Quand tu es seul, debout au milieu de la haute plaine d'Asie,sous la coupole insondable où parfois un piloteou un ange sème dans l'azur une coulée d'amidon;quand tu tressailles sentant ta petitesse,apprends-le: l'espace auquel semble-t-il il ne fautrien, a grandement besoin en réalitéd'un regard extérieur, de distance, de vide.Tu es seid à pouvoir lui rendre ce service.Joseph BrodskyIn the course of this century, a number of authors have asserted that geographic knowledge is useful for the development of programs to parcel (...) out land. Hoping to foster this link between insight and action, applied geography saw the light of day. In order to be genuinely effective, the practice of this kind of planning, so it was thought, needed to rely on the expertise of the geographer who studied forms of human settlement. More fundamentally, the utilitarian claim of applied geography rested on the conviction according to which the spatial organization of human societies brought into play the question of justice and commonweal. As Jean Gottmann wrote, our epoch is particularly sensitive to the fact that everyone, whoever or from wherever they may be, consider themselves “to be entitled to live just as well as all others.” In this way a “popular will” was affirmed “that the necessary measures be taken to envisage, prepare, and provide for an improvement of life's comforts …, for a better life.” Inspired by the “modern idea of planning,” applied geography set itself the goal of “establishing justice […] by a more even distribution of people, of their means of subsistence, [and] of their living standard.”. (shrink)

Suggests an open system of psychological exploration to cut through accepted norms of morality, language, and politics.

Analyse de l'herméneutique du mouvement, ainsi que de son imprégnation dans la philosophie occidentale moderne, notamment en utilisant les figures centrales de Bachelard et de Merleau-Ponty. Les contributions tentent de mettre au jour les rapports qu'entretiennent imagination et mouvement, images dynamiques et schèmes moteurs.

A playful, personal, and profound interview with Gilles Deleuze, covering topics from “Animal” to “Zigzag.” Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A to Z. These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time. In dialogue with Parnet, the philosopher (...) exhibited the modest and thrilling transparency that his seminal works reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out—as no one else had—to what might be the 1001st plateau: a place of brilliance, rigor, and charm. In “A as in Animal,” for example, Deleuze vents his hatred of pets: “A bark,” he declares, “really seems to me the stupidest cry.” Instead, he praises the tick: “... in a nature teeming with life, [the tick] extracts three things”: light, smell, and touch. This, he claims, in a sense is philosophy. “And that is your life's dream?” Parnet wryly asks. “That's what constitutes a world,” he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. (shrink)

Until recently, cognitive science focused on such mental functions as problem solving, grammar, and pattern-the functions in which the human mind most closely resembles a computer. But humans are more than computers: we invent new meanings, imagine wildly, and even have ideas that have never existed before. Today the cutting edge of cognitive science addresses precisely these mysterious, creative aspects of the mind.The Way We Think is a landmark analysis of the imaginative nature of the mind. Conceptual blending is already (...) widely known in research laboratories throughout the world; this book, written to be accessible to both lay readers and interested scientists, is its definitive statement. Gilles Fauconnier and Mark Turner show that conceptual blending is the root of the cognitively modern human mind, and that conceptual blends themselves are continually combined and reblended to create the rich mental fabric in which we live.The Way We Think shows how this blending operates; how it is affected by (and gives rise to) language, identity, culture, and invention; and how we imagine what could be and what might have been. The result is a bold and exciting new view of how the mind works. (shrink)

Le livre que j'ai fait, ce n'est pas l'histoire de la philosophie, c'est un livre que j'aurai voulu faire avec0 (Michel Foucault), avec l'idée que j'ai de lui et mon admiration pour lui. Si ce livre avait pu avoir une valeur poétique, ç'aurait été ce que les poètes appellent un "tombeau". Gilles Deleuze, Pourparlers.

In this unconventional article, Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg conduct a three-way ‘conversation’ in which they all take turns outlining how they understand the relationship among postfeminism, popular feminism and neoliberal feminism. It begins with a short introduction, and then Ros, Sarah and Catherine each define the term they have become associated with. This is followed by another round in which they discuss the overlaps, similarities and disjunctures among the terms, and the article ends with how each one (...) understands the current mediated feminist landscape. (shrink)

Entretien avec Philippe Birden réalisé le samedi 25 mars 2017 par Gilles Plunian ergonome et membre de l'observatoire du temps. Gilles Plunian : Bonjour Philippe Birden pouvez-vous nous présenter les grandes lignes de votre parcours de cadre manager, au cours duquel vous avez été amené à intégrer et à réfléchir sur la question du temps? Philippe Birden : J'ai passé l'essentiel de ma vie dans la banque de particuliers au départ, puis d'entreprises, avec une spécialité qui était le (...) financement de la - Management – Nouvel article. (shrink)

This brilliant exposition of the critique of identity is a classic in contemporary philosophy and one of Deleuze's most important works. Of fundamental importance to literary critics and philosophers,Difference and Repetition develops two central concepts—pure difference and complex repetition&mdasha;and shows how the two concepts are related. While difference implies divergence and decentering, repetition is associated with displacement and disguising. Central in initiating the shift in French thought away from Hegel and Marx toward Nietzsche and Freud, _Difference and Repetition_ moves deftly (...) to establish a fundamental critique of Western metaphysics. (shrink)

A fascinating anthology of texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze. "One day, perhaps, this century will be Deleuzian," Michel Foucault once wrote. This book anthologizes 40 texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze, who died in 1995. The early texts, from 1953-1966, belong to literary criticism and announce Deleuze's last book, Critique and Clinic. But philosophy clearly predominates in the rest of the book, with sharp (...) appraisals of the thinkers he always felt indebted to: Spinoza, Bergson. More surprising is his acknowledgement of Jean-Paul Sartre as his master. "The new themes, a certain new style, a new aggressive and polemical way of raising questions," he wrote, "come from Sartre." But the figure of Nietzsche remains by far the most seminal, and the presence throughout of his friends and close collaborators, Felix Guattari and Michel Foucault. The book stops shortly after the publication of Anti-Oedipus, and presents a kind of genealogy of Deleuze's thought as well as his attempt to leave philosophy and connect it to the outside—but, he cautions, as a philosopher. (shrink)

Praised for its rare combination of scholarly rigor and imaginative interpretation, _Nietzsche and Philosophy_ has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions. In _Nietzsche and Philosophy_, Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical (...) ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought. (shrink)

In this extraordinary work Gilles Deleuze reflects on one of the figures of the past who has most influenced his own sweeping reconfiguration of the tasks of philosophy.

Ce n'est pas le moindre des mérites de la pensée de Gilles Deleuze que de penser l'individuation de l'art sous le signe d'une logique du sensible où esthétique et clinique sont en présuppositions réciproques. En explorant les coupes et les tensions névralgiques qui irriguent cette logique, les études ici réunies trouvent leur commune impulsion dans le souci de remettre en chantier la cartographie deleuzienne des arts, et d'interroger les écarts et les résonances internes qui l'animent. La spécificité de cet (...) ouvrage est de croiser non seulement des lectures d'éminents spécialistes de la philosophie de Gilles Deleuze, venant sonder à nouveaux frais son rapport singulier aux variations du sensible, mais aussi des contributions de théoriciens de la théorie littéraire, de la musique, du cinéma ou encore de l'histoire de l'art, réinterrogeant depuis leur point de vue une pensée de la création dont on ne mesure pas encore pleinement la puissance et la fécondité. (shrink)

Comprendre les origines de l’informatique demande de s’intéresser à quatre concepts fondamentaux : ceux d’algorithme, de machine, d’information et de langage. De leur combinaison naît cette science nouvelle qu’est l’informatique.

"Mille Plateaux (Paris, Éditions de Minuit, 1980) est le second des deux volumes ayant pour sous-titre Capitalisme et schizophrénie issu de la collaboration entre le philosophe Gilles Deleuze et le philosophe et psychanalyste Félix Guattari. Cet ouvrage continue à explorer par des voies inédites - en s'attaquant notamment à une série d'erreurs afférentes selon les auteurs à l'arborescence, à l'État, au langage... - la question déjà avancée dans L'Anti-Œdipe (premier volume) d'une ontologie révolutionnaire des devenirs ("presque imperceptibles") qui ne (...) cessent de défaire l'histoire des identités ("primauté des lignes de fuite") et de produire des "coups" imprévisibles au sociologue et au militant. Sans doute le livre politique de Deleuze et Guattari le plus important, grâce à sa conception originale du pluralisme (l'individu n'y est pas conçu comme fondement de l'organisation sociale : les subjectivités sociales sont toujours au-dessus ou en dessous du niveau de l'individu, composant et décomposant des collectivités de toutes sortes)"--Wikipedia = Mille Plateaux (Paris: Editions de Minuit, 1980) is the second of two volumes which comes in the series of Capitalism and Schizophrenia is a result of collaboration between the philosopher Gilles Deleuze and Felix Guattari, philosopher and psychoanalyst. This book continues to explore new paths - including addressing a series of errors by the authors related to the tree, the state, the language... - that are already dealt with in Anti-Oedipus (first volume) of an ontology of revolutionary futures; the latter continues to unravel the history of identities ("primacy of lines of flight") and produce "coups" unforeseeable to the sociologist and activist. No doubt the political book of Deleuze and Guattari's is the most important, with its original conception of pluralism (the individual is not conceived as the foundation of social organization: social subjectivities are always above or below of the individual level, composing and decomposing communities of all kinds).". (shrink)

Deleuze and Guattari differentiate between philosophy, science, and the arts - seeing each as a means of confronting chaos - and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate this book, along with engaging discussions of composers, painters, writers, and architects.

1. Pourquoi un volume sur les travaux de Gilles Fauconnier? La disparition de Gilles Fauconnier il y a deux ans a révélé un paradoxe scientifique et académique surprenant : alors que Fauconnier est aujourd’hui une référence internationale incontournable dans le domaine de la linguistique cognitive et plus largement des sciences de la cognition, ses travaux ont été peu publiés et mal diffusés en France, ce qui fait de lui un auteur relativement méconnu. Le développement de la linguistique cognitive (...) au niveau international doit effectivement beaucoup aux travaux de G. Fauconnier, mais la réception en France de la Théorie des Espaces Mentaux et du _Blending_ reste malgré tout trop modeste. En dehors des activités de l’Association Française de Linguistique Cognitive, qui avait invité G. Fauconnier lors du colloque de 2009 à Paris Nanterre, ce sont paradoxalement les conférences de Mark Turner au Collège de France en 2000 qui semblent avoir fait davantage connaitre leurs théories. La popu... (shrink)

The final work of the late philosopher Gilles Deleuze includes essays on such diverse literary figures as Herman Melville, Walt Whitman, D.H. Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others. Taken together, these 18 essays--all newly revised or published here for the first time--present a profoundly new approach to literature.

Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. In considering Bacon, (...) Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, _Francis Bacon_ has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. _Francis Bacon_ is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole. Gilles Deleuze was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored _Anti-Oedipus_ and _A Thousand Plateaus_ with Félix Guattari. These works, as well as _Cinema 1, Cinema 2, The Fold, Proust and Signs_, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. (shrink)

À travers l'analyse d'exemples ethnographiques, la question posée fut de savoir si la séduction a besoin d'un rituel pour se réaliser. Défini comme des modèles de conduite, le rituel engendre une codification et une répétitivité des comportements des acteurs sociaux. Le rituel comporte une transmission d'informations codifiées selon des normes, qui s'applique à la séduction. La séduction se construit sur une invention de l'individu par lui-même, dans l'image qu'il choisit d'endosser afin de susciter un lien avec l'autre sexe. Mode spécifique (...) de communication, la séduction s'élabore sur un acte de parole et une attitude gestuelle prise dans le sens d'un positionnement particulier du corps. Pour créer une mise en scène de soi, l'individu se sert durant l'interaction sociale d'attitudes rituelles et de représentations normatives. Elle a besoin du rituel pour pouvoir être performative et déchiffrée par le récepteur; sans le rituel, elle serait incompréhensible ou mal interprétée par le destinataire du message. Dans la séduction, on peut conclure que le rituel mis en oeuvre relève à la fois de l'auto-séduction, de la théâtralisation et de la mimesis.Through the analysis of ethnographic examples, the question was whether the seduction needed to perform a ritual. Defined as behavior patterns, ritual creates a codification and repetitive behaviors of social actors. The ritual involves the transmission of information coded according to standards which apply to seduction. Seduction is built on an invention by the individual himself in the image he chooses to endorse in order to create a link with the other sex. Specific mode of communication, seduction is developed on an act of speech and gestural attitude taken in the sense of a particular position of the body. To create a staging itself, the individual uses during social interaction ritual attitudes and normative representations. She needs to be performative ritual and decrypted by the receiver without the ritual, it would be incomprehensible or misinterpreted by the recipient. In seduction, we can conclude that the ritual is implemented both self-seduction, and theatrical mimesis. (shrink)

The essays in this book present a complex theme at the heart of the philosophy of Gilles Deleuze, what in his last writing he called simply "a life." They capture a problem that runs throughout his work--his long search for a new and superior empiricism. Announced in his first book, on David Hume, then taking off with his early studies of Nietzsche and Bergson, the problem of an "empiricist conversion" became central to Deleuze's work, in particular to his aesthetics (...) and his conception of the art of cinema. In the new regime of communication and information-machines with which he thought we are confronted today, he came to believe that such a conversion, such an empiricism, such a new art and will-to-art, was what we need most. The last, seemingly minor question of "a life" is thus inseparable from Deleuze's striking image of philosophy not as a wisdom we already possess, but as a pure immanence of what is yet to come. Perhaps the full exploitation of that image, from one of the most original trajectories in contemporary philosophy, is also yet to come. (shrink)

This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical ...

In this provocative work, Frances E. Gill argues that self-determination is a universal goal of correctional counseling. Gill leads the reader through a rigorous philosophical justification of the paternalism of state punishment in service of this goal.

This is both a rigorous and accessible book which leads the reader to search for personal answers to his or her everyday questions and uneasiness. Many people are inclined to think, on certain occasions, that if everyone in our society pursued his or her own projects without harming others, or preventing them from realizing their own pursuits, then each one of us would be living the happiest life possible. The author of this work is guided by the intuition that it (...) should not be necessary to know if a particular act is in itself just or unjust, or if its consequences will be the least harmful, in order to know whether or not we would be doing something unjust in producing it. Immediate decisions demand a knowledge of another point of reference which provides an amount of certainty about an action void of injustice. This book tries to offer possible answers to questions of government's involvement, concrete and abstract, with individual pursuit of happiness and the implications of free agency. Much is expected of a government and an individual must separate illusion from justified complaintóor praise. Contents: The Impossible Government; Injustice and Contempt; Justice and the "Sufficient"Reasons; Contempt and Liberty; Justice and the Happy Life; What Could Citizens Expect From Their Governments? (shrink)

Considered one of the most important works of one of France's foremost philosophers, and long-awaited in English, "The Logic Of Sense" is an essay in literary and psychoanalytic theory, and philosophy, and helps to illuminate such works as "Anti-Oedipus".

De Marius Victorinus à la Nouvelle Vulgate, ces deux versets ont été dans l’exégèse latine le lieu d’interrogations sur la signification du terme grec ξένοι et sur le rapport des Juifs et des Non-Juifs avant et après le Christ. Ils ont permis d’approfondir le sens théologique de l’hospitalité. Ils ont aussi contribué à développer l’idée d’un dépassement de l’antique hospitalité en vue d’une fraternité universelle dans une cité ou une demeure commune. Il serait dommage d’oublier ou de négliger cet héritage (...) biblique, en particulier dans la réflexion contemporaine sur l’unité européenne. (shrink)

Examines the philosophical foundations of Foucault's writings and discusses his views on knowledge, punishment, power, and subjectivation.