Who or what determines the right to die? Do advancing reproductive technologies change reproductive rights? What forces influence cultural standards of beauty? How do discipline, punishment, and torture reflect our attitudes about the human body? In this challenging new book, Jean Bethke Elshtain, a nationally recognized scholar in political science and philosophy, and J. Timothy Cloyd, a strong new voice in social and political science, have assembled a collection of thought-provoking essays on these issues written by some (...) of the finest minds of our day. (shrink)

Contemporary culture increasingly suffers from problems of attention, over-stimulation, and stress, and a variety of personal and social discontents generated by deceptive body images. This book argues that improved body consciousness can relieve these problems and enhance one's knowledge, performance, and pleasure. The body is our basic medium of perception and action, but focused attention to its feelings and movements has long been criticised as a damaging distraction that also ethically corrupts through self-absorption. In Body Consciousness, (...) Richard Shusterman refutes such charges by engaging the most influential twentieth-century somatic philosophers and incorporating insights from both Western and Asian disciplines of body-mind awareness. Rather than rehashing intractable ontological debates on the mind-body relation, Shusterman reorients study of this crucial nexus towards a more fruitful, pragmatic direction that reinforces important but neglected connections between philosophy of mind, ethics, politics, and the pervasive aesthetic dimensions of everyday life. (shrink)

This essay proposes two examples of avant-garde theatre, Jerzy Grotowski's poor theatre and Augusto Boal's theatre of the oppressed, as resources for Christian ethics. Both pursue theater as bodily copresent interaction whose moral labor is the liberation of the human body from conventional gestures for the sake of authentic encounter and from oppressive postures for the sake of social intervention. Focusing on the body in this way reveals that the place of narrative, while essential to Christian ethics, (...) is ambiguous. The outcome of this argument is the possibility of combining the insights of monastic and liberation accounts of the moral life in order to release moral action in microsocial encounters, thus recovering the constitutive humility of Christian ethics. (shrink)

Of the nature and origin of the mind, by B. de Spinoza.--Spinoza and the theory of organism, by H. Jonas.--Man a machine, and The natural history of the soul, by J. O. de la Mettrie.--On the first ground of the distinction of regions in space, and What is orientation in thinking? by I. Kant.--Soul and body, by J. Dewey.--The philosophical concept of a human body, by D. C. Long.--Are persons bodies? By B. A. O. Williams.--Lived body, (...) environment, and ego, by M. Scheler.--Metaphysical journal, and A metaphysical diary, by G. Marcel.--The body, by J.-P. Sartre.--The spatiality of the lived body and motility, by M. Merleau-Ponty.--Anthropodology: man a-foot, by R. M. Griffith.--Man and his body, by H. Plügge.--The nobility of sight: a study in the phenomenology of the senses, by H. Jonas.--Born to see, bound to behold: reflections on the function of upright posture in the esthetic attitude, by E. W. Straus.--Selected reading (p. [363]-367). (shrink)

This essay roughly sketches two major conceptions of autonomy in contemporary bioethics that promote the resourcification of human body parts: (1) a narrow conception of autonomy as self-determination; and (2) the conception of autonomy as dissociated from human dignity. In this paper I will argue that, on the one hand, these two conceptions are very different from that found in the modern European tradition of philosophical inquiry, because bioethics has concentrated on an external account of patient’s self-determination (...) and on dissociating dignity from internal human nature. However, on the other hand, they are consistent with more recent European philosophy. In this more recent tradition, human dignity has gradually been dissociated from contextual values, and human subjectivity has been dissociated from objectivity and absolutized as never to be objectified. In the concluding part, I will give a speculative sketch in which Kant’s internal inquiry of maxim of ends, causality and end, and dignity as irreplaceability is recombined with bioethics’ externalized one and used to support an extended human resourcification. (shrink)

A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues (...) that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. (shrink)

For millennia, the basic idea that there is a universal order that connects human beings and the universe has lived on in many cultures. This order has often been expressed in geometric or musical-harmonic terms. From Pythagoras to Kepler, universal scholars were firmly convinced that this order represented the primordial code of all things. This chapter explores a new interdisciplinary perspective that combines the fields of traditional Chinese medicine (TCM), music theory, and Keplerian astronomical insights. By means of corresponding (...) mathematical analyses, it is shown that the energy meridians of the human body correspond to a specific musical-harmonic order, which in turn is inextricably linked to certain relational aspects of the celestial bodies of our solar system. The study represents completely new discoveries in relation to this universal connection. In doing so, it also opens up new levels of understanding and provides new aspects for the further development of the concept of cosmic life. (shrink)

One aspect of Richard Shusterman’s work is indicative of a broad movement to develop a robust philosophy of embodiment. Thinkers from diverse fields—such as feminism, pragmatism, and continental philosophy—have criticized Western philosophy’s suppression of embodiment and have gone on to suggest how the philosophy of the body can enrich our understanding of issues that arise within traditional fields such as ethics and aesthetics. Further, work in this area can provide novel insights into personal identity, gender, (...) linguistics, and philosophy of mind. Shusterman’s contribution to the field is somaesthetics, the critical and meliorative study of embodied experience that views the human body as a locus of .. (shrink)

"Through a close reading of rarely studied materials, the author examines the contested position of the body in Renaissance philosophy, showing how abstract metaphysical ideas evolved in tandem with the creation of new metaphors that shaped the understanding of early modern political, cultural, and scientific practices. The result is a new approach to the issues that describes the function of new technologies (such as optics and distillation) and their interaction with popular creeds (such as witchcraft and folk medicine), (...) as well as their relationship to the newly discovered ancient Greek and Roman texts that captured the attention of Renaissance intellectuals. The text also investigates, for the first time, how some philosophers forged their original syntheses from newly available and traditional materials. In so doing, these philosophers contributed in unexpected ways to the formation of new cultural practices--practices that entailed largely unexplored conceptualisations of physical bodies but also linked inextricably to the formation of new and striking metaphors for the physical world."--Publisher. (shrink)

The aim of this book is to understand what Deleuze and Guattari mean by "art." Stephen Zepke argues that art, in their account, is an ontological term and an ontological practice that results in a new understanding of aesthetics. For Deleuze and Guattari understanding what art "is" means understanding how it works, what it does, how it "becomes," and finally, how it lives. This book illuminates these philosophers' discussion of ontology from the viewpoint of art-and vice versa-in a thorough questioning (...) of aesthetic criteria as they are normally understood. (shrink)

Explores how the fragments of Heraclitus might yield an implicit understanding of the human body in distinction to the soul. In the history of scholarship on Heraclitus, soul is a much better understood concept, whereas it is normally assumed that Heraclitus, along with other figures of early Greek thought, shows only the most limited comprehension of the human being in terms of bodily form or substance. In this work I sketch some different ways in which Heraclitus’ accounts (...) of nature and human life can be said to exhibit a rudimentary picture of body. I suggest that Heraclitus depicts the human body as a special form of soul’s self-differentiation and logos. I attempt to consider how Heraclitus may represent an historical moment in understanding the human in terms of its physical makeup. (shrink)

According to Foucault, the human body is the targeted object of modern power systems. In his genealogical studies, Foucault describes the manner in which these power systems leave an imprint on the body and utilize knowledge of the body as an indirect means of exercising subtle forms of control. In recent years, several researchers have claimed that the status of the body, subsumed as it is by modern power networks, has become a means for conducting (...) a unique political critique in which the human being is viewed as an agent of oppression and freedom. This article takes a fresh look at Foucault’s notions of life and death that underpin the critical understanding the body–power relationship. While this approach recognizes the completeness of subjective structuring processes, it also enables the formulation of new insights regarding the status of the modern individual as the subject of separate and independent modes of speech and action. (shrink)

The author emphasizes the fact that the largest part of Plato’s Timaeus deals with human nature and offers a detailed account of the constitution of the human body. He then lists the parallels and the differences between the constitution of the world body and the human body. The central part of the paper deals with Plato’s explanation of the persistence of the human body within a bodily environment which causes its dissolution. The (...) author pays a special attention to Plato’s theory of the apparatus which keeps running the processes of respiration, digestion and blood circulation. In the concluding section, the author raises thequestion of the relationship between human body and human soul. He shows that, in Plato’s Timaeus, the human body functions to a large extent independently from human soul. One possible reason for this theory is Plato’s conception of the immortal soul. While the human body exists in order to harbour the immortal soul, the latter does not produce and preserve it nor does it cause its dissolution. It only exercises cognitive and ruling functions in it as long as the body is able to hold together and to detain the soul. (shrink)

Abstract:In this paper I will explore the contribution of philosophical anthropology to music education research which, over recent years, has been showing an increasing interest in the human body. In order to do this I will especially be drawing on the ideas of one of its pioneers, Helmuth Plessner. Plessner’s philosophy should be understood as an effort to overcome the Cartesian dualism ‘mind/body’ and to highlight the unity of a human being and her/his relation to (...) her/his environment. With his central theory of “eccentric positionality,” Plessner draws on a human’s relation to her/his body because a human is able to acknowledge that “I am body” and “I have body” while at the same time being able to realize her/his own situation and reflect upon it. Plessner grounds his thinking about music on his phenomenological observation about sound. He remarks that sound, which can be at the same time far and near, has voluminosity, impulsivity, an undeviating relation to human expressivity, is organized in vertical and horizontal arrangement, and tends towards sequentially. Because of all this, sound is compliant with a human body. His philosophy and especially his writings about music and sound could be fruitful for music educational theory and praxis. Some crucial aspects of his theory are embodiment in music, the relation between the meaning of music and body movements, the relation between the conduct of music and conduct of a human and the formation of culture as an open process. In this theoretical terrain concrete proposals and more general suggestions for an efficient and successful music education practice can be located. (shrink)

L'A. part d'une double question sur l'unicité de la figure de Socrate et sur le caractère utopique ou non de la cité idéale présentée par Platon dans «La République». Il étudie en particulier le livre V, qu'il analyse à travers les commentaires de Bruell et Dobbs . L'A. montre finalement l'influence du platonisme sur certaines conceptions chrétiennes, celle du corps chez Saint Augustin en particulier.

In cultural history the human body has been the object of a great variety of opposing valuations, ranging from "imago dei" to "the devil's tool". At present, the body is commonly regarded as a mere means to fulfill the wishes of its "owner". According to these wishes it can be technically improved in an unlimited way. Against this view the text argues for a conception of the human body as a valuable "common heritage". The "normal" (...) human body as the result of natural and cultural history is an essential condition of the modern social and legal order. The consequences of its technical alteration should be the subject of public debates and common decisions. (shrink)

This paper considers what Fichte's conception of the human body as an instrument of perception entails for his radical principle of the primacy of practice. According to Fichte, perception is a function of what he calls the "articulation" of the human body, as opposed to its "organization." I first provide an interpretation of his theory of the human-bodily articulation by arguing that he construes it as a product of culture as well as nature. On this (...) basis, I go on to consider the theory's implications for perception: first, since our articulated body is the sphere of our free activity, it follows from its function as the instrument of perception that we always exercise some measure of control over what we perceive; second, because our articulated body is a product of culture, the way in which we perceive is conditioned by practical rules, precepts and laws that regulate our reciprocal interaction with nature and society. (shrink)

This timely collection brings together new discussions of the body from seven leading contributors with a wide variety of philosophical outlooks. The papers deal with the role of the body in the concept of the self, in perceptions, intention and action, in Artificial Intelligence, in thinking about sex and gender, and in psychoanalytical thinking. A collection of specially written articles discussing the wide variety of treatments of the body. Timely publication bringing together new discussions of the (...) class='Hi'>body from seven leading contributors. Investigates the treatment of the body in the pioneering works of the phenomenologist Maurice Merleau-Ponty and the American Philosopher Samual Todes. (shrink)

In _The Meaning of the Body_, Mark Johnson continues his pioneering work on the exciting connections between cognitive science, language, and meaning first begun in the classic _Metaphors We Live By_. Johnson uses recent research into infant psychology to show how the body generates meaning even before self-consciousness has fully developed. From there he turns to cognitive neuroscience to further explore the bodily origins of meaning, thought, and language and examines the many dimensions of meaning—including images, qualities, emotions, and (...) metaphors—that are all rooted in the body’s physical encounters with the world. Drawing on the psychology of art and pragmatist philosophy, Johnson argues that all of these aspects of meaning-making are fundamentally aesthetic. He concludes that the arts are the culmination of human attempts to find meaning and that studying the aesthetic dimensions of our experience is crucial to unlocking meaning's bodily sources. Throughout, Johnson puts forth a bold new conception of the mind rooted in the understanding that philosophy will matter to nonphilosophers only if it is built on a visceral connection to the world. “Mark Johnson demonstrates that the aesthetic and emotional aspects of meaning are fundamental—central to conceptual meaning and reason, and that the arts show meaning-making in its fullest realization. If you were raised with the idea that art and emotion were external to ideas and reason, you must read this book. It grounds philosophy in our most visceral experience.”—George Lakoff, author of _Moral Politics_. (shrink)

The lived body (Leib) in the phenomenological tradition tends to be thought as the living body of the acting and perceiving subject, which is then analyzed by way of subjective self-reflection. This is true for Husserl (1970) as well as for Merleau-Ponty (1962) and Sartre (1992). When, however, the lived body is made the starting point of analysis in this way, it becomes a general and thus transhistorical condition of experience, and it is only in a second (...) step that social relations and historical formation can be inscribed into it. Plessner’s concept of the lived body (Leib) differs in two ways from this view predominant in phenomenology. First, Plessner does not approach the lived body in terms of a .. (shrink)

Giorgio Agamben's Homo Sacer was one of the seminal works of political philosophy in recent decades. It was also the beginning of a series of interconnected investigations of staggering ambition and scope, investigating the deepest foundations of Western politics and thought. The Use of Bodies represents the ninth and final volume in this twenty-year undertaking, breaking considerable new ground while clarifying the stakes and implications of the project as a whole. It comprises three major sections. The first uses Aristotle's (...) discussion of slavery as a starting point for radically rethinking notions of selfhood; the second calls for a complete reworking of Western ontology; and the third explores the enigmatic concept of "form-of-life," which is in many ways the motivating force behind the entire Homo Sacer project. Interwoven between these major sections are shorter reflections on individual thinkers, while the epilogue pushes toward a new approach to political life that breaks with the destructive deadlocks of Western thought. The Use of Bodies represents a true masterwork by one of our greatest living philosophers. (shrink)

_Bodies for Sale: Ethics and Exploitation in the Human Body Trade _explores the philosophical and practical issues raised by activities such as surrogacy and organ trafficking. Stephen Wilkinson asks what is it that makes some commercial uses of the body controversial, whether the arguments against commercial exploitation stand up, and whether legislation outlawing such practices is really justified. In Part One Wilkinson explains and analyses some of the notoriously slippery concepts used in the body commodification debate, (...) including exploitation, harm and consent. In Part Two he focuses on three controversial issues outlining contemporary regulation and investigating both the moral issues and the arguments for legal prohibition. (shrink)

This article demonstrates the value of French philosophy of science for medical practice through an exposition of Michel Serres’s philosophy of the body. It explores how Serres’s examination of the similarity between scientific models and works of art can provide insight into different conceptions of the human body. What makes Serres’s method of unique is that it does not see art and literature as subordinate to the natural sciences: they are both involved in mapping the (...) communication lines of the body. Since early modernity, we can roughly speak of three successive communication models of the body: mechanical, thermodynamic and informational. This article finally discusses the relationship between those different conceptions and explains how they help to articulate different aspects of the body, health, and medical ethics. (shrink)

Medicine, as Byron Good argues, reconstitutes thehuman body of our daily experience as a medical body,unfamiliar outside medicine. This reconstitution can be seen intwo ways: as a salutary reminder of the extent to which thereality even of the human body is constructed; and as anarena for what Stephen Toulmin distinguishes as theintersection of natural science and history, in which many ofphilosophy''s traditional questionsare given concrete and urgent form.This paper begins by examining a number of dualities between (...) themedical body and the body familiar in daily experience. Toulmin''s epistemological analysis of clinical medicine ascombining both universal and existential knowledge is thenconsidered. Their expression, in terms of attention,respectively, to natural science and to personal history, isexplored through the epistemological contrasts between themedical body and the familiar body, noting the traditionalphilosophical questions which they in turn illustrate. (shrink)

A human being is the carrier of two different ideas, and there is no direct relation between them. One of these ideas refers to the body. The body itself is a system genetically coded and programmed in advance. On the other hand, one part of the body – the brain – appears to be the carrier of another idea that reflects the whole Universe – the Cosmos. Due to the function human (concretely, brain) is Microcosm, (...) regarded as epitomizing the universe. So human brain or widely to say, human itself is the carrier of the ideas of body parts, and essence-idea of whole body, as well as passive idea of whole cosmos. In a practical life of the human being only very little part of this cosmic idea is actualized and used. Untraditional reflections of this great potential as a result of unusual events beyond ofstandards are also possible. Then knowledge, information-ideas that a human being was ignorant and that were not acquired as a result of his sensual practice throughout his real life, may be activated and these cases are regarded as mystery and sensation. While all human beings possess this potential, capacity, we have not yet acquired well the mechanisms of activation of these passive ideas. Studying the ways of the activation of the passive ideas of our brain is one of the main tasks nowadays. (shrink)

Forewarning -- Merde alors -- Why sex? -- Sensual sucking and sociality -- Force in progress -- Receptivity and being-in -- Staring.

Explores mind-body philosophy from an Asian perspective.

Passages from the writings of Immanuel Kant concerning how a person should treat her body are often cited in the present‐day debate about a market for human body parts. In this paper, I demonstrate that this has been a misuse of Kant because unlike those who cite him, Kant was not primarily concerned with prohibiting the sale of body parts. In the first section, I argue that once these particular passages are understood against the background of (...) Kant’s moral philosophy, they indicate he had much broader concerns relating to the correct moral relationship a rational person should have with her body. In the second section, I examine Stephen Munzer’s unusually detailed analysis of these passages, but conclude that like those who have provided less detailed analyses, he also fails fully to understand the rationale for Kant’s various prescriptions and prohibitions concerning the treatment of human body parts, and in doing so misrepresents Kant’s position. (shrink)

In the spirit of philosophy as the synthesis of wisdom, David Farrell Krell offers a novel bridge between the proper disciplines of philosophy and architecture. His result examines the term “architecture” as one which finds its basis in the Greek root “tic,” which broadens the use of the root tec to suggest not merely a making or producing, but a reproducing or procreating. Krell employs a spectrum of philosophers from Plato to Derrida to position architecture as more than (...) just an enterprise of design, aesthetic planning, and space allocation. He develops the art of archeticture as paying heed to the lived body’s extension into its environment, with a sensitivity for architecture’s role in orchestrating the locus of life. Just as a mother extends herself for her progeny, she first lovingly extends herself into her progeny. In much the same manner, Krell exhorts design specialists to beget their space planning as much as they would craft it. The text calls for a rethinking of lived space from merely considering it as a three-dimensional continuum to conceiving it as an inscrutable receptacle into which we move, produce, and confront our cares and concerns. Krell suggests that architects sensitize themselves to the dynamism of the human body as it interacts with and navigates its environment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Descartes on the Human Soul: Philosophy and the Demands of Christian DoctrineRichard A. WatsonC. F. Fowler. Descartes on the Human Soul: Philosophy and the Demands of Christian Doctrine. International Archives of the History of Ideas, 160. Dordrecht: Kluwer Academic Publishers, 1999. Pp. xiii + 438. Cloth, $168.00.As Defender of the Faith, René Descartes wrote his Meditations to fulfill the request of the Fifth Lateran (...) Council in 1513 "to support with rational demonstrations the Church's teaching on the immortality of the soul" (28). This allowed him to dedicate the Meditations to the Faculty of Theology at the Sorbonne in hopes of obtaining their approbation. The Faculty remained silent, but Descartes could interpret this as consent, although he removed from later editions the notice of approbation. What the Council asked for were demonstrations of the immortality of the soul and of the substantial union of the soul with the body.Mersenne thought the Meditiations were going to provide these demonstrations, so he included in the title of the first edition the promise to demonstrate the immortality of the soul, but in later editions Descartes changed this to a promise to demonstrate the distinction between the human soul and the body, or that the soul is an independent substance that is not destroyed by the death of the body, and so can be immortal. Independent substancehood does not prove that the soul is immortal, however, for Descartes agreed that God can destroy the soul at any time. This conclusion greatly bothered Mersenne and Arnauld. As for the absolute separation of the soul from the body, Descartes was criticized for supporting the Platonic doctrine of their absolute separation, making it impossible to demonstrate that the union between soul and body is substantial and not accidental. And "the central Christian doctrines of the Creation, Incarnation, Redemption, and Resurrection required a union of body and soul much more intimate than that of agent and instrument" (310). But all that Descartes's proof supports is the Platonic model of a sailor piloting a ship. Never mind that Descartes adamantly denies that the soul sits in the body thus—for the soul in union with the body feels the body as the sailor does not feel the ship—his friends and foes alike saw that the absolute difference of soul and body made their substantial union inexplicable. It also goes against the Aristotelian view of the Council of Vienne in 1311-1312 that "defined the rational soul as the forma corporis" (310). It is exactly this view that Descartes opposed by eliminating substantial forms from his philosophy.Arnauld warned Descartes about these problems, while Gassendi, Hobbes, and others attacked him. In response, Descartes expanded his views without altering them, and complained about being misunderstood. The Jesuit Father Bourdin's attacks hurt him most, for as he told Mersenne, this made him think that all the Jesuits (they stick together) were against him. This, Fowler argues, is why Descartes dedicated the Meditations to the Faculty of the Sorbonne, and not to the Jesuits.Fowler carefully presents the entire sweep of Descartes's ideas and arguments concerning the immortality of the soul and its union with the body. Descartes in fact did not manage to demonstrate either one. He did agree that of the three sorts of truths—those known by revelation alone, those known both by revelation and demonstration, and those known only by demonstration—these points about the soul belong in the middle category. But he never mentions immortality in the Meditations, and when Princess Elisabeth faces him with his inability to explain how the soul and body [End Page 120] can interact, he just says that we experience it. Gassendi asked him the same question, but Descartes ignored him. With other critics, he shifted the question into the first category of truths—it is a matter of revelation. This was not satisfactory either to his critics or to Descartes, for it had led Pompanazzi to materialism, and it led Descartes's first disciple Regius to say bluntly that metaphysics, and in particular Descartes's metaphysics, is irrelevant to the third category of truths, those of mechanics, physics, and medicine.Baillet calls... (shrink)

In the Sorbonne lectures on the philosophical and psychological inquiry of child development, Merleau-Ponty offers a fundamental insight about imitation. Denying the representation-based explanation of imitation, he proposes that gestures occur without representation through the body-object relation, such as “precommunication” based on the works of body schema. Merleau-Ponty’s thought could be examined by way of more practical examples of body techniques. This paper describes the experience of object manipulation, in particular, Bunraku puppetry. Because three puppeteers manipulate a (...) single puppet together in Bunraku, this example might be a challenge to an ordinary assumption that a body is owned by an individual and that inner thoughts control the body. Merleau-Ponty’s insight suggests that the puppeteers share another type of body schema that is not internalized to their individual bodies but emerges afresh in each performance through collaborative movement. (shrink)