This paper presents a literature review on the ethics of self-tracking technologies which are utilized by users to monitor parameters related to their activity and bodily parameters. By examining a total of 65 works extracted through a systematic database search and backwards snowballing, the authors of this review discuss three categories of opportunities and ten categories of concerns currently associated with self-tracking. The former include empowerment and well-being, contribution to health goals, and solidarity. The latter are social harms, privacy and (...) surveillance, ownership control and commodification of data, autonomy, data-facilitated harm, datafication and interpretability of data, negative impact on relation to self and others, shortcomings of design, negative impact on health perception, and regulation and enforcement of rules. The review concludes with a critical analysis of the existing literature and an overview of a future research agenda that could complement the current work on ethics of self-tracking. (shrink)

Consciousness can be measured in various ways, but different measures often yield different conclusions about the extent to which awareness relates to performance. Here, we compare five different subjective measures of awareness in the context of an artificial grammar learning task. Participants expressed their subjective awareness of rules using one of five different scales: confidence ratings , post-decision wagering , feeling of warmth , rule awareness , and continuous scale . All scales were equally sensitive to conscious knowledge. PDW, however, (...) was affected by risk aversion, and both RAS and SDS applied different minimal criteria for rule awareness. CR seems to capture the largest range of consciousness, but failed to indicate unconscious knowledge with the guessing criterion. We close by discussing the theoretical implications of scale sensitivity and propose that CR’s unique features enable a finer assessment of subjective states of awareness. (shrink)

This article discusses translation as a technique of doing philosophy and introduces the concept of idiodiversity as an alternative to the current model of automated translation machines. The dominant functionalist approach to technology has made these machines the agents of linguistic homogenisation, which constitutes a threat for the diversity of idiomatic open systems this article advocates for. However, as this article argues, the challenge is not merely to accuse automated translation technologies of impoverishing the knowledge of how to translate but, (...) rather, to determine whether these technologies can be reappropriated for the purpose of preservation and revalorisation of translation and, more generally, as a conveyor of noodiversity. This challenge also involves the need to draw attention to the political significance of translation practices and to elaborate an alternative to the mechanistic approaches to translation, typical of computational linguistics and language engineering, through a heterodox approach to cybernetics. (shrink)

Fazekas and Overgaard () present a novel, multidimensional model that explains different ways in which conscious representations can be degraded. Moreover, the authors discuss possible mechanisms that underlie different kinds of degradation, primarily those related to attentional processing. In this letter, we argue that the proposed mechanisms are not sufficient. We propose that attentional mechanisms work differently at various processing stages; and factors that are independent of attentional ones, such as expectation, previous experience, and context, should be accounted for if (...) we are aiming to construct a comprehensive model of conscious visual perception. (shrink)

This study examined individual differences in spatial abilities of architecture students. Students at different educational levels were assessed on spatial ability tests that varied in their domain-specificity to architecture, with the hypothesis that larger differences between beginner and advanced students will emerge on more domain-specific tests. We also investigated gender differences in test performance and controlled for general reasoning ability across analyses. In a cross sectional study, master students (N= 91) outperformed beginners (N= 502) on two novel tests involving perspective (...) taking and object composition, as well as on a standardized visualization of cross-sections test, but not on a standardized mental rotations test. Longitudinally (N= 117), spatial performance improved after the first bachelor year on visualization of cross-sections, object composition and mental rotation. Although both genders showed higher spatial test performance with increased experience, male students outperformed females across tests and levels of education. The results overall confirmed improvements in spatial performance during architecture studies, with partial support for the domain-specificity hypothesis. A gender gap among advanced students calls for further examining architecture-specific spatial thinking. (shrink)

In this paper, we are interested in parallels to the classical notions of special subsets in defined in the generalized Cantor and Baire spaces (2κ and ). We consider generalizations of the well‐known classes of special subsets, like Lusin sets, strongly null sets, concentrated sets, perfectly meagre sets, σ‐sets, γ‐sets, sets with the Menger, the Rothberger, or the Hurewicz property, but also of some less‐know classes like X‐small sets, meagre additive sets, Ramsey null sets, Marczewski, Silver, Miller, and Laver‐null sets. (...) We notice that many classical theorems regarding these classes can be relatively easy generalized to higher cardinals although sometimes with some additional assumptions. This paper serves as a catalogue of such results along with some other generalizations and open problems. (shrink)

What does religion contribute to business ethics? Related to the practical, religion applies theological concepts to business situations; namely, vocation, stewardship, human dignity, co-creation, co-conservation, sharing in God's power, servant leadership, encounter with the Incarnation, sacramental sign and justice (divine and human). These concepts suggest the threefold component of religion: doctrine (creed), worship (cult) and values governing behavior (code). A principle taken from religious practice illustrates its unique contribution to business ethics. The principle of proportionality (or double effect) exemplifies code (...) in its balancing of good and evil outcomes. The more contemporary principle called the fundamental option identifies the role of vocation and calling in the notion of creed. The component cult might be reflected in the insistence on human dignity which is highlighted in papal social teaching. (shrink)

The subject of responsibility has lately become very important in the context of the economic crisis. In economy, it took the form of social responsibility. It concerns activities additionally undertaken by organizations in order to establish correct relations with their employees and society, as well as with regard to the natural environment. Therefore, a very important role is played by the ethos of the undertaken socially responsible actions. To a large extent it is reflected in the ethical dimension. Thus, in (...) enterprises, codes of ethics have become a base of axiology in building of the organization cultures. Unfortunately, Polish companies – as shown in the paper – still attach a minor role to the ethical dimension of business. (shrink)

We often think of normal childhood as a progressive development towards a fixed—and often tacitly individualistic and masculine—model of what it is to be an adult. By contrast, phenomenologists, psychoanalysts, sociology of childhood, and feminist thinkers have set out to offer richer accounts both of childhood development and of mature existence. This paper draws on accounts of childhood development from phenomenologist Maurice Merleau-Ponty and object relations theorist D. W. Winnicott in order to argue that childhood development takes place in “transitional (...) spaces”; explores typical gendered patterns in the formation of selfhood that “split” relationality and separateness into the “feminine” and the “masculine”; and offers a phenomenology of perception, love, and objectivity in order to show the manner in which, contra individualistic and masculine visions of adulthood, maturity requires an embrace rather than eschewal of ambiguity, and the capacity to continue to dwell in the transitional space between relatedness and separateness. (shrink)

Similarity and difference, patterns of variation, consistency and coherence: these are the reference points of the philosopher. Understanding experience, exploring ideas through particular instantiations, novel and innovative thinking: these are the reference points of the artist. However, at certain points in the proceedings of our Symposium titled, Next to Nothing: Art as Performance, this characterisation of philosopher and artist respectively might have been construed the other way around. The commentator/philosophers referenced their philosophical interests through the particular examples/instantiations created by the (...) artist and in virtue of which they were then able to engage with novel and innovative thinking. From the artists’ presentations, on the other hand, emerged a series of contrasts within which philosophical and artistic ideas resonated. This interface of philosopher-artist bore witness to the fact that just as art approaches philosophy in providing its own analysis, philosophy approaches art in being a co-creator of art’s meaning. In what follows, we discuss the conception of philosophy-art that emerged from the Symposium, and the methodological minimalism which we employed in order to achieve it. We conclude by drawing out an implication of the Symposium’s achievement which is that a counterpoint to Institutional theories of art may well be the point from which future directions will take hold, if philosophy-art gains traction. (shrink)

We study a logic whose formulae are interpreted as properties of a finite set over some universe. The language is propositional, with two unary operators inclusion and extension, both taking a finite set as argument. We present a basic Hilbert-style axiomatisation, and study its completeness. The main results are syntactic and semantic characterisations of complete extensions of the logic.

From the perspective of philosophy of science and technologies, we firstly attend to the issue of the role of nanotechnologies within the evolution of technologies. We recognize their utmost importance in the respect that they are technologies of life itself. We further explain that the nano-level is the domain of intersection of the rules of quantum physics and traditional Newtonian physics. This is our starting point from which we discuss the issue of conditions under which minimizing things also changes their (...) functional essence. We use the example of the Drexler vs. Smalley debate to demonstrate the paradigmatic incomparability of the two perspectives and the physical-chemical and engineering-related limits of nanotechnologies. We discuss to what extent are the dangers and ethical implications emerging from Drexler’s contemplations real, be it what he calls the “grey goo” problem or the issues of molecular production. We regard certain problems linked to synthetic biology as more serious. We conclude our text with the consideration that the human civilization should think of the possibilities of nanotechnologies in the development of life as an existential challenge. (shrink)

The central role that the media plays in communicating to the public health research findings has long been recognized (Cassels 2007), and concerns regarding the media's ability to convey health is...

Though a growing number of voices in public discourse are expressing reservations about the new space race and its implications, inherently political questions have remained largely untouched by political theorists: Who is space for and for whose benefit? What are the ideological presumptions and functions of private space exploration? To confront this astro-aporia, we proceed in four parts. First, we develop a typology of two broad positions that predominate in contemporary criticism of space exploration: those who are “space pessimists” and (...) those who are “space neutral”; second, we critique those two positions for relying on an instrumental rationality that cedes too much ground to the logic of instrumentalizing and exploiting that which is deemed non-human nature; third, we examine the linked material and ideological forces fueling the current space race and its enthusiastic supporters; and finally, we formulate a dialectical position that remains critical of space exploitation as it is currently undertaken, but on grounds other than mere utility, thus offering a way to reorient the discussion toward a critical theory of space. From this perspective, space's meaning-making role for humanity can be understood as good and should be held in common, rather than being either abandoned or plundered. (shrink)

We give an equivalent formulation of topological algebras, interpreting S4, as boolean algebras equipped with intuitionistic negation. The intuitionistic substructure—Heyting algebra—of such an algebra can be then seen as an “epistemic subuniverse”, and modalities arise from the interaction between the intuitionistic and classical negations or, we might perhaps say, between the epistemic and the ontological aspects: they are not relations between arbitrary alternatives but between intuitionistic substructures and one common world governed by the classical (propositional) logic. As an example of (...) the generality of the obtained view, we apply it also to S5. We give a sound, complete and decidable sequent calculus, extending a classical system with the rules for handling the intuitionistic negation, in which one can prove all classical, intuitionistic and S4 valid sequents. (shrink)

Artykuł przedstawia etyczny wymiar refleksji filozoficznej Gabriela Marcela. Na tle szeregu obecnych w niej kategorii zostaje ona określona mianem heterocentrycznej. Pojęcie to, zaczerpnięte z pism samego Marcela, znajduje tu zastosowanie w celu odróżnienia od ugruntowanych już w literaturze przedmiotu, ale dotyczących zwłaszcza koncepcji późniejszych, nazw w rodzaju „filozofia innego” czy „dialektyka tożsamości i różnicy”; w ogólności dotyczy postawy zwrócenia się ku temu, co inne, które zarazem prowadzi do wewnętrznego samoodzyskania. Przed znajdującym się w drodze człowiekiem stoi zadanie odpowiedzi na wezwanie (...) płynące zarówno z jego wnętrza, jak i z czegoś poza; ostatecznie jego celem staje się, by umocować własne istnienie w głębi rzeczywistości, która je przekracza. Wskazane przy tym zostaje, że etyka Marcela nie unika ontologii, a odpowiedź na pytanie o to, jak żyć, jest nierozerwalnie złączona z refleksją nad byciem. (shrink)

We might wonder whether there is a difference between experiencing an artwork and simply daydreaming. If the latter, would it be a matter of art communicating something or simply providing a backdrop for personal reverie? According to some influential key texts in philosophy, there is a difference. And it matters because our capacity for communicating the kind of thing art communicates, is a capacity linked to the possibility of not feeling alienated from the world and each other. In this chapter (...) we focus on The weather project, which was a site specific installation Olafur Eliasson created at the Tate Modern in 2003. And to consider how this artwork communicates, we adopt a key concept from Immanuel Kant’s aesthetic theory: “aesthetic ideas”. (shrink)

The article focuses on the status of the transmission approach to communication. The approach is derived from Claude Shannon’s and Warren Weaver’s mathematical theory of communication, and is primarily used for the analysis of telecommunications processes. Within the model a metaphorical conceptualisation of communication is adopted, as conveying (transmission) of information (thoughts, emotions) from the mind of a subject A to the mind of a subject B. Despite the great popularity of the transmission approach, it is subjected to multilateral criticism. (...) Alternative approaches were formulated in which the transmission metaphor is exceeded, extended or even overcome (e.g., the constitutive, transactional, or the ritual approaches). This paper discusses such criticism. The doubts are raised primarily by the characteristic reductionism and the postulated exclusivity of the transmission approach. A question ariseswhether all the possible types of communication activities can be represented within the transmission approach as a transfer of information. In this context, the dispute between the supporters of the universalistic and the relativistic attitudes to the transmission metaphor is discussed. The polemic also concerns the psychologism elements which are present in the transmission models. Wittgenstein's criticism of psychologism conducted within the framework of his everyday language philosophy is of particular importance. The philosophy may applied to the problem of interpersonal communication. In conclusion it is assumed that the transmission metaphor is important as a tool for the study of many, but not all the aspects of communication. Its importance also lies in the fact that it is the first scientific approach to communication. The exclusivity claims of the transmission model, however, have several limitations, inter alia, it hinders research on the history of communication practices, although the model itself is embedded in a specific historical context. (shrink)

The author of article proves that in the era of the globalization the institutional order of national economy is influenced by the distorted competition which results in domination of the managers and technicians of great corporations. It is their businesses that define the economic policy. In the world of asymmetric information, oligopolistic competition, political market and progressive commercialization of the axiological sphere the rules of thinking and acting are merely reduced to the strategy of self-advantage. This situation results in ineffective (...) institutional protection at the global, regional and national levels. To remove social inequalities effectively it is necessary to have control over the dominating groups in society and to develop coherent norms of institutional protection. There is also a need for the development of human capital and its modernization as a common notion of moral values of society and the individual. (shrink)

War in Ukraine and the Russian annexation of Crimea are the events that changed the US policy towards Russia. The events in Ukraine forced the United States to take a closer look at Eastern and Central Europe. The United States’ policy during the Ukrainian crisis has been limited to sanctions and strong statements so far because in Ukraine there is an asymmetry of interests. Ukraine is much more important to Russia than to the United States. The United States may be (...) willing to support the democratic and western aspiration of Ukrainians but will not risk a major conflict with Russia over it. However the crisis in Ukraine is not only about Ukraine or Russia. It is also about US credibility around the world. Both friends and foes are watching closely the American reaction to the situation. That is why the United States has increased its military presence in those NATO countries that share borders with Russia. (shrink)

Our editorial introduces this Special Issue devoted to exploring the ethics of youth work practice in the twenty-first century. The call for papers for this Special Issue went out in October 2022 w...

Aesthetic autonomy is sometimes equated with an art for art’s sake approach to art. On the contrary, the philosophers whose work is often cited as backup to this concept of aesthetic autonomy held a very different conception of it. I will trace an alternative notion of aesthetic autonomy in the work of Adorno and Habermas, the origins of which can be found in Immanuel Kant’s aesthetic theory, the popular notion of his formalism, notwithstanding. I draw upon the art practice of (...) the contemporary Icelandic-Danish artist Olafur Eliasson in order to demonstrate this alternative notion of aesthetic autonomy. (shrink)

In a working note to The Visible and the Invisible, Maurice Merleau-Ponty makes an enigmatic call for “a psychoanalysis of Nature.” This paper argues that there are two interrelated ways in which this call might be taken up. First, it might be taken as the demand to give voice to the deep sense of a nature, conceived in terms of unconscious desire rather than scientific rationality, that precedes and exceeds human life. Second, we might do a psychoanalysis of our relationship (...) to nature, of the ways in which modern thought tends to deny and repress the unconscious, organic desire at its heart. This paper addresses the psychoanalysis of nature in both these senses. The first part of this paper takes up Merleau-Ponty’s well-known discussion of the phantom limb in Phenomenology of Perception in order to give a critique the mind-body dualism implicit in traditional attempts to account for this and related phenomena, and in order to present Merleau-Ponty’s own account of the phantom limb in terms of being in the world. Second, I argue that being in the world requires that we repress not only aspects of our personal pasts, but also our organic nature itself. Third, I argue that much of modern scientific thinking tends to deny the bodily and unconscious dimensions of conscious life—it is this denial that calls for a psychoanalysis in the second sense of studying our troubled and repressive relationship to nature. This denial of our own naturalness is accompanied by a denial of the unconscious and irrational nature of nature itself; finally, I will speak to the ways in which psychoanalysis might go further back than we might expect—beyond our childhoods and to the organic heartbeat of life itself. (shrink)

Plato’s distinction between appearance and reality which he attempts to demonstrate in his allegory of the cave established the conceptual framework for theories of knowledge for many centuries. The quest for certainty set us on the path to believing that reality is there to be discovered. We only have to open our eyes and minds. Yet a recurring question about the interface between culturally acquired concepts and objective sense perception remains a point of contention. Mischa Kuball’s Platon’s Mirror addresses this (...) question. Kuball’s Platon’s Mirror exhibited at Artspace Sydney during September 2011 is an intriguing exploration of the various layers involved in the process of meaning. Light is the metaphor. Light is filtered through a variety of devices to reveal disparate aspects of the one apparent object. The easy distinction between appearance and reality is deliberately thrown into disarray. Kuball provides a meditation on the blurring of reality and meaning which suggests a recurrent philosophical theme in Kuball’s oeuvre, the nature of meaning and value. (shrink)

The idea of a ‘global’ concept of art might suggest a transcending of the categories which would locate an artwork relative to one place and one time. Is this possible? If we answer in the negative, this suggests that a global concept of art is not possible, but on the positive side, the significance of the particular is kept intact. If we answer in the affirmative, then a global concept of art is possible, but we lose the very aspect that (...) defines art: its particularity. I will argue that we can limit the damage all round by construing art in a way that allows the particular features of an artwork’s time and place to feature within the broader placeholders of a global concept of art. According to the global concept of art I will present here, art is a normative system. Its place holders could be a narrative, representation, expression of emotion or perceptual experience but what in each case explains our engagement with it as art rather than say a scientific experiment or an historical record is the particular kind of reflection that the form of the work gives rise to. Hence the form of the work or the form that our engagement with it takes is what qualifies the narrative, representation, expression of emotion or perceptual experience as art. The damage referred to above is not eliminated entirely though. The norms in a system are taken on board through day to day interaction with others who engage these norms. As such, when art is construed according to such systems, the meanings it embodies as art may be inaccessible to those not acculturated into the relevant norms. A theory of art for a global concept of art, then, must identify in what sense art is a normative system and it must provide some account of how we engage with it when we engage with it as art. For the former, I draw upon philosophical analyses of moral judgment, and for the latter, I turn to that much maligned, indeed bogus, divide between the aesthetic and the antiaesthetic. I conclude that a global concept of art is one that maintains the integrity of the artwork, and that writing is art historical rather than merely historical when it is conducted from within the culture that grounds the art under discussion. (shrink)

This symposium is inspired by the round tables organised by James Elkins in Cork, Ireland and Chicago which aimed to create a dialogue between art historians and philosophers on concepts which are central to the way both disciplines conduct their respective endeavours. For our symposium, art historians and philosophers will discuss topics and concepts which are likely to be given different interpretations by the respective disciplines. We will attempt to bridge the gap between the respective interpretations by inviting a closer (...) consideration of the alternative perspective. The first topic will be the relation of aesthetic and moral considerations in evaluating the photography of Bill Henson. The second will be "Beauty" and the third, will be the nature of "Aesthetic Autonomy". (shrink)

A central idea of Romanticism in the arts is the idea that art or the aesthetic experience of nature reveals truth or insight about the human condition and relation to nature. What kind of truth could this be and how could perceptual objects reveal it?

ABSTRACT The aim of this article is to show how sport can matter in international relations. Sport can be a subject or a tool of international relations. It can be used by states or geopolitical blocks to display their alleged superiority or any other desired characteristic. Governments may desire athletic victories, which are meant to imply, for example, the power of the state and its political and economic system. Participation in sport can also be used for political reasons on an (...) international scale; a number of political objectives can be achieved by states by participating in sports events. Not only is sport affected by a country’s policies, but on certain occasions sports events can influence states. (shrink)

The theorem to the effect that the languageL introduced in [2] is mutually interpretable with the first order language is proved. This yields several model-theoretical results concerningL.