The concept of empathy describes our capacity to understand the emotions and intentions of others and to relate to our conspecifics. Numerous studies investigated empathy as a state as well as a stable personality trait. For example, recent studies in neuroscience suggest, among other brain areas such as the insula or the ACC, a role of the somatosensory cortices for empathy. Since the classic understanding of the primary somatosensory cortex is to represent touch on the body surface, we here aimed (...) to test whether tactile performance is linked to the personality trait empathy. To test this, we examined the tactile acuity of 95 healthy participants by using a two-point discrimination threshold task at the index fingers. Trait empathy was assessed by employing the interpersonal reactivity index, which measures self-reported empathy with four scales. Results of regression analyses suggested the subscale empathic concern to be positively associated with performance in the tactile acuity task. We discuss this finding in the light of recent studies on empathy and consider possible implications of tactile training to enhance empathy. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The Hard Question of memory is the following: how are memory representations stored and organized so as to be made available for retrieval in the appropriate circumstances and format? In this essay, I argue that philosophical theories of memory should engage with the Hard Question directly and seriously. I propose that declarative memory is a faculty performing a kind of cognitive triage: management of information for a variety of uses under significant computational constraints. In such triage, memory representations are preferentially (...) selected and stabilized, but also systematically modified and integrated into generalized, model-like representational structures. Further, I propose a hybrid theory of remembering, which takes into account both the nature of the cognitive processes underlying remembering and the norms that govern representational success in relevant cognitive/epistemic contexts. (shrink)

Mainstream news broadcasting pursues an authentication project, to bolster its claims to serious, weighty and factual news reporting. News review contributes to this project when it seeks to humanize front-stage news personnel. It moves away from the traditional, institutionalized concern with `authenticity-from-above' and works to generate `authenticity-from-below'. As an extreme instance of resistance to the `from-above' formulation, this article considers data from a televised UK weekday morning show, The Big Breakfast, and specifically its `review of the papers' slot. The show's (...) orientation is iconoclastic, from the establishment perspective on news, partly by its high degree of reflexivity about the television medium. Its main presenter, Johnny Vaughan, extrapolates from newsprint sources well beyond the conventional bounds of the review genre. He delivers a thoroughly performed, burlesque response to more and less trivial aspects of the day's print news. His stylized vocal and visual representations of figures in the news achieve a populist moral consensus, as a key process in constructing a `from-below' authenticity. Even in this thoroughly tabloidized and comic performance, the show retains a clear critical dimension, strikingly at odds with authorized modes of news and news review. (shrink)

In this paper, I explore the hypothesis that constructions — here understood primarily as the dependencies of Word Grammar — can undergo systematic change, sometimes partly due to the effects of the grammaticalization of a lexical item or class of lexical items. I argue that the development of will as a future tense marker in English involves the development of a new construction where two separate syntactic items are associated with a single event in the semantics. I also look at (...) the loss of the impersonal construction in English, where it has been argued that the change is driven by an increase in the schematicity of the Transitive Construction, as well as having been argued that dative experiencers have been reclassified as subjects. I observe that it has also been noted that dative experiencers could function as subjects in earlier varieties of English, and suggest that this is an example of category strengthening. (shrink)

According to contextualist accounts, the truth value of a given knowledge ascription may vary with features of the ascriber's context. As a result, the following may be true: "X doesn't know that P but Y says something true in asserting 'X knows that P'". The contextualist must defend his theory in the light of this unpleasant but inevitable consequence. The best way of doing this is to construe the context sensitivity of knowledge ascriptions not as deriving from an alleged indexicality (...) of the word "know" nor from its vagueness or ambiguity, but rather from a distinct semantic feature of the word "know", namely its unspecificity. (shrink)

Ob Kunstwerke, im emphatischen Sinne des Wortes, in der Moderne überhaupt produziert werden können, hat Heidegger philosophisch in Zweifel gezogen. Sofern ästhetische Praxis an einem historischen Wahrheitsanspruch gemessen werden soll, muss ihre Bewertung letztlich prekär bleiben. Trotz dieser skeptischen Haltung Heideggers haben nicht nur Kunsttheoretiker, sondern auch zahlreiche Künstler und Schriftsteller seine Überlegungen nachhaltig rezipiert und in die Reflexion der eigenen Praxis eingebunden. Nikola Mirkovic folgt den Spuren von vier Lesern von Heideggers Kunstphilosophie, - Günther Anders, Heinrich Besseler, Paul Celan (...) und Peter Zumthor - die verschiedene Motive von Heideggers Denkens aufgreifen, kritisieren und weiterentwickeln. Erst durch die Transformation von Heideggers Grundbegriffen im Zuge der jeweiligen Architektur-, Literatur- und Musiktheorie zeigt sich ihr phänomenologisches Potential. (shrink)

Taking the ‘Fridays for Future’ movement as its starting point, this article conceptualizes and defends youth disobedience, understood as principled disobedience by legal minors. The article first argues that the school strike for climate can be viewed as civil disobedience. Then, the article distinguishes between various forms of youth disobedience (according to whether they involve child-specific issues or actions). Building on the democratic rationale for civil disobedience, the remainder of the article argues that there is a special justification for youth (...) disobedience. To show this, it argues that children are wrongfully excluded from political participation and that principled law-breaking can be an important remedy to this exclusion. The upshot is that adults should engage seriously and leniently with youth disobedience. (shrink)

In this paper I examine problems besetting forms of philosophical and social critique that are motivated by the 'hermeneutics of suspicion' and normatively oriented to the goal of 'unmasking'. I argue that there is an urgent need to correct the one-sided emphasis on 'unmasking', and we can do this by reorienting critique to the practice of individual and social transformation. The argument goes like this. The practice of unmasking critique has split off from utopian projects in whose service it was (...) originally placed, and has become the vehicle of a self-consuming, practice-crippling skepticism that - from Friedrich von Schlegel to Paul de Man and Richard Rorty - goes by the name of irony or ironist theory. Postmodernism, in one of its aspects, is the latest form of this skepticism. I interpret postmodernism as the manifestation of a crisis of confidence (in our ideals and in our agency) and as an ironization of critique. Drawing upon Kant, Hegel, Nietzsche, Heidegger and Foucault, I reformulate the normative demands of critique such that its practice avoids the problem of self-reference while responding to the problem of self-reassurance. Key Words: confidence • critique • irony • postmodernism • reason • skepticism. (shrink)

In Tulving’s initial characterization, episodic memory was one of multiple memory systems. It was postulated, in pursuit of explanatory depth, as displaying proprietary operations, representations, and substrates such as to explain a range of cognitive, behavioural, and experiential phenomena. Yet the subsequent development of this research program has, paradoxically, introduced surprising doubts about the nature, and indeed existence, of episodic memory. On dominant versions of the ‘common system’ view, on which a single simulation system underlies both remembering and imagining, there (...) are no processes unique to memory to support robust generalizations with inductive potential. Eliminativism about episodic memory seems to follow from the claim that it has no dedicated neurocognitive system of its own. After identifying this under-noticed threat, we push back against modern eliminativists by surveying recent evidence that still indicates specialized mechanisms, computations, and representations that are distinctly mnemic in character. We argue that contemporary realists about episodic memory can retain lessons of the common system approach while resisting the further move to eliminativism. (shrink)

According to a traditionally infl uential idea metaphors have mostly ornamental value. Current research, on the other hand, stresses the cognitive purposes metaphors serve. According to the Conceptual Theory of Metaphor (CTM, for short), e.g., expressions are commonly used metaphorically in order to conceptualize abstract and mental phenomena. More specifically, proponents of CTM claim that abstract terms are understood by means of metaphors and that metaphor comprehension, in turn, is embodied. In this paper, I will argue that CTM fails on (...) both counts. (shrink)

The Galilean explanatory style is characterized by the search for the underlying structure of phenomena, the positing of "deep" explanatory principles, and a view of the relation between theory and data, on which the search for "crucial data" is of primary importance. In this paper, I trace the dynamics of adopting the Galilean style, focusing on the science of episodic memory. I argue that memory systems, such as episodic and semantic memory, were posited as underlying competences producing the observable phenomena (...) of memory. Considered in idealized isolation from other systems, episodic memory was taken to underlay the ability of individuals to remember events from their personal past. Yet, in reality, memory systems regularly interact, standing in many-to-many relations to actual memory tasks and experiences. Upon this backdrop, I explore a puzzle about the increasing prominence of the notion of autonoetic consciousness in Tulving's theory of episodic memory. I argue that, contrary to widespread belief, the prominence is not best explained by the purported essential link between autonoetic consciousness and episodic memory. Rather, it is explained by the fact that autonoetic consciousness, hypothesized to uniquely accompany episodic retrieval, was considered a source of crucial data, predictable only from theories positing a functionally distinct episodic memory system. However, with the emergence of a new generation of theories, positing wider memory systems for remembering and imagination, the question of the relation between episodic memory and autonoetic consciousness has been reopened. This creates a pressing need for de-idealization, triggering a new search for crucial data. (shrink)

In Critique and Disclosure, Nikolas Kompridis argues provocatively for a richer and more time-responsive critical theory. He calls for a shift in the normative and critical emphasis of critical theory from the narrow concern with rules and procedures of Jürgen Habermas's model to a change-enabling disclosure of possibility and the enlargement of meaning. Kompridis contrasts two visions of critical theory's role and purpose in the world: one that restricts itself to the normative clarification of the procedures by which moral (...) and political questions should be settled and an alternative rendering that conceives of itself as a possibility-disclosing practice. At the center of this resituation of critical theory is a normatively reformulated interpretation of Martin Heidegger's idea of "disclosure" or "world disclosure." In this regard Kompridis reconnects critical theory to its normative and conceptual sources in the German philosophical tradition and sets it within a romantic tradition of philosophical critique.Drawing not only on his sustained critical engagement with the thought of Habermas and Heidegger but also on the work of other philosophers including Wittgenstein, Cavell, Gadamer, and Benjamin, Kompridis argues that critical theory must, in light of modernity's time-consciousness, understand itself as fully situated in its time--in an ever-shifting and open-ended horizon of possibilities, to which it must respond by disclosing alternative ways of thinking and acting. His innovative and original argument will serve to move the debate over the future of critical studies forward--beyond simple antinomies to a consideration of, as he puts it, "what critical theory should be if it is to have a future worthy of its past.". (shrink)

The purpose of this report is to systematize the role of artificial intelligence for the teaching of anatomy in medicine. Experience of teachers in using new technologies (Google Classroom, 3D atlases, WordPress, Facebook, Virtual Reality, etc.) in teaching human anatomy to students of various health specialties for the last 4 years is described. Currently available tools such as ChatGPT 4, Google Gemini, Microsoft Bing Copilot, are not designed for this purpose and fail to generate anatomically correct training images. This situation (...) attends professional attention as well as needs some philosophical remarks on the problem. Popular directions for the development of AI technologies are video generators and editors, image and art generators, painting and drawing tools, writing tools and text generators, music and audio generators, face generators, avatar generators. The benefits and drawbacks of the introduction of artificial intelligence in the teaching of anatomy are discussed and the conclusion that there is a benefit and necessity of its practical inclusion in the pedagogical tools is substantiated. (shrink)

This essay investigates the notion of simulation and the role it plays in Kourken Michaelian's simulation theory of memory. I argue that the notion is importantly ambiguous and that this ambiguity may threaten some of the central commitments of the theory. To illustrate that, I examine two different conceptions of simulation: a narrow one (simulation as replication) and a broad one (simulation as computational modeling), arguing that the preferred narrow conception is incompatible with the claim that remembering involves the simulation (...) of past episodes. Investigating possible solutions, I suggest that, despite some relatively serious consequences, the theory may be better off subscribing to the broad notion of simulation. (shrink)

The main aim of this paper is the critique of poststructuralist theory of art, and particularly thesis about the avant-garde peace of art as a kind of transgression. As a starting point of this critique, the ordinary language philosophy developed by American philosopher Stanley Cavell is used, particularly his film theory. While poststructuralist philosophy was developed around the notion of ideology, Cavell interprets film and arts in general around the notion of skepticism. While poststructuralism, because of thesis about avant-garde as (...) a kind of transgression within the field of ideology, is a kind of philosophy of negation, we point out that Cavell?s philosophy is a utopian theory of transcending of skepticism where avant-garde film has significant but not crucial place. Cavell?s thesis is used as a basis for re-thinking of modernism, which is in opposition to postmodernist turn realized by poststructuralism. nema. (shrink)

One of the most famous problems in the decision-making literature is the “bat and a ball” problem from the cognitive reflection test (CRT; Frederick, 2005). The problem goes as follows: „A bat and...

Austin’s destructive contextualist criticism of the theory of knowledge, as grounded on foundationalism, is presented. It is claimed that incorrigibility is not a secondary issue for the foundationalist conception of knowledge and justification, even if the hallmark of foundationalism is not to be sought in the so-called ‘quest for certainty’, but rather in the idea of epistemological realism.

The general idea of this text is to reflect biopolitical constitution of the society and its implications related to the issues of animal welfare. Since animal in biopolitical formation is technically reduced to an object - commodity for contentment of the industry and of the people needs - critical public advisories are calling from moral, ethical and legal standpoint for attention to the fact that is necessary to protect animals from the unnecessary exploitation. It is obvious that animal protection is (...) evoking animal rights question. But in the last instance protection of animal rights is related to the nutritional dilemma of animal food use. Question is arising: does animal rights in particular also envisage change in food politics, what is for instance the extreme vegan option taking for granted? This challenge sent to the culture of all-food eaters is opening up new questions and dilemmas. First of all, there is a question linked to the right of men to choose his own nutritional option, and of course dilemma which is related to scruples about meat-eaters and their ability to love animals. Opsta ideja ovog teksta je promisliti biopoliticnu konstituciju savremenog drustva i njene implikacije vezane za status zivotinja. Posto je zivotinja u biopolitickoj konstituciji tehnoloski gledano svedena na objekt - na predmet za zadovoljavanje potreba industrije i populacije - kriticna masa upozorava sa moralnog, etickog i pravnog gledista, da je potrebno zastiti zivotinje pred neopravdanom eksploatacjom. Zastita zivota evocira pitanje prava zivotinja, koja nas dovode u poslednjoj instanci do dileme vezane za upotrebu zivotinja u prehrani. Postavlja se pitanje: da li zastita prava zivotinja podrazumeva i promenu politike ishrane - napustanje ishrane mesom - kako zahteva ekstremna veganska opcija? Taj izazov upucen kulturi svastojeda povlaci za sobom pre svega onu vrstu pitanja koja se ticu prava coveka da sam iazbere nacin na koji ce se prehranjivati, odnosno dilemu da li je covek sposoban za ljubav prema zivotinjama uprkos cinjenici da se njima prehranjuje. (shrink)