A new approach to the ancient world is only too often a wrong approach, unless it is based on some concrete discovery. But I think it fair to talk of newperspectives, at least, in the study of Greek mythology. Certainly the old and familiar ones are no longer adequate. Indeed it is surprising, in the light of fresh intuitions about society, literacy, the pre-Homeric world, and relations with the ancient Near East, that myth—one of the most pervasive aspects of Greek (...) culture—has been left in its old and rather cobwebby pigeon-hole. Rose's simple paraphrases are accepted as adequate for students; Nilsson's sparse pages in his history of religion are rightly respected, though some of them are too simple; the Murray-Cook-Harrison-Cornford reconstruction of religion, ritual and myth is regarded as a little excessive, but perhaps not too far out; Kerényi and Eliade are roughly tolerated, if not widely read by Classicists, and their books are ordered in profusion for the library; the psychological side is adequately taken care of, or so it is supposed, by what is left from Freud and Jung, with Cassirer as sufficient authority for the sources of mythical imagination.Many of these critics had their moments of brilliant insight, but most were misleading in their theories taken as a whole. We can now accept that many myths have ritual counterparts, and some have ritual origins, without having to adopt Cornford's belief, developed after Harrison, Frazer and Robertson Smith, that all myths are such. (shrink)

Craft in a modern context is more often a symbolic good rather than a utilitarian item. It carries stories of its production along with related values. Given the mute nature of the object, many of these narratives are projected by the consumer, which can often be based on fiction rather than reality. This makes ethnographic research, such as that collected in Critical Craft, of great importance.One of the principal structures addressed is the hierarchy of craft and design. Geoffrey Gowlland's (...) "Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft" offers a fascinating overview of the values attached to the production process of traditional ceramics. This involves the division between the... (shrink)

Macmillan papermac 3003. Bibliography: p. 80-81.

Despite its importance in different occupational and everyday contexts, vigilance, typically defined as the capacity to sustain attention over time, is remarkably limited. What explains these limits? Two theories have been proposed. The Overload Theory states that being vigilant consumes limited information-processing resources; when depleted, task performance degrades. The Underload Theory states that motivation to perform vigilance tasks declines over time, thereby prompting attentional shifts and hindering performance. We highlight some conceptual and empirical problems for both theories and propose an (...) alternative: the Strategic Allocation Theory. For the Strategic Allocation Theory, performance on vigilance tasks optimizes as a function of intrinsic and extrinsic motivations, including metacognitive factors such as the expected value of effort and the expected value of planning. Limited capacities must be deployed across task sets to maximize expected reward. The observed limits of vigilance reflect changes in the perceived value of, among other things, sustaining attention to a task rather than attending to something else. Drawing from recent computational theories of cognitive control and meta-reasoning, we argue that the Strategic Allocation Theory explains more phenomena related to vigilance behavior than other theories, including self-report data. Lastly, we outline some of the testable predictions the theory makes across several experimental paradigms. (shrink)

One popular theory of moral responsibility locates responsible agency in exercises of control. These control-based theories often appeal to tracing to explain responsibility in cases where some agent is intuitively responsible for bringing about some outcome despite lacking direct control over that outcome’s obtaining. Some question whether control-based theories are committed to utilizing tracing to explain responsibility in certain cases. I argue that reflecting on certain kinds of negligence shows that tracing plays an ineliminable role in any adequate control-based theory (...) of responsibility. (shrink)

Artificial intelligence (AI) and machine learning (ML) are increasingly integrated into the functioning of physical and digital products, creating unprecedented opportunities for interaction and functionality. However, there is a challenge for designers to ideate within this creative landscape, balancing the possibilities of technology with human interactional concerns. We investigate techniques for exploring and reflecting on the interactional affordances, the unique relational possibilities, and the wider social implications of AI systems. We introduced into an interaction design course (n = 100) nine (...) ‘AI exercises’ that draw on more than human design, responsible AI, and speculative enactment to create experiential engagements around AI interaction design. We find that exercises around metaphors and enactments make questions of training and learning, privacy and consent, autonomy and agency more tangible, and thereby help students be more reflective and responsible on how to design with AI and its complex properties in both their design process and outcomes. (shrink)

Signs and Wonders: A Commentary on the Book of Daniel. By R.A. Anderson. Pp.xvii, 158, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1983, £4.25. Inheriting the Land: A Commentary on the Book of Joshua. By E. John Hamlin, Pp.xxiii, 207, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.75. Servant Theology: A Commentary on the Book of Isaiah 40–55. By G.A.F. Knight. Pp.ix, 204, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.75. God's Chosen (...) People: A Commentary on the Books of Amos and Lamentations. By R. Martin‐Achard and S. Paul Re'emi. Pp.viii, 133, Grand Rapids, William B. Eerdmans; Edinburgh, The Handsel Press, 1984, £4.50. The Parable of the Wicked Tenants. By Klyne Snodgrass. Pp.x, 140, Tübingen, J.C.B. Mohr, 1983, 72 DM. The Johannine Paraclete in the Church Fathers. By Anthony Casurella. Pp.xiv, 258, J.C.B. Mohr Tübingen, 1983, 78DM. Sacraments and Liturgy: The Outward Signs. By Louis Weil. Pp.vii, 115, Oxford, Basil Blackwell, 1983, £9.50, £3.95. Le Sacrement de l'Ordination. By Joseph Lécuyer. Pp.281, Paris, Beauchesne, 1983, 150 Fr. Christ's Lordship and Religious Pluralism. Edited by G.H. Anderson and T.F. Stransky. Pp.viii, 209, New York, Orbis Books, 1981, £5.50. Christians and Religious Pluralism: Patterns in the Christian Theology of Religions. By Alan Race. Pp.xi, 176, London, SCM Press, 1983, £5.95. The First Urban Christians: The Social World of the Apostle Paul. By Wayne A. Meeks. Pp.xii, 299, New Haven and London, Yale University Press, 1983, £15.00, £6.50. Antioch and Rome: New Testament Cradles of Catholic Christianity. By Raymond E. Brown and John P. Meier, Pp.xii, 242, London, Geoffrey Chapman, 1983, £5.95; Ramsey, Paulist Press, 1983, $9.95. The Frankish Kingdoms under the Carolingians. By Rosamund McKitterick. Pp.xiv, 414, London, Longman, 1983, £9.95. The Medieval Reformation. By Brenda Bolton. Pp. 126, London, Edward Arnold, 1983, £4.50. Robert Grosseteste Hexaëmeron. Edited by Richard C. Dales and Servus Gieben. Pp.xxix, 374, London, for The British Academy by the Oxford University Press, 1983, £40.00. William of Auvergne and Robert Grosseteste. By Steven P. Marrone. Pp.xi, 318, Princeton University Press, 1983, £28.00. Protestant Reformers in Elizabethan Oxford. CM. Dent. Pp.viii, 262, Oxford University Press, 1983, £17.30. Paolo Sarpi between Renaissance and Enlightenment. By David Wootton. Pp.viii,192, Cambridge University Press, 1983, £20.00. The Jesuits in England from 1580 to the Present Day. By Francis Edwards. Pp.333, Tunbridge Wells, Burns and Oates, 1985, £20.00. Schelling: An Introduction to the System of Freedom. By Alan White. Pp.xii, 201, New Haven, Yale University Press, 1983, £16.50. Sophists, Socratics and Cynics. By H.D. Rankin. Pp.263, London, Croom Helm, Totowa, Barnes and Noble, 1983, £17.95. Early Medieval Philosophy : An Introduction By John Marenbon. Pp.ix, 190, London, Routledge & Kegan Paul, 1983, £9.95. Aristotelian Aporetic Ontology in Islamic and Christian Thinkers. By Edward Booth. Pp.xxvi, 314, Cambridge University Press, 1983, £35.00. About Beauty: A Thomistic Interpretation. By Armand A. Maurer. Pp.135, Houston, Center for Thomistic Studies, 1983, $6.00. A History of Ideas and Images in Italian Art. By James Hall. Pp.xi, 415, London, John Murray, 1983, £17.50. Inconsistencies: Studies in the New Testament, the Inferno, Othello and Beowulf. By William Whallon. Pp.107, Woodbridge, D.S. Brewer, 1983, £15.00. The Language of Grace: Flannery O'Connor, Walker Percy and Iris Murdoch. By Peter S. Hawkins. Pp.xiv, 137, Cambridge, Cowley Publications, 1983, $6.95. Iulia de Beausobre. By Constance Babington Smith. Pp.xi, 195, London, Darton, Longman and Todd, 1983, £9.95. A History of Psychoanalysis. By Reuben Fine. Pp.xii, 686, New York, Colombia University Press, 1979, $31.20. Returning to Freud: Clinical Psychoanalysis in the School of Lacan. Edited and translated by Stuart Schneiderman. Pp.viii, 265, New Haven, Yale University Press, 1980, £12.60. Work: The Shadow and the Substance. By David Bleakley. Pp. 121, London, SCM Press, 1983, £4.95. M.R. James: An Informal Portrait. By Michael Cox. Pp.xviii, 268, Oxford University Press, 1983, £14.50. (shrink)

"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics, partly by way of a commentary on art works and art scholarship. The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, _Library Journal_.

The libertarian-individualist cause is at a critical crossroads. To have a successful revolution in the minds of men, we must learn from the Leninists what “revolutionaries” can do to advance their principles: nourish and increase the hard core with an “open center” and support specific political actions through auxiliary organizations, while avoiding “left-wing opportunism” and “right-wing sectarianism.” Historically, it was from the post-war libertarian outposts that FEE was able to build and galvanize such a hard core open center, with members (...) even radicalizing one another. But FEE attempted to be more populist than scholarly, driving away scholars once they had “graduated.” The Volker Fund filled this gap to some extent; but has started to go the way of the Earheart foundation’s efforts—since the scholars selected were not radical enough to maintain an open center, the hard core has been weakening and dissolving. The libertarian cause should de-emphasize drastically popular fronts with the conservative right, it should nourish and construct the hardcore libertarian movement with some form or forms of nucleus or center, and it must emphasize libertarian scholars and intellectuals primarily. (shrink)

We draw on the behavioral agency model to explore the ethical consequences of CEO equity incentives. We argue that CEOs are more concerned with funding pension plans when they have more to gain from their stock options yet will increasingly underfund employee pension funds as their current option wealth increases. Our findings reveal that both effects hold when the CEO has greater power (also occupying board chair) over firm decision making. Our study suggests that there is an ethical dimension to (...) equity incentives, given they are intended to align CEO interests with shareholders, yet potentially incentivize CEO behaviors with adverse consequences for employees. Insights from our findings provide boards and regulators with behavioral levers to protect employee well-being in the context of pension funding. (shrink)

My argument in this paper is given in two parts. In Part I, I review the ancient understanding of aporia, focusing on works by Plato and Aristotle. I illustrate two ways of understanding aporia: “cathartic” and “zetetic.” Cathartic aporia refers to the experience of being purged of hubris and ignorance through the dialectic. Zetetic aporia, on the other hand, requires us to engage in, recognize, and work through certain philosophical puzzles or problems. In Part II, I discuss the idea of (...) Big Data and then argue that in the “age of answers” neither conception of aporia appears to be necessarily cultivated by the average Internet user. Our experience of wonder suffers when we rely so heavily on the Internet as a “surrogate expert,” and when our social media use betrays the fact that we always seem to gravitate towards the like-minded. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 227-229 [Access article in PDF] Philip Pothen. Nietzsche and the Fate of Art. Aldershot, England: Ashgate, 2002. Pp. x + 235. Paper, $29.95. Most scholarship argues that Nietzsche grants art a position of vital importance for culture, history, and philosophy. Philip Pothen seeks to challenge this general view of Nietzsche [End Page 227] while at the same time raising new questions (...) about Nietzsche's thoughts on art and how Nietzsche's views on art relate to his philosophical concerns. He does not locate Nietzsche's "deep suspicion and at times hostility" (1) toward art in a specific period of Nietzsche's thought, but instead traces it from the notebooks of the 1870s through Nietzsche's so-called "positivist period" to the very end of his productive life. The result is an honest attempt to recognize Nietzsche's ambivalent and at times hostile attitude toward that which is often times unquestionably admired.Although the Birth of Tragedy is the central text for most scholarship about Nietzsche's thoughts on art, this scholarship does not generally look to contemporaneous unpublished private writings. By conducting a close reading of Nietzsche's first published work in juxtaposition with selections from the Nachlass, Pothen shows that even as early as the 1870s, Nietzsche was developing some of the major themes of his subsequent writings on art. Nietzsche had begun to make decisive breaks with conceptual presuppositions inherited from Schopenhauer and the Kantian philosophical framework as well as from Wagner.Nietzsche's earlier belief in a rebirth of the Dionysian through works of genius such as Wagner's was severely criticized by Nietzsche himself in his 1886 Preface to the Birth of Tragedy. The second chapter of this book looks at Nietzsche's criticism of the concept of "genius" and the recognition of the "death of art" in modern artists such as Wagner. Pothen shows that Nietzsche gives a highly naturalistic account of genius, criticizing traditional notions that elevate the genius to a higher status than the merely talented artist.According to Pothen, the decadence of modern art, the deception of the artist, and the "end of art" suggests a type of "sickness" for Nietzsche. Art "represents a suppression of the instincts of becoming" (56). Pothen claims the future of art and its possible "death" are much more severe for Nietzsche than, for instance, Hegel. The challenging conclusion is that Nietzsche, not Hegel, properly announces the "death of art" in modernity.What, however, of the "monological work of art" that Nietzsche first formulates in the Gay Science? By considering the fourth part of Thus Spoke Zarathustra as a decisive conclusion and not an inferior appendage, Pothen argues that this work "for All and None" illustrates "a radical and perhaps impossible orientation" (9) that the godless artist must take up according to Nietzsche. It is a creative position "in favor of solitude [Einsamkeit], forgetting [vergessen] and inner strength" (74).Chapter four of Pothen's book addresses the concept of the "will to power." Pothen argues that it is a "metaphysical principle" of explanation that nevertheless undermines certain other metaphysical concepts such as a unified "subject" as well as traditional aesthetic concepts such as artistic autonomy. Pothen challenges Heidegger's claim that art is the "highest expression" of the will to power for Nietzsche while utilizing Heidegger's insights into art to highlight and question previous themes in the book such as the reduction of art to physiology (117-32).Chapter five concentrates on Nietzsche's analysis of the psychology of production and his critique of the Kantian themes of "disinterestedness" and the "judgment of taste." The book ends with a look at Nietzsche's final productive year of 1888. In works such as The Case of Wagner, Nietzsche, Pothen suggests, holds decadent works such as Wagner's as representative of all art produced "in the time of the death of God and the revaluation of all values" (169). For Nietzsche, modernity's inability to understand its own time might "herald the death or the end of this art of works... (shrink)

"I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism—of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought—they still want to today—to oppose to the inhuman. "Derrida's ruminations should intrigue anyone interested in Post-Structuralism..... This study of Heidegger is a fine example of (...) how Derrida can make readers of philosophical texts notice difficult problems in almost imperceptible details of those texts."—David Hoy, London Review of Books "Will a more important book on Heidegger appear in our time? No, not unless Derrida continues to think and write in his spirit.... Let there be no mistake: this is not merely a brilliant book on Heidegger, it is thinking in the grand style."—David Farrell Krell, _Research in Phenomenology_ "The analysis of Heidegger is brilliant, provocative, elusive."—Peter C. Hodgson, Religious Studies Review. (shrink)