell'atomismo antico -- Alle origini della "Nuova lettura di Marx" : Backhaus su Adorno e Marx -- L'angoscia e le metamorfosi dell soggetto nella crisi del moderno : per un'etica del desiderio -- Note e recensioni: La differenza nomologica e il bisogno di giustizia delle masse -- Eduard Gans : un professore politico tra Restaurazione e Vormärz -- Ludwig Feuerbach : antropologia ed etica -- America Latina e Occidente : tra filosofia e letteratura. (shrink)

Abstract: Il testo viene pubblicato per gentile concessione della casa editrice ESI ed e’ tratto dal libro di Stefano Ulliana “Il concetto creativo e dialettico dello Spirito nei Dialoghi Italiani di Giordano Bruno. Il confronto con la tradizione neoplatonico-aristotelica: il testo bruniano De l’Infinito, Universo e mondi”, Edizioni Scientifiche Italiane, Napoli, 2003. -/- Le argomentazioni presentate ne Il concetto creativo e dialettico dello Spirito nei Dialoghi Italiani di Giordano Bruno (Il confronto con la tradizione neoplatonico-aristotelica: il testo bruniano De l’Infinito, (...) Universo e mondi) costituiscono le conclusioni ultime e definitive di un lavoro di ricerca che ha investito l’insieme dei Dialoghi Italiani, riuscendo a reperire ed a far emergere quello che pare il nucleo più profondo ed importante—il vero e proprio elevato fondamento—della speculazione bruniana: la presenza attiva di un concetto triadico teologico-politico—il Padre, il Figlio e lo Spirito della tradizione trinitaria cristiana—però riformulato attraverso il capovolgimento rivoluzionario di questa stessa tradizione, attuato attraverso il concetto creativo e dialettico dell’infinito. In questo modo la stessa tradizione platonica pare subire una trasformazione essenziale, abbandonando qualunque forma di alienazione e negazione, per riaprirsi invece verso soluzioni che paiono riprendere moniti ed osservazioni suscitati dalle prime, grandi e maestose, speculazioni dei filosofi presocratici. Parmenide, Eraclito ed Empedocle sembrano rivivere nei testi bruniani, riproponendo una soluzione ben diversa a quei nodi e problemi teoretico-pratici—fondamentale il rapporto Uno-molti e tutto ciò che da esso consegue, sia sul piano naturale che politico—apparentemente risolti e codificati dal pensiero postsocratico, prima platonico e poi aristotelico. L’inscindibilità del principio di libertà (la figura teologica del Padre) ed eguaglianza (il Figlio), attraverso il richiamo alla fonte amorosa infinita ed universale (lo Spirito), consente alla riflessione bruniana di presentare per la prima volta nel panorama filosofico mondiale di tutti i tempi la possibilità di salvaguardare sia l’aspetto creativo naturale, che la diversità politica, presentando nel contempo un concetto di ragione capace di esprimere un movimento infinito sempre aperto ed attento alla molteplicità. In questa liberazione della potenza e della volontà dalle strettoie ordinate e gerarchiche della tradizione il pensiero e la riflessione di Giordano Bruno danno inizio alla modernità, ripresentandosi quale mirabile soluzione ogni qual volta potere e violenza paiono assestarsi e reciprocamente incrementarsi, in un circolo apparentemente indistruttibile. -/- Allora i capitoli di questo libro—attraverso l’analisi di concetti importanti nella filosofia bruniana, quali quelli del desiderio e dell’immaginazione, della materia e della ragione—riattraversano la storia della definizione filosofica delle entità reali più importanti—Dio, Natura, Ragione, Uno—per mostrare un’opposizione fondamentale: l’opposizione fra la fusione speculativa apportata dal pensiero neoplatonico-aristotelico (antico, moderno e contemporaneo), attenta alla difesa della necessità ordinata di un mondo unico, e la liberazione speculativo-pratica bruniana, attenta a far rivivere la coscienza dell’infinito, in noi e fuori di noi. -/- English Abstract: The arguments that have been presented in this essay, which are part of the book ‘The creative and dialectical concept of the Spirit in the Italian Dialogues of Jordanus Brunus. The comparison with the neoplatonic-Aristotelian tradition: the brunian text De l’Infinito, Universo e mondi’, constitute the ultimate and definitive conclusions of a body of research that has mainly focused on Bruno’s work “Dialoghi Italiani”. This research has managed to rise the deepest and most important core of the true foundation of Giordano Bruno’s speculative thinking—the active presence of a triadic theological-political concept of the Father, the Son and the Spirit of Christian tradition. However, this triad has also been reformulated through the revolutionary overturning of this tradition and realized through a creative and dialectical concept of the infinite. In this way the same Platonic tradition seems to undergo an essential transformation by abandoning any form of alienation and negation and indeed to open itself to recover those warnings and observations that the first great speculative thoughts of the Presocratics philosophers brought about. Parmenides, Heraclitus and Empedocles seem to come to life again in Bruno’s essays by proposing a different solution to those theoretical and practical problems such as the fundamental relation between One-many and what it can represent either at the natural level or at the political level which have been apparently solved and codified in the Platonic and Aristotelian thought. -/- The indissolubility of the freedom principle (the theological character of the Father) and equality (the Son), through the use of the loving, infinite and universal source (the Spirit), allows Bruno’s reflection to present for the first time in the entire philosophical tradition the possibility of safeguarding the creative aspect as well as the political diversity. He achieves this by showing a concept of reason which is able to express the infinite movement that it is always open and measured (careful) towards the multiplicity. In this release of power and will from the ordered and hierarchical paths of the philosophy tradition, Bruno’s thought gave birth to Modernity. (shrink)

Aristóteles desarrolla en De anima II 7 una teoría de la “visión escotópica” como precedente de las actuales neurociencias. En el artículo exponemos la exégesis de los comentaristas griegos acerca de un fenómeno que no ha dejado de interesar a la ciencia positiva actual.

La hipótesis mimética es una teoría antropológica formulada por el pensador René Girard según la cual la esencia del deseo humano se caracteriza por una imitación paradójica y ambivalente, capaz de generar efectos de signo contrario. El pensador Peter Sloterdijk ha elaborado su obra bajo los presupuestos de esta hipótesis antropológica aunque sea de forma polémica. De hecho, funda en ella no sólo su fenomenología del espacio afectivo sino también su crítica al psicoanálisis y su análisis de la sociedad post-industrial (...) de masas. En el presente artículo expondremos los principales puntos de acuerdo y de oposición entre ambos autores. (shrink)

Resumen: La “visión escotópica” desarrollada por Aristóteles en De Anima II 7 es la primera formulación sistemática de este fenómeno clave para las actuales neurociencias. En la teoría aristotélica surge una aparente contradicción entre el “compromiso ontológico” de la oscuridad como privación y el “realismo gnoseológico” que considera visible esa misma oscuridad. Tomás de Aquino en su Sententia libri De Anima propone una interpretación que establece la relación analógica entre luz y oscuridad a través del color. Esta estrategia permite disolver (...) cualquier contrariedad y establecer una percepción visual de la oscuridad en sentido realista.: The “scotopic vision” developed by Aristotle in De Anima II 7 is the first systematic formulation of this key phenomenon for current neurosciences. In this theory an apparent contradiction arises between the “ontological commitment” of darkness as deprivation and the “gnoseological realism” that considers that same darkness visible. Tomás de Aquino in his Sententia libri De Anima proposes an interpretation that establishes the analogical relationship between light and darkness through color. This strategy allows to dissolve any annoyance and establish a visual perception of darkness in a realistic. (shrink)

ABSTRACT The problem of “scotopic vision”, or vision under conditions of partial or total darkness, is one of the most enigmatic and least studied topics in Aristotelian psychology. In the article we present the exegesis of Averroes on this matter. We point out a dificulty that arises in the Great Commentary around some terms used to designate the obscurity in the whole of the theory. We propose as a solution a moderate interpretation of the matter, in accordance with the “principle (...) of economy” and the traditional exegesis of the commentators. (shrink)

La crítica contemporánea ha mostrado el contraste entre la teoría de la visión expuesta en los libros I y III de Meteorológicos y el resto de obras mayores del corpus aristotelicum. En este artículo presentamos una clasifi cación de las principales interpretaciones arrojadas sobre esta irregularidad. Finalmente, propondremos una exégesis de estos pasajes acorde con la teoría estándar establecida por Aristóteles en las obras psicológicas.

La obra de René Girard logra aunar, desde la tradición realista, las corrientes moderna y postmoderna. Su teoría del deseo mimético da lugar a una síntesis que supera el nihilismo y el fundamentalismo propio de estas tradiciones en favor de la tradición clásica.

El término “doble vínculo” fue utilizado por primera vez por el antropólogo Gregory Bateson. René Girard asume esta aportación de la Escuela de Palo Alto para formular su teoría del “deseo mimético”. El presente artículo expone la transformación de esta noción en la antropología contemporánea.