This book contributes to current bioethical debates by providing a critical analysis of the philosophy of human death. Bernard N. Schumacher discusses contemporary philosophical perspectives on death, creating a dialogue between phenomenology, existentialism, and analytic philosophy. He also examines the ancient philosophies that have shaped our current ideas about death. His analysis focuses on three fundamental problems: (1) the definition of human death, (2) the knowledge of mortality and of human death as such, and (3) the question of whether (...) death is nothing to us or, on the contrary, whether it can be regarded as an absolute or relative evil. Drawing on scholarship published in four languages and from three distinct currents of thought, this volume represents a comprehensive and systematic study of the philosophy of death, one that provides a provocative basis for discussions of the bioethics of human mortality. (shrink)

Morality, Mortality as a whole deals with certain aspects of ethical theory and with moral problems that arise primarily in contexts involving life‐and‐death decisions. The importance of the theoretical issues is not limited to their relevance to these decisions; however, they are, rather, issues at the heart of basic moral and political theory. This first volume comprises three parts. Part I, Death: From Bad to Worse, has with four chapters, and an appendix, discussing death and why it is bad (...) for the person who dies. Part II, Saving Lives: General Issues, has six chapters, and explores a cluster of moral problems that arise in saving lives. The general question raised is whether we should always, in aiding life, act so as to save the greater number of lives or to produce the greatest amount of good. Part III, Scarce Resources: Theoretical Issues, Specific Recommendations, and Organ Transplants, has five chapters, and deals with the problem of the acquisition and distribution of organs for transplantation. It allows us to apply the theoretical discussion of saving lives and relevant/irrelevant utilities presented in the previous parts. However, the discussion can be understood independently of the first two parts, and the conceptual issues and procedures on which it focuses are relevant to dealing with any scarce resource, including money and time, which are needed to use other plentiful resources. Although the book contains much theoretical and methodological argument, it is firmly grounded in practical ethical issues, and is illustrated throughout by examples. (shrink)

A collaborative undertaking between an artist and a philosopher, this monograph attempts to deepen our understanding of "contemplative seeing" by addressing the works of Plato, Thoreau, Heidegger, and more. The authors explore what it means to "see" reality and contemplate how viewing reality philosophically and artfully is a form of spirituality. In this way, by developing a new conception of active visual engagement, the authors propose a way of seeing that unites both critical scrutiny and spiritual involvement, as opposed to (...) simple passive reception. (shrink)

Over three decades, Gillian Howie wrote at the forefront of philosophy and critical theory, before her untimely death in 2013. This interdisciplinary collection uses her writings to explore the productive, yet often resistant, interrelationship between feminism and critical theory, examining the potential of Howie's particular form of materialism. The contributors also bring to this debate a serious engagement with Howie's late turn towards philosophies of mortality, therapy and 'living with dying'. The volume considers how differently embodied subjects are positioned (...) within public institutions, discourses and spaces, and the role of philosophy, art, film, photography, and literature, in facing situations such as sexual oppression and life-limiting illness. (shrink)

This article is currently available as a free download on ingentaconnect.

This chapter seeks to make a contribution to the growing interest in Nietzsche's relation to traditions of therapy in philosophy that has emerged in recent years. It is in the texts of his middle period that Nietzsche's writing comes closest to being an exercise in philosophical therapeutics, and in this chapter I focus on Dawn from 1881 as a way of exploring this. Dawn is a text that has been admired in recent years for its ethical naturalism and for its (...) anticipation of phenomenology. My interest in the text in this chapter is in the way it revitalises for a modern age ancient philosophical concerns, notably a teaching for mortal souls who wish to be liberated from the fear and anguish of existence, as well as from God, the ‘metaphysical need’, and romantic music, and are able to affirm their mortal conditions of existence. As a general point of inspiration I have adopted Pierre Hadot's insight into the therapeutic ambitions of ancient philosophy which was, he claims, ‘intended to cure mankind's anguish’. This is evident in the teaching of Epicurus which sought to demonstrate the mortality of the soul and whose aim was, ‘to free humans from “the fears of the mind”.’ Similarly, Nietzsche's teaching in Dawn is for mortal souls. In the face of the loss of the dream of the soul's immortality, philosophy for Nietzsche, I shall show, has new consolations to offer in the form of new sublimities. Indeed, for Nietzsche it is by reflecting, with the aid of psychological observation, on what is ‘human, all too human’, that ‘we can lighten the burden of life’. Nietzsche's thinking in Dawn contains a number of proposals and recommendations of tremendous value to philosophical therapeia, including a call for a new honesty about the human ego and human relations, including relations of self and other and love, so as to free us from certain delusions; the search for an authentic mode of existence which appreciates the value of solitude and independence; the importance of having a rich and mature taste in order to eschew the fanatical. After an introduction to Nietzsche's text the chapter is divided into two main parts. In the first main part I explore various aspects of his conception of philosophical therapy, including purification of the higher feelings and liberation from the destructive effects of ‘morality’ and Christianity. In the second main part I explore his conception of ‘the passion of knowledge’, which is the passion that guides modern free spirits as they seek to overcome the need of religion and constraints of ‘morality’, and to access the new sublimities of philosophy. (shrink)

In his latest book, the prolific writer and thinker Alphonso Lingis brings interdisciplinarity and lyrical philosophizing to the weight of reality, the weight of things, and the weight of life itself. Drawing from philosophy, anthropology, psychology, religion, and science, Lingis seeks to uncover what in our reality escapes our attempts at measuring and categorizing. Writing as much from his own experiences and those of others as from his longstanding engagement with phenomenology and existentialism, Irrevocable studies the world in which shadows, (...) reflections, halos, and reverberations count as much as the carpentry of things. Whether describing religious art and ritual, suffering, war and disease, the pleasures of love, the wonders of nature, archaeological findings, surfing, volcanoes, or jellyfish, Lingis writes with equal measures of rigor and abandon about the vicissitudes of our practices and beliefs. Knowing that birth, the essential encounters in our lives, crippling diseases and accidents, and even death are all determined by chance, how do we recognize and understand such chance? After facing tragedies, what makes it possible to live on while recognizing our irrevocable losses? Lingis’s investigations are accompanied by his own vivid photographs from around the world. Balancing the local and the global, and ranging across vast expanses of culture and time, Irrevocable sounds the depths of both our passions and our impassioned bodies and minds. (shrink)

This book contributes to current bioethical debates by providing a critical analysis of the philosophy of human death. Bernard N. Schumacher discusses contemporary philosophical perspectives on death, creating a dialogue between phenomenology, existentialism and analytic philosophy. He also examines the ancient philosophies that have shaped our current ideas about death. His analysis focuses on three fundamental problems: the definition of human death, the knowledge of mortality and of human death as such, and the question of whether death is 'nothing' (...) to us or, on the contrary, whether it can be regarded as an absolute or relative evil. Drawing on scholarship published in four languages and from three distinct currents of thought, this volume represents a comprehensive and systematic study of the philosophy of death, one that provides a provocative basis for discussions of the bioethics of human mortality. (shrink)

This volume continues the examination of issues of life and death which F.M. Kamm began in Morality, Mortality, Volume I. Kamm continues her development of a non-consequentialist ethical theory and its application to practical ethical problems. She looks at the distinction between killing and letting die, and between intending and foreseeing, and also at the concepts of rights, prerogatives, and supererogation. She shows that a sophisticated non-consequentialist theory can be modelled which copes convincingly with practical ethical issues, and throws (...) considerable light on some of the key distinctions and concepts of ethical discourse. (shrink)

Buben undertakes the ambitious project of providing "a compelling framework for understanding the ways in which philosophy has discussed death". This is a tall order for 136 pages of text, all the more so since he argues that the thinkers of western philosophy before Kierkegaard's and Heidegger's innovative existential philosophy of death can be broadly categorized into a Platonic strain, and an Epicurean strain. The Platonic strain suggests that death should not be feared, as the soul will survive the death (...) of the body. Thinkers such as the Apostle Paul, Plotinus, Augustine, Anselm, Aquinas, Luther, and Pascal are briefly discussed as examples. Membership in the Epicurean strain is marked by the conviction... (shrink)

Over thirty years ago, Richard Rorty’s Philosophy and the Mirror of Nature declared the demise of epistemology and the arrival of a new post-Philosophical era. Rorty envisaged the intellectual activity of this predominantly literary culture as an unconstrained large-scale conversation that would flourish in an “ecstasy of spiritual freedom.” Having abandoned all systematic pretensions, edifying philosophers would add their voice to the conversation of mankind, fully aware of the radical incommensurability of the mortal vocabularies they employ. In an attempt to (...) evaluate this radical proposal, the first part of this essay argues that some of Rorty’s most memorable utopian statements are far-fetched, rhetorical and often exaggerated to the point that they damage his broad humanistic vision. Building on this, the second part discusses the “missed potential” of Rorty’s excessively broad notion of a conversation of mankind and of the uncompromisingly anti-essentialist and anti-foundationalist reorientation that he proposes. (shrink)

Reflecting on the Inevitable combines evidence from several disciplinary fields to explore the varying ways each of us engages with the prospect of personal mortality. In each chapter the subtleties and applicability of key ideas are enhanced through a series of illustrative narratives built up around the lives of four people at different ages living in two adjacent houses. Reflecting on the Inevitable is relevant not only to academics of death studies, but also those training and practicing in people-helping (...) professions, as well as anyone experiencing or attempting to make sense of major life events. (shrink)

Volume 51, Issue 1, January 2020, Page 89-91.

This wide ranging and challenging book explores the relationship between subjectivity and mortality as it is understood by a number of twentieth-century French philosophers including Sartre, Lacan, Levinas and Derrida. Making intricate and sometimes unexpected connections, Christina Howells draws together the work of prominent thinkers from the fields of phenomenology and existentialism, religious thought, psychoanalysis, and deconstruction, focussing in particular on the relations between body and soul, love and death, desire and passion. From Aristotle through to contemporary analytic philosophy (...) and neuroscience the relationship between mind and body has been persistently recalcitrant to analysis, and emotion is the locus where the explanatory gap is most keenly identified. This problematic forms the broad backdrop to the work’s primary focus on contemporary French philosophy and its attempts to understand the intimate relationship between subjectivity and mortality, in the light not only of the ‘death’ of the classical subject but also of the very real frailty of the subject as it lives on, finite, desiring, embodied, open to alterity and always incomplete. Ultimately Howells identifies this vulnerability and finitude as the paradoxical strength of the mortal subject and as what permits its transcendence. Subtle, beautifully written, and cogently argued, this book will be invaluable for students and scholars interested in contemporary theories of subjectivity, as well as for readers intrigued by the perennial connections between love and death. (shrink)

Richard Rojcewicz argues that Heidegger and Plato see the same connection between philosophy and death: philosophizing is dying in the sense of separating oneself from the prison constituted by superficiality and hearsay. Rojcewicz relates this understanding of philosophy to signs, anxiety, conscience, music, and the COVID-19 pandemic.

The Apology is often read as showing a conflict between democracy and philosophy. I argue here that Socrates’s defense critically engages deeply political Athenian conventions of death, showing a mutual entanglement between Socratic philosophy and democratic practice. I suggest that Socrates’s aporetic insistence within the Apology that we “do not know if death is a good or a bad thing” structures a critical space of inquiry that I term “mortal ignorance;” a space from which Socrates reapproaches settled questions of death’s (...) appropriate place in political life, ultimately prompting a partial transformation of Athenian democracy. I argue here that Socratic mortal ignorance supports a self-reflective politics of death, one which produces many potential responses and accepts the impossibility of closing off death’s meaning in any final sense—an aporia suitable for the unending, precarious work of democratic politics. (shrink)

The Platonic strain -- The Epicurean strain -- Kierkegaard's death project -- Kierkegaard's appropriation and criticism of the tradition -- Death in Being and time -- Heidegger's reception of Kierkegaard : the existential philosophy of death -- The limits and legacy of the existential philosophy of death.

Kamm applies her non-consequentialist theory to practical ethical problems involving life and death, including the distinction between killing and letting die, and the permissibility of harming some to save others.

The second volume of Morality, Mortality is an impressive display of Francis Kamm’s talent for discerning hard-to-see but morally salient differences between apparently similar cases. This, in conjunction with its several theoretical innovations, make the book well worth reading.

This paper explores some connections between depictions of mortality in portrait-painting and philosophical (and psychoanalytic) treatments of our need to be recognized by others. I begin by examining the connection that Georg Simmel makes in his philosophical study of Rembrandt between that artist’s capacity for depicting his portrait subjects as non-repeatable individuals and his depicting them as mortal, or such as to die. After noting that none of Simmel’s explanations of the tragic character of Rembrandt’s portrait subjects seems fully (...) satisfactory, I then turn to Rousseau’s writing on our need for the recognition of others in order to argue that (1) it is at least as sources for the satisfaction of this need that other persons figure for us as irreplaceable (in a way that contrasts with the kinds of satisfaction that intersubstitutable things afford us); and that (2) it is exactly this kind of irreplaceability that Simmel is gesturing at in connecting the concepts of individuality and mortality in his writing on Rembrandt’s portraits. For the remainder of the paper I argue that the foregoing ideas are in fact central to the psychoanalytic writing of Melanie Klein, and in particular (a) Klein’s understanding the infant’s apprehension of other persons as internally related to their anxieties about the possibility of those persons’ irretrievable loss; (b) her understanding that it is as sources of recognition that others’ personhood is made salient to us; and (c) her treatment of portrait-painting as an activity for working through those aforementioned anxieties. (shrink)

Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance (...) of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts. (shrink)

The paper examines the account of the mortal parts of the human soul in theTimaeus. What is their nature? What is their relationship to the immortal part of the soul and its inner structure on the one hand, and to the body and its organs and their functioning on the other? Are they incorporeal or corporeal? What kind of movement do they have? In what sense precisely are they ‘another kind of soul’ ?

This article reconsiders the concept of radical reflection in Merleau-Ponty’s Phenomenology of Perception, arguing that, in its decentring of the subject who engages in reflection, radical reflection intimates a distinct theory of this very subject – one which will be developed in the final section of the Phenomenology and elsewhere. This reading diverges from those which consider radical reflection strictly in terms of a deflation of the reflective subject, and which position the concept in relation to a philosophy of nature (...) as a process into which this subject would effectively be subsumed. My reading instead proposes that the critical insight of radical reflection into the worldly, situated, and finite character of philosophical reflection articulates three essential dimensions of subjectivity: self-consciousness, sociality, and (consciousness of) mortality. In developing this account of the subject of radical reflection, the article shows such a conception of subjectivity to be at stake at once in Merleau-Ponty’s approach to phenomenology and in his work on history and politics. (shrink)

Prior to the productive encounters that can be staged between Emmanuel Levinas’sthought and cinema at the level of reception, Jean-Pierre and Luc Dardenne introducehis philosophy to their filmmaking at its moment of inception.1Luc Dardenne’s diary Audos de nos images documents their filmmaking from 1991 to 2005, and isinterspersed with brief but erudite references to Levinas’s work. While Levinasianthinking is one among many cited influences in this text, which also features quotationsfrom the writings of novelists, poets, and other philosophers, along with (...) detailedreferences to other filmmakers, his work is a signal point of inspiration and ethicalaspiration for their filmmaking. The Dardenne brothers seek permanently to unsettlereceived ideas of what cinema is. In this, their approach is bound up explicitly, but notexclusively, with the ethical underpinnings of Levinas’s thought. Levinas’s reformulationof ethics as first philosophy creates a fissure at the root of the philosophy of being. TheDardennes’ films, in turn, perform a Levinasian-inspired challenge to the being ofcinema. At its most extreme moments, to kill or not to kill is the key question that theircinema raises. This tacit rewriting of the interrogative opening to Hamlet’s infamous soliloquy, shifts attention away from a self-centered concern with being or non-being,and towards the survival of the other. The passage from being to non-being, whichwould involve the death of the subject, is displaced here by a preoccupation with killing,or failing to kill, someone else. This particular move from dying to killing lies at the heartof the Dardennes’ mortal ethics. (shrink)

Moral philosophy has been increasingly concerned with the nature of emotion and its ethical significance. Almost no attention, however, has been paid to disgust, in spite of its evident connections to taboos, exclusionary policies, and severe forms of moral, political, and aesthetic condemnation. This dissertation offers a theory of revulsion. On the basis of this account, it also gives us a way of thinking about intimate or tactile features of moral agency, which play a vital role in maintaining those various (...) practices. ;The analysis begins with a detailed portrait of the expansive and curious realm of disgust and derives from the portrait a set of desiderata by which to build a theory of revulsion. The views of the three primary theorists of disgust are evaluated: the anomaly thesis of the anthropologist Mary Douglas, the animal reminder theory of the empirical psychologist Paul Rozin, and the generative lowliness account of the social historian William Ian Miller. None of these satisfies the desiderata, and they also fail for reasons internal to their own viewpoints. The works of Julia Kristeva on abjection and Noel Carroll on art-horror are also considered. ;Both the portrait and the set of desiderata direct attention upon not just objects commonly deemed to be impure, but pollution processes and the wider emotional dynamics with which they are integrated. Due consideration of these various factors reveals that disgust is generally about carnal disvalue, or somatic unwholesomeness, and paradigmatically about filthiness and its smear. Disgust is so concerned because its phenomenology functions as a foretaste of unhealthiness. And it is aided in its task by a physiognomic structure calibrated to various organic signs taken to indicate deeper somatic defilement. One of the special features of such carnal disvalue is the facility with which it extends to larger and more abstract realms of disvalue, like the morally or aesthetically repulsive. These reflections on revulsion suggest that our mortality is as much about the organic or carnal character of living and dying, as it is cessation of life. (shrink)

The article is devoted to a rethinking of the state as a political form from theperspective of Slavoj Žižek’s psychoanalytical understanding of ideology and Mikhail Reisner’s theory of the state. The paper systematically outlines Žižek’s ideas from the early period of his work and Reisner’s theory of the state. Žižek, rejecting the traditional understanding of ideology as false consciousness, presents it as a necessity that structures reality. In turn, Reisner views the state not only as an instrument of oppression but (...) also as a psychological phantasm based on the ideas and unconscious attitudes of the masses. Synthesising Žižek’s ideas with Reisner’s legacy forms the main aim of this article. In combining the two perspectives, the state turns out to be the ideology that organises contemporary political experience and conceals a certain traumatic impossibility of symbolising the Real. The attempt to look at the state-as-ideology through the prism of psychoanalysis reveals the mechanisms of its functioning as the main signifier around which political-legal discourse and political practice are centered. It turns out that the state-as-ideology replaces other forms of political communities both temporally and spatially. Overcoming this situation is possible through bringing the phantasm of the state back to the human psyche. This, in turn, requires a recognition of the presence of an unsymbolised lack at the very heart of the symbolic order, undermining the absolute power of the state-as-ideology to determine the structure of political reality. The non-obvious intellectual connection between Žižek and Reisner and their original views on the nature of ideology and the state provide an opportunity to take a fresh look at the principles of the structure of the contemporary political form and to contribute to the ongoing debate on the state. (shrink)

"Fascinating....An imaginative, deeply engaging philosophical adventure."--Ethics. "Will quickly become, in debates concerning the sorts of distribution problems Kamm is concerned with, what Rawls's Theory of Justice is for more general debates about distributive justice."--Journal of Medical Ethics.

If we take Charles Peirce's "Immortality in the Light of Synechism" at face value, synechism has implications for "religious questions" or, one might say, for questions regarding the destiny of human life. In that same essay, Peirce begins to work out some of these enigmatic yet insightful consequences concerning the problem of immortality. The aim of this paper is to apply the principles of Peirce's philosophy, chiefly synechism and related doctrines, in order to investigate the nature of one of the (...) most enigmatic problems concerning the destiny of human life, namely, the nature of human death. If immortality can be clarified in the light of synechism, as Peirce maintains, what about mortality? Is it possible to... (shrink)

The goddess’s speech in Parmenides’s fragments is framed by the opinions of mortals in at least two ways. First, the journey of the proem starts in the world described by mortals’ opinions, and the second part of the goddess’s speech explores those opinions. Second, throughout her speech, the goddess invokes features of the world according to mortals’ opinions—negation, coming-to-be, destruction—even when she is arguing for a road of inquiry that excludes those features. Further, we study the fragments by means of (...) the definitions and claims regarding what-is that we use to function and communicate in our mortal lives. This paper proposes to approach the fragments with an awareness of this framing. A result is that the logical conclusion of accepting mortals’ opinions is that mortals’ opinions are flawed; and that result is based on flawed opinions. The goddess’s account thus presents something like a Liar Paradox. (shrink)

This is the second volume of a two volume study on ethical issues concerning death. Volume 2 is subtitled Death and Whom to Save from It. In this second volume, Kamm deals with rights, duties, and status, developing an account of when it is permissible to harm others, especially when it is permissible to kill others. There is, however, a third book that must be considered if we are to fully understand the import of Volume 2 of Morality, Mortality. (...) This third book is entitled Creation and Abortion. It was originally intended to be included in Morality, Mortality, but, on account of considerations of length, the material on abortion was published separately by Oxford University Press in 1992. Creation and Abortion was prompted by Kamm's attempt to understand and modify Judith Thomson's "A Defense of Abortion.". (shrink)

This well-structured and excellently-introduced volume contains ten of Jonas's essays concerning morality and mortality, half of which are newly translated. The book's two parts, respectively characterizing Jonas's philosophical and theological patterns of thought, are preceded by a prologue discussing the state of twentieth-century philosophy and are followed by a talk given six days prior to the author's death and published here for the first time. A sort of testament to his life's work, Jonas challenges his listeners to rethink the (...) notion of human responsibility with regard to creation. (shrink)

A consideration of some of the embedded themes with which Pamela Sue Anderson was concerned during her career will bear out the suggestion that her approach to enhancing life was richly engaging and distinctive. However, it is perhaps the idea of vulnerability, most of all, that crystallizes this distinctiveness and addresses the aims of the Enhancing Life Project with which she was associated at the time of her death in March 2017, but also brings her philosophy as well as her (...) person most powerfully to mind. In particular I am interested in the way in which, through this focus, she allows us seriously to attend to death (including her own), invoking the positive and life-enhancing implications of our unavoidable vulnerability, for practices of rational affection, without losing sight of the violence and pain of loss and mourning. (shrink)

This book integrates pragmatism and transcendental philosophy in examining the most serious problem defining the human condition, death and mortality. Its analysis of human limits and finitude is intended to be relevant to the concerns of philosophers specializing in, for example, transcendental philosophy, philosophical anthropology, pragmatism, Wittgenstein, and the philosophy of religion. Mortality is studied as providing a necessary framework within which questions concerning the meaningfulness or meaninglessness of human life become possible.

Spanish translation of Jussi Backman, "Divine and Mortal Motivation: On the Movement of Life in Aristotle and Heidegger,” Continental Philosophy Review 38 (2005): 241–261. -/- Translated by Fernando Huesca Ramón, translation revised by Jean Orejarena Torres and César Mora Alonso.

"Whether we are to live in a future state . . . is the most important question which can possibly be asked. . . . Yet strange perplexities have been raised about the meaning of that identity or sameness of person, which is implied in the notion of our being now and hereafter. . . ." These words, written by the Anglican Bishop Joseph Butler, concisely summarize the crux of the problem which renowned philosopher Antony Flew tackles in this profoundly (...) thoughtful book. Despite the perennial hope of life beyond the grave, Flew shows that there are insuperable difficulties in elucidating postmortem survival on a rational basis. He analyzes the three ways that philosophers of the past have attempted to get around these difficulties: the "reconstitutionist way" (miraculous reassembly of our deceased bodies at some future time, such as the Last Judgment); the "way of the astral body" (a sort of duplicate, undetectable "body," which detaches itself from the material body after death); and the "Platonic-Cartesian way"(an incorporeal mind or soul containing a person's identity which lives on after death). The main problem, says Flew, is the impossibility of logically demonstrating how a person surviving death in any imagined altered state could identify him- or herself as the same person who had previously lived a flesh-and-blood life on the Earth. Flew reviews both the classic arguments of Plato, Aristotle, Aquinas, and Descartes, as well as the modern findings of parapsychology, elucidating this complex issue with logical rigor and engaging wit. (shrink)

There is a lapidary saying owing to Etienne Gilson, that is often misquoted or adapted – with ‘metaphysics’ taking the place of ‘philosophy’ – and which is invariably reproduced in isolation. It is that ‘Philosophy always buries its undertakers’. Understanding this remark as Gilson intended it is relevant to the issues of the nature of philosophy, and of what conception of it may be most appropriate or fruitful for us to pursue. The question of the mortality or otherwise of (...) philosophy in general, and of metaphysics in particular, is a significant one for ongoing intellectual enquiry, and it is also relevant to the current position of academic philosophy in Great Britain and in the English-speaking world. (shrink)

The rise of ‘populism’, often conflated with authoritarianism, is frequently viewed as being antagonistic to environmental values, where the latter are associated with ‘liberal elites’. However, with a less pejorative understanding of populism, we might be able to identify elements within that can be usefully channelled and mobilised towards the urgent rescue of human and non-human life. This paper seeks to illuminate a ‘green populism’ using Hannah Arendt's analysis of the tension between science and politics. In Arendt's account, Western philosophy (...) and science is predicated on a rejection of the mortal realm of politics, in search of eternal laws of nature. However, the pressing mortality of nature has pushed it back into the political realm, shrinking the distance between science and politics. Where nature itself is defined by its mortality, environmentalism and political action acquire a common logic, which could fuel a participatory, green populism. (shrink)