Cognitive science has always included multiple methodologies and theoretical commitments. The philosophy of cognitive science should embrace, or at least acknowledge, this diversity. Bechtel’s (2009a) proposed philosophy of cognitive science, however, applies only to representationalist and mechanist cognitive science, ignoring the substantial minority of dynamically oriented cognitive scientists. As an example of nonrepresentational, dynamical cognitive science, we describe strong anticipation as a model for circadian systems (Stepp & Turvey, 2009). We then propose a philosophy of science appropriate to nonrepresentational, (...) dynamical cognitive science. (shrink)

In his article “Notes on the Sight Gag” from 1991, the philosopher Noël Carroll proposed a taxonomy of sight gags that recur throughout the genre of comedian comedy in cinema. This article revisits and augments Carroll’s taxonomy by analyzing the sight gags found in the films of Jacques Tati. Tati worked in a very different context than that of the silent Hollywood filmmakers from whose comic films Carroll largely derives his categories. He began making films in the sound era, and (...) five of his six feature films were made in color. As a French filmmaker, he also sought to adapt the genre of comedian comedy in cinema to his culturally specific concerns. This article shows that he drew on at least three of the types of sight gag identified by Carroll. But he modified some of them and innovated several other kinds. (shrink)

Using hypersets as an analytic tool, we compare traditionally Gibsonian (Chemero 2003; Turvey 1992) and representationalist (Sahin et al. this issue) understandings of the notion ‘affordance’. We show that representationalist understandings are incompatible with direct perception and erect barriers between animal and environment. They are, therefore, scarcely recognizable as understandings of ‘affordance’. In contrast, Gibsonian understandings are shown to treat animal-environment systems as unified complex systems and to be compatible with direct perception. We discuss the fruitful connections between Gibsonian (...) affordances and dynamical systems explanation in the behavioral sciences and point to prior fruitful application of Gibsonian affordances in robotics. We conclude that it is unnecessary to re-imagine affordances as representations in order to make them useful for researchers in robotics. (shrink)

The robust connections between philosophy and avant-garde cinema are investigated, and four strong senses in which avant-garde films can be “philosophical” are clarified: as illustrating philosophy, as originating philosophy, as enacting philosophy, and as occasioning philosophical reflection. While avant-garde cinema may only rarely, if ever, be able to create innovative philosophy, it excels at producing rich, philosophically informed perceptual experiences for viewers. Moreover, unlike works of verbal philosophy, which are evaluated in terms of their truth value and whose significance is (...) primarily epistemic, avant-garde films like other avant-garde artworks are admired mainly for their artistic inventions, and the chapter highlights through a range of examples how avant-garde filmmakers have employed imaginative and often novel techniques to communicate philosophical meaning and generate philosophical ideas. (shrink)