Machine awareness is a disputed research topic, in some circles considered a crucial step in realising Artificial General Intelligence. Understanding what that is, under which conditions such feature could arise and how it can be controlled is still a matter of speculation. A more concrete object of theoretical analysis is algorithmic iteration for computational intelligence, intended as the theoretical and practical ability of algorithms to design other algorithms for actions aimed at solving well-specified tasks. We know this ability is already (...) shown by current AIs, and understanding its limits is an essential step in qualifying claims about machine awareness and Super-AI. We propose a formal translation of algorithmic iteration in a fragment of modal logic, formulate principles of transparency and faithfulness across human and machine intelligence, and consider the relevance to theoretical research on -AI as well as the practical import of our results. (shrink)

This article considers the function and value of the mythos in Plato's Statesman. As first, I recall the context of the story and its function within the framework of diairetic inquiry about the definition of the real politician. Secondly, I point out that the formulation of the myth is based on a series of traditional stories to which a historical-reconstructive method is applied. I then highlight the ways of reasoning used by the characters in order to reconstruct a rational and (...) plausible account from the mythical tradition. Finally, I try to show that the story, even though it cannot reach the truth of the most stable objects of knowledge, displays a certain degree of plausibility, based on the internal coherence, on the respect of a series of principles admitted as true and, eventually, on its correspondence with the mythical tradition. (shrink)

In the present paper, we endow semi De Morgan logic and a family of its axiomatic extensions with proper multi-type display calculi which are sound, complete, conservative, and enjoy cut elimination and subformula property. Our proposal builds on an algebraic analysis of the variety of semi De Morgan algebras, and applies the guidelines of the multi-type methodology in the design of display calculi.

L’essai analyse la structure de la philosophie politique de Fichte en l’inscrivant dans le contexte formé par les concepts politiques mis en place par la doctrine du droit naturel. De cette science, qui a pour éléments principaux les droits des individus, la souveraineté et la représentation, Fichte découvre la logique, qu’il poursuit jusqu’à son aporie constitutive. Dans la période de maturité de sa pensée, le philosophe paraît dépasser l’autosuffisance du droit naturel en direction d’une philosophie de la pratique, ce qui (...) semble conforme à l’évolution de la Doctrine de la Science.Duso’s essay focuses on Fichte’s political philosophy stressing its relation to the context of modern political concepts and their origin within the modern science of natural right. Fichte analyses its elements and thinks back over its logic, showing its aporetical core. In the years of his maturity Fichte seems to go beyond the self-sufficiency of natural rights theories towards a philosophy of practice more consonant with the developments of his Doctrine of the Science. (shrink)

The virtuous character and the ethical agent represent mutually inclusive terms, neither of which independently, in the Aristotelian tradition, is considered an innate quality. Virtues, if not innate, are contingent; but what makes each instantiation recognisably general? Normative ethics in this sense is a dynamic process and similarly process philosophy is based on the principle that existence is dynamic and that it should be the primary focus of any philosophical account of reality. I argue that the transformative process is equally (...) as important as the end result of realising the virtuous dispositional traits. An important criticism of virtue ethics is the focus on character and not rules such as industry practices and codes found in the professions. The criticism however is less worrisome than usually accepted. The reasoning herein developed to overcome this criticism rests on the presupposition that no one exists in isolation and virtues are developed in a social context and not simply given. Using process philosophy as a methodological approach to examine virtue ethical agency and the transformative process involved in its realisation elicits insights that allow the conceptual development of a more robust account of virtue ethics. I extend this nuanced rendition, in ways already commenced by others, into areas of organisational, environmental and intergenerational ethics. (shrink)

No paradox exists in the fact that, in the Special Relativity, for the mass of a material body, considered in motion at constant speed, whose measure is u, the formula: m = m0/√ can be written, while for a photon the same formula holds, when between its source and the observer a state of relative motion at constant speed, whose measure is u, exists and it is observed along the direction perpendicular to the direction of his speed.

¿Es hoy aún posible pensar la creatividad sin el método, la invención sin la regla? La historia nos enseña que el arte es siempre inevitablemente tanto fantasía como disciplina, tanto creatividad como técnica, tanto genialidad como orden, y allí donde prevalece sólo uno de los dos momentos la creación artística corre siempre el riesgo de degenerar o en un mero delirio creativo sin resultados concretos o en un exasperante formalismo sin inspiración. De las reflexiones barrocas de Baltasar Gracián y de (...) Giambattista Vico nos viene la invitación a concebir la creatividad como ingenio, por lo tanto, a entender la creatividad como la capacidad de captar relaciones inéditas entre las cosas, las ideas o las palabras, o de formular intuiciones imprevisibles e imprevistas para los esquemas de pensamiento habituales o tradicionales, aunque reelaborando y conectando originalmente materiales ya dados. Este diverso modelo de creatividad, un modelo especialmente barroco, trata así de evitar el doble peligro de la exasperación fantástica, por un lado, y de la mortificación creativa, por el otro. Descubrir y profundizar la relación entre creatividad e ingenio, así como fue elaborado por Gracián y por Vico, puede entonces contribuir a arrojar nueva luz sobre la noción misma de creatividad, enriqueciéndola siempre con nuevos y más amplios significados.Palabras clave: creatividad, ingenio, Gracián, Vico. Is it still possible to think about creativity without method, or invention without rule? We can learn from history that art is always, unavoidably, a matter of fantasy as well as of discipline, of creativity as well as of technique, of geniality as well as of order; and that wherever only one of those moments prevails, artistic creation runs the risk of degenerating into mere creative delirium, with no concrete results, or in exasperating formalism, deprived of any inspiration. Baroque reflections of Baltasar Gracian and Giambattista Vico invite us to understand creativity as inventiveness, namely the capacity to grasp unprecedented links between things, ideas or words, or to formulate intuitions that were unpredictable and unpredicted for the traditional schemes of convencional or traditional thought, even if re-elaborated, and connecting well known materials in an original way. It is the aim of this particularly baroque model of creativity to avoid the double danger of fantastic exasperation, on the one hand, and creative mortification, on the other. Discovering and considering the relationship between creativity and inventiveness, as Gracian and Vico devised them, could therefore throw some light on the very notion of creativity, enriching it with new and broader meanings.Keywords: creativity, inventiveness, Gracian, Vico. (shrink)