John Cleland’s 1740s pornographic novel, Memoirs of a Woman of Pleasure repeatedly depicts and eroticises the act of defloration. As such it is a revealing illustration of what Ivan Bloch termed the ‘defloration mania’ of the eighteenth century. This article maps narrative events on to contemporary medical depictions of first intercourse to show the ways that the theories and ideas presented in medical and pseudo-medical texts transferred into erotic fiction and demonstrates how in some instances the bloody defloration scenes can (...) be read as being sex during menstruation, an act which was culturally forbidden at this time. (shrink)

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century AD and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging study analyses Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. Addressing the strain of mysticism in these works, the author shows how these texts reflect actual meditational (...) practices, methods of concentrating the mind, and other mental disciplines that informed the tradition as a whole. In providing such a broad survey of Neoplatonic writing, the book will appeal to classical philosophers classicists as well as students of religious studies. (shrink)

_The Promise of Happiness_ is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which (...) is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way. Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including_ Mrs. Dalloway_, _The Well of Loneliness_, _Bend It Like Beckham_, and _Children of Men_, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy. (shrink)

A case study in the kinds of problems to expect from this increasingly popular marketing tactic.

Differences That Matter challenges existing ways of theorising the relationship between feminism and postmodernism which ask 'is or should feminism be modern or postmodern?' Sara Ahmed suggests that postmodernism has been allowed to dictate feminist debates and calls instead for feminist theorists to speak (back) to postmodernism, rather than simply speak on (their relationship to) it. Such a 'speaking back' involves a refusal to position postmodernism as a generalisable condition of the world and requires closer readings of what postmodernism (...) is actually 'doing' in a variety of disciplinary contexts. Sara Ahmed hence examines constructions of postmodernism in relation to rights, ethics, subjectivity, authorship, meta-fiction and film. (shrink)

The Judith Butler Reader is a collection of writings that span her impressive career and trace her intellectual history. Judith Butler, author of influential books such as Gender Trouble, has built her international reputation as a theorist of power, gender, sexuality and identity Organized in active collaboration between Judith Butler and Sara Salih Collects together writings that span Butler’s impressive career as a critical philosopher, including selections from both well-known and lesser-known works Includes an introduction and editorial material to (...) assist students in their readings of theories that stand at the forefront of contemporary theoretical and political debates. (shrink)

"Reading with John Clare argues that poetry and its repression lies at the heart of biopolitical thinking. By rereading the emergence of biopolitics and focusing on the exemplary case of John Clare, it renews our understanding of the relation between aesthetics and politics from romanticism to the present"--.

This article is about the relationship between reading, trauma and responsive literary caregiving in Britain during the First World War. Its analysis of two little-known documents describing the history of the War Library, begun by Helen Mary Gaskell in 1914, exposes a gap in the scholarship of war-time reading; generates a new narrative of "how," "when," and "why" books went to war; and foregrounds gender in its analysis of the historiography. The Library of Congress's T. W. Koch discovered Gaskell's ground-breaking (...) work in 1917 and reported its successes to the American Library Association. The British Times also covered Gaskell's library, yet researchers working on reading during the war have routinely neglected her distinct model and method, skewing the research base on war-time reading and its association with trauma and caregiving. In the article's second half, a literary case study of a popular war novel demonstrates the extent of the "bitter cry for books." The success of Gaskell's intervention is examined alongside H. G. Wells's representation of textual healing. Reading is shown to offer sick, traumatized and recovering combatants emotional and psychological caregiving in ways that she could not always have predicted and that are not visible in the literary/historical record. (shrink)

This book continues from where the authors' previous book, Structural Proof Theory, ended. It presents an extension of the methods of analysis of proofs in pure logic to elementary axiomatic systems and to what is known as philosophical logic. A self-contained brief introduction to the proof theory of pure logic is included that serves both the mathematically and philosophically oriented reader. The method is built up gradually, with examples drawn from theories of order, lattice theory and elementary geometry. The aim (...) is, in each of the examples, to help the reader grasp the combinatorial behaviour of an axiom system, which typically leads to decidability results. The last part presents, as an application and extension of all that precedes it, a proof-theoretical approach to the Kripke semantics of modal and related logics, with a great number of new results, providing essential reading for mathematical and philosophical logicians. (shrink)

It is impossible to imagine contemporary critical theory without the work of Michel Foucault. His radical reworkings of the concepts of power, knowledge, discourse and identity have influenced the widest possible range of theories and impacted upon disciplinary fields from literary studies to anthropology. Aimed at students approaching Foucault's texts for the first time, this volume offers: * an examination of Foucault's contexts * a guide to his key ideas * an overview of responses to his work * practical hints (...) on 'using Foucault' * an annotated guide to his most influential works * suggestions for further reading. Challenging not just what we think but how we think, Foucault's work remains the subject of heated debate. Sara Mills' Michel Foucault offers an introduction to both the ideas and the debate, fully equipping student readers for an encounter with this most influential of thinkers. (shrink)

The thesis offers a reconstruction of Plotinus' reading of the Theaetetus, and it presents an account of his epistemology that rests on that reading. It aims to show that Plotinus reads the Theaetetus as containing two anti-sceptical arguments. The first argument is an answer to radical scepticism, namely, to the thesis that nothing is apprehensible and judgement must be suspended on all matters. The second argument is an answer to a more moderate form of scepticism, which does not endorse a (...) universal suspension of judgement, but maintains nonetheless that scientific knowledge is unattainable. (shrink)

This article examines ‘collective feelings’ by considering how ‘others’ create impressions on the surfaces of bodies. Rather than considering ‘collective feeling’ as ‘fellow feeling’ or in terms of feeling ‘for’ the collective, the article suggests that how we respond to others in intercorporeal encounters creates the impression of a collective body. In other words, how we feel about others is what aligns us with a collective, which paradoxically ‘takes shape’ only as an effect of such alignments. The article considers different (...) examples of racism in which a particular other is held in place by being aligned with other others. The ‘moment of contact’ is shaped by past histories of contact, which allows the proximity of a racial other to be perceived as threatening, at the same time as it re-shapes the bodies in the contact zone of the encounter. Feelings rehearse associations that are already in place, in the way in which they ‘read’ the proximity of others, at the same time as they establish the ‘truth’ of the reading. The article extends its analysis by showing that bodily proximity is not required to create the impressions of others, and offers an analysis of ‘collective feelings’ within virtual communities of global nomads. Proximity does not require physical co-presence: the collective can ‘surface’ through giving up on local attachments (where the screen becomes a substitute for the skin). The article concludes that collective feelings are not feelings that the collective ‘has’, as if the collective was a subject. Rather the collective is an effect of the impressions left by others on the surfaces of skins. (shrink)

In an essay examining Hannah Arendt's approach to public memory, rhetorical scholar Stephen H. Browne notes that "to remember is thus not simply to turn backward; it is itself a type of action that steadies us in the face of an unknown and unpredictable future" (2004, 60). The act of remembering connects the rememberer to both the past and the future. As scholars such as Benedict Anderson, John Bodnar, and John Gillis have pointed out, remembering also connects human beings to (...) their contemporaries and "imagined communities" by establishing a common narrative and space for identification. In many cases, action itself provides the material from which memories are formed—an individual from the past betrayed his .. (shrink)

Several commentators have argued that with his concept of anonymity Merleau-Ponty breaks away from classical Husserlian phenomenology that is methodologically tied to the first person perspective. Many contemporary commentators see Merleau-Ponty’s discourse on anonymity as a break away from Husserl’s framework that is seen as hopelessly subjectivistic and solipsistic. Some judge and reproach it as a disastrous misunderstanding that leads to a confusion of philosophical and empirical concerns. Both parties agree that Merleau-Ponty’s concepts of anonymity mark a divergence from classical (...) Husserlian phenomenology. I will question this view and demonstrate that Merleau-Ponty’s discourse on anonymity remains Husserlian in two important senses: it analyses senses in terms of constituting selves and communities of such selves, and it accounts for the formation of experience by the temporal sedimentation of intentional activity. The argument proceeds in four steps. The first section argues against the widely spread notion according to which Merleau-Ponty’s anonymous subject is collective. In the second section, I offer an alternative reading by demonstrating that Merleau-Ponty uses the term “anonymous” primarily to characterize the lived body of a personal subject. In section three, I introduce Merleau-Ponty’s idea of trace and show that for him both the perceived thing and the perceiving body are traces and as such refer to earlier constitutive acts of alien subjects. I then argue that Husserl’s concepts of sedimentation are crucial for the understanding of this idea. Finally, in section four, I show how Husserl’s theory of depresentation informs Merleau-Ponty’s discourse on anonymity. (shrink)

In this article, I propose a new theory of “Buddhist para-charisma” by analyzing the case of an iconoclastic monk in Vietnam. My argument draws from 20 months of ethnographic research conducted in Ho Chi Minh City between 2015 and 2019. During fieldwork, I was introduced to a highly respected monk with the extraordinary capacity to read minds and perceive karmic obstacles in the lives of his lay and monastic followers. This monk was unique for openly consuming meat and alcohol, (...) wearing lay clothing, and using insults while preaching. These behaviors had the deliberate effect of creating an uncomfortable, tense environment among his visitors. Later, the nun who introduced us explained that his harsh language and adversarial demeanor were a rare form of compassion that urged immediate awakening to Buddhist teachings. I compare this case with previously developed theories of Buddhist charisma and moral aesthetics. While past studies analyze Buddhist charisma through the moral aesthetics of physical beauty or affective responses of tranquility, gratitude, and awe, the theory of para-charisma shows how some monks can deliberately use repulsive behavior and negative affects to attract followers and advance spiritual goals. (shrink)

The Routledge Handbook of Indian Buddhist Philosophy is an outstanding reference source to the principal philosophers in the diverse Buddhist traditions of India, from the early Pāli writings to the twentieth century. The Handbook provides thorough coverage of the most significant figures, texts and debates that animate Buddhist philosophy. A key feature is the attention given to the ideas and works of particular Buddhist thinkers, placing the author at the centre of inquiry. Forty chapters by an international team of contributors (...) are divided into eight clear sections, each of which includes an introduction by the editors: Buddhas as Philosophers Poet Philosophers Abhidharma Philosophers Philosophical Founders Early Period Philosophical Commentators (fifth - eighth century) Middle Period Philosophical Commentators (eighth - ninth century) Late Period Philosophical Commentators (tenth - twelfth century) Modern Philosophers. Essential reading for students and researchers in Eastern and comparative philosophy and especially Buddhist philosophy, The Routledge Handbook of Indian Buddhist Philosophy will also be of interest to those studying Buddhism in religious studies and related subjects. (shrink)

This article argues for a clearer framework of internet-based “memes”. The science of memes, dubbed ‘memetics’, presumes that memes remain “copying units” following the popularisation of the concept in Richard Dawkins’ celebrated work, The Selfish Gene (1976). Yet Peircean semiotics and biosemiotics can challenge this doctrine of information transmission. While supporting a precise and discursive framework for internet memes, semiotic readings reconfigure contemporary formulations to the – now-established – conception of memes. Internet memes can and should be conceived, then, as (...) habit-inducing sign systems incorporating processes involving asymmetrical variation. So, drawing on biosemiotics, Tartu-Moscow semiotics, and Peircean semiotic principles, and through a close reading of the celebrated 2011 Internet meme Rebecca Black’s Friday, this article proposes a working outline for the definition of internet memes and its applicability for the semiotic analysis of texts in new media communication. (shrink)

Traditional as well as contemporary interpreters of Indian Yogācāra divide that tradition into a variety of doxographical camps depending on whether awareness is understood tobe endowed with phenomenal content (ākāra) and, if so, whether that content is understood to be real or true. Kamalaśīla’s extensive commentary on his teacher Śāntarakṣita’s Tattvasaṃgraha contains passages that throw into question certain doxographical equivalencies, especially the equivalencies sometimes proposed betweenthe doctrine that awareness is endowed with phenomenal content (sākāravāda) and the doctrine that such content (...) is true or real (satyākāravāda) and between the doctrine that awareness is devoid of phenomenal content (nirākāravāda) and the doctrine that such content is false or unreal (alīkākāravāda). Further, in accord with his broadly rhetorical approach to the application of reason, Kamalaśīla is seen in this commentary to endorse a range of seemingly contradictory positions vis-à-vis ākāra. This article argues that this situation can be explained by way of reference to Kamalaśīla’s larger philosophical and soteriological program as a Mādhyamika thinker, a program not made explicit in the text yet nonetheless present in nascent form. That is, while various theories of awareness as endowed or not endowed with phenomenal content are useful in different rhetorical contexts as well as at different stages of philosophical analysis, at the end of the day such distinctions are moot since neither awareness nor its content is upheld as ultimately real. Instead, soteriologically efficacious phenomenal content is said to be like a “true dream” (satyasvapna), an illusion that satisfies only for as long as it remains unanalyzed. (shrink)

This paper aims to read together Julietta Singh’s Unthinking Mastery and Suzanne Césaire’s The Great Camouflage in order to uncover the narrative spaces in Césaire’s work that can be fruitful for unthinking mastery. I identify four connected themes in Césaire’s work. Surrealism, rejection of doudou-ism and the natural disaster explicitly reject the construction of the Caribbean as one exoticized place and mechanisms of categorization. The only stable identity of the Caribbean is its instability. The figure of the plant-human adds (...) to this and transcends the human/non-human dichotomy in a way that dismantles this central dichotomy altogether. (shrink)

In this article, I examine racial narratives of passing and their relationship to discourses of hybridity. Rather than defining passing as inherently transgressive, or as one side of identity politics or the other, I suggest that passing must be understood in relationship to forms of social antagonism. I ask the following questions: how are differences that threaten the system recuperated? How do ambiguous or hybrid bodies get read in a way which further supports the enunciative power of those who (...) are telling the difference? In what ways is `passing' implicated in the very discourse around tellable differences? Although to some extent all identities involve passing - insofar as the subject never `is' what it `images' itself to be - we still need to theorize the differences between passing as white and passing as black. I argue that passing as black as a white subject can function as a technique of knowledge which assumes `blackness' to be imageable and hence beable. However, for black subjects to refuse to pass as white - that is, for black subjects to pass as black - can make visible the violent histories concealed by the invisibility of the mark of passing. Such a process of passing as black subjects is tied to a politics of the collective - a coming together through the recognition of the lack that engenders passing in the first place. (shrink)

The chapter studies the ethical dimensions of Beauvoir’s existentialism and Irigaray’s ontology of difference. It argues that Irigaray builds on one central but largely neglected result of Beauvoir’s moral philosophical argumentation: the claim that fundamentally sexual subordination constitutes an ethical problem that cannot be adequately solved merely through social reforms, political interventions, or theoretical reflections. By comparing Beauvoir’s concept of erotic generosity to Irigaray’s discussion of wonder and love, the chapter demonstrates that both philosophers conceive of male privilege as an (...) ethical issue that must be worked out between individual women and men in their concrete encounters. The task is to reform and cultivate not just human behaviors, actions, beliefs and cognitions, but also one’s own emotions and desires. (shrink)

In Recovering Hegel from the Critique of Leo Strauss, Sara MacDonald and Barry Craig provide a study unique in its focus on Leo Strauss’s reading of Hegel. While MacDonald and Craig find value in Strauss’s thought, they argue that his pessimism concerning modernity lies in a misunderstanding of both modernity’s greatest philosophical advocate, G.W.F. Hegel, and modernity’s virtues.

How has psychoanalysis developed in France in the years since Lacan so dramatically polarized the field? In this book, Dana Birksted-Breen and Sara Flanders of the British Psychoanalytical Society, and Alain Gibeault of the Paris Psychoanalytical Society provide an overview of how French psychoanalysis has developed since Lacan. Focusing primarily on the work of psychoanalysts from the French Psychoanalytical Association and from the Paris Psychoanalytical Society, the two British psychoanalysts view the evolution of theory as it appears to them (...) from the outside, while the French psychoanalyst explains and elaborates from inside the French psychoanalytic discourse. Seminal and representative papers have been chosen to illuminate what is special about French thinking. A substantial general introduction argues in favour of the specificity of 'French psychoanalysis', tracing its early influences and highlighting specific contemporary developments. Sections are made up of introductory material by Alain Gibeault, followed by illustrative papers in the following categories: the history of psychoanalysis in France the pioneers and their legacy the setting and the process of psychoanalysis phantasy and representation the body and the drives masculine and feminine sexuality psychosis. An excellent introduction to French psychoanalytical debate, _Reading French Psychoanalysis_ sheds a complementary light on thinking that has evolved differently in England and North America. It will be ideal reading for beginners and advanced students of clinical theory as well as experienced psychoanalysts wanting to know more about French Psychoanalytic theory, and how it has developed. (shrink)

This paper aims to understand how we reason from historical premises to normative conclusions, tracing this question through the work of Muhammad Iqbal. On our reading, he wavers between two views of history, one a kind of natural science, and the other akin to religious interpretation. These tell different stories about the lessons we draw from history.

This is a selective reading of Love's Labor: Essays on Women, Equality, and Dependency. My aim is twofold: to continue Love Labor's focus on dependency work and relations, adding certain distinctions and questions of my own; and to recognize the conjunction of three perspectives—theoretical, social/political, and personal—that strengthen this focus. I scant particulars of argument and ignore certain issues in the hope of providing a vivid outline of the rewards and demands of dependency as Eva Kittay envisions them.

This article investigates the emotional undercurrents of Tove Jansson’s Moominvalley in November. I argue that one of the main characters of Jansson’s book is the autumn forest that surrounds the abandoned Moomin house. The decomposing forest is not just an emblem of the inner lives of the guests that gather in the house but is an active character itself: an ambiguous life form that creeps in the house and must be expelled from its living core. I further demonstrate that the (...) emotion of disgust has a crucial role in Jansson’s narrative, and that an adequate analysis of the intentional content of disgust allows us to see what is at issue in the relations between the characters. In my reading, the main insight of Tove Jansson’s last Moomin book is not about loss or sorrow but is about the human capacity to begin anew by composing novel wholes from scraps. (shrink)

This article investigates the emotional undercurrents of Tove Jansson’s Moominvalley in November. I argue that one of the main characters of Jansson’s book is the autumn forest that surrounds the abandoned Moomin house. The decomposing forest is not just an emblem of the inner lives of the guests that gather in the house but is an active character itself: an ambiguous life form that creeps in the house and must be expelled from its living core. I further demonstrate that the (...) emotion of disgust has a crucial role in Jansson’s narrative, and that an adequate analysis of the intentional content of disgust allows us to see what is at issue in the relations between the characters. In my reading, the main insight of Tove Jansson’s last Moomin book is not about loss or sorrow but is about the human capacity to begin anew by composing novel wholes from scraps. (shrink)

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century AD and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging and innovative study is the first book to analyse Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. Addressing the strain of mysticism in these works from a (...) fresh perspective the author shows how these texts reflect actual meditational practices, methods of concentrating the mind, and other mental disciplines that informed the tradition as a whole. In providing the broadest available survey of Neoplatonic writing the book will appeal to classical philosophers, classicists, as well as students of religious studies. (shrink)

The Madhyamaka Buddhist philosopher Nāgārjuna (2nd c. CE) is best known for his works on emptiness in which he advances a program for the relinquishing of all philosophical views (_dṛṣṭi_) in light of the impossibility of establishing the true existence of any kind of entity. At the same time, he is famous also for his theory of two truths, according to which conventional or transactional language is both a legitimate and a necessary factor on the path to the ultimate abandonment (...) of views. Although more than 100 works are ascribed to Nāgārjuna in the Tibetan canon, none is specifically dedicated to an exploration of conventional or transactional truth. So it is of great interest to find that two eighth-century Madhyamaka thinkers, Śāntarakṣita and Kamalaśīla, have in their writings preserved and commented on six verses from a treatise they ascribe to Nāgārjuna entitled _Establishing the Transactional_ (_Tha snyad grub pa = *Vyavahārasiddhi_). The present article provides a translation of the six verses from the Tibetan (the Sanskrit of all these writings is lost) along with a translation for the first time in English of Śāntarakṣita’s commentary and Kamalaśīla’s subcommentary upon the verses. The multi-part translation is framed by a consideration of the nature and role of philosophical views in relation to Nāgārjuna’s other writings, based on a reading of these few tantalizing verses from an apparently lost text, the commentaries of Śāntarakṣita and Kamalaśīla, and the theories of contemporary Madhyamaka scholars. (shrink)

The paper is a reading of Julia Kristeva, The Severed Head . It first interprets a dual historical element in Kristeva's text on "capital visions," her selection of exemplars of the artistic representation of severed heads. On the one hand, there are the aesthetic trajectories themselves, from skull art to artistic modernism. On the other hand, there is an implicit history of "horror" in psychoanalysis in this text, going from Freud through Lacan to Kristeva. The paper then indicates the tone (...) of possibility and invitation that inhabits Kristeva’s treatment of horror in capital visions, which suggests that she does not divide aesthetics off from ethics. Finally, I underline the note of humor that enters into the psychoanalytic and aesthetic treatment of horror, once Kristeva has linked it to the feminine. (shrink)

This essay reexamines the famous 1831 prison tours of Alexis de Tocqueville and Gustave de Beaumont. It reads the three texts that emerged from their collective research practice as a trilogy, one conventionally read in different disciplinary homes ( Democracy in America in political science, On the Penitentiary in criminology, and Marie, Or Slavery: A Novel of Jacksonian America in literature). I argue that in marginalizing the trilogy’s important critique of slavery and punishment, scholars have overemphasized the centrality of (...) free institutions and ignored the unfree institutions that also anchor American political life. The article urges scholars in political theory and political science to attend to this formative moment in mass incarceration and carceral democracy. (shrink)

The discussion of immortality in Republic X is a much-maligned text whose function in the dialogue has frequently been drawn into question. This paper argues that the discussion addresses the insufficiency of the analogy between vice and disease that is established in Book IV and is challenged in Book IX by an account of tyranny which attributes to the tyrant a viciousness defying reduction to disease. It also argues that the discussion’s demonstration of immortality on the grounds of the soul’s (...) capacity for viciousness must be read in light of its attention to the political life of the person. In its adoption of a political perspective, the discussion is designed to speak specifically to the concerns about justice thatGlaucon andAdeimantus voice in Book II. (shrink)

From the care Plato takes in describing the excellence of the doctor in book 3 to the characterization of various pathological elements in the regimes he describes in book 8, the Republic teems with references to medical terms and concepts. The following investigates the breadth of the influence of medicine on the Republic. I argue that a medical vocabulary proves indispensable to indicating the relationship between philosophy and politics that the Republic envisages. In order to do so, this paper examines (...) the confluence of medicine and metaphysics revealed by a comparison between the discussion of the divided line and ancient characterizations of diagnosis. I then conclude with a reading of the Glaucus image in book 10 that emphasizes its self-diagnostic character. (shrink)

This paper argues that the creation of Kallipolis and the educational pro­gamme designed therein should be read in the context of one branch of Plato’s critique of Athenian democracy; namely, its employment of the Laconizing trope prominent in Politeia literature in order to identify and radicalize the desires innervated by an idealized vision of Spartan unity. In particular, it aims to show that the discussion of sexual difference in the famous first wave of Book 5, as well as the (...) peculiar concep­tion of phusis on which the foundation of Kallipolis rests and the account of familial discord so decisive for the distinct moments of its demise, should be read in light of the service they perform to Plato’s reframing of ownership. (shrink)

Semantic antirealists such as Dummett read Wittgenstein as endorsing the view that we must reject a truth conditional account of meaning in favor of one based on assertibility conditions. I take issue with that interpretation: I argue that Wittgenstein held a unique account of truth which does not fit neatly into the categories of realism and antirealism and which, moreover, undermines the dichotomy between them. Wittgenstein identified truth conditions with conventions and criteria whereby we predicate "is true" of our (...) sentences. And he held that because different sentences in a language are accepted as true upon different kinds of grounds, what is meant by calling a statement "true" varies for statements within different language games. Therefore, Wittgenstein has a novel conception of truth which can be applied, across the board, to all sentences in a language; a conception which links the truth condition of a statement to the way that the statement is used. I further argue that an implication of "meaning is use" is that we should revise our project of formulating an account of truth simpliciter, and focus instead on articulating the concept of truth that emerges from our uses of the predicate "is true". (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hercules Cross-dressed, Hercules Undressed: Unmasking the Construction of the Propertian amator In Elegy 4.9Sara H. LindheimVain trifles as they seem, clothes have, as they say, more important offices than merely to keep us warm. They change our view of the world and the world’s view of us.—Virginia Woolf, OrlandoPropertius begins 4.9 with his version of the story of Hercules and Cacus that he adapts from Virgil’s recently published Aeneid. (...) 1 Once he has recovered his stolen cattle, slain the monstrous, thieving Cacus and founded the Forum Boarium, the Propertian Hercules feels an overwhelming thirst. He hears the laughter of women and follows the sound to a grove in which the worship of the Bona Dea is taking place. Arriving on the threshold of the sanctuary, he pleads for some water from the spring he hears inside the grove, citing his heroic deeds as credentials for admittance. When his request achieves no immediate results, however, he considers that perhaps the women hesitate to open their sanctuary to a strong hero. He then offers a second self-presentation, this time telling how he once dressed as a woman and served Omphale, queen of Lydia. When the high priestess denies him entrance, reminding him that men, by religious prescription, cannot look upon the rites, Hercules gains access to the grove violently, drinks the spring dry, and announces that the Ara Maxima which he establishes 2 will forever exclude women from worship.The poem purports to offer a myth of origins for the Ara Maxima. Indeed, in the opening elegy to his fourth and final poetic collection, the poet proclaims his desire to dispense with love and to concentrate [End Page 43] instead on aetiology. Subscribing to Callimachean poetics, he will now compose aetiological verse on Roman subjects. Yet a second voice threatens the unity of the poet’s declaration, suggesting a second and incompatible thematic focus. Even as Propertius proclaims his bold, new stance, Horos the astrologer interrupts, insisting on the poet’s inability to leave behind themes of erotic elegy. 3 The programmatic elegy never resolves the tensions between the two poles of the bipartite agenda, promising that warring interests will haunt the elegies in the fourth book.It comes as no surprise, therefore, that antithetical arguments surface in poem 4.9. I argue that the tension animating the poem emerges from its two competing discourses about gender identity. An exploration of the three stories about the hero in the poem—the opening account offered by the poet, as well as the two self-defining, yet contradictory, narratives that Hercules weaves, in which he presents himself first as a great masculine force and then as the cross-dressed servant of Omphale—suggests the ephemeral nature of “real” gender identity. Considering briefly a modern theoretical model of cross-dressing, I examine Propertius’ own manipulation of transvestism to categorize gender, on the one hand, as a fluid construction, a social performance. On the other hand—and here lies the poem’s tension—a second, antithetical argument also emerges from the poem, which insists on the possibility of assigning persons to a specific gender category based on firm, stable criteria. When the priestess reads Hercules as man, and when the hero ultimately differentiates himself from woman by establishing male-only worship at the Ara Maxima, gender becomes essential or biological. The question I want to pose is: why do these discourses stand side by side, and what kind of synthesis between them ultimately materializes? Finally, I suggest that this debate about gender reaches beyond poem 4.9. By constructing Hercules so that the hero comes to represent, on an exaggerated scale, the Propertian amator, who himself vacillates between “masculine” and “feminine” identities, Propertius invites the reader to see a similar tension in the poet’s first three books of elegies. Thus, towards the end of his poetic career, the poet issues a reconsideration [End Page 44] of the portrait of the lover/poet in light of the questions elegy 4.9 raises about gender identity.While some might consider that to seek out, within ancient texts, whether gender appears essential or constructed in nature reveals an... (shrink)

G.W.F. Hegel is often vilified for his conservative reactionary philosophy, particularly with respect to the rights of women. Alternatively, tracing a path through G.W.F Hegel's political thought, MacDonald demonstrates that, in fact, the logic of Hegel's argument necessitates the recognition of equal political and civil rights for all human beings. Combining a thoughtful study of Hegel's political thought with close readings of two pivotal works of literature, MacDonald's book shows how the perennial tension between fulfilled, yet diverse, personal lives and (...) stable political communities has historically developed. While Sophocles' Antigone highlights the tension that exists in states that deny the particular interests of their citizens, MacDonald argues that an alternative image, one that admits the freedom of all humans as the grounds for an ethical family and state and one that is consistent with Hegel's thought in both the Phenomenology of Spirit and The Philosophy of Right, is offered in Shakespeare's A Midsummer Night's Dream. In an era of political cynicism and apathy, Finding Freedom seeks to recover the strengths of modern political life, arguing that Hegel's understanding of the true nature of human freedom, one that is based on our willing participation in rationally demonstrable goods, can be grounds for reinvigorating both the family and the political community. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Playing with Time. Ovid and the FastiSara MackNewlands, Carole E. Playing with Time. Ovid and the Fasti. Ithaca and London: Cornell University Press, 1995. Pp. xii 1 254.I learned a great deal from Carole Newlands’ Playing with Time about a poem with which I have always had difficulty. Newlands takes the Fasti seriously as a poem. She sees it as an artistically shaped creation, not a mishmash of (...) religious and mythological lore, and she regards its constantly shifting perspectives as intended and effective. I think she is right.The introduction, “The Problem of Ovid’s Fasti,” looks briefly at past assessments of the poem before setting out Newlands’ own thesis: The Fasti is “an exciting, experimental game with genre that offers a profound meditation on the changes and tensions in Roman society in the latter years of Augustus’ reign and the early years of Tiberius’” and that expresses “disenchantment with a political system that could guarantee neither the peace nor the freedom in which the elegiac [End Page 149] poet could flourish” (18). The rest of the chapter is devoted chiefly to outlining the argument of the remaining chapters.Chapter 1, “Stellar Connections,” examines the star myths of the Fasti. “Far from providing attractive digressions from Roman ritual, the myths interact with the Roman material, occasionally confirming but more often challenging or undermining the points of view encoded there” (31). Whether they in fact “contribute substantially to the dynamic tension in the poem between Ovid’s former erotic preoccupations and his new national themes,” it is certainly true, as she claims, that Ovid’s introduction of the astronomical theme at F. 1.295ff. has more to do with poetics than it does with astronomy. As always Ovid writes with an eye on his predecessors.In chapter 2, “Narrator and Interlocutors,” Newlands argues that “Ovid invites us to follow his development as a student and teacher of ‘sacra’ who discovers in the Roman past not an inspirational repository of noble heroes, but a patchwork of license and repression, nobility and violence, that is contingent on a variety of competing interests” (52). The narrator becomes increasingly reliant on sub-narrators for information as he becomes less confident in his own ability as narrator and in the feasibility of his project: an elegiac poem on Roman themes.In chapter 3 Newlands argues the need to look at the description of the temple of Mars Ultor in the context of the whole of book 5 and with an eye to the bias of its narrator in order to assess its presence in a poem that initially claims to oppose aras to arma. “The star myths of Chiron (379–414) and Orion (493–544), offer divergent perspectives upon the key concepts of war, Roman history, and revenge that are enshrined in the temple” (89). Mars, who takes over the narrative, has his own perspective on things. Furthermore, Mars has taken over the role of the Scorpion in Ovid’s rewrite of the catasterism myth of Orion and Scorpio “in a substitution that... gives a hint that the concept of revenge, glorified in the war god’s new Augustan temple, cannot be wholly refined of brutal elements” (114). I found this a very interesting chapter, although I was not convinced by some of the details, such as the contrast between Achilles’ and Romulus’ pietas. The analogy with the dream vision in the Aeneid is a bit misleading because the proper parallel is not Aeneas in tears vs. Romulus dry-eyed, as the argument suggests, but rather Aeneas in tears vs. the twins’ parents in tears.Chapter 4, “Priapus Revisited,” examines book 6 as “a negative mirroring of the themes of Book 1” (125). One of its major topics is Ovid’s treatment of Vesta. Newlands examines the Priapus-Vesta episode in book 6 which is usually read as a failed and expendable doublet of Priapus-Lotis in book 1. I think she is right that each has a spot in the poem and that part of the fun of the Vesta episode is that Vesta doesn’t fit into a world where nymphs may get raped while they sleep off the... (shrink)

Each Site Specific is always and above all Time Specific, that is marked by Time and by the times from which it is generated, defined and set in a place. Space is a significant environment a work that works in the Work that re-means, in its transformation, the very connotations of performing action. To contain the never-ending process of meaning to which such a work would be subjected, it will be Time: that granitic categorial essence that philosophy, together with Space, (...) indicates as fundamental for any cognitive and speculative exercise. Moreover such an artifact, incorporating History and stories, re-reads – making them readable – living testimonies that animate the place of existence of subjects and objects that last the relative time of their existence, in an attempt to make them and itself eternal. As if the work could take charge of the task of triggering the memorative (making memory) device of the Real, a mysterious aesthetic mechanism that interfaces subjects and objects in the common project to adapt, know and make the world – which is more than the Real, imbued as it is of significant connections and correlations. The object work of art in its positioning (making room) in a place, invites the subject –through an imaginative pact – to signify the world through a simulation of sight that allows Man to pre-see his own possibility of existence before the unknown the real proposes him, responding to his personal S.o.S. he sends daily, threatened by the indecipherable fear of sinking in the unknown. (shrink)