Metaphysics as a Guide to Morals was Iris Murdoch’s major philosophical testament and a highly original and ambitious attempt to talk about our time. Yet in the scholarship on her philosophical work thus far it has often been left in the shade of her earlier work. This volume brings together 16 scholars who offer accessible readings of chapters and themes in the book, connecting them to Murdoch’s larger oeuvre, as well as to central themes in 20th century and contemporary thought. (...) The essays bring forth the strength, originality, and continuing relevance of Murdoch’s late thought, addressing, among other matters, her thinking about the Good, the role and nature of metaphysics in the contemporary world, the roles of art in human understanding, questions of unity and plurality in thinking, the possibilities of spiritual life without God, and questions of style and sensibility in intellectual work. (shrink)

The aim of this paper is to present a perspective on Iris Murdoch conception of metaphysics, starting from her puzzling contention that she could describe herself as a ?Wittgensteinian Neo-Platonist?. I argue that this statement is a central clue to the nature both of her philosophical method which is strongly reminiscent of Wittgenstein's, and of her Platonism, which in its emphasis on the everyday and metaphorical aspects of his work differs starkly from received modern interpretations. Placing Murdoch between Plato and (...) Wittgenstein can help us to understand the nature of her metaphysics as a complex, continuous, pictorial activity, which shows a deep awareness of and is compatible with the late twentieth century and contemporary distrust of large metaphysical systems or explanations. (shrink)

In her book Iris Murdoch, Gender and Philosophy, Sabina Lovibond argues that Iris Murdoch's philosophical and literary work is covertly dedicated to an ideology of female subordination. The most central and interesting aspect of her multifaceted argument concerns Murdoch's focus on the individual person's moral self-scrutiny and transformation of consciousness. Lovibond suggests that this focus is antithetical to the kind of communal and structural criticism of society that has been essential for the advance of feminism. She further reads Murdoch's dismissal (...) of “structuralism” as proof of Murdoch's alleged conservatism and neglect of feminist concerns. In this article I will argue that this line of argument—though not completely off-base concerning the awkwardness of Murdoch's relation to feminism— gives a misleading picture of Murdoch's philosophical and ideological position, and establishes a problematic antagonism between moral self-scrutiny and social criticism, which a closer look at Murdoch's work can help us overcome. (shrink)

In this paper I discuss the viability of the claim that at least some forms of moral theory are harmful for sound moral thought and practice. This claim was put forward by e.g. Elisabeth Anscombe ( 1981 ( 1958 )) and by Annette Baier, Peter Winch, D.Z Phillips and Bernard Williams in the 1970’s–1980’s. To this day aspects of it have found resonance in both post-Wittgensteinian and virtue ethical quarters. The criticism has on one hand contributed to a substantial change (...) and broadening of the scope of analytic moral philosophy. On the other hand it is, at least in its most strongly anti-theoretical formulations, now broadly considered outdated and—to the extent that it is still defended—insensitive to the changes that have occurred within the field in the last 20–30 years. The task of this paper is to relocate the anti-theoretical critique into the field of analytic ethics today. (shrink)

This book is an investigation into the descriptive task of moral philosophy. Nora Hämäläinen explores the challenge of providing rich and accurate pictures of the moral conditions, values, virtues, and norms under which people live and have lived, along with relevant knowledge about the human animal and human nature. While modern moral philosophy has focused its energies on normative and metaethical theory, the task of describing, uncovering, and inquiring into moral frameworks and moral practices has mainly been left to social (...) scientists and historians. Nora Hämäläinen argues that this division of labour has detrimental consequences for moral philosophy and that a reorientation toward descriptive work is needed in moral philosophy. She traces resources for a descriptive philosophical ethics in the work of four prominent philosophers of the twentieth century: John Dewey, Ludwig Wittgenstein, Michel Foucault, and Charles Taylor, while also calling on thinkers inspired by them. (shrink)

In the past few years, we have seen emerging new work that brings into focus the role of historical change and its moral implications in Iris Murdoch's philosophy. This paper strengthens this reading of her work and investigates the implications of this aspect of Murdoch's thinking for education in general and for moral education in particular. It resituates the Platonic imagery of the individual's ascent towards the true and the good in a framework where our conceptions of the true and (...) the good are in a process of historical reconfiguration. (shrink)

Contemporary moral philosophy is split between an inherently a-historical moral philosophy/theory on the one hand and a growing interest in moral history and the historicity of morality on the other. In between these, the very moments of moral change are often left insufficiently attended to and under-theorized. Yet moral change is, arguably, one of the defining features of present day moral frameworks, and thus one of the main things we need to make sense of in moral philosophy. In this paper, (...) I present an account of moral change through the use of three metaphors: the tipping point, the bargaining table and the strong rope. I suggest these as coordinates for the development of a full-blown, historically sensitive conception of morality. (shrink)

Journal of Philosophy of Education, EarlyView.

Philosophical Investigations, EarlyView.

European Journal of Philosophy, EarlyView.

Iris Murdoch’s late major work Metaphysics as a Guide to Morals is rich in unusual philosophical insight, but frequently found difficult, not least because its form and perspectives defy the expectations of her readers. In this introduction we review some central aspects of the book: the nature of Murdoch’s philosophical ambitions, her attempts at rethinking faith and spirituality in a secular world, her work on the metaphysical underpinnings of our thinking, the roles of art in all of this, and her (...) historical sensibility, which up to recently has largely been overlooked by commentators. We also look at the textual features of the book which make it particularly challenging but also gratifying for the reader who has discovered its distinctive charms. (shrink)

In Chapter 18 of Murdoch’s Metaphysics as a Guide to Morals the concept of ‘void’ is offered as a label for a fourth dimension of moral thought, after ‘axioms, duties and Eros’ in the preceding chapter. Void, unlike the others, does not provide a mode of structuring a normative conception of some area or aspect of the moral life. It is rather described as a ‘tract of experience’—of evil, darkness, desolation, hopelessness, pain—offered as an antidote to overly optimistic readings of (...) her ethics of Eros. Murdoch draws heavily on Simone Weil’s work here, but a closer look at the chapter discloses a dissonance in her use of ‘void’, which in turn reveals a difference between these two thinkers. (shrink)

European Journal of Philosophy, EarlyView.

This volume showcases contemporary, ground-up ethical essays in the tradition of Wittgenstein’s broader philosophy and Wittgenstein-inspired ethical reflection. It takes the ethical relevance of Wittgenstein as a substantial and solid starting point for a broad range of ongoing thinking about contemporary ethical issues. The texts are organised in two sections. The first consists of chapters exploring questions around what could be called the “grammar” of our moral forms of life, and thus represents a more traditional approach in ethics after Wittgenstein. (...) The second part represents a recent turn in the tradition towards investigating moral conceptions, perspectives and concepts that are undergoing change, either because the world itself is changing (for instance with new technologies) or because human agency, such as social movements, has brought us to reconsider previously unquestioned ideas and structures. Within the book, the authors’ contributions are inspired, in their ways of working with ethical questions, by Wittgenstein’s conceptions of language, understanding and the nature of philosophical inquiry. This book is of interest to philosophers influenced by Wittgenstein, as well as to all ethicists seeking ideas for how to do philosophy in a manner close to lived experience and practice. (shrink)

Beginning with Barry Hoffmaster’s charge that we reclaim bioethics from the moral philosopher’s top-down theorizing, I discuss two moral philosophy contexts that offer resources for the kind of complex attention Hoffmaster demands: Iris Murdoch and Cora Diamond in moral philosophy and Margaret Urban Walker, Hilde Lindeman, and Marian Verkerk’s joint take on bioethics. My aim is: 1) to dispel a simplified notion of philosophy in bioethics; 2) to unite two strands of philosophy, which converge on important issues relevant to contemporary (...) bioethics; and 3) to explore these strands in terms of enabling, maieutic work on our ethical points of departure. (shrink)

Hanna Meretojan kirja The Ethics of Storytelling ammentaa hermeneuttisesta perinteestä aineksia kirjallisuutieteelliseen näkökulmaan, joka valottaa kerronnan rooleja meidän jokapäiväisessä elämässämme ja pyrkii myös tarjoamaan kriittisen välineistön, jonka avulla voimme ymmärtää ja kritisoida aikamme kerronnallisia käytäntöjä ja kertomusmalleja. Tämä teksti tarkastelee Meretojan argumentin pääpiirteitä ja sijoittaa hänen työnsä laajempaan nykyaikaisen eettisen ajattelun kontekstiin.

Consistency is usually seen as one of the hallmarks and a cardinal virtue of moral theory, as well as of any defensible real-life moral perspective. In everyday life a consistent set of moral beliefs is conductive to moral clarity, communicability, responsibility and responsiveness. But this is just one side of the story. In this paper I argue that inconsistency, properly understood, is a productive and constructive aspect of both moral philosophy and our moral lives. After an introductory glance at Ralf (...) Waldo Emerson and Hannah Arendt, the argument proceeds in three main steps. First, I discuss the philosophical importance of paying heed to inconsistencies in our moral lives, which often are prematurely pruned from moral philosophy. Second, I discuss the positive moral roles of inconsistency in terms of responsiveness to different situations, values, needs and concerns that call upon our attention in everyday life. Third, I argue that moral inconsistencies contribute to the necessary adaptability of our moral understandings to changing conditions. Fourth, in the place of a conclusion, I revisit the issue of consistency, clarity and accountability. (shrink)

Moral change in a historical perspective is a prominent theme in narrative literature, but this dimension of our moral lives has been left in the shade of what I call a context sensitive universalism that guides the mainstream of moral philosophical readings of literature after Nussbaum, Murdoch, Diamond and Cavell among others. Focalizing Robert Pippin’s reading of Henry James’s The Wings of the Dove, this paper addresses literature as a place for philosophical exploration of the historicity of morality, and argues (...) for making more space for the facticity of change in ethics and ethical readings of literature, not least as a necessary prerequisite for both individual and collective moral self-understanding. (shrink)

In this paper I argue that the lack of interest, among analytic moral philosophers, in the contingencies of our moral present, produces an impoverished moral philosophy, unable to address the moral problems and quandaries of ordinary people. What is needed to remedy this is a broadening of the scope of the moral philosopher’s thought to include a rich attention to moral phenomena of the present. One such phenomenon, attended to by sociologists and critical journalists over the past few decades, is (...) the contemporary proliferating genre of psychologically oriented self-help literature. I display a range of sociological responses to self-help in order to point out aspects of morality that are made visible in these discussions, whereas they often remain invisible in standard moral philosophy. The aim is not to suggest a specific methodology for including such material into philosophical discussions, but rather to urge philosophers to reconsider the range of materials they attend to in their work, in order to produce a more lively engagement with and understanding of contemporary morality. (shrink)

through examining the case of Doris Lessing’s varying accounts of her mother, I discuss here the fundamental fact/value entanglement involved in describing people, human situations, and human relations. A serious consideration of the ethical and epistemic challenges involved in biographical narration will provide strong reasons for jettisoning the fact/value dichotomy when thinking about human life.1 Yet, I do not propose such considerations as providing an overall model for rejecting the fact/value dichotomy, but rather suggest that there may be no formal (...) unity to the various considerations that speak against upholding a fact/value dichotomy in different philosophical discussions. Furthermore, seeking such unity .. (shrink)

Can a good man do evil things? This paper offers a moral philosophical reading of Hilary Mantel’s novels Wolf Hall and Bring up the bodies, focusing on Mantel’s fictional portrayal of Thomas Cromwell as a good person, in spite of his growing involvement in the dirty work of Henry VIII. The narrative resists interpretations of Cromwell as someone corrupted by power. It also thwarts attempts to read his deeds as results of a deficient capacity for sympathetic imagination, which has been (...) a focalized moral flaw in contemporary moral philosophical discussions of literature. By thus resisting moralized readings of his character, the novels invite intensified attention to the complex dynamics of character and circumstance. (shrink)