Evidentialism is one of the most sensible claims of recent philosophy. Yet it is often joined with other theses about the structure of justification and the nature of experience that are dubious. In this paper, I argue that experience is not a basic source of evidence. I contend that for an experience to justify a belief, it must be independently plausible that the experience is reliable based on background information. The paper develops an account of plausibility and examines cases, including (...) differences in expertise, clairvoyance, and social perceptions, to illustrate how background knowledge is necessary for the justification of experiential beliefs. I consider challenges from Bergmann's distinction between learned and unlearned doxastic responses and Lyons's inferential reliabilism. I conclude that these challenges do not succeed; perceptual evidence requires a broader perspective that supports the reliability of the experiential evidence. (shrink)

Jason Stanley and Timothy Williamson's influential article "Knowing How" argues that knowledge-how is a species of knowledge-that. One objection to their view is that knowledge-how is significantly different than knowledge-that because Gettier cases afflict the latter but not the former. Stanley and Williamson argue that this objection fails. Their response, however, is not adequate. Moreover, I sketch a plausible argument that knowledge-how is not susceptible to Gettier cases. This suggests a significant distinction between knowledge-that and knowledge-how.

To what extent, and on what grounds, can we ethically evaluate art from a generative context that is at some significant distance from our present reception context—at enough distance, at least, so that the two contexts differ, in important ways, in aspects of their moral outlooks? This paper has four aims. The modest task of the paper is to show that this question is much more difficult than has been recognised. The somewhat more ambitious goal is a methodological intervention: it (...) is to highlight the need for interdisciplinary research that illuminates the socio-historical specificities of remote generative contexts in a way that allows us to see the relevant ways in which the moral outlooks overlap with ours (or do not). In relation, the third aim of the paper is to argue, with reference to Bernard Williams’s ‘relativism of distance’, that there are some cases in which the moral outlooks of a work’s generative and reception contexts differ so significantly that the warrant for our moral judgments of remote artworks is attenuated—if it exists at all. Finally, we try to demonstrate how the sort of interdisciplinary collaboration we’re advocating might inform our moral judgments of art—more specifically, in a way that invites a degree of quietude or uncertainty about remote artworks that are deeply morally troubling in our present reception context. We do this with reference to the paintings of Titian. (shrink)

Intellectualism about knowledge-how is the view that practical knowledge is a species of propositional knowledge. I argue that this view is undermined by a difference in properties between knowledge-how and both knowledge-that and knowledge-wh. More specifically, I argue that both knowledge-that and knowledge-wh are easily transmitted via testimony while knowledge-how is not easily transmitted by testimony. This points to a crucial difference in states of knowledge. I also consider Jason Stanley's attempt to subsume knowledge-how under an account of de se (...) knowledge. I argue that there are crucial differences between de se knowledge and knowledge-how. Thus, this paper advances both the discussion of intellectualism and the literature on the nature of de se knowledge. (shrink)

This paper investigates links between social capital and symbolic capital and responsible entrepreneurship in the context of small and medium enterprises (SMEs). The source of the primary data was 144 ‘Business Profiles’, written by the owner-managers of small businesses in application for a Small Business Awards competition in 2005. Included in each of these narratives were claims relating to the firms’ contributions to wider society, relationships with customers, employees and stakeholders. These narratives were coded and classified in a framework drawn (...) from Nahapiet and Ghoshal’s (1998, Academy of Management Review 23(2), 242–266) categorisation of social capital. The analysis revealed a range of strategic orientations towards the development of social and symbolic capital, along a conceptual continuum ranging from being responsible for oneself to being responsible for others. Overall, the evidence demonstrates the significance of the power inherent in the social relations of SMEs as a force for ethical behaviour, and suggests that normative theories of the development of social capital may provide ‘competitive advantage’ through responsible behaviour for small business in the global economy. (shrink)

Introduction There are (at least) two questions which readily arise in the minds of sociology students when they begin courses in the philosophy of social ...

Artistic Creation and Ethical Criticism investigates an idea that underpins the ethical criticism of art but is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art, one that will provide a refined philosophical account of this important topic as well (...) as conceptual tools that can guide future philosophizing and criticism. (shrink)

I argue that externalism about mental content is consistent with the thesis that individuals need not investigate their environment to come to know the contents of their thoughts. In particular, externalism is consistent with the thesis that we come to know the contents of our thoughts on the basis of introspection.

Briefly summarized here are some reasons why the DNA/genetic model of life appears to be inadequate (for more details see previous OJPP paper). Given its foundational role with regards to our understanding of life and its challenges, this is significant. The traditional dualistic reincarnation model is introduced. That model is then considered, along with the DNA model, as potential explanations for our natural religious instincts. Next, the two models are considered as possible bases for the phenomenon of kin orientation or (...) bias. Together the case is made that a soul-based reincarnation model offers some explanatory advantages therein over the genetic-based (material-only) model. Finally, and of potential practical and philosophical significance, the corresponding imports for life and meaning are considered. (shrink)

Science’s theory of evolution purports to explain life and its historical dynamics in a physics/material-only fashion. But this entails a broad reliance on DNA (deoxyribonucleic acid) for inheritance (and thus blueprints), which appears to be implausible for a number of unusual innate behaviors. The immediate unfolding challenge, though, is that the inheritance role is conveniently testable via searches for the DNA origins of a number of human behavioral and health tendencies, and despite enormous efforts those searches have thus far largely (...) failed (i.e., the “absolutely beyond belief” missing heritability problem). This existing case for DNA’s inadequacies will be briefly reviewed herein. The subsequent main analysis considers some big challenges facing DNA associated with some evolutionary dynamics—the acquisition of color vision in primates; instinctive behaviors including the egg-laying practices of emerald jewel wasps; kin selection; and our natural religious beliefs. Together these challenges strongly suggest that the acceptance of DNA as the (complete) language of life was premature. The haphazard and ambiguous nature of DNA/genetic specifications is very unlikely to have provided a vehicle for the exacting blueprints required for the many instinctive behaviors or capacities. Life appears to be more complex than biologists believe. Two possible alternative explanations are briefly considered in the wake of these discussions. Finally, does anyone—beginning with academics—care about this unfolding foundational failure? (shrink)

This paper seeks to establish closer connections and spur dialogue between philosophers working on 4E cognition and aestheticians. In part, the aim is to offer a critical overview of the ways 4E research might inform our understandings of the arts. Yet it is also partly to flag some potential art-specific challenges to some of the theses found within the 4E literature. I start by examining the strongest extant claims regarding art and active externalism, and argue that it is hard to (...) see either how active externalism could square with our actual appreciative practices or that its explanatory value could be sufficient to pressure us to revise radically those practices. Furthermore, I argue, rejecting active externalism seems necessary to acknowledge adequately the important ways in which artistic creation often involves the application of embodied know-how or the execution of embodied skills. For this reason, I argue, embodied approaches to cognition are better positioned to complement and inform the humanistic methods traditionally employed in philosophical aesthetics and art theory. However, I conclude on a moderately sceptical note: the challenge still outstanding for these approaches is to yield new understandings of our artistic practices that have not been gleaned through traditional humanistic inquiry. (shrink)

According to comic moralism, moral flaws make comic works less funny or not funny at all. In contrast, comic immoralism is the view that moral flaws make comic works funnier. In this article, I argue for a moderate version of comic immoralism. I claim that, sometimes, comic works are funny partly in virtue of their moral flaws. I argue for this claim—and artistic immoralism more generally—by identifying artistically valuable moral flaws in relevant actions undertaken in the creation of those works. (...) Underlying this argument is the idea that such generative actions are partly constitutive of a work's identity, and, therefore, they may affect the ethical value of an artwork either positively or negatively, and they are the proper objects of ethical appraisal. (shrink)

Until recently, the medical community assumed that placebos required either concealment in randomized controlled trials or deception in clinical practice to elicit placebo effects. Henry Beecher emphasized this orthodoxy, when he stated that placebo pills only work "as long as it is not detected as a placebo by the subject or the observer" and therefore, patients "believe it [is a drug] and consequently the expected results occurs". The time was ripe for such ideas: Norman Vincent Peale's The Power of Positive (...) Thinking was already in its fourth year on the bestseller list when Beecher published his landmark paper. As time went on, the use of placebo pills became trapped in an... (shrink)

Why are we conscious? What does consciousness enable us to do that cannot be done by zombies in the dark? This paper argues that introspective consciousness probably co-evolved as a "spandrel" along with our more useful ability to represent the mental states of other people. The first part of the paper defines and motivates a conception of consciousness as a kind of "double vision" – the perception of how things seem to us as well as what they are – along (...) lines recently explored by Peter Carruthers. The second part explains the basic socioepistemic function of consciousness and suggests an evolutionary pathway to this cognitive capacity that begins with predators and prey. The third part discusses the relevance of these considerations to the traditional problem of other minds. (shrink)

Here is a puzzle about aesthetic education. In a variety of contexts, we commit significant time, energy, and resources to aesthetic education. We teach (and in many cases publicly subsidize) university courses and degrees that have aesthetic education as their primary aim; we also invest public resources into museums, including enrichment programs that are also designed to afford aesthetic education. It would seem that if our commitment to aesthetic education is rational, then aesthetic appreciation is something that can be done (...) better or worse. However, we also, in a variety of contexts (oddly enough, some of them being the same sorts of contexts that are designed to abet aesthetic education), act as if it is true that there is no disputing taste. We may try to persuade students to come around to particular judgments, but we do not penalize students for judging one way or another. The aim of this paper is to dissolve the apparent puzzle of aesthetic education by clarifying its aims and advancing a conception of it that deemphasizes the role of taste. I claim that, pace “the default view of aesthetic education” (as I shall call it), the primary purpose of aesthetic education is not to educate taste. It is, rather, to facilitate the development of certain perceptual-cognitive capacities so as to enhance aesthetic experience and improve aesthetic appreciation. Thus, I call the view of aesthetic education advanced here “a perceptual-cognitive model”. (shrink)

In simple terms, psychological dualism purports that there is an underlying complementary, non-material/physical cognitive component associated with a living organism. Thus mind would not simply be an expression of brain function. Science embraces materialism and generally views any form of dualism with disdain. Yet there are a number of accepted phenomena that are suggestive of dualism and in particular are consistent with the existence of souls. One such phenomenon is terminal lucidity, in which people inexplicably return to mental coherence shortly (...) before death after appearing to be lost to “dull, unconscious, or mentally ill” conditions, sometimes for years. The physical/neural plausibility of such rejuvenation is difficult to imagine. Discussions herein introduce terminal lucidity primarily based on some clinal reports. Next, the medium-based communications reviewed in Chris Carter’s Science and the After Life Experience are used to introduce the concept of a soul. Further, a dynamic suggested in Carter’s coverage is then used to offer a simple explanation for terminal lucidity. Finally, for additional context, the state of neuroscience is considered and some brief conclusions are given. (shrink)

In a 1951 debate that marked the beginnings of the analytic-continental divide, Maurice Merleau-Ponty sided with Georges Bataille in rejecting A. J. Ayer’s claim that “the sun existed before human beings.” This rejection is already anticipated in a controversial passage from Merleau-Ponty’s Phenomenology of Perception, where he claims that “there is no world without an Existence that bears its structure.” I defend Merleau-Ponty’s counterintuitive position against naturalistic and anti-subjectivist critics by arguing that the world emerges in the exchange between perceiver (...) and perceived. A deeper challenge is posed, however, by Quentin Meillassoux, who argues that the “correlationism” of contemporary philosophy rules out any account of the “ancestral” time that antedates all subjectivity. Against Meillassoux, and taking an encounter with fossils as my guide, I hold that the past prior to subjectivity can only be approached phenomenologically. The paradoxical character of this immemorial past, as a memory of the world rather than of the subject, opens the way toward a phenomenology of the “elemental” past. Drawing on Merleau-Ponty’s descriptions of the absolute past of nature and the anonymity of the body, as well as Levinas’ account of the elements at the end of the world, I argue that our own materiality and organic lives participate in the differential rhythms of the elements, opening us to a memory of the world that binds the cosmic past and the apocalyptic future. (shrink)

What does the faculty of Understanding do during the execution of a judgement of taste? How are singular judgements of beauty related to general judgements of beauty? For what reason is beauty the symbol of morality? The first question has a tentative answer, although one not obviously congenial to Kant. The second two questions have no compelling answers.

Yet, hitherto, there has been no attempt to reconstruct the relation betwen these two thinkers, a major interpretative task for which "Heidegger and Aristotle" ...

This paper develops and defends a coherentist account of reasons. I develop three core ideas for this defense: a distinction between basic reasons and noninferential justification, the plausibility of the neglected argument against first philosophy, and an emergent account of reasons. These three ideas form the backbone for a credible coherentist view of reasons. I work toward this account by formulating and explaining the basic reasons dilemma. This dilemma reveals a wavering attitude that coherentists have had toward basic reasons. More (...) importantly, the basic reasons dilemma focuses our attention on the central problems that afflict coherentist views of basic beliefs. By reflecting on the basic reasons dilemma, I formulate three desiderata that any viable coherentist account of basic beliefs must satisfy. I argue that the account on offer satisfies these desiderata. (shrink)

From Kant’s point of view, the puzzle about judgments of taste is that they claim to normativity—in Kant’s terms, to intersubjective validity or communicability—but nevertheless have only a subjective basis or “determining ground (Bestimmungsgrund).” The task of §9 of the Critique of Judgment in particular is to delineate an account of aesthetic response that accommodates Kant’s solution to this puzzle. If the aesthetic pleasure “precedes” the judgment—in other words, if the judgment is about the pleasure—then the judgment of taste would (...) be merely private, like other judgments about things that cause us pleasure. So the judgment must precede the pleasure. But “nothing… can be universally communicated except cognition, and representation so far as it belongs to cognition. (V:217) Therefore, the determining ground of the judgment of taste must be “the mental state encountered in the relation of the mental powers of representation to each other insofar as they relate a given cognition to cognition in general.” (V:217) A bit later, he calls this state of mind a “feeling of the free play of the powers of representation in a given representation for a given representation for a cognition in general.” The appeal to ‘cognition in general’ can do what Kant needs it to do only if it conveys the normativity of cognition simpliciter but not its conceptual determinacy. I want to propose that we take ‘cognition in general’ to mean ‘integration into a unified system of empirical cognition.’ If I am successful, it will have the consequence that the basis for the normativity of taste— that is, the expectation that others ought to agree with our judgments-- is the same as the basis for the normativity of cognitive judgments. (shrink)

Although the laws of thermodynamics are well established for black hole horizons, much less has been said in the literature to support the extension of these laws to more general settings such as an asymptotic de Sitter horizon or a Rindler horizon (the event horizon of an asymptotic uniformly accelerated observer). In the present paper we review the results that have been previously established and argue that the laws of black hole thermodynamics, as well as their underlying statistical mechanical content, (...) extend quite generally to what we call here “causal horizons.” The root of this generalization is the local notion of horizon entropy density. (shrink)

This chapter begins by outlining several kinds of relativism in the two fields that concern us here: philosophy of art and moral philosophy. It then turns to a brief review of the recent literature in experimental folk moral psychology which suggests the folk are meta-ethical pluralists—objectivists in some contexts and relativists in others. Taking the case of ancient Greek art that celebrates pederasty as a touchpoint, the author suggests that empirical work on the moral appraisal of art is likely to (...) mesh with and lend additional support to this idea. The chapter concludes with a discussion of Bernard Williams’s “relativism of distance,” and the argument that there are, independent of the empirical findings, good meta-ethical reasons for considering a limited form of relativism about the moral standing of artworks. (shrink)

This essay compares and contrasts nine different conceptual models of God: atheism, agnosticism, deism, theism, pantheism, polytheism, henotheism, panentheism, and eschatological panentheism. This essay justifies employment of the model method in theology based on commitments within philosophical hermeneutics, philosophy of science, and the theological understanding of divine transcendence. The result is an array of conceptual models of the divine which have reference, but which make indirect rather than literal claims. Of the analyzed models, this essay defends “eschatological panentheism” as the (...) most satisfying model for Christian constructive theology. This paper was delivered during the APA Pacific 2007 Mini-Conference on Models of God. (shrink)

This article advances and defends three claims: that the proper ethical criticism of environmental art requires a production-oriented approach-an approach that appraises the ethical merits or flaws of the work in terms of how the artwork is created as well as the consequences of its creation; that, depending on contextual factors, ethical flaws in environmental artworks may, but do not necessarily, constitute aesthetic flaws in those works; that, because environmental artworks appropriate part of the environment as an aspect of their (...) identity, an aesthetic flaw in an environmental artwork necessarily also creates aesthetic disvalue in the environment-disvalue that exists in virtue of the creation of the artwork. I conclude with one further, more speculative claim, which deserves further investigation: the aesthetic flaws of an environmental artwork, which result in aesthetic flaws in the natural environment itself, are always ethical flaws of the artwork. This seems to make environmental art distinctive; in the case of non-environmental art, aesthetic flaws do not necessarily constitute ethical flaws. (shrink)

Maurice Merleau-Ponty (1908-1961) has been hailed by many as the greatest French thinker of the twentieth century. As one of the founding members of the existentialist movement in the 1940s, he played a key role in introducing the work of Husserl and Heidegger into French thought and collaborated with Jean-Paul Sartre in the founding of Les Temps Modernes. His later work laid the foundation for the development of French thought in the direction of post-structuralism and post-modernism.

Merleau-Ponty: Critical (...) Assessments of Leading Philosophers gathers together the best critical writing on Merleau-Ponty’s work from the last half century. The collection includes early reviews of his work and the reactions of his contemporaries both during and after his life. Also covered are examinations of his relationship with Husserl, Sartre and the phenomenological tradition, investigations of key themes from his work on ontology, expression and politics, and the ongoing application of his thinking to such contemporary areas of interest as feminist theory, psychology and child development, environmental philosophy and cognitive science.

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The first comprehensive intellectual biography of William Petty, the inventor of 'political arithmetic' and a key figure in the English colonization of Ireland, the institutionalization of experimental science, and early social science.

An event is something in space and time, just some of it, and so it is rightly said to be something that occurs or happens. For at least these reasons it is not a number or a proposition, or any abstract object. There are finer conceptions of an event, of course, one being a thing having a general property for a time, another being exactly an individual property of a thing -- say my computer monitor's weight (19 kg) as against (...) yours (also 19 kg). None of these finer conceptions can put in doubt that events are individuals in a stretch of time and space. (shrink)

Social evil is any pain or suffering brought about by game-theoretic interactions of many individuals. This paper introduces and discusses the problem of social evil. I begin by focusing on social evil brought about by game-theoretic interactions of rational moral individuals. The problem social evil poses for theism is distinct from problems posed by natural and moral evils. Social evil is not a natural evil because it is brought about by the choices of individuals. But social evil is not a (...) form of moral evil because each individual actor does not misuse his free will. Traditional defenses for natural and moral evil fall short in addressing the problem of social evil. The final section of this paper discusses social evil and virtue. I begin by arguing that social evil can arise even when individual virtue is lacking. Next, I explore the possibility of an Edwardsian defense of social evil that stresses the high demands of true virtue. In this context, I argue that social evil may arise even when all the participants are truly virtuous. The conclusion of this paper is that social evil is problematic and provides new ground for exploring the conceptual resources of theism. (shrink)

To what extent can meaning be attributed to nature, and what is the relationship between such “natural sense” and the meaning of linguistic and artistic expressions? To shed light on such questions, this essay lays the groundwork for an “ontology of sense” drawing on the insights of phenomenology and Merleau-Ponty’s theory of expression. We argue that the ontological continuity of organic life with the perceived world of nature requires situating sense at a level that is more fundamental than has traditionally (...) been recognized. Accounting for the genesis of this primordial sense and the teleology of expressive forms requires the development of an ontology of being as interrogation, as suggested by Merleau-Ponty’s later investigations. (shrink)

Some writings by Alan Holland provide the starting point for an exploration of sources of environmental value in human social practices. It is argued that many practices both serve human purposes and also provide a setting for the emergence of environmental value. Such practices are ones in which activity is embedded in, and so both strongly constrained and enabled by, its conditions and media. Capitalist 'modernisation' has tended to erode these practices and associated values in favour of external purposes and (...) instrumental values, especially in the farmed countryside. In the face of this, and partly on grounds of social justice, a re-valuation of urban open spaces is advocated. (shrink)