In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the (...) natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century. (shrink)

If modernity involves a view through which it is possible to read the uninterrupted historical continuity of social utopia and the harmony of class and the progress of the 19th century, it is fundamental to explore what is the other face of this fantasy of progress that places the individual in modernity in a situation of depression and debt, inasmuch as those promises are never fully fulfilled. Walter Benjamin builds his idea of history rethinking this legacy. He imagines the way (...) in which the materialist historian must act, that is, the one who will articulate justice and redemption of the past as it is proposed on the thesis of On the concept of history, a text of 1940 on which he worked until the end of his life. In this text, we can find what Michael Löwy called a critical constellation, which links the past with the present. Regarding these considerations, we pursue two main objectives: on the one hand, to delineate what a theory of modernity could mean in the frame of Benjamin's work; on the other, to examine the relationship between the experience of modernity, linked to melancholy and loss, and the aesthetic experience, understood as a privileged device to make thinkable the human doing. (shrink)

"Jesus Shock is the second in a series of short works on seminal concerns of the impact that Jesus Christ made in the world. The first work, The Philosophy of Jesus, explored philosophy in light of Jesus, rather than the other way around. The present work investigates the reception Jesus received both in His lifetime and continuously to the present time, not only from His enemies, but from His friends, a reception of shock, astonishment, even disgust." "Jesus-Shock (...) shows the reasons why to this day the name of "Jesus" stirs up controversy, even revulsion, in polite society. In the true spirit of ecumenism, it also points the way toward a true rapprochement among His modern-day disciples."--BOOK JACKET. (shrink)

Modern empirical macroeconomic models, known as structural autoregressions (SVARs) are dynamic models that typically claim to represent a causal order among contemporaneously valued variables and to merely represent non-structural (reduced-form) co-occurence between lagged variables and contemporaneous variables. The strategy is held to meet the minimal requirements for identifying the residual errors in particular equations in the model with independent, though otherwise not directly observable, exogenous causes (“shocks”) that ultimately account for change in the model. In nonstationary models, such shocks (...) accumulate so that variables have discernible trends. Econometricians have conceived of variables that trend in sympathy with each other (so-called “cointegrated variables”) as sharing one or more of these unobserved trends as a common cause. It is possible for estimates of the values of both the otherwise unobservable individual shocks and the otherwise unobservable common trends to be backed-out of cointegrated systems of equations. The issue addressed in this paper is whether and in what circumstances these values can be regarded as observations of real entities rather than merely artifacts of the representation of variables in the model. The issue is related, on the one hand, to practical methodological problems in the use of SVARs for policy analysis—e.g., does it make sense to estimate of shocks or trends in one model and then use them as measures of variables in a conceptually distinct model? The issue is also related to debates in the philosophical analysis of causation—particularly, whether we are entitled, as assumed by the developers of Bayes-net approaches, to rely on the causal Markov condition (a generalization of Reichenbach’s common-cause condition) or whether cointegration generates a practical example of Nancy Cartwright’s “byproducts” objection to the causal Markov condition. (shrink)

Although Toffler has not written an in-depth philosophical analysis of social problems, he certainly has written a highly readable popular diagnosis of the phenomenon of cultural change which social philosophers should be considering, and has given a synoptic view of contemporary culture similar to Pitirim Sorokin's popular Crisis of Our Age in the forties. Toffler's thesis is "that there are discoverable limits to the amount of change that the human organism can absorb, and that by endlessly accelerating change without first (...) determining these limits, we may submit masses of men to demands they simply cannot tolerate." Future shock is, therefore, both the physical and psychological impairment caused by reluctance and inability to absorb the rapid changes that an age of discontinuity produces. Psychic distress is identified in Leon Festinger's arresting phrase, "cognitive dissonance," the rejection or denial of information that challenges preconceptions. Physical distress is analyzed by such interesting research tools as the Rahe Life-Change Units Scale which attempts to correlate change factors with physical health. The philosophic base of modern life is seen in a Heraclitean or Bergsonian flux which ontologizes change itself and sees social and political conflict inevitably provoked by rapid change confronting an older society whose substantialist structures reflect more the stable and enduring values of an older culture. It is from the vantage point of change theory that Toffler explains the contemporary turmoil in domestic, social, political, and religious realms; and although he does not employ the more formal idiom of a Vico or Spengler in the discussion of Zeitgeist, he recognizes thought and life style as even more significant than ever in a culture in which communication is so widespread and immediate. He uses the imagery of eight hundred 62-year lifetimes to illustrate man's history of the last 50,000 years, noting the comparative stability of the previous segments and the bewildering rapidity of change cycle of idea, application, and diffusion in the last sixty-year period. He analyzes progressively the accelerative thrust that creates conflict between cultures and generations; describes the typical attitudes of citizens in an Age of Transience towards time, things, places, people, organization, and ideas; and sees "modular" man as a being for whom permanence of marriage, career, educational values, and convictions yields to "temporariness." Organizations in such a climate are characterized by lateral rather than hierarchical power relationships in which "super-industrial man," committed more to his craft than to his company, assumes more decision-making responsibility in an "adhocracy" of transient values and relationships. Toffler interestingly sees bureaucracy on the decline, technology as contributing to plurality of choice rather than to standardization, and to a kinetic imagery of impermanence in aesthetics. For the most part, Toffler, the diagnostician, resists the temptation to be the pleader. His happily infrequent divagations produce less than satisfactory critiques of family life, education, and genetic engineering. It is inevitable that this book will be criticized by specialists as bewilderingly diffuse, and verging at times on science fiction; it is possible too that the strategy of "social futurism" suggested by the author will elicit less than undiluted enthusiasm, and that inexact references to Toynbee and Maritain may be questioned. But the essential purpose of this volume to give a unified vision of contemporary culture in terms of the adaptive reaction to change--all this has been admirably realized. And one feels that the author indeed possesses the vision and research tools for particularized study in the areas treated here quite generally.--R. P. M. (shrink)

We report on an unpublished and previously unknown manuscript of John von Neumann and contextualize it within the development of the theory of shock waves and detonations during the nineteenth and twentieth centuries. Von Neumann studies bombs comprising a primary explosive charge along with explosive booster material. His goal is to calculate the minimal amount of booster needed to create a sustainable detonation, presumably because booster material is often more expensive and more volatile. In service of this goal, he (...) formulates and analyzes a partial differential equation-based model describing a moving shock wave at the interface of detonated and undetonated material. We provide a complete transcription of von Neumann’s work and give our own accompanying explanations and analyses, including the correction of two small errors in his calculations. Today, detonations are typically modeled using a combination of experimental results and numerical simulations particular to the shape and materials of the explosive, as the complex three dimensional dynamics of detonations are analytically intractable. Although von Neumann’s manuscript will not revolutionize our modern understanding of detonations, the document is a valuable historical record of the state of hydrodynamics research during and after World War II. (shrink)

A brilliant and comprehensive history of the creation of the modern Western mind. Soul Machine takes us back to the origins of modernity, a time when a crisis in religious authority and the scientific revolution led to searching questions about the nature of human inner life. This is the story of how a new concept—the mind—emerged as a potential solution, one that was part soul and part machine, but fully neither. In this groundbreaking work, award-winning historian George Makari shows (...) how writers, philosophers, physicians, and anatomists worked to construct notions of the mind as not an ethereal thing, but a natural one. From the ascent of Oliver Cromwell to the fall of Napoleon, seminal thinkers like Hobbes, Locke, Diderot, and Kant worked alongside often-forgotten brain specialists, physiologists, and alienists in the hopes of mapping the inner world. Conducted in a cauldron of political turmoil, these frequently shocking, always embattled efforts would give rise to psychiatry, mind sciences such as phrenology, and radically new visions of the self. Further, they would be crucial to the establishment of secular ethics and political liberalism. Boldly original, wide-ranging, and brilliantly synthetic, Soul Machine gives us a masterful, new account of the making of the modern Western mind. (shrink)

This article discusses Benjamin's interpretation of Baudelaire's poetry as a key to reading modernity. Understanding the ambiguities between novelty and archaism, typical of the time, is only possible thanks to the poet’s gesture of privileging radical contingency. On the one hand, the violence of unwanted encounters amid the crowd does not allow for reflection; on the other, its productive dimension makes contingency speakable. The poet’s verses will make possible the encounter of the now of experience with the available past in (...) terms of expectation: explanatory images are produced from the singularity of language. Finally, the Lacanian real is produced thanks to the understanding of the psyche as structure. (shrink)

This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." (...) According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public.Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes."[A] remarkable work.... [Schaeffer's] writing is governed by... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto. (shrink)

Virtue theorizing, long in eclipse, has revived strongly in recent times. However, virtue-type approaches predominate in non-Western cultures and dominated Western thought before the modern period. So the revival can make one wonder whether modern epistemology and ethics do not represent a kind a medieval period relative to these other historical/sociological facts. Why did virtue ethics and epistemology go into eclipse in the West during the modern period? The emerging importance of the individual may represent a kind (...) of shock of modernity that left Western virtue approaches decimated in its wake. Both Cartesian epistemology and modern rights theory represent emergent individualism, but the revival of virtue approaches recently may indicate that the shock of modernity is starting to wear off. (shrink)

Ever since it was first unleashed in 1818 the story of Victor Frankenstein and his reanimated, stitched-together corpse has inspired intense debate. Can organic life be reanimated using electricity or genetic manipulation? If so, could Frankenstein’s monster really teach itself to read and speak as Mary Shelley imagined? Do monsters have rights, or responsibilities to those who would as soon kill them? What is it about music that so affects Frankenstein’s monster, or any of us? What does Mel Brook’s Frau (...) Blucher say to contemporary eco-feminism? Why are some Frankenstein’s flops and others historic successes? Is there a true Frankenstein? Why are children, but not adults, drawn to Shelley’s monster? And what is a “monster,” anyway? Frankenstein and Philosophy calls 25 philosophers to stitch together these and other questions as they apply to history’s greatest horror franchise. Some chapters treat the Frankenstein films, others the original novel, and yet others the many comic books, novels, and modern adaptations. Together they pay tribute to perhaps the most enduring pop culture icon and the fundamental fears, hopes, and puzzles it raises. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Logos and Alogon: Thinkable and Unthinkable in Mathematics, from the Pythagoreans to the Moderns by Arkady PlotnitskyNoam CohenPLOTNITSKY, Arkady. Logos and Alogon: Thinkable and Unthinkable in Mathematics, from the Pythagoreans to the Moderns. Cham: Springer, 2023. xvi + 294 pp. Cloth, $109.99The limits of thought in its relations to reality have defined Western philosophical inquiry from its very beginnings. The shocking discovery of the incommensurables in Greek mathematics (...) not only reintroduced these limits with greater force but also instigated two different forms of coping with the unthinkable in Western philosophy, mathematics, and science. As Arkady Plotnitsky sets forth, in response to the incommensurability crisis in the ancient Greek intellectual world, there appeared two different attitudes toward the alogon, that is, the unthinkable or irrational. Plato and his followers sought to overcome the unthinkable, of which the incommensurables in mathematics are only an example, through philosophy. In contrast, the Pythagoreans continued to hold on to mathematics as the primary means of knowing the world, but put a larger emphasis on geometry. Plotnitsky [End Page 359] claims that by not putting aside the primacy of mathematics, the Pythagorean shift from arithmetic to geometry established in Western thought a certain tolerance toward the unthinkable within the realm of the thinkable, “a possibility of the alogon in the logos.” Until modern times this remained no more than a possibility. However, in modern mathematics and mathematical physics Plotnitsky identifies a certain fulfillment of this potential, a “radical Pythagorean mathematics.” In his comprehensive and thought-provoking study, Plotnitsky recounts the development of such radical modern Pythagoreanism, not only to tell its history but also to suggest that the unthinkable is a condition of possibility for thought, and that a proper recognition of this role it plays is crucial for the advancement of mathematical thinking and thinking in general.Plotnitsky begins by portraying in broad strokes the two defining characteristics of radical Pythagorean mathematics: the presence of the unthinkable within mathematical thought itself, and the interplay of algebra and geometry. Relying on an extensive knowledge of the history of modern mathematics and physics, in the first two chapters of the book Plotnitsky gradually demonstrates the key role that the alogon plays in some theories of modern mathematical thought, such as Gödel’s incompleteness theorems and quantum mechanics. He also presents and clarifies his own conception of the history of Western thought as a creative process of concept-forming. By creating rather than discovering concepts, great mathematicians break new ground for thinking. The book as a whole argues in length for these two main theses.In chapter 3, the author addresses the thought of Bernhard Riemann to make the case that Riemann’s mathematical thought puts an emphasis on creative conceptual thinking and is not defined merely by calculations or logic. Such thinking is problem-posing rather than axiomatic. Riemann’s central innovation in this respect is the concept of manifold (Mannigfaltigkeit), which enabled him to think anew space and geometry in a radical non-Euclidean fashion, implying an infinite number of possible geometries. Plotnitsky argues—borrowing Deleuze and Guattari’s terminology—that this opened up a “plane of immanence,” which is to say that Riemann created a concept-generating movement of thought. However, we cannot grasp the generation of concepts in modern mathematics without giving proper attention to the interplay of algebra and geometry that defines it. Chapter 4 demonstrates this interweaving of the two fields by recounting the history of the idea of the curve in modernity, from the analytic geometry and calculus of Fermat and Descartes to its modification in the concept of a Riemann surface, up to its more recent developments in the algebraic geometry of Weil and Grothendieck. It gives a historical account of the algebraization of the curve that at the same time brings into relief the irreducible geometrical aspect, continuity, of all modern mathematical conceptualizations of the curve.The next two chapters provide further case studies. Chapter 5 expands and solidifies the argument of chapter 2. It discusses three examples of mathematical practice, each displayed by a pair of important [End Page 360] mathematicians: Abel and Galois, Lobachevsky and Riemann, Weil and Grothendieck. Each case... (shrink)

The Hwang affair, a dramatic and far reaching instance of scientific fraud, shocked the world. This collective national failure prompted various organizations in Korea, including universities, regulatory agencies, and research associations, to engage in self-criticism and research ethics reforms. This paper aims, first, to document and review research misconduct perpetrated by Hwang and members of his research team, with particular attention to the agencies that failed to regulate and then supervise Hwang’s research. The paper then examines the research ethics reforms (...) introduced in the wake of this international scandal. After reviewing American and European research governance structures and policies, policy makers developed a mixed model mindful of its Korean context. The third part of the paper examines how research ethics reform is proactive (a response to shocking scientific misconduct and ensuing external criticism from the press and society) as well as reactive (identification of and adherence to national or international ethics standards). The last part deals with Korean society’s response to the Hwang affair, which had the effect of a moral atomic bomb and has led to broad ethical reform in Korean society. We conceptualize this change as ethical modernization, through which the Korean public corrects the failures of a growth-oriented economic model for social progress, and attempts to create a more trustworthy and ethical society. (shrink)

The relationship between the media and the medical profession is often one of mutual mistrust. However, the media, and especially television, is a powerful tool for telling individual stories and for providing a medium for medico-ethical dilemmas to be portrayed to a wide audience. The extent to which the use of individual narratives can or should influence public opinion about complex medical issues is examined in this paper from the perspective of a former television journalist with a postgraduate degree in (...) medical law and ethics. (shrink)

This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’.

Under what conditions does 'sensation' become 'sensational'? In the early nineteenth century murder was a staple of the sensationalizing popular press and gruesome descriptions were deployed to make a direct impact on the sensations of the reader. By the end of the century, public concern with the thrills, spills, and shocks of modern life was increasingly articulated in the language of sensation. Media sensationalism contributed to this process and magnified its impact, just as sensation was, in turn, taken up (...) by literature, art and film. In the contemporary world the dramatization of these experiences in an era of media panics over terrorism and paedophilia has taken an overtly melodramatic form, in which battles of good and evil play out across the landscapes of our lives. Sensational Subjects develops an innovative, interdisciplinary approach to exploring these themes, their impact and their implications for understanding the modern world. A companion volume, Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World is published simultaneously by Bloomsbury. (shrink)

An entertaining, enlightening, and humorous graphic narrative of the dangerous thinkers who laid the foundation of modern thought This entertaining and enlightening graphic narrative tells the exciting story of the seventeenth-century thinkers who challenged authority—sometimes risking excommunication, prison, and even death—to lay the foundations of modern philosophy and science and help usher in a new world. With masterful storytelling and color illustrations, Heretics! offers a unique introduction to the birth of modern thought in comics form—smart, charming, and (...) often funny. These contentious and controversial philosophers—from Galileo and Descartes to Spinoza, Locke, Leibniz, and Newton—fundamentally changed the way we look at the world, society, and ourselves, overturning everything from the idea that the Earth is the center of the cosmos to the notion that kings have a divine right to rule. More devoted to reason than to faith, these thinkers defended scandalous new views of nature, religion, politics, knowledge, and the human mind. Heretics! tells the story of their ideas, lives, and times in a vivid new way. Crisscrossing Europe as it follows them in their travels and exiles, the narrative describes their meetings and clashes with each other—as well as their confrontations with religious and royal authority. It recounts key moments in the history of modern philosophy, including the burning of Giordano Bruno for heresy, Galileo's house arrest for defending Copernicanism, Descartes's proclaiming cogito ergo sum, Hobbes's vision of the "nasty and brutish" state of nature, and Spinoza's shocking Theological-Political Treatise. A brilliant account of one of the most brilliant periods in philosophy, Heretics! is the story of how a group of brave thinkers used reason and evidence to triumph over the authority of religion, royalty, and antiquity. (shrink)

« La vie s’est transformée en une suite intemporelle de chocs », écrivait Adorno, dans ses Minima Moralia, pour décrire l’expérience du front lors de la Seconde Guerre mondiale. À partir de la notion de choc, qui ponctue l’ensemble de l’oeuvre d’Adorno, se dégage en fait une problématique plus générale d’une crise de l’expérience moderne. En mettant en évidence certains parallèles entre les thèmes de la philosophie d’Adorno et la théorie psychanalytique du choc traumatique, j’entends cerner avec plus de précision (...) la teneur de la crise dont il est question, ses conséquences, ainsi que les possibilités qu’entrevoit le philosophe pour y mettre un terme.Reflecting upon the experience of the battle line during the Second World War, Adorno claimed that “life has changed into a timeless succession of shocks”. From this concept of shock, which punctuates the whole of Adorno’s work, emerges the more general problem of the crisis of modern experience. By drawing parallels between aspects of Adorno’s philosophy and of the psychoanalytic theory of traumatic shock, I intend to define more precisely the content of this crisis, its consequences, and the possibilities for its resolution glimpsed by the philosopher. (shrink)

The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas---cultural, social, and personal---associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development (...) of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"--Provided by publisher. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Judgement and Sense in Modern French Philosophy: A New Reading of Six Thinkers by Henry Somers-HallClayton CrockettSOMERS-HALL, Henry. Judgement and Sense in Modern French Philosophy: A New Reading of Six Thinkers. Cambridge: Cambridge University Press, 2022. 264 pp. Cloth, $99.99Henry Somers-Hall's book examines how French philosophers in the twentieth century develop a logic of thinking based on sense that is both influenced by but also counters (...) Kant's paradigm of thinking, which is based on judgment. Beginning with Kant and German idealism, including the German responses to Kant in the work of Hölderlin, Fichte, Schelling, and Hegel, this book then carefully draws out the ways that Bergson, Sartre, Merleau-Ponty, Derrida, Foucault, and Deleuze all work against this understanding of thinking as judging by showing how our experience and our thought precede the categories of judgment.In chapter 1, Somers-Hall carefully sets out Kant's model of thinking and shows how the categories of philosophical thought are fundamentally based on how we judge our sensible intuitions. Judgment is at the center of Kant's thought, and this is apparent in the Critique of Pure Reason, including the famous Transcendental Deduction. Our knowledge has a legislative function in relation to objects, and conscious synthesis takes the form of a judgment. Despite their criticisms of Kant, later German idealists do not fundamentally depart from this modality of judgment that takes place at the center of their philosophy. Even though they put Kant's concepts in motion, it remains a structure of judgment that is understood as dynamic.Chapter 2 turns to Bergson, to show how his emphasis on immediate experience precedes categorical judgement. Bergson distinguishes between temporal and spatial multiplicities, and argues that temporal multiplicities that are expressed in terms of duration underlie the spatial ones that contribute to judgment. Duration is a deeper experience of time that is associated with life. Somers-Hall in chapter 3 examines Sartre's writings on imagination to show how consciousness is a pure relation and an affective mode of thinking that underlies the categorial mode of judgment.Most of these French philosophers develop their accounts of noncategorial sense in either explicit or implicit relation to Kant's philosophy. Merleau-Ponty is no exception, and in chapter 4 we see how it is the organization of perception that gives sense to the world, and this precedes and generates "our reflective categories of judgement." Judgment emerges out of perception, although Merleau-Ponty grounds perception in the embodied person. Derrida does not ground sense or [End Page 365] thinking in a body, but looks for noncategorial grounds that make possible "surface structures of thinking." In chapter 5, Somers-Hall elaborates Derrida's famous nonconcept of différance, which underlies and makes possible our concepts of voice and writing that appear to be oppositions but in fact are not because they rely on each other. Différance is not a concept; it is prior to conceptual determination, and it "operates as an 'origin' that has none of the traits of the structure of judgement."Foucault relies on Kant for his three epistemes of resemblance, representation, and the human being, modern man. Chapter 6 shows how Foucault is concerned in both his archaeology and his genealogy with opening up the structures of power that make any juridical ordering possible. Here a productive biopower works beneath what we recognize more explicitly as "juridico-discursive power" in both positive and negative ways that escape the grasp of a philosophy that is solely based on judgment.In chapter 7 Somers-Hall shows how Deleuze's concept of intensity underlies all forms of representational judgment. Intensity operates according to a process of differentiation that produces a logic of sense, which we miss when we grasp onto a "dogmatic image of thought" that "prevents a genuine encounter with the world [that] conditions us to understand it in terms of unified subjects who make sense of the world in terms of judgements." We think in response to a shock or an encounter with something in the world that forces us to think and to make sense. We form judgments retroactively, by reducing differences to... (shrink)

This essay begins by offering a reading of Iranian filmmaker Abbas Kiarostami's Certified Copy, in which we are unable to decide whether or not the couple we see there is married. But rather than coming down ourselves on one side or another, we ask why it is that their love for each other might be expressed only through their game-playing. And we follow this confusion between the real and the artificial throughout Kiarostami's career – from the “lie” that structures social (...) reality in Where is the Friend's House? through the character Sabzian's “confession” in Close-Up and beyond. We argue that it is in its putting together of the real and the fictional that Kiarostami's cinema at once continues and marks a break with Italian Neo-Realism and with usual conceptions of the “spiritual.” In Kiarostami's cinema, the spiritual is not to be opposed to the real or the represented, but is only to be seen through them. That other world is here, just as the afterlife is now. (shrink)

THE SHOCK of LOVE is a book about spirit. It is a book within a book. The book found within is a manuscript entitled THE SHOCK of LOVE. It is purportedly written by Paolo Cellini, Professor of Romance Languages and a student of the era of the troubadours and courtly love. Based on the idea of a book of the heart, current during that time, it is divided into nine chapters that give allegorical detail of the journey of (...) love, a love that completes the spirit in a person. There the reader follows the courtship, the 'alchemical' marriage, and the dark gestation before emerging transformed and completed. The outer book, the book that encloses the found manuscript, tells the story of Cellini as well as speculating on why it came to be written. (shrink)

The neoliberal-inspired “shock therapy” policies were designed to allow efficiency considerations to shape the new capitalist economies. Most experts theorized that these policies would enable postcommunist countries to close the gap with the West. After more than a decade, this prediction has been falsified. Fieldwork in 25 Russian firms demonstrates that the neoliberal prescription of mass privatization creates shocks that make successful enterprise restructuring almost impossible. Instead, most firms lower their technological level of production and retreat to nonmarket activity (...) to survive. The result is a poorer economy with less growth potential and thus increased divergence with the West. (shrink)

Is there a place for the tragic vision in an orderly scheme of things? This is the question that Patrick Madigan asks in an interesting essay that explores not only the place of tragedy and comedy in human experience, but also the place of the opening that tragedy represents in the Aristotelian system. He argues that Aristotle's view of being, if rightly understood, can accept and even embrace the tragic vision, and moreover that the perspective on human experience laid open (...) by tragedy can lead to a more complete understanding of ourselves and the world we try to come to terms with. He argues that it is only in the dreadful character of tragic experience that we can be shocked out of a complacent "doxalogical slumber" into the genuinely self-critical examination required for the attainment of theoretical knowledge. (shrink)

A highly original and interdisciplinary study of the philosophy of the everyday.