J. St. Mill's System of Logic (1843) is reexamined from the perspective of present-day analytical philosophy of the social sciences. His naturalistic epistemology, "state", "general/universal laws", "social statics/dynamics" are discussed, as well as his four methods. His nomological-behavioral position is analysed, along with his theoretical approach.

Nurses are often caught in the middle of what appear to be intractable moral conflicts. For such times, the function and limits of moral compromise need to be explored. Compromise is compatible with moral integrity if a number of conditions are met. Among these are the sharing of a moral language, mutual respect on the part of those who differ, acknowledgement of factual and moral complexities, and recognition of limits to compromise. Nurses are in a position uniquely suited to leadership (...) in fostering an environment that makes compromise with integrity possible. Keywords: compromise, integrity, nursing ethics CiteULike Connotea Del.icio.us What's this? (shrink)

In this essay I dispute the widely held view that utility theory and decision theory are formalizations of instrumental rationality. I show that the decision theoretic framework has no deep problems accommodating the ?reasonable? qua a preference to engage in fair cooperation as such. All evaluative criteria relevant to choice can be built into a von Neumann?Morgenstern utility function. I focus on the claim that, while rational choice?driven agents are caught in the Pareto?inferior outcome, reasonable agents could ?solve? the PD (...) and cooperate. Not so, I argue. If reasonable people find themselves in PD situations they too would follow the dominant ?defect? strategy. The difference between instrumentally rational agents and those who are also reasonable is not that they would behave differently in Prisoner?s Dilemmas, but that reasonable people are more successful at avoiding the Prisoner?s Dilemma and tend to play more cooperative games. (shrink)

First published in 2012, Doing Philosophy presents the basics of how 'to do' philosophy -- what philosophy is, how we can think, the nature of logic, some special terms -- in a straightforward and easy to understand style. Then, using questions and exercises as well as everyday examples, the author takes the reader on a wide-ranging tour of key philosophical topics which, as well as the 'standard fare' of logic, epistemology, mind, God etc., also includes ethical, social, scientific, cultural and (...) human issues such as time, cosmology, war, animal rights, euthanasia, abortion, genetics, evolution, and the meaning of life. The author's emphasis throughout is that philosophy is accessible to anyone keen enough to try and do it and that, as a subject, philosophy is practical, fascinating and exciting. By encouraging independent critical thinking and being succinct yet informative, the book involves the reader with the history, the breadth of subject matter, the skills of philosophising and the benefits that philosophy can offer to the enquiring individual. The book accesses major philosophical topics briefly, breaking them down into convenient points, with challenging questions throughout and exercise questions at the end of each chapter, whilst introducing major thinkers and their ideas. There is an extensive further reading list to help those who wish to take this absorbing subject further. (shrink)

Simmels Interesse an der Kunstphilosophie geht auf seine Studienzeiten zurück. Bei Hermann GrimmGrimm, Herman und Max JordanJordan, Max hat er kunstgeschichtliche Vorlesungen an der Berliner Universität gehört. Sein spezifisches Interesse an RembrandtsRembrandt van Rijn Kunst bringt er in Briefen an Paul ErnstErnst, Paul und Margarete von Bendemann zum Audruck. Georg Lukács hat es in seinen Erinnerungen an seinen akademischen Lehrer auf den Punkt gebracht: Simmel habe sich den Figuren Goethe, Kant, Nietzsche, Schopenhauer und Rembrandt als Geschichtsphilosoph genähert, „für den jede (...) dieser großen Gestalten zugleich etwas Niewiederkehrend-Einmaliges und eine apriorische Kategorie“ ist. (shrink)

Most prominent accounts of autonomy are active accounts, which means they hold that an agent can be autonomous with respect to a given action only if that agent has appropriately sanctioned that action. Active accounts, however, are vulnerable to the regress problem, since it seems that the required sanctioning actions are themselves just actions that must be sanctioned. Passive accounts hope to avoid the regress problem by eschewing the notion that autonomous action requires agential sanction, but face in its place (...) what I call the incompleteness problem for passive accounts. Here, I evaluate one passive account, recently defended by Sarah Buss, and argue that it can avoid the incompleteness problem only if it is supplemented by a satisfactory account of the development of autonomy. I then suggest that one development account, offered by Ishtiyaque Haji and Stefaan Cuypers, is an especially good supplement. My conclusion is that Buss’s account, supplemented in the way I suggest, can avoid the incompleteness problem. (shrink)

That the Bible rejoices in humour might come as a surprise to many. Yet since humour can be the most powerful method of communicating serious information in an appealing, relaxing and respectful manner, we must surely expect to find humour in the Scriptures. In fact, as this article explains, it is there in abundance. It is at the heart of our salvation history. The Bible 'revels in a profound laughter, a divine and human laughter that is endemic to the whole (...) narrative of creation, fall and salvation, and finally a laughter that results in a wondrous, all-encompassing comic vision'. We surely find divine humour in our attempts as humans to judge the actions of God according to our expectations and then to discover that our conclusions are dramatically wrong. (shrink)

Targeted killing is a subspecies of assassination, deployed against irregular combatants such as terrorists. The justification for targeted killing bypasses the usual ‘war paradigm’ and ‘criminal enforcement paradigm’, and is thus unusual. There are various ways of securing such a justification, but also a number of dangers attending these arguments.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Metamorphosis of Language in Apuleius: A Study of Allusion in the NovelGerald SandyEllen D. Finkelpearl. Metamorphosis of Language in Apuleius: A Study of Allusion in the Novel. Ann Arbor: University of Michigan Press, 1998. xii 1 241 pp. Cloth, $42.50.At first glance the use of the word “allusion” in the subtitle of this book suggests an old-fashioned approach to literary analysis. Finkelpearl has, however, given a lot of (...) thought to her choice of terms. She acknowledges the equivocalness of allusions but prefers to use this word for the process of incorporating material from earlier writers rather than “reference” or “intertextuality.” In spite of her somewhat informal description of the process of allusion (“recalling, modifying, transforming, and playing around with passages”), she has made a conscientious effort to circumvent the “fuzziness and inexactitude” of identifying allusions by making vigorous use of TLL and other traditional philological aids in order to isolate words, phrases, and lexical combinations that are unique to Apuleius and his putative sources. She has also deliberately avoided applying a single theoretical model, because “Apuleius draws on a wide variety of genres from different time periods,... use[s] his sources differently at different times [and]... often maintains an ambiguous stance—between rejection and incorporation, homage and polemic—even within single allusions” (24). This “ambiguous stance” is in fact central to the thesis that Finkelpearl consistently develops in her book: In the Metamorphoses, “allusion provides a medium [End Page 471] for exploration of the fit between the novel and the genres it contains and helps the novel toward a definition of its genre” (27). She emphasizes the ambiguity of her subject from the beginning to the end of her book, stating in chapter 1 that her aim is “to examine the multiplicity of interactions between the Apuleian text and its forebears, with a vigilant consciousness of the novel’s various uncertainties” (31) and concluding that she has focused on the tensions caused by situating “an uncertain genre” within a defined literary tradition.There is no uncertainty about the structure of the book. Each of the eight chapters begins with a survey of relevant scholarship and a declaration of Finkelpearl’s place within, or outside of, the range of summarized views. The sequence of chapters also unfolds logically. After surveying in chapter 1 (“Background and Method”) the various scholarly procedures that have been used to characterize allusions, she progresses from the seemingly most simple (parody) to the most complex practices of allusion. One of the strongest features of the book is that she manages to uncover complex patterns of allusion in passages that other scholars have been content to label parodies. Good examples of this resourcefulness occur in Finkelpearl’s examination of Apuleius’ use of Sallust, one of the canonical Latin archaic models during the second half of the second century. At 1.16.2–3 the “low-life character” Aristomenes makes an unsuccessful attempt to commit suicide by hanging himself with a rope attached to his bed. He addresses the bed in the words spoken by Adherbal over the corpse of his brother Hiempsal (BJ 14.22), substituting, however, grabattule for frater. Other scholars have commented on the obvious disparity between the dignified poignancy of the passage in Sallust and the low-life melodrama of the Apuleian revamping of it. Finkelpearl explains that “the choice of reference has relevance beyond its comic effect” (51), for Aristomenes’ words are “motivated by the questions posed... [by Adherbal] about life and death in the face of fratricide and injustice.” As she puts it, “Apuleius never merely defaces or satirizes; examination of his text reveals a complex thematic engagement with his sources.”In chapter 3 (“Reading Isolated Allusions”) Finkelpearl also manages to find overarching resonance in seemingly isolated pastiches. Others, including me, have perhaps been too quick to conclude that Lucius’ prolonged praise of the maidservant Fotis’ hair in book 2 of the novel is an empty piece of the type of rhetorical tour de force that characterizes the Second Sophistic. Finkelpearl argues, however, that hairstyle and other styles of appearance and dress can serve in the Augustan poets as emblems of literary doctrine and that Apuleius... (shrink)

L’ouvrage que publie Valérie Beaudouin, tiré de sa thèse soutenue en 2000, se signale par de nombreuses qualités, parmi lesquelles on distinguera l’ampleur de la matière étudiée, l’originalité de la démarche et des méthodes, l’intérêt neuf et majeur de maints résultats, le renouvellement méthodologique qu’il apporte dans le domaine de la métrique française. L’auteur s’est proposé de décrire le vers du théâtre classique, en s’appuyant sur un corpus constitué de la totalité des pièces de Cornei...

‘Homophobia’ is shorthand for stigmatising attitudes and practices towards people who demonstrate sexual diversity. In this article, we reflect on how African Christian faith may become redemptive rather than violent in the context of lesbian, gay, bisexual, transgender and intersex forms of sexuality.