This essay argues a case for viewing Derrida's work in the context of recent French epistemology and philosophy of science; more specifically, the critical‐rationalist approach exemplified by thinkers such as Bachelard and Canguilhem. I trace this line of descent principally through Derrida's essay ‘White Mythology: Metaphor in the Text of Philosophy’. My conclusions are (1) that we get Derrida wrong if we read him as a fargone antirealist for whom there is nothing ‘outside the text'; (2) that he provides some (...) powerful counter‐arguments to this and other items of current postmodern wisdom; (3) that deconstruction is more aptly viewed as continuing the epistemo‐critical approach developed by thinkers like Bachelard; and (4) that it also holds important lessons for philosophy of science in the mainstream Anglo‐ American ‘analytic’ tradition. (shrink)

Kierkegaard became a key figure in postmodern philosophy by questioning the very conditions of modernity. Still, the term “deconstruction” seems to reflect his key concerns more precisely, in particular his insistence on a paradox at the heart of Hegel's system, which allows the texts to be deconstructed from within. Some philosophers were concerned with his notion of repetition, uncovering cross‐references between philosophy, literature, and religion. Sacrifice, secrecy, and subjectivity are bones of contention between Levinas and Derrida, but the latter argues (...) that Kierkegaard can hardly be called an advocate of egoism. On the contrary, he is concerned with subjectivity in general, sometimes implying a sacrifice of ethics for the sake of ethical responsibility. Finally, Kierkegaard's notion of writing, suspension of ethics, and repetition gives hope for a future gift, beyond calculation. Whereas Nietzsche concludes that God is dead, the postmoderns see in Kierkegaard the promise of an Other to come. (shrink)

In today’s postmodern world, the idea of having absolute theories or absolute truth is rejected. This has also created a problem of how to explain religion, which is an important part of human nature. Most postmodern philosophers think there is an element of spiritual desire in each human being which is seeking the Wholly Other for its fulfilment. Hence in their own way, they have tried to explain this mystical desire in humans. Derrida has been seen as a major contributor (...) towards the philosophy of religion in recent times. Through his project of deconstruction, he has tried to show how deconstruction is deeply religious. Deconstruction of religion is not the destruction of religion but its reinvention. The method of deconstructionism tends to teach us to move beyond the boundaries of philosophical concepts. It creates an attitude of openness towards the Wholly Other that may come or not come but we need to live as if the Other has come. Derrida’s religion portrays well the postmodernist faith. Based on his Jewish background, he finds religion to be like deconstruction, which is waiting for the Really Real or the absolute Truth. He has brought out the mystical aspect of religion through deconstruction. Abstrak Di era postmodern, gagasan mengenai teori yang bersifat mutlak atau ide tentang kebenaran absolut tidak bisa diterima lagi. Hal ini menimbulkan persoalan: bagaimana menjelaskan agama yang memiliki perang penting dalam hidup manusia. Sebagian besar pemikir postmodern sebetulnya percaya bahwa ada kerinduan spiritual dalam tiap manusia yang mencari pemenuhannya dalam Diri Yang Sepenuhnya Lain (Wholly Other). Dengan cara mereka yang khas, mereka berusaha menjelaskan kerinduan mistik ini. Derrida merupakan salah satu pemikir postmodern yang berkontribusi pada Filsafat Ketuhanan kontemporer. Sejatinya proyek dekonstruksi yang dikembangkannya bersifat religius. Dekonstruksi agama bukanlah destruksi agama, melainkan penemuan kembali agama. Dekonstruksi adalah suatu metode untuk melampaui batas-batas konsep-konsep filosofis. Metode ini membuat manusia bersikap terbuka pada Diri Yang Sepenuhnya Lain, hal mana mungkin hadir atau tidak hadir namun memaksa kita menghayatinya seolah-olah telah hadir. Agama yang digambarkan Derrida ini merupakan potret iman postmodern. Bertolak dari latar belakang Yahudi, Derrida mengalami agama sebagai sebuah dekonstruksi, yang masih menunggu Apa Yang Sepenuhnya Nyata atau Kebenaran Absolut. Melalui dekonstruksi ia menyingkapkan aspek mistik agama. Kata-kata Kunci: dekonstruksi, Derrida, postmodernisme, iman, postmodern, agama. (shrink)

In this paper, I wish to reflect upon the insistence on the use of gender neutral language and its implications for freedom of speech in Canada. There has been much controversy in Canada over recent legislation that adds gender expression and gender identity as protected grounds under the Canada Human Rights Act- i.e. Bill C-16, Jordan B. Peterson, Professor of psychology at the University of Toronto, has expressed his dissatisfaction with Bill C-16 and its implications for free speech. Peterson argues (...) that free speech is the mechanism by which democracies have survived over the centuries! He has further argued that the imposition of language on people can have devastating effects. For example, there is a clear distinction between legislation concerning What one ought not to say, such as screaming "fire!" in a crowded cinema and mandating speech about what one must say, such as compelling the use of gender-neutral pronouns. In order to understand the background behind Bill C-16, and in order to gather insights as to what is motivating certain cultural trends and what is at stake, I will examine two distinct philosophical approaches. First, will examine the thought of Jordan Peterson, who I would dub the "defender of objectivity." Second, I will present some of the views of the postmodern epistemologist, Jacques Derrida, Derrida can be dubbed the "wishful mortician of the absolute" for his methodology of deconstructionism. Through examining these distinct approaches, I wish to put a clearer finger on the complex issues surrounding Bill C-16, political correctness, and free speech. (shrink)

In What's Wrong with Postmodernism Norris critiques the "postmodern-pragmatist malaise" of Baudrillard, Fish, Rorty, and Lyotard. In contrast he finds a continuing critical impulse--an "enlightened or emancipatory interest"--in thinkers like Derrida, de Man, Bhaskar, and Habermas. Offering a provocative reassessment of Derrida's influence on modern thinking, Norris attempts to sever the tie between deconstruction and American literary critics who, he argues, favor endless, playful, polysemic interpretation at the expense of systematic argument. As he explores leftist attempts to arrive at (...) an accommodation with postmodernism, Norris addresses the politics of deconstruction, the issue of men in feminism, Habermas' quarrel with Derrida, narrative theory as a hermeneutic paradigm, musical aesthetics in relation to literary theory, and various aspects of postmodern debate. A chapter on Stanley Fish brings several of these topics together and offers a generalized statement on the function of current criticism. (shrink)

In this interview, Christopher Norris discusses a wide range of issues having to do with postmodernism, deconstruction and other controversial topics of debate within present-day philosophy and critical theory. More specifically he challenges the view of deconstruction as just another offshoot of the broader postmodernist trend in cultural studies and the social sciences. Norris puts the case for deconstruction as continuing the 'unfinished project of modernity' and—in particular—for Derrida's work as sustaining the values of enlightened critical reason in various (...) spheres of thought from epistemology to ethics, sociology and politics. Along the way he addresses a number of questions that have lately been raised with particular urgency for teachers and educationalists, among them the revival of creationist doctrine and the idea of scientific knowledge as a social, cultural, or discursive construct. In this context he addresses the 'science wars' or the debate between those who uphold t. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Constructive Postmodernism: Toward Renewal in Cultural and Literary StudiesDavid CarrierConstructive Postmodernism: Toward Renewal in Cultural and Literary Studies, by Martin Schiralli. Westport, CT, and London: Bergin and Garvey, 1999, 165pp., $55 cloth.Concerned with the consequences of Jacques Derrida's philosophy of deconstruction for cultural and literary studies, Martin Schiralli's elegantly written book offers, first, a critique of these claims and, then, a constructive alternative analysis. He admires (...) Derrida's brilliantly innovative writing, which as he rightly notes is "serious and philosophical" even if "the most patient reader can easily become disoriented and confused" (24). But even if, as Derrida argues, Ferdinard de Saussure's theory of meaning is flawed, we need not—he urges—become deconstructionists. Looking to the work of Stephen Toulmin, John Dewey, and late Wittgenstein, Schiralli finds suggestive ways of identifying concerns with cognitive value in literary texts. It then is possible, he argues, to offer a more reasonable perspective on recent debates about culture and politics than the recent academic arguments between "postmodern revisionists... [and] often hostile and defensive traditionalists" (73).In the second part of his book Schiralli illustrates the value of this perspective by offering a great deal of productive positive discussion. He discusses how "theoretically pertinent knowledge" (95) may be found in the novels of Jane Austen, Barbara Pym, and Anita Brookner. Appealing to Michael Polanyi's conception of tacit knowledge, he argues that Austen's ability to intuit "the rules governing social meaning... represents the tacit emergence of insight, just as her ability to use those insights explicitly in her fiction marks the emergence of more focal knowledge" (123). In analyzing an emotional response, he claims, we can ask whether it is "warranted or unwarranted in a given circumstance" (31). Using E. M. Forster's Howards End as his model, he develops this claim in an analysis that is brief, clear, and convincing. Finally, in his concluding pages he looks at the studies of character provided by Henry James and Marcel Proust. A proper theory of literary intelligence, he argues, should "treat those forms of cognitive acuity involved imaginatively in miming and representing verbally the intricacies and particularities of all aspects of human sensibility" (150).This bold, far-reaching book avoids the fanaticism that, as Schiralli notes, has marred all too much recent debate in the humanities. At this time, when the influence of Derrida has faded, I think this argumentation about his philosophical position is of less value than the constructive parts of the analysis. Treating Derrida as a theorist whose arguments tell us how to analyze literature is an unpromising project, as Schiralli well shows. Once that point is acknowledged, then we are ready to look seriously at literature as a form of social knowledge. Humanists teaching literature will find much of value in this graceful volume—and along with their colleagues in philosophy, these scholars will benefit from study of this well-argued analysis. [End Page 122]David CarrierCase Western Reserve University and Cleveland Institute of ArtCopyright © 2008 Board of Trustees of the University of Illinois... (shrink)

Among educational theorists and philosophers there is growing interest in the work of Jacques Derrida and his philosophy of deconstruction. This important new book demonstrates how his work provides a highly relevant perspective on the aims, content and nature of education in contemporary, multicultural societies.

In Specters of Marx, Derrida proposes a return to the spirit of Marxism as a way of dealing with the 'repoliticization' of contemporary realities. I suggest that Derrida's rediscovery of Marx allows one to map out what I call the end(s) of postmodernism, that is to say, the point(s) where the cultural free-play characteristic of the postmodern mood is confronted with renewed questions of politics, ideology and technology. Through a micro-reading of Derrida's text, two possible end(s) of postmodernism (...) are identified. One is a 'retro-(post)modernist' discourse which turns liberal and provides the vision of a 'New International' as an end result. The other is a '(post)-postmodern' approach which finds a way of tackling politics and ideology by rediscovering a mode of situationist engagement. By investigating the 'specters' of postmodernism through Derrida's recent work, this paper contributes to the debate over what type of theoretical formations may emerge after postmodernism. Key Words: culture • deconstruction • Derrida • détournement • ideology • Marx • the New International • postmodernism • situationism. (shrink)

Through an international case study, this paper illustrates how a conversation method was used effectively to address a cross-cultural ethics problem. The method included as moments in one continuous process three different dimensions of postmodernism-Gadamer reconstruction, Derrida deconstruction, and Rorty neopragmatism. In addition to including different dimensions of postmodernism, the method combines effective mutual learning and effective action. Strengths and limitations of the approach are discussed. The article demonstrates how it can be beneficial to build bridges between and (...) within the postmodernism and organization ethics literatures. Also, the article demonstrates how postmodernism can be positively ethical and not necessarily aethical or nihilistic. (shrink)

If you are like most people, you’re not sure what Postmodernism is. And if this were like most books on the subject, it probably wouldn’t tell you. Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crises of our time–the failure of the Enlightenment. Jim Powell takes the position that Postmodernism is a series of “maps” (...) that help people find their way through a changing world. Postmodernism For Beginners features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk sci-fi, Buddhist ecology and teledildonics. (shrink)

Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertain questions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New (...) interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent. Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphal and Edith Wyschogrod. (shrink)

Merleau-Ponty and Derrida articulate two overlapping but divergent ways of thinking about differentiation, ecart and differance. This volume represents the viewpoints of fifteen leading North American scholars working in the fields of Continental philosophy, phenomenology, and postmodernism. In essays written expressly for this volume, these scholars address the matrix of thought underlying contemporary responses to postmodernism at large and deconstructionism in particular: identity and difference, community and alterity, self and other, metaphysics and its closure, language and its beyond, (...) signification and referentiality. (shrink)

Critics of Hans-Georg Gadamer maintain that his philosophical hermeneutics is unduly conservative: supposedly, Gadamer too readily accepts tradition and too quickly assumes that a text has a unified and understandable meaning. Critics of Jacques Derrida, meanwhile, declare that deconstruction leads to nihilism: if the meaning of every text is undecidable, then a text can mean anything at all - no one meaning is better or worse than any other. And if there is no ground to stand upon, these critics add, (...) then how can we normatively evaluate others? In this essay, I respond to the critics of both Gadamer and Derrida by arguing that philosophical hermeneutics and deconstruction should be understood as complementary postmodern philosophies, as mutually supportive descriptions of the hermeneutic situation. As such, deconstruction counters the charge that philosophical hermeneutics is conservative: instead, a Derridean view uncovers the radical political potential that resides within Gadamer's philosophical hermeneutics. Meanwhile, philosophical hermeneutics counters the charge that deconstruction is nihilistic and cannot support ethical or political critique. A Gadamerian view explains how deconstruction assumes the possibility of understanding meaning and maintaining values that can engender critique. Key Words: deconstruction • Derrida • Gadamer • hermeneutics • justice • philosophical hermeneutics • postmodernism. (shrink)

The thesis investigates the connection between deconstruction and creativity with regard to three aesthetic fields, namely jazz music, photography, and architecture. The thesis consists of three chapters. Chapter 1 focuses on deconstruction and jazz music. First, the analysis draws a comparison between the linguistic sign and the musical sign in the light of Derrida's analysis of signifier and signified. This supports an investigation of the supplementary character of writing in the specific case of jazz music. Second, the analysis draws an (...) analogy between the deconstructive reading of texts and jazz improvisation to show the relevance that creativity has for both. This is followed by an examination of the similarities between Derrida's notion of différance and the musical figure of syncopation. The analysis is completed by an argument that the jazz event of the jam session is an encounter and creative 'dialogue', with features similar to Derrida's conception of hospitality. Chapter 2 focuses on deconstruction and photography. First, the discussion explores the correlation between truth and photography. It will be argued that deconstruction challenges the logocentric organisation of photographs based on the prominence of what is immediately visible in images and fosters a more creative interpretation, which is based on the play between concealment and unconcealment within photographs. Second, it investigates the implications of Derrida's analysis of temporality for photography. This supports an investigation into how Derrida's notion of responsibility and the future to come can be applied to photography. Chapter 3 focuses on deconstruction and architecture. First, the analysis establishes the links between architecture and language by outlining the creative and transformative outcome that the correlation between function and meaning in the light of deconstruction produces. Second, the investigation examines Bernard Tschumi's idea of architecture as event in Parc de La Villette. Tschumi's work is an example of how the deconstructive approach adopted by architects fosters creativity in users. Finally, the analysis focuses on the transformative and creative character of portable architecture by investigating the correlation between the creative character of deconstructive concepts such as freeplay, parergon, and the axiom of incompleteness, and the transformative features of tents. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:John Allman PAUL DE MAN, DECONSTRUCTION, AND DISCIPLESHIP God may be dead, but his vocabulary lives on, oddly enough, in the militandy secular pages of recent literary theory. Just when we thought it was safe to plunge the depths of postmodernism without the muddying mystifications of worship, religious language seems to have resurrected itself and is walking once again on the troubled waters of literary criticism. In an (...) essay on "The Institutional Control of Interpretation," forexample, Frank Kermode suggests that the Church offers us the best model for understanding the "exegetical activities" ofliterary critics everywhere: "self-perpetuating, hierarchical, authoritative, much concerned with questions of canon, and wont, as we are, to distinguish sharply between initiate and uninitiate readings, the Church is a model we would do well to consider as we attempt to understand our own practice."1 We can find traces of sacred vocabulary in the description not only of the Church of Criticism in general, but also of particular sects within this institution, even those determined to undermine the notion that anything is sacred. In fact, religious language seems most abundant in critical assessments ofdeconstruction, by all appearances the most iconoclastic of recent modes of interpretation. Gerald Graff, for example, argues that the deconstructive project transforms literature into "a vehicle for a nihilistic metaphysics, an anti-didactic form of preaching." Literature becomes "once again the great oracle of truth, but now the truth is that there is no truth. In a curiously inverted restatement of the religion of literature, the literary work is made the sole source of truth only in the sense that it alone refuses to succumb to the delusion that the truth can be spoken."2 Focusing on the style rather than the Philosophy and Literature, © 1990, 14: 324-339 John Allman325 dogma of deconstruction, Mark Felperin echoes a number of theorists (both radical and conservative) when he comments that de Man, Derrida, and their brethren, much like "high priests ofa new mystery cult," are guilty of "a deliberate obscurantism designed to exclude all but an elite—only those who already know will understand and be saved."3 And John Ellis suggests that "deconstructive logic" is simply a crude version of "a standard formula in many branches of religious mysticism."4 Clearly, Ellis, Graff, and others so stigmatize deconstruction not by way of providing neutral descriptions of an interpretive approach, but rather as part of a polemical strategy intended to expose flaws in deconstruction—its hypocrisy, its elitism, its unoriginality. Despite this appropriation of religious language in the rhetoric denouncing deconstruction, it seems to me to be both possible and useful to examine how religious vocabulary might offer a fair as well as illuminating means of describing rather than proscribing the critical phenomenon known as deconstruction. In particular, I would like to look at the ways in which the relation between the originators ofdeconstruction and their successors resembles that between master and disciple. To those sympathetic to deconstruction, such an approach may seem inappropriate, if not hostile; deconstructionists, accustomed to charges that they are presenting a metaphysics of absence, a religion of antirepresentationalism, have consistentiy denied that their practices are in any way religious. What I would like to suggest, however, is that deconstruction, like the texts it reads, is governed by the very forces it resists. By studying the relation between one "exemplary" deconstructive critic— Paul de Man—and one of his influencial students—Barbara Johnson—I hope to illustrate how the survival of deconstruction depends paradoxically on its ability to both resist and restore the powers that shape the relation between master and disciple. Particularly useful in the context ofmy argument are the observations of two sociologists of religion, Joachim Wach and Max Weber, whose sociological perspective permits them to comment on the dynamics of the master-disciple relationship without referring to any particular set of beliefs or teachings. Wach's essay "Master and Disciple" is especially helpful, for he begins his discussion of this dynamic by contrasting the relation between master and disciple with that between teacher and student. For Wach, the essential difference between master and teacher is that the teacher "gives a definite subject matter" while the master "provides only... (shrink)

It is often asserted that postmodernism emerged from "leftist" Nietzsche-interpretations, but it is rarely explored. The book investigates how Deleuze and Foucault read Nietzsche and apply a hermeneutics of innocence to his philosophy that erases the elitist, anti-democratic, and anti-socialist dimensions. This misreading also affects their own theory and impairs the claim to develop a radical critique. The late Foucault's turn to self-care techniques merges a neo-Nietzschean approach with the ideologies of neoliberalism. Rehmann's critique is not directed against the (...) endeavor to take suggestions from some of Nietzsche's astute intuitions, but rather against the conformism to use him as a symbolic capital without revealing his hierarchical obsession. (shrink)

Jacques Derrida: Law as Absolute Hospitalityãeepresents a comprehensive account and understanding of Derridaâe(tm)s approach to law and justice. Through a detailed reading of Derridaâe(tm)s texts, Jacques de Ville contends that it is only by way of Derrida's deconstruction of the metaphysics of presence, and specifically in relation to the texts of Husserl, Levinas, Freud and Heidegger - that the reasoning behind his elusive works on law and justice can be grasped. Through detailed readings of texts such as To speculate âe" (...) on Freud, Adieu, Declarations of Independence, Before the Law, Cogito and the history of madness, Given Time, Force of Law and Specters of Marx, De Ville contends that there is a continuity in Derridaâe(tm)s thinking, and rejects the idea of an âe~ethical turnâe(tm). Derrida is shown to be neither a postmodernist nor a political liberal, but a radical revolutionary. De Ville also controversially contends that justice in Derridaâe(tm)s thinking must be radically distinguished from Levinasâe(tm)s reflections on âe~the otherâe(tm). It is the notion of absolute hospitality - which Derrida derives from Levinas, but radically transforms - that provides the basis of this argument. Justice must on De Villeâe(tm)s reading be understood in terms of a demand of absolute hospitality which is imposed on both the individual and the collective subject. A much needed account of Derrida's influential approach to law,ãeeJacques Derrida: Law as Absolute Hospitalityãeewill be an invaluable resource for those with an interest in legal theory, and for those with an interest in the ethics and politics of deconstruction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Refugees of a Crisis in ReferenceHolocaust Memoir and the Deconstruction of Paul de ManPatrick Lawrence (bio)Since discovery of Paul de Man’s wartime journalism, the debate over perceived ethical deficiencies in the philosophies of postmodernism in general, and deconstruction in particular, has intensified. At times more or less vitriolic or persuasive, this debate has brought about a crisis of scholarship to accompany the crisis of reference that is one (...) of its central points.1 At the horizon of the discussion is the Holocaust and its potential to reform modes of representation. As Jeremy Varon notes in his essay “Probing the Limits of the Politics of Representation”:the premises and insights of a variety of discourses, notably postructuralism [sic], deconstruction, psychoanalysis in its newer versions, metahistory, and postmodern theory in general, have at once been applied to and checked against the Holocaust. Such discourses often approach the Holocaust as a kind of limit case that tests the strengths and weaknesses of their various interpretive strategies.(Varon 84)It seems natural because of its (perhaps incomprehensible) magnitude and significance that the Holocaust should occasion self-testing and soul searching on the part of a variety of discourses, notably those that already inclined to such activities.2 Because of its status as at once radically historical and radically ahistorical (in that its import for history cannot be denied, but that the scope of its horror may transform notions of historicity), the Holocaust calls for a reassessment of all aesthetic, poetic, and theoretical paradigms. In the context of such novel and difficult historicity, the problematization of reference that de Manian deconstruction occasions takes on new and complex implications that need particular attention. This is especially important because, like American deconstruction, artistic representations of the Holocaust also assert a new, problematic relationship with their referent.My intention is not to delve into this debate exhaustively. Rather, I attempt an understanding of the problems of some specific critical-theoretical tenets proposed by Paul de Man as they interact with Holocaust memoirs. Doing so may be a way to understand the larger issue by exploring its expression in a narrow vein: that of literature. Holocaust memoirs as a group have been read as making new claims about their relation to a particular referent—about the inability of fully representing the Holocaust in existing modes—but they also make simultaneous claims about the utter necessity of attempting to do so. It will be helpful to see how this revolution of the relationship of [End Page 17] writing to its referent is perhaps at odds with that other similar revolution, that of deconstruction. I also attempt to put this potential conflict into a frame that may elucidate the reasons for their disconnect, using Lyotard’s well-known attempt at establishing an order of postmodern ethics: The Differend, as well as approaches to trauma and memory suggested by Derrida.My aim here is also not to delve into judgments of guilt or innocence with respect to de Man himself and his activities during World War II. I instead venture into the ways, both positive and negative, but inherently problematic, that his writings come into contact with an event recognized by many as a limit event, one that demands recognition of its historicity, even as it engenders a body of literature that expresses the difficulty of understanding the event itself.There is much in de Man’s writings that forces us to consider the restraints and potential of the means of construction of written texts. Exploring this can lead toward a better understanding of the way that individual texts create and manipulate meaning. To this end, much can be gained from de Manian criticism that makes apparent the contradictory tendency of linguistic constructions to indicate something outside themselves (their referential potential), even while their structures and conventions cast in doubt the reality of this “something.” One makes use of this discourse, not in the hopes of destroying the privilege of referentiality that underlies the structures of testimony, victimization, and trauma, but in the hopes of finding a way for the discourse of memoir (and autobiography) to be reconciled with the discourse of deconstruction in such a way that... (shrink)

Accepting Lyotard’s “incredulity toward metanarratives” as its definition of postmodernism, and Derrida’s “openness to the other” as deconstruction’s contribution to it this essay distinguishes three species of postmodernism: minimal (we have no believable metanarratives), mainline (they are unavailable in principle), and polemical (“good riddance!”). It then argues that the religious impulse challenges all three of these contentions. Contra polemical postmodernism, metanarratives/worldviews are needed. Contra mainline postmodernism, reliable ones are possible. And contra minimal postmodernism, they already (...) exist - in the world’s great, enduring religious traditions. (shrink)

Several accounts of postmodernist theories define them as discourses in quotation marks thus shifting the emphasis from reconstruction to deconstruction. Without contesting the import of deconstructive philosophy and Derrida's intervention in particular, in this essay I defend reconstruction and propose it as a mode of postmodernism that is compatible or even complementary with discursive strategies of quote‐mark use. By drawing on Albrecht Wellmer's and Klaus Eder's ideas, I introduce a definition of postmodernism as postmetaphysical thinking and explore some (...) basic metaphysical tenets about subjectivity, reason, language, and human nature as characteristic of the modern era and by no means endemic in thought. I argue that this attempt uncouples reconstruction from metaphysics allowing it to regain its philosophical significance and opens new conceptual horizons for understanding reflection and culture. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Against the Spirit of Foundations: Postmodernism and David Hume1 Zuzana Parusnikova Introduction David Hume lived at the very dawn ofthe modern age and belonged to the Scottish Enlightenment. The Enlightenment is often conceived of as the essence of modernity, thus standing in firm opposition to postmodernism. According to postmodernists, the Enlightenmentideal of a universal liberating rationality and the principle of universally shared norms ofhumanism have not only (...) lost their vigour and appeal, but have proved to be oppressive and downright authoritarian. The project of the Enlightenment should thus be abandoned. And yet, despite the fact that Hume chronologically belonged to modernity, I find striking similarities between his views and postmodernism. Over the years there have been many, typically modern, efforts to find some unity and to grasp the essence of Hume's philosophy, to provide some general interpretative angle by which it can appear as a consistent philosophical system. I want to argue that such an approach is neither necessary nor desirable because it deprives Hume's philosophy of its most appealing feature—his acceptance of and tolerance towards the irreconcilability of its sceptical and natural elements. There is no need to force Hume to fit neatly under any traditional philosophical label.2 The permanent inconsistency in his 'system' resulting from his firm anti-foundationalist attitude is not a defect but instead makes his philosophy far more intriguing. The disunity which can be found in Hume's texts is also the feature bringing him close to postmodernism. Postmodernism is a fuzzy area, difficult to approach let alone to define. It deliberately avoids defining itself and could even be seen as "the characteristic of a universe where there are no more definitions possible." 3 Postmodernism is not a homogeneous stage of thinking following after modernism (as the prefix 'post' misleadingly suggests), but rather deconstructs modernity without offering a new and coherent alternative. Therefore, paradoxically, while deconstructing we have to use thevocabularywhichis being deconstructed and cannotcompletely avoid the ' logos ofthe definition'. This feature is reflected in what Derrida calls 'writing under erasure': we write and erase at the same time—since our language is constructed upon the modern logocentrism, we have no choice but to Volume XLX Number 1 ZUZANA PARUSNIKOVA use it. As a result, interpreting the meaning of texts, although authoritarian in its original intention, reveals the illusory character of any ultimate interpretation. Texts are viewed as mysterious and confusinglabyrinths,bycontrasttothemodernobsession aboutclarity, precision, consistency and the possibility of decoding the exact, fundamental message they convey. Philosophy is no longer conceived ofas a questfor foundations, and philosophical texts are looked at from a new perspective: they are rather 'misread', 'misinterpreted' or read on the margins' in order to paralyse the oppressive interpretations seeking some foundational interpretative principle and imposing compulsory norms ofunderstanding.4 Hume's philosophy has suffered extensive abuse of this foundationalist kind. With rare exceptions (for example, Richard Popkin), most interpreters have tried to eliminate the inconsistencies and contradictions in his writings and to pigeon-hole him victoriously. But Hume has given them a hard time indeed. The reason he has been such a poser is, in my opinion, that he—like postmodernists—does not offer any foundationalist perspective. In fact, their firm antifoundationalism makes allies ofhim and postmodernists. Anti-foundationalism For postmodernism, philosophy ceases to enjoy its traditional privilege of being a foundationalist discipline in either a metaphysical or an epistemological sense. Philosophy does not reveal any hidden depths, any deeper truths. It does not provide any unique insights guiding us beyond the immense diversity ofthe world towards its essential unity (metaphysics), nor does itprovide anyepistemological clue tothe world. Philosophy is denied the function of an epistemological police organizing the world into a well-arranged, easily-surveyed picture. For postmodernists, this modern "fantasy to seize reality"and makeitfully transparent and communicable is a source of terror.5 Postmodernism views the desire to master reality as leading to intellectual dictatorship, by eliminating the relevance and the rights ofthe other" which does not conform to modern principles and is thus downgraded in the modern hierarchy. The theoretical core ofthis anti-foundationalism, in my opinion, is the poststructuralist theory of meaning, developing the structuralist view (of Saussure) that meaning is never... (shrink)

Introduction: education, philosophy and politics -- Writing the self: Wittgenstein, confession and pedagogy -- Nietzsche, nihilism and the critique of modernity: post-Nietzschean philosophy of education -- Heidegger, education and modernity -- Truth-telling as an educational practice of the self: Foucault and the ethics of subjectivity -- Neoliberal governmentality: Foucault on the birth of biopolitics -- Lyotard, nihilism and education -- Gilles Deleuze's 'societies of control': from disciplinary pedagogy to perpetual training -- Geophilosophy, education and the pedagogy of the concept - (...) Humanism, Derrida and the new humanities -- Politics and deconstruction: Derrida, neoliberalism and democracy -- Neopragmatism, ethnocentrism and the politics of the ethnos: Rorty's 'postmodernist bourgeois liberalism' -- Achieving America: postmodernism and Rorty's critique of the cultural left -- Deranging the investigations: Cavell on the philosophy of the child -- White philosophy in/of America. (shrink)

Responding to questions put to him at a Roundtable held at Villanova University in 1994, Jacques Derrida leads the reader through an illuminating discussion of the central themes of deconstruction. Speaking in English and extemporaneously, Derrida takes up with unusual clarity and great eloquence such topics as the task of philosophy, the Greeks, justice, responsibility, the gift, the community, the distinction between the messianic and the concrete messianisms, and his interpretation of James Joyce. Derrida convincingly refutes the charges of relativism (...) and nihilism that are often leveled at deconstruction by its critics and sets forth the profoundly affirmative and ethico-political thrust of his work. The “Roundtable” is marked by the unusual clarity of Derrida’s presentation and by the deep respect for the great works of the philosophical and literary tradition with which he characterizes his philosophical work. The Roundtable is annotated by John D. Caputo, the David R. Cook Professor of Philosophy at Villanova University, who has supplied cross references to Derrida’s writings where the reader may find further discussion on these topics. Professor Caputo has also supplied a commentary which elaborates the principal issues raised in the Roundtable. In all, this volume represents one of the most lucid, compact and reliable introductions to Derrida and deconstruction available in any language. An ideal volume for students approaching Derrida for the first time, Deconstruction in a Nutshell will prove instructive and illuminating as well for those already familiar with Derrida’s work. (shrink)

'There is nothing outside the text.' Possibly no single statement has caused such a storm in critical theory as this famous observation by the French philosopher, Jacques Derrida. While it is often misunderstood as meaning that nothing is real and that political actions are therefore pointless, Debating Derrida demonstrates that Derrida's philosophy does not lack political conviction. Niall Lucy examines three key terms - text, writing and differance - as they are used in three famous debates: Derrida's disputes over speech-acts (...) with John R. Searle, over discourse with Michel Foucault and over apartheid. Lucy also takes up the issue of Derrida's relationship to postmodernism and questions the 'political imperative' of the need to justify philosophy and the humanities in general according to a notion of their 'usefulness'. Debating Derrida decisively shows that instead of disagreeing with Derrida, we should rather be defending him. (shrink)

This book is an unusually readable and lucid account of the development of Derrida's work, from his early writings on phenomenology and structuralism to his most recent interventions in debates on psychoanalysis, ethics and politics. Christina Howells gives a clear explanation of many of the key terms of deconstruction - including differance, trace, supplement and logocentrism - and shows how they function in Derrida's writing. She explores his critique of the notion of self-presence through his engagement with Husserl, and his (...) critique of humanist conceptions of the subject through an account of his ambivalent and evolving relationship to the philosophy of Sartre. The question of the relationship between philosophy and literature is examined through an analysis of the texts of the 1970s, and in particular Glas, where Derrida confronts Hegel's totalizing dialectics with the fragmentary and iconoclastic writings of Jean Genet. The author addresses directly the vexed questions of the extreme difficulty of Derrida's own writing and of the passionate hostility it arouses in philosophers as diverse as Searle and Habermas. She argues that deconstruction is a vital stimulus to vigilance in both the ethical and political spheres, contributing significantly to debate on issues such as democracy, the legacy of Marxism, responsibility, and the relationship between law and justice. Comprehensive, cogently argued and up to date, this book will be an invaluable text for students and scholars alike. (shrink)

This book is an unusually readable and lucid account of the development of Derrida's work, from his early writings on phenomenology and structuralism to his most recent interventions in debates on psychoanalysis, ethics and politics. Christina Howells gives a clear explanation of many of the key terms of deconstruction - including differance, trace, supplement and logocentrism - and shows how they function in Derrida's writing. She explores his critique of the notion of self-presence through his engagement with Husserl, and his (...) critique of humanist conceptions of the subject through an account of his ambivalent and evolving relationship to the philosophy of Sartre. The question of the relationship between philosophy and literature is examined through an analysis of the texts of the 1970s, and in particular Glas, where Derrida confronts Hegel's totalizing dialectics with the fragmentary and iconoclastic writings of Jean Genet. The author addresses directly the vexed questions of the extreme difficulty of Derrida's own writing and of the passionate hostility it arouses in philosophers as diverse as Searle and Habermas. She argues that deconstruction is a vital stimulus to vigilance in both the ethical and political spheres, contributing significantly to debate on issues such as democracy, the legacy of Marxism, responsibility, and the relationship between law and justice. Comprehensive, cogently argued and up to date, this book will be an invaluable text for students and scholars alike. (shrink)

Table of contents : 1. The beginnings of phenomenology: Husserl and his predecessors Richard Cobb-Stevens, Boston College 2. Philosophy of existence 1: Heidegger Jacques Taminiaux, University of Louvain, Belgium 3. Philosophy of existence 2: Sartre Thomas Flynn, Emory University 4. Philosophy of existence 3: Merleau-Ponty Bernard Cullen, Queen's University, Belfast 5. Philosophies of religion: Jaspers, Marcel, Levinas William Desmond, Loyola College 6. Philosophies of science: Mach, Duhem, Bachelard Babette Babich, Fordham University 7. Philosophies of Marxism: Gramsci, Lukacs, Benjamin, Althusser Michael (...) Kelly, University of Southampton 8. Critical theory: from Adorno to Habermas David Rasmussen, Boston College 9. Hermeneutics: Gadamer, Ricoeur Gary Madison, McMaster University 10. Italian idealism and after: Croce, Gentile, Vattimo Giacomo Rinaldi, University of Urbino, Italy 11. French structuralism and after: Barthes, Lacan, Lévi-Strauss, Foucault Hugh Silverman, State University of New York at Stony Brook 12. French feminism and after: de Beauvoir, Kristeva, Irigaray, Cixious Alison Ainley, Oxford Brookes University 13. Deconstruction Simon Critchley, Essex University 14. Derrida Timothy Mooney, Essex University 15. Postmodernist theory: Lyotard, Baudrillard Thomas Docherty, Trinity College, Dublin. (shrink)

This article focuses on the French philosopher Jacques Derrida’s thought in the 1960s. Though the discourse of the ‘death of man’ was regnant among French avant-garde intellectuals, this article argues that Derrida himself has to be described as a humanist at this stage in his career, even if a reluctant one. The case is made through close textual analysis of three of Derrida’s early and seminal works: ‘Cogito and the History of Madness’ (1963), ‘Violence and Metaphysics: An Essay on the (...) Thought of Emmanuel Levinas’ (1964) and ‘The Ends of Man’ (1968). In these texts, Derrida grapples with issues of the subject and the other. They collectively reveal that the Derrida of the 1960s held fast to the view that philosophical thought could neither dispense with the subject nor escape the horizon of humanism. However, Derrida reconceived the human subject with reference to his core concepts of différance and arche-writing, making for an aporetic humanism that deconstructs the binary of humanism–antihumanism. (shrink)

This book takes as a premise that Derrida is a profound educational thinker, who from the very beginning concerned himself with questions of pedagogy.

In this compelling and timely treatise, cultural theorist and educator Peter Trifonas puts forth the first book-length study of Jacques Derrida's 'educational texts:' that is, those writings most explicitly concerned with the ethics and politics of the historico-philosophical structures constituting the scene of teaching. The text examines how deconstruction allows us to re-think the socio-historical and ethico-philosophical aspects of pedagogical practices and policies, including pedagogical theories that have had direct bearing on the ethical and cultural ideals forming the reason of (...) Western educational systems and the exclusion of its 'Others.'. (shrink)

I argue that Derrida's critique of speech act theory is largely unsustainable because of its reliance on a questionable and insufficiently explicatedconception of philosophy as negative metaphysics8 and its attendant misconception of scientific theory construction in general and speech act theory in particular.

Deconstruction and pragmatism constitute two of the major intellectual influences on the contemporary theoretical scene; influences personified in the work of Jacques Derrida and Richard Rorty. Both Rortian pragmatism, which draws the consequences of post-war developments in Anglo-American philosophy, and Derridian deconstruction, which extends and troubles the phonomenological and Heideggerian influence on the Continental tradition, have hitherto generally been viewed as mutually exclusive philosophical language games. The purpose of this volume is to bring deconstruction and pragmatism into critical confrontation with (...) one another through staging a debate between Derrida and Rorty, itself based on discussions that took place at the College International de Philosophie in Paris in 1993. The ground for this debate is layed out in introductory papers by Simon Critchley and Ernesto Laclau, and the remainder of the volume records Derrida's and Rorty's responses to each other's work. Chantal Mouffe gives an overview of the stakes of this debate in a helpful preface. (shrink)

The Movement of Showing investigates the idea, shared by Derrida, Hegel and Heidegger, that the value of their thought is not found in its results or conclusions, but in its "movement." All three describe the heart of their work in terms of a pathway, development, or movement rather than in terms of its propositions or conclusions. This seems to deprive their thought of a solid ground, and indeed deconstruction in particular is often criticized in this way. Johan de Jong argues (...) that this is a structural vulnerability that is both its weakness and the source of its value, tracing Derrida's indirect method from his early to later works, and considering his engagements with Hegel and Heidegger. His analysis locates an affinity among Hegel, Heidegger and Derrida in a shared distrust of externality and, against the grain of some Levinasian commentaries, argues that Derrida's indirectness results in an ethics of complicity. The Movement of Showing answers a central question that many polemics about continental philosophy and postmodernism revolve around concerning how, methodologically, one can philosophize responsibly. It shows the difference between critique and polemics, and why simply taking up a position for or against is insufficient in order to think responsibly. (shrink)

Responding to questions put to him at a Roundtable held at Villanova University in 1994, Jacques Derrida leads the reader through an illuminating discussion of the central themes of deconstruction. Speaking in English and extemporaneously, Derrida takes up with unusual clarity and great eloquence such topics as the task of philosophy, the Greeks, justice, responsibility, the gift, the community, the distinction between the messianic and the concrete messianisms, and his interpretation of James Joyce. Derrida convincingly refutes the charges of relativism (...) and nihilism that are often leveled at deconstruction by its critics and sets forth the profoundly affirmative and ethico-political thrust of his work. The "Roundtable" is marked by the unusual clarity of Derrida's presentation and by the deep respect for the great works of the philosophical and literary tradition with which he characterizes his philosophical work. The Roundtable is annotated by John D. Caputo, the David R. Cook Professor of Philosophy at Villanova University, who has supplied cross references to Derrida's writings where the reader may find further discussion on these topics. Professor Caputo has also supplied a commentary which elaborates the principal issues raised in the Roundtable. In all, this volume represents one of the most lucid, compact and reliable introductions to Derrida and deconstruction available in any language. An ideal volume for students approaching Derrida for the first time, Deconstruction in a Nutshell will prove instructive and illuminating as well for those already familiar with Derrida's work. (shrink)

Every statement about language is also a statement by and about psyche. Guided by this primary assumption, and inspired by the works of Carl Jung, in _Symptom, Symbol, and the Other of Language_, Bret Alderman delves deep into the symbolic and symptomatic dimensions of a deconstructive postmodernism infatuated with semiotics and the workings of linguistic signs. This book offers an important exploration of linguistic reference and representation through a Jungian understanding of symptom and symbol, using techniques including amplification, dream (...) interpretation, and symbolic attitude. Focusing on Ferdinand de Saussure, Jacques Derrida, Michel Foucault, and Richard Rorty, Alderman examines the common belief that words and their meaning are grounded purely in language, instead envisioning a symptomatic expression of alienation and collective dissociation. Drawing upon the nascent field of ecopsychology, the modern disciplines of phenomenology and depth psychology, and the ancient knowledge of myth and animistic cosmologies, Alderman dares us to re-imagine some of the more sacrosanct concepts of the contemporary intellectual milieu informed by semiotics and the linguistic turn. Symptom, Symbol, and the Other of Language is essential reading for academics and students engaged in the study of depth psychology. However, the interdisciplinary approach of the work ensures that it will also be of great interest to those researching and studying in the areas of ethology, ecopsychology, philosophy, linguistics and mythology. (shrink)

This critical interpretation shows Derridian thought to be permeated by a semiology that reduces all meaning to the signification of signs thus challenging the philosophy of deconstruction at its roots.

In looking at Derrida’s career, many people claim to see a “political turn” with the 1989 essay “Force of Law.” So on this reading, the early Derrida is concerned with metaphysics and literature and the later Derrida with politics and ethics. I disagree. The concerns have always been metaphysical/literary and political/ethical at once, but the “methodology” changes: from deconstruction to aporia.

Derrida’s deconstruction of Marx was a hegemonic reading of Marx that he always wanted to do but in his own way. Derrida is often quoted saying that “I meant to read Marx my way when the time came.” And when communism fell, in the ruins of Marxism, on the grave of Marxist–Leninist–Stalinism, the time had finally come for Derrida to read Marx, his way, or rather deconstruct Marx, his way. Derrida’s deconstruction of Marx calls for a new reading of Marx. (...) It was a reading of the haunted and the haunting Marx, whose ghosts continue to encounter us in the future that is not present, but also no less spectral than the past. That is, Derrida’s deconstruction of Marx is the return of the ghost that is always spectral. The play of difference between the spirit and the spectral is the différance of Derrida’s deconstruction of Marx. Derrida’s Specters of Marx has been popularly recognized as the long-awaited reading of Marx or Marxist (but not Marxists). The book was the publication of the two lectures that Derrida delivered at the Conference on “Whither Marxism?” organized by the Center for Ideas and Society at the University of California, Riverside, 1993. The paper is an attempt to bring forth the working of deconstruction in Derrida’s reading of Marx as given in his Specters of Marx. (shrink)

This essay argues that Hans-Georg Gadamer's philosophical hermeneutics, Jürgen Habermas's communication theory, and Jacques Derrida's deconstruction all fit together within one philosophical paradigm: metamodernism. Metamodernism, as defined, is opposed to both modernism and radical forms of postmodernism. Within metamodernism, a political conundrum provides the key clue for understanding the relations among Gadamer, Habermas, and Derrida as well as for elaborating the contours of the paradigm. Specifically, the political implications of the three philosophies are intransitive: they seem to shift around (...) rather than being in fixed relations to each other. So, for instance, Gadamer sometimes seems to the political right of both Habermas and Derrida, but then, at different times, he stands between them, and then again, at other times, he seems to be to the left of both. This political paradox suggests that the traditional political categories of liberalism and conservatism do not suitably reflect the critical positions within metamodernism. Gadamer, Habermas, and Derrida are far more concerned with explaining the possibility and techniques of interpretive and social critique, while remaining true to the metamodernist paradigm, rather than fitting themselves into the traditional liberal or conservative political camps. (shrink)

Abstract. On the naive reading, “radical social constructivism” would be the result of “deconstructing” science. Science would simply be a contingent construction in accordance with social determinants. However, postmodernism does not necessarily abandon fidelity to the objects of thought. Merold Westphal's Derridean philosophy of religion emphasizes that even theology need not eliminate the transcendence of the divine other. By drawing an analogy between natural and supernatural transcendence, I argue that science is similarly called to responsibility in the encounter with (...) that which lies outside its horizon of expectation. Science's rational autonomy is overcome by the heteronomy of realities that precede it. Understanding species as homeostatic property clusters is an example of nonessentialist, postmodern, and scientific realism. Science is still a vehicle for encountering natural alterity, thus decentering the relativism thought to characterize postmodernism. However, natural science must not attempt to place the whole of being at human disposal if it is to fulfill the potential of Westphal's philosophy of religion. (shrink)

Jacques Derrida is one of the most influential and controversial philosophers of the last fifty years. _Derrida on Deconstruction_ introduces and assesses: Derrida's life and the background to his philosophy the key themes of the critique of metaphysics, language and ethics that characterize his most widely read works the continuing importance of Derrida's work to philosophy. This is a much-needed introduction for philosophy or humanities students undertaking courses on Derrida.

This volume represents the first sustained effort to relate Derrida's work to the Western philosophical tradition from Plato to Heidegger. Bringing together twelve essays by twelve leading Derridean philosophers and an important paper by Derrida previously unpublished in English, the collection retrieves the significance of deconstruction for philosophy.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Virtue of NonviolenceShyam RanganathanThe Virtue of Nonviolence. By Nicholas F. Gier. SUNY Series in Constructive Postmodern Thought. Albany: State University of New York Press, 2004. Pp. xv + 222. Hardcover $50.00.The Virtue of Nonviolence is Nicholas F. Gier's second book in the SUNY Series in Constructive Postmodern Thought, edited by the eminent Alfred North Whitehead scholar David Ray Griffin. It is a remarkable exercise in comparative philosophy (...) that attempts to come to terms with M. K. ("Mahatma") Gandhi's moral philosophy in light of the Chinese, European, and Indian traditions.According to Griffin, writing at the beginning of the present volume, Constructive Postmodernism, like the deconstructive, relativistic, and eliminative versions, takes a critical stand toward the modernist, Galilean-Cartesian-Baconian-Newtonian worldview and the associated ideal of a unitary (technologically supported) conception of human progress. Constructive Postmodernism departs from the alternative versions in its efforts to "overcome the modern worldview not by eliminating the possibility of worldviews (or 'metanarratives') as such, but by constructing a postmodern worldview through a revision of modern premises and traditional concepts in the light of inescapable presuppositions of our various modes of practice" (p. xiii). In the place of phenomenalism and the primary-secondary quality bifurcation of the modern period, constructive postmodernism embraces both non-sensory perception and organicism (p. xii). As a contributor to this series, Gier thus sets himself the project of explicating Gandhi's ethics as a species of Constructive Postmodernism.Gier opts to elaborate Gandhian, postmodern ethics in terms of early Buddhist thought (p. 3). This provocative option is motivated for Gier by his twin convictions, which he attempts to argue for throughout the book: (1) that a substance conception of self (characteristic of much Hindu and Jain thought) is not capable of explaining the moral cultivation and progress so essential to Gandhi's program (p. 6), and (2) the "Vedāntist philosophy, particularly the Advaita Vedānta with which Gandhi is usually associated, cannot support [an] action-context" ethics that emphasizes the dynamic importance of both theory and the facts on the ground—a program captured by Gandhi's idea of satyagraha (p. 3).Having stated the parameters of his project in his "Introduction," Gier in his first chapter, "Gandhi as a Postmodern Thinker," argues that "[a]lthough some evidence of a deconstructive postmodernism may be discerned, Gandhi is best allied with the constructive school of postmodernism" (p. 27). Of special interest in evaluating this book is Gier's observation that "if Gandhi is a postmodern thinker, Gandhi stands with Rāmānuja and Whitehead and not with Śaṅkara and Derrida," for Gandhi evokes models of organism absent in the thought of the latter two (p. 25)—an observation I shall return to later.In the second chapter Gier examines the Jain and "Hindu" view of ahiṁsā. Gier correctly notes the uncompromising, unpragmatic conception of ahiṁsā operative in Jain thought, which finds its highest realization in renunciation and not worldly [End Page 115] action—a position that Gier rightly contrasts with Gandhi's politically charged conception of ahiṁsā. This allows Gier to claim that the influence of Jainism on Gandhi's thought is "not as great as he or others have claimed" (p. 31). In contrast, Gier summarizes what he takes to be the "Hindu" view of ahiṁsā, based mainly on the Upaniṣads and Manu's Dharmaśāstra, which he supplements with an examination of the Bhagavad Gītā. Gier argues that from the Gītā Gandhi derives the "philosophy of active nonattachment" embodied in the doctrine of karma yoga. In the Hindu view, according to Gier, ahiṁsā is "relativized"—that is, its nature and scope are defined relative to social and ritual contexts and self-interest (e.g., ritual slaughter is an occasion when the general prohibition against killing is suspended in the context of "Hindu" ethics). However, Gandhi's conception of ahiṁsā is not relativized. Since it cannot be subsumed under a Jain conception, Gier suggests that we must look elsewhere—specifically to a Buddhist pragmatic ethics that would justify Gandhi's political conception, which allowed for the compromise of ahiṁsā for... (shrink)

In February of 1988, Hans-Georg Gadamer, Jacques Derrida, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss, in French, the philosophical and political implications of Martin Heidegger's thought, particularly in light of the philosopher's engagement in Nazism. This book presents a transcription and translation of their reflections and exchanges with the audience.

Jacques Derrida has had a huge influence on contemporary political theory and political philosophy. Derrida's thinking has inspired Slavoj Zizek, Richard Rorty, Ernesto Laclau, Judith Butler and many more contemporary theorists. This book brings together a first class line up of Derrida scholars to develop a deconstructive approach to politics. Deconstruction examines the internal logic of any given text or discourse. It helps us analyze the contradictions inherent in all schools of thought,and as such it has proved revolutionaty in political (...) analysis,particularly ideology critique. This book is ideal for all students of political theory,and anyone looking for an accessible guide to Derrida's thinking and how it can be used as a radical tool for political analysis. (shrink)