In recent metaphysics, the questions of whether fictional entities exist, what their nature is, and how to explain truths of statements such as “Sherlock Holmes lives at 221B Baker Street” and “Holmes was created by Arthur Conan Doyle” have been subject to much debate. The main aim of my thesis is to wrestle with key proponents of the abstractionist view that fictional entities are abstract objects that exist (van Inwagen 1977, 2018, Thomasson 1999 and Salmon 1998) as well as Walton’s (...) (1990) pretense view, which denies the existence of such entities. In the process, I propose modifications to these views to deal with problems they face and show how the modifications better account for the philosophical data. -/- Key abstractionists (van Inwagen 1977, Thomasson 1999) make a strict distinction between discourse within fiction, in which statements about literary characters cannot be literally true, and discourse about fiction, as it occurs in literary criticism, where statements about fictional characters can be literally true. Fictional objects are postulated to account for the truth of the latter. This runs into trouble because statements thought to be literally true are not literal. (Yagisawa 2001, Friend 2002) I provide a uniform analysis to account for the truth of statements involving fictional characters by appealing to a presupposition involving a metaphor in both contexts. The presupposition is that there is an x such that x is fictional; x is likened to a real person; and x is and ought to be treated/counted as a real person for all relevant intents and purposes. -/- More generally, I adopt Everett and Schroeder’s (2015) realist view that fictional characters are ideas constituted by mental representations. This, to me, better accounts for how fictional characters are created within the world’s causal nexus (unlike non-spatiotemporal entities in abstractionism), among other things. One key challenge they face is to explain how ideas can possess properties such as being a detective. I present a fine-grained version of their view, according to which the mental representations constituting fictional entities encode mind-dependent properties. Moreover, I explain how reference to such representations is possible, using Bencivenga’s (1983) Neo-Kantian view of reference and Karttunen’s (1976) view on discourse referents. Finally, I suggest that the identity of fictional characters is interest-relative. The constant, and sometimes radical, change of properties that, fictional characters can undergo is taken to be a consequence of the fact that unified mental representations are bundles of simpler mental representations. As change occurs, simpler representations are replaced by others. -/- A key theme that runs through the thesis is that neither fictionality nor pretense is relevant to the semantics of fictional sentences—a claim bolstered by Matravers’ (2014) arguments. Whether or not my account works, this claim, as well as the new philosophical data I bring up, are some of the challenges I pose to the heart of established views. (shrink)

It has been suggested that many philosophical theses—physicalism, normative naturalism, phenomenalism, and so on—should be understood in terms of ground. Against this, Ted Sider (2011) has argued that ground is ill-suited for this purpose. Here I develop Sider’s objection and offer a response. In doing so I develop a view about the role of ground in philosophy, and about the content of these distinctively philosophical theses.

We naturally think of the material world as being populated by a large number of individuals . These are things, such as my laptop and the particles that compose it, that we describe as being propertied and related in various ways when we describe the material world around us. In this paper I argue that, fundamentally speaking at least, there are no such things as material individuals. I then propose and defend an individual-less view of the material world I call (...) “generalism”. (shrink)

This paper argues that ground is irreducibly plural: a group of facts can be grounded together, as a collective, even though no member of the group has a ground on its own. This kind of plural grounding is applied to the metaphysics of individuals and quantities, yielding a “structuralist” view in each case. Some more general implications of plural grounding are also discussed.

The Principle of Sufficient Reason states that everything has an explanation. But different notions of explanation yield different versions of this principle. Here a version is formulated in terms of the notion of a “grounding” explanation. Its consequences are then explored, with particular emphasis on the fact that it implies necessitarianism, the view that every truth is necessarily true. Finally, the principle is defended from a number of objections, including objections to necessitarianism. The result is a defense of a “rationalist” (...) metaphysics, one that constitutes an alternative to the contemporary dogmas that some aspects of the world are “metaphysically brute” and that the world could in so many ways have been different. (shrink)

Substantivalism is the view that space exists in addition to any material bodies situated within it. Relationalism is the opposing view that there is no such thing as space; there are just material bodies, spatially related to one another. This paper assesses this issue in the context of classical physics. It starts by describing the bucket argument for substantivalism. It then turns to anti-substantivalist arguments, including Leibniz's classic arguments and their contemporary reincarnation under the guise of ‘symmetry’. It argues that (...) these anti-substantivalist arguments are stronger than is often acknowledged. (shrink)

Sometimes, ignorance is inexpressible. Lewis recognized this when he argued, in “Ramseyan Humility,” that we cannot know which property occupies which causal role. This peculiar state of ignorance arises in a number of other domains too, including ignorance about our position in space and the identities of individuals. In these cases, one does not know something, and yet one cannot give voice to one's ignorance in a certain way. But what does the ignorance in these cases consist in? This essay (...) argues that many standard models of ignorance cannot account for the phenomenon of inexpressible ignorance. It then develops an alternative model that does better, on which the ignorance consists in a failure to identify something by way of its nature or essence. (shrink)

Symmetries in physics are a guide to reality. That much is well known. But what is less well known is why symmetry is a guide to reality. What justifies inferences that draw conclusions about reality from premises about symmetries? I argue that answering this question reveals that symmetry is an epistemic notion twice over. First, these inferences must proceed via epistemic lemmas: premises about symmetries in the first instance justify epistemic lemmas about our powers of detection, and only from those (...) epistemic lemmas can we draw conclusions about reality. Second, in order to justify those epistemic lemmas, the notion of symmetry must be defined partly in epistemic terms. 1 Symmetry-to-Reality Reasoning1.1 A rough introduction to symmetry1.2 The symmetry-to-reality inference1.3 Two questions1.4 Two answers1.5 Preliminary clarifications2 Against Redundancy2.1 Redundancy2.2 Is absolute velocity redundant?2.3 Some redundancies3 Against Objectivity4 From Symmetry to Detection4.1 The epistemic approach4.2 The Occamist norm4.3 From symmetry to detection5 The Meaning of ‘Symmetry’5.1 A framework5.2 Formal definitions5.3 Ontic definitions6 Epistemic Definitions6.1 Taking observation seriously6.2 How things look6.3 Observation sentences6.4 Observational equivalence7 Symmetry as an Epistemic Notion 7.1 Observational equivalence and metaphysics7.2 The Occamist norm revisted7.3 Consequences8 Conclusion. (shrink)

Much recent metaphysics is built around notions such as naturalness, fundamentality, grounding, dependence, essence, and others besides. In this article I raise a problem for this kind of metaphysics, the “problem of missing value.” I survey a number of possible solutions to the problem and find them all wanting. This suggests a return to a kind of Goodmanian view that the world is a structureless mess onto which we project our own categorizations, not something with categories already built in.

This article tries to explore the shifts in contemporary urban Bengali cinema and map and historicize the main trends in relation to changes in the political fortunes of the city. In this context, the article tentatively wishes to accomplish two things: one, to show the main trends in urban Bengali film-making, post-1990s; and two, to read closely two recent Bengali films, in a search for ways of mapping this newness. The article first identifies three new possibilities in Bengali cinema: first, (...) the inward-looking, often apolitical sketches that celebrate liberal development and psychosomatic indulgences, second, the sentimental, community-based films that sometimes take political changes on board as well, and attempt to bridge the rural-urban divide; third, cult-ish films of a newer pedigree that show impatience with old Left and progressive values, and are also technically experimental and avant-garde. The second objective of the article is to discuss specifically two contemporary filmmakers – Moinak Biswas and Suman Mukhopadhay – and place their films within this ferment. (shrink)

What is the relationship between anger and justice, especially when so much of our moral education has taught us to value the impartial spectator, the cold distance of reason? In _Sing the Rage_, Sonali Chakravarti wrestles with this question through a careful look at the emotionally charged South African Truth and Reconciliation Commission, which from 1996 to 1998 saw, day after day, individuals taking the stand to speak—to cry, scream, and wail—about the atrocities of apartheid. Uncomfortable and surprising, these public (...) emotional displays, she argues, proved to be of immense value, vital to the success of transitional justice and future political possibilities. Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits—the frontiers—of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution, _Sing the Rage_ offers a clear understanding of one of our most volatile—and important—political responses. (shrink)

CRISPR germline editing therapies hold unprecedented potential to eradicate hereditary disorders. However, the prospect of altering the human germline has sparked a debate over the safety, efficacy, and morality of CGETs, triggering a funding moratorium by the NIH. There is an urgent need for practical paths for the evaluation of these capabilities. We propose a model regulatory framework for CGET research, clinical development, and distribution. Our model takes advantage of existing legal and regulatory institutions but adds elevated scrutiny at each (...) stage of CGET development to accommodate the unique technical and ethical challenges posed by germline editing. (shrink)

Drawing upon the insights of Rabindranath Tagore, who coined the term viswasahitya to express his own understanding of comparative literature, this essay resituates translation as the cornerstone for new directions in world literature. While conventional understandings of world literature tend to reconfirm existing power structures and hierarchies, translation opens up the possibility of thinking beyond the national/global binary by interrogating the lines along which such binaries are conceptualized. Translation operates at the borders that are seen to divide cultures, languages, worldviews (...) and geographies. This essay explores the dynamic relationship between translation and world literature within contemporary South Asian writing, through an analysis of heteroglossia, multilingualism and ‘translatedness’ in selected texts by Mahasweta Devi and Amitav Ghosh, opening up larger questions about multilingualism and also about the very discipline of comparative literature. Highlighting the role that translation has historically played in shaping power relations in the world, this paper projects the transformative potential of translation as the key to a radical reconceptualization of a world literature for the future. (shrink)

This article argues that extended school closures during the Covid-19 pandemic were a moral catastrophe. It focuses on closures in the United States of America and discusses their effect on the pandemic, their harmful effects on children, and other morally relevant factors. It concludes by discussing how these closures came to pass and suggests that the root cause was structural, not individual: the relevant decision-makers were working in an institutional setting that stacked the deck heavily in favor of extended closures.

This paper aims at an analytical explanation of the distinctive nature of music, as it has been formulated in perhaps one of the world's very first works on the subject, namely the ‘Sangeet Ratnakar’ of Pandit Sarangadeva, a 13th century musicologist of India. He, in the first chapter of the work defines music ('sangeet' in Sanskrit and Hindi) as a composite of singing or 'Gita', instrumental music or 'vadan' and dancing or ‘nrittam’. In addition, he also holds singing to be (...) the most important component of music. These two ideas are not only unquestionably acceptable , as the analysis in the paper will show, but give to Indian music , in its difference from western music, its distinctively spiritual character, making it a path to liberation or Moksha (Muktidayakam na tu ranjakam). Sarangadeva's reason, here, is not rational but empirico-inductive. It is that mainly by virtue of its 'gitam’ (singing component), which, like the Yoga system of exercise, needing only one's body as its instrument, music too needing only one’s voice is as self-sufficient and autonomous as the ultimate Reality itself (Swayamev Rajate). In the hierarchy (a distinctively ancient Indian insistence) of arts, singing is the highest and unique because in spite of being heard by the auditory sense, it affects our 'reflective sensibility' and transports us to the virtual world of melodic and rhythmic forms. Forms, as against their particular illustrations, are abstract universals. Ultimate Reality is also a Form-all comprehensive and internally harmonious. However, pure Form, whether melodic or religious or even rational like that of triangularity, is almost impossible to concentrate on. Realizing this practical difficulty, Indian scriptures and the world's first Grammarian-linguist, Acharya Panini, framed a composite sound as the manifestation of the ultimate musical Form. This purely formal-because devoid of all meaning, sound is that of 'om', spelt, in Sanskrit as a conjunction (sandhi) of 'a'+'u'+'m'. For Indian musicologists and musicians, ‘om’ is the perfect manifestation of the Sound-God or ‘Nada-Brahman’ because, 1. Its composite nature resembles God, as a harmony of 'sat', 'chit', and 'ananda'; and 2. The composite sound is self-existent as its all three components-two vowels, i.e. ‘a’, ‘u’, and one consonant i.e. ‘m’, can be and are pronounced just as they originally are, -un-elongated and un-vitiated and therefore pure. This is the reason why every recital of Indian classical vocal music is begun with an elaborate rendering of 'om' as an invocation to Sound-God or ‘Nada-Brahman’. Scholarly and authentic, this ancient Indian approach to music, is undoubtedly the earliest and original. My observation is that its main contentions like Sharang Dev’s insistence that of the three components of music, ‘gitam’ or singing is the highest, have only been translated and never argued for. In this presentation my good intention is to provide much needed rational support for making these key statements in this unparalleled Indian text, indubitable and unquestionable. (shrink)

Self Learning Material Bachelor of Arts Philosophy Semester Iv BPYC Western Philosophy: Modern Block-2 Rationalism.

This chapter aims to examine parallels between two ancient Indian philosophical schools, Jaina (Jainism) of Mahāvīra and Ajñāna (Unending Agnosticism) of Sañjaya Belaṭṭhiputta. Jaina and Ajñāna traditions were a part of the Non-Vedic larger Śramaṇa movement of seventh to sixth-century BCE India, where Śramaṇa were monastics, who dwelled in forests and lived a retired life, focussing themselves in the search of discovering the knowledge of truth, reality and existence. Sañjaya and Mahāvīra were contemporaries and were a prominent and well-known Śramaṇa (...) of their time. The chapter is broadly divided into two parts, with two sections each. The first part aims to discuss Sañjaya’s ajñānavāda (epistemological method) and Mahāvīra’s doctrine of anekāntavāda (metaphysical pluralism) and saptabhanginaya (sevenfold predication). The second part aims to explore the logical relationship and similarities between ajñānavāda and anekāntavāda and its metaphysical consequences, and conclusively the major part of the paper will discuss the claim first made by the German Jaina scholar Hermann Jacobi, about the possible influence that Sañjaya’s ajñānavāda had on the establishment of Mahāvīra’s anekāntavāda. In brief, the chapter intends to present and discuss the contemporary scholarship claims on Sañjaya and his possible influence it had on the development of the Jaina thought. (shrink)