For academic administrators, the management of research remains a matter more of hope than expectation. It has proved particularly difficult to measure quality. Managers typically view research as an ‹asset’. This essay argues that it is more useful to view research and its management as ‹process’, and explores the implications of doing so for managers and researchers alike.

This paper is a response to H. Siegel’s “Arguing with Arguments” from a rhetorical perspective on argumentation. First I address Siegel’s concept of ‘argument in its abstract propositional sense’ and attempt to show that it is not at all an obvious object that should unquestionably be the privileged focus of argumentation theory. I then defend C. W. Tindale’s rhetorical perspective on argumentation against some of Siegel’s misreadings and also some of his legitimate disagreements regarding the relations between (...) _persuasion_ and _rational_ _justification_ and the way we should understand the source of argumentative normativity. (shrink)

This article analyzes the scientific debate surrounding the appropriateness of pharmacological interventions aimed at increasing female desire. It has three objectives: (1) to outline the nonepistemic values that underlie scientific concepts of desire; (2) to conduct an analysis of scientific misuses when justifying a drive-based model of desire and pharmacological intervention; and (3) to show how in this and similar cases of vague constructs we can demonstrate the role of nonepistemic values and assess their influence.

This essay examines how psychoanalytic conceptions of the subject and the object in the works of Freud and Lacan may contribute to a re-examination of the vexed issue of the subject–object relationship in science, philosophy and epistemology. For Freud, the ego is the essential subject, yet he regarded it as an always already objectified subject, which is objectively thinkable yet never subjectively knowable qua subject. Lacan conceptualised this Freudian principle of subjectivity with his notion of the divided (barred) (...) subject, which he initially designated as an effect of the symbolic order of language. As to the object, both Freud and Lacan emphasized its constitutive partiality, which explains why no object is ever fully capable of providing full satisfaction and why each and every object is flawed and cracked, thus triggering desire. Extending Freud’s idea of the ‘shadow of the object,’ Lacan captured the fundamental inadequacy of the object with his concept of the object a. As such, for Freud and Lacan, the subject–object relationship is problematic, because it concerns a relationship between a divided subject and a non-object (object a). In this relationship, the subject is not purely object and the object is not merely subject (in the Kantian sense), nor is the Hegelian subject–object identity more than an idealist aspiration. For psychoanalysis, the subject is always traversed by the object, yet the object can never be fully integrated into a subjectified structure of knowledge. The only way to conceive of an adequate subject–object relationship is at the level of fantasy. (shrink)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This article examines certain motifs from Luis Buñuel's late bourgeois trilogy-- The Discreet Charm of the Bourgoisie ( Le Charme Discret de la Bourgeoisie, 1972), The Phantom of Liberty ( Le Fantôme de la Liberté, 1974), and That Obscure Object of Desire ( Cet Obscur Objet du Désir , 1977)--in order to show how they anticipate key trends in contemporary post-Marxian philosophy. In doing so, it draws upon the work of Slavoj Žižek, whose Lacanian revision of (...) Hegel has provided a model of ideology critique that preserves the structure of dialectical thought while avoiding the impulse to project a closed vision of subjectivity and historical change. In particular, such a model offers a means of reconsidering Buñuel’s concern with the perverse . Rather than having a singular ideological content (i.e., the repressed desire for freedom within bourgeois consciousness), the perverse in Buñuel’s films serves as a more volatile index of ideological conflict: freedom becomes perverse from the perspective of law, and law becomes perverse from the perspective of freedom. To recognize these dialectical reversals not only offers a means of appreciating Buñuel’s sense of humor, but also sheds light on how the late films situate "bourgeois" and "revolutionary" impulses in a much more complex, interdependent, and dynamic relationship with one another.  . (shrink)

Cinema is an effective medium for communicating the Platonist attitude toward Beauty as an attribute worthy of moral respect, as case studies can illustrate. Mine focuses on the work of the French actress Carole Bouquet, who launched her career in Buñuel’s Cet obscur objet du désir (That Obscure Object of Desire). Part 1 shows sins against Beauty to be a unifying theme of Bouquet’s films, which leave no doubt as to the appropriate response. Part 2 combines (...) Plato’s distinction in the Phaedrus between erotic and aesthetic vision with insights from Kant and Baudelaire to sketch a course of action that addresses the critical “What is to be done?” question. (shrink)

Hegel’s assertion that self-consciousness is desire in general stands at a critical point in the Phenomenology , but the concept of desire employed in this identification is obscure. I examine three ways in which Hegel’s concept of desire might be understood and conclude that this concept is closely related to Fichte’s notions of drive and longing. So understood, the concept plays an essential role in Hegel’s non-foundational, non-genetic account of the awareness that individual (...) rational subjects have of themselves. This account, I argue, is part of a larger concern with demonstrating the relation between theoretical and practical capacities of the subject. I also argue that my reading explains Hegel’s emphasis on the figure of the bondsman in “Lordship and Bondage.” The bondsman’s experience of itself and its world instantiates Hegel’s views on the integration of subjective capacities and the reality of objects of experience. (shrink)

ABSTRACT This paper proposes a vision of rhetoric as metaphysical enactment. This position contrasts with traditionally accepted views of rhetoric as phenomenological practice, evidenced prominently in contemporary rhetorical theory. I advance a framework that employs metaphorical accommodation and indicates a way that rhetoric can be situated as a perpetually productive force. The analytic tradition affords a method and vocabulary that when placed in conversation with rhetorical studies offers an alternative for viewing rhetoric as metaphysical enactment. I determine (...) that rhetorical theory should engage with rhetoric as a measure of action, activity, and vitality that raises our awareness and connects us. (shrink)

Like dreaming, hallucination has been a formative trope for modern philosophy. The vivid, often tragic, breakdown in the mind’s apparent capacity to disclose reality has long served to support a paradoxical philosophical picture of sensory experience. This picture, which of late has shaped the paradigmatic empirical understanding the senses, displays sensory acts as already complete without the external world; complete in that the direct objects even of veridical sensory acts do not transcend what we could anyway hallucinate. Hallucination is (...) thus the mother of Representationalism, which insists that it is mental intermediaries that make other.. (shrink)

Our objectives in this article are to bring some theoretical order into developmental sequences and simultaneities in children’s ability to appreciate multiple labels for single objects, to reason with identity statements, to reason hypothetically, counterfactually, and with beliefs and desires, and to explain why an ‘implicit’ understanding of belief occurs before an ‘explicit’ understanding. The central idea behind our explanation is the emerging grasp of how objects of thought and desire relate to real objects and to each other. To (...) capture this idea we make use of the notion of discourse referents, as did Perner and Brandl (2005), to explain the developmental link between understanding beliefs and alternative naming. We present confirming evidence of the prediction from this analysis that children should have comparable problems with understanding identity statements. We explain the precociously correct answers in ‘implicit’ false belief tests based on indirect measures in the following way: From infancy children are able to keep track of other people’s experiences, to reason about counterfactual circumstances, and to reason about goal-directed (rational) action depending on given circumstances. Indirect tasks reduce the bias to use actual circumstances for reasoning about goal directed action compared to the traditional task, which leads to more correct answers. An emerging metarepresentational understanding helps overcome these biases and enables not only correct action prediction but also the explanation of erroneous actions. The common metarepresentational element explains why false belief tasks and the alternative naming task are mastered at the same time as children understand identity statements. (shrink)

This paper is interested in commodity fetishism as a signal of collapsing marital mandates in the genre of lad lit. Instead of focusing solely on its late twentieth-century moment of emergence as a response to chick lit, the paper proposes a longer historical view in order to understand the crisis of masculinity that lad lit lays bare in its protagonists’ inherently queer status as collectors. The analysis puts critical pressure on the collectible object by re-reading the “lad” through (...) the literary figure of the fop, who represents a recurring response to similar crises in gender from the seventeenth-century’s comedy of manners to the novels of Jane Austen. The fop’s overinvestment in style and consequent marginalization is considered in Nick Hornby’s novels High Fidelity and About a Boy, in which the protagonists’ obsessive collecting of objects can be understood as both a dominant feature of their masculinity and the roadblock to their participation in heteronormative rituals of romance. Instead of reading Hornby’s characters as straightforwardly queer, this paper focuses on the commodity as a signal of queerness, and in turn its central role in the creation of, and the challenge to, the lad’s masculinity. (shrink)

Concerning the nature of desires that pertain to actions, considers the view that we cannot desire something unless we know or think, first, that it does not exist, and second, that it does not exist now. Finds a core of truth in this, but modifies the formula to claim that ‘we can only desire the existence of that of the existence of which in the past, present, or future, as the case may (...) be, we are uncertain.’ Put more simply, a desire is not a desire for the existence of something, but rather a desire for something to be. It follows from this view that we cannot desire something to be the case when we think that, without a doubt, it will be the case. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A New Approach to the Natural Desire to See GodFrancis Bethel O.S.B.We read in the Catechism of the Catholic Church: "The desire for God is written in the human heart, because man is created by God and for God. … Only in God will he find the truth and happiness he never stops searching for" (§27). We seek the true and the good, and God is absolute (...) Truth and Goodness. Does this mean that the desire for truth and happiness is a direct ordering to God? How to understand this desire in relation to the supernatural desire for God?I propose in the following pages to explore the intellectual side of our aptitude for God around St. Thomas's theme of the natural desire to see him. We can situate the various views on this subject according to two main lines, both of which have their difficulties. One group holds that, since our faculties are innately ordered to their proportionate and therefore limited objects, they cannot also be ordered to the Beatific Vision of the infinite God. The other position affirms that, since creatures do not satisfy us, our spiritual faculties must somehow be innately directed to that Vision. In the first case one needs to counterbalance by showing how grace builds on nature, how the Vision fulfills our nature. In the second, one has to make clear how one can still preserve the distinction between the natural and the supernatural orders.1 [End Page 753]I will call the "elicited-desire position" the opinion that a direct order to the Vision arises only after one becomes aware of God's existence, and "natural-appetite position" the stand that intrinsic principles of our spiritual faculties are ordered to the Vision.2 St. Thomas did not use these terms [End Page 754] here and did not turn his attention especially toward that distinction; some therefore prefer not to resort to them for fear of obscuring St. Thomas's perspective. Nevertheless, I adopt them because that is where the question lies in the current debate.St. Thomas in fact would seem to have a foot on each side of the debate. In some texts, especially when arguing in favor of the Vision, he presents a deep, natural élan in that direction. In others, when he is manifesting that we need grace to enter the supernatural order, he explains that we can have no natural movement toward that order. So, as everyone remarks, we have a second problem: what exactly is the thought of the master, of the guide through whom we need to reflect on the natural desire?Why take up again this so embattled issue? For the good reason that any better glimpse of the beautiful mystery of man in his relation to God is fruitful for our spiritual life and contemplation, for philosophy and theology. To make headway, I think that we need to embrace the question more largely, take it up from its foundations by re-immersing it in St. Thomas's metaphysics. I differ from most others partly because I study the dynamism of the intellect, not the will. I disagree with the elicited-desire position, for I judge that the intellect innately surpasses its object toward God. I differ also from many who hold the natural-appetite position in that I do not conceive the intellectual appetite as oriented toward something supernatural; I do not consider God to be included in our natural intellect's object.In the first part, to manifest the need of a fresh approach, I will examine how well the two fundamental positions measure up to the Church's and St. Thomas's teachings on the relationship between nature and grace. We will see that St. Thomas teaches and the Church indicates that God is not the direct, formal object or term of a natural faculty and yet our intellect innately tends beyond its natural object toward God.In the second part, I will introduce new texts of St. Thomas that study in metaphysical terms the relation of our intellect to God. We will find that the fact that the intellect's object is being (ens)—in the sense of... (shrink)

Drawing on a range of sources such as Roman oratory, love elegy, Carmina Priapea and Petronius, the paper claims that the Priapic model of Roman Sexuality entails a particularly vulnerable form of male sexuality which can best be observed in descriptions of young men in the transitional period to manhood, such as, e.g., Achilles in Statius' Achilleis.

In the latter period of his work, Samuel Beckett began to devote much of his writing to exploring the nature of the voice and the gaze. Even those works that directly concerned silence and blindness implicitly thematized the voice and the gaze by embodying their absence. With later works, Beckett began to call into question the way in which these phenomena contributed to the constitution of subjects, modes of self-identification, and their relation to chosen objects of desire. In (...) the 1950s and 1960s, Beckett produced dozens of short pieces of prose and theatrical works that wholly dispensed with traditional plot and character in favor of a series of experimental reductions, for example, to breath and light, to a disembodied voice, or to a mouth illuminated by a point of light. Jacque Lacan, who would come to secure the place of the voice and the gaze in the philosophical canon, wrote and lectured on these concepts at the same time. If brought into dialogue, the work of each thinker—each highly nuanced and complex in its own right—can serve as a hermeneutic tool for better elucidating the function of the voice and the gaze and the role that they play in the formation of subjects. A great deal of critics have erroneously overlooked Lacan’s insistence that when he invokes these concepts he is not speaking about the phenomenal voice or the gaze of perception as such; similarly, Beckett’s work, though it directly thematizes their phenomenal aspects, treats these concepts in a thoroughly Lacanian manner. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Still Defining Mental Disorder in Terms of Our Goals for Demarcating Mental DisorderJukka Varelius (bio)Keywordsmental disorder, definition, psychological capacity for autonomy, Matthews, SavulescuI thank Eric Matthews and Julian Savulescu for their thought-provoking comments. Unfortunately, I am not here able to discuss all the important points they raise, but must settle for briefly addressing their main criticisms of my view.Reply to MatthewsI believe that some arguments are rationally irresolvable, (...) but do not think that about all philosophical arguments. In terms of moral philosophical argumentation, though not only that, I share the rather common belief that we should proceed by seeking reflective equilibrium between requirements of logic, the best factual knowledge about ourselves and our environment, and our strongly held evaluative intuitions. (This is not to say that there would always be a clear distinction between facts and values.) By such intuitions I refer, for example, to the intuition that it is morally wrong to torture babies for fun. If we are considering whether it is morally permissible to act in a particular way and realize that acting in that way is in the morally relevant respects similar to torturing babies for fun, we conclude that it is not morally permissible to act in that way. That question is solved for persons who accept the moral intuition that it is wrong to torture babies for fun and wish to take facts and logic into account. This method is useful in the context of defining mental disorder, too.Although we have some strongly held intuitions as to what mental disorder is about, such as that person A is a paradigm case of a mentally disordered person, referring to them has not sufficed to solve the controversy concerning the demarcation of mental disorder. Therefore, I want to consider the possibility that referring also to the goals we have for demarcating mental disorder could help us in solving it. At this stage of enquiry at least, I thus believe that the controversy is solvable, but only among persons who share certain points of departure. Accordingly, the "our" in expressions like 'our goals for demarcating mental disorder,' whose reference Matthews enquires about, refer to those who share the intuition that A is a paradigm example of a mentally disordered person, consider the demarcation goals significant, want to take [End Page 67] facts into account, and wish to make logically valid inferences.If one cares about the other things but does not want to consider A's case, one can focus on some other case of a person whose psychological capacity for autonomy is diminished. (Unless, of course, one thinks that no such persons exist and all whom we believe to lack psychological capacity for autonomy are really playacting, malingering, etc.) I, however, now continue with A's case. We have, ex hypothesi, sufficient reason to believe that A lacks not merely relevant information, but also the psychological capacity that understanding it and making use of it in assessing her beliefs and desires presupposes. If someone who knows this about A still insists that A is in perfect mental health and wants, say, to treat her as an object of entertainment in a human zoo, my argument is unlikely to reach him. But who is he to say that we should not care about A's loss of capacity for autonomy and the misfortunes it involves?And of course, also rationally establishing that a person who lacks such capacity is mentally healthy or that the controversy on the nature of mental disorder is not rationally resolvable presupposes that the discussants share some points of departure, including evaluative intuitions. Instead of the intuitions that to be ill is essentially to suffer harm, that behavior governed by one's feelings is always autonomous, and so on, that Matthews refers to, proponents of such views are, however, well advised to resort to less obscure and less controversial intuitions. What, for example, is meant by 'harm'? Is a person who is so overwhelmed by emotions that she is unable to think clearly always autonomous with respect to the actions she performs while in that state? If one takes that all intuitions are useless... (shrink)

There is, of course, a very obvious sense in which the historical study of a work such as the Politics can be of philosophical significance. "The wisdom of Aristotle grows on the mind as one ponders upon it", in the sense that many of his thoughts and observations may be immediately assimilated to political situations and types of political thinking which are wholly different. But to stop there would be inadequate from the viewpoint of both the historian and the (...) philosopher. A Politics "in modern dress" could be full of misleading modern concepts or at least overtones, obscuring the real meaning of Aristotle in its desire to make it mean something to the modern reader; historically inadequate, it would by the same token be philosophically almost irrelevant, since it would achieve little more than random confirmation, or enrichment in mere details, of views previously held by the modern thinker. A profounder task is set at once by historical and philosophical exigencies: a Politics "in modern dress" must really convey in modern English language the meanings, connotations, overtones of its ancient Greek words. What this involves perhaps only the philosopher can fully understand: for behind the unending struggle to dispel modern connotations and overtones, possessed by English terms roughly corresponding to the Greek, emerges the need for subjecting to criticism one's own unconscious philosophical presuppositions. Imperative for the historical understanding of works such as the Politics, this effort is required also for their profounder philosophical fruitfulness for the modern thinker. Our present situation illustrates this fact: if the philosopher of today offers no more than a political doctrine or "ideology," his will be but one of the views on the market, excelling the others perhaps in degree but not in principle. Only if he starts out with making radically conscious the specific unconscious presuppositions of modern political thought can he hope to arrive at a position lifted in principle above the conflicting ideologies. But to discharge this notoriously difficult task there is no better means than the study of different significant thinking in different significant situations; and of all objects of such studies none is more satisfactory than Greek political thought,--because it is at once profoundly different from modern thought and yet sufficiently related to it to remain relevant, and, it need hardly be added, because it is always great.--To take the example of Aristotle's "shocking" views on slavery and censorship: within the framework of other political doctrines, we should find such views irrelevant philosophically, simply ignoring them after our shock; in the case of Aristotle, however, even these views are rooted in moral ideals partly our own, and therefore the shock becomes here an unbearable challenge of profound philosophical fruitfulness, forcing us to face Aristotle articulate on first principles on such first matters as the nature of man and of political association. (shrink)

The article highlights certain aspects of the obscured structure of the number, which occur irregularly in the teaching of numeracy in Preschool Education. Its absence, as an effect, leads to the child's misunderstanding of the concept of number. In the presymbolic stage, the number is taught through the word. Structural particularities are found in the semantics and phonetics of the number word and are substantial in the processes of speech and listening. The objectives are to make known the obscured structure (...) of the number and its elements and to analyze the nature of the name of the number. It is justified that the basis of the word "ONE" are the first sound manifestations of the infant. It states that there is the same and equal relationship between the acquisition of knowledge of language and speech with the acquisition of knowledge of number through the development of tonal auditory balance. Methodology: the theoretical analysis of the structural parts (semantics and phonosemantics) of the number and the identification of reciprocal correlation between the constructions of the knowledge of spoken numeral word in Preschool Education through the implemented technology. Contribution: the development of the method for learning the concept of number. (shrink)

Moore's paradox is a paradox in which certain kinds of belief or assertion, such as a belief that ?it is raining and I do not believe that it is raining?, are irrational despite involving no obvious contradiction in what is believed. But is there a parallel paradox involving other kinds of attitude, in particular desire? I argue that certain kinds of desire would be irrational to have for similar, distinctive reasons that having Moorean beliefs (...) would be irrational to have. Hence, I argue that such desires, a desire that ?one have a particular desire that was frustrated? or a desire that ?some state of affairs obtain about which one was indifferent?, are a parallel Moorean paradox of desire. I further argue that this analogous paradox has implications for practical reasoning, in particular by presenting a problem for instrumentalism about the objects of desire. (shrink)

This paper argues that we should replace the common classification of theories of welfare into the categories of hedonism, desire theories, and objective list theories. The tripartite classification is objectionable because it is unduly narrow and it is confusing: it excludes theories of welfare that are worthy of discussion, and it obscures important distinctions. In its place, the paper proposes two independent classifications corresponding to a distinction emphasised by Roger Crisp: a four-category classification of enumerative theories (about (...) which items constitute welfare), and a four-category classification of explanatory theories (about why these items constitute welfare). (shrink)

This essay is about the relationship between the notions of practical reason, the will, and choice in Kant’s practical philosophy. Although Kant explicitly identifies practical reason and the will, many interpreters argue that he cannot really mean it on the grounds that unless they are distinct, irrational and, especially, immoral action is impossible. Other readers affirm his identification but distinguish the will from choice on the same basis. We argue that proper attention to Kant’s conception of practical (...) reason as a capacity reveals that these distinctions are neither textually grounded nor philosophically necessary. His moral psychology concerns a single capacity, practical reason, which is the will, and whose actualities in this or that individual fall under the title of choice. Practical reason is the will and choice because it is the rational faculty of desire: a rational being’s capacity to be, by means of her representations, the cause of the actuality of their objects. This, we argue, is entailed by his conception of rational action: action not just in accordance with, but in and through the representation of, principles. The possibility of irrational action is explained not by a distinction between capacities but by the finitude, and thereby the fallibility, of human reason. (shrink)

RESUMEN Una de las tesis fundamentales de la ética aristotélica es que la virtud y, por tanto, la felicidad, dependen de nosotros mismos. Para explicar esto, Aristóteles desarrolla una teoría de la voluntariedad, en donde el concepto protagonista es el deproaíresis. Sin embargo, cuando el Estagirita intenta explicar la acción humana (aunque no menos el movimiento animal) a través del llamado "silogismo práctico" omite decirnos, de modo claro y distinto, qué rol juega allí la proaíresis, una oscuridad reprochable dada la (...) importancia capital del concepto. Entonces, el propósito del presente escrito es explicar cuál es el lugar de la proaíresis dentro del silogismo práctico. Por supuesto, en el alcanzamiento de este objetivo tendremos que responder a la pregunta de ¿qué es la proaíresis? Sin embargo, sobre la marcha nos daremos cuenta de que tal pregunta es inexacta, pues, más bien, debemos preguntarnos qué son lasproairéseis, ya que podemos identificar tres tipos de estas, las cuales analizaremos para responder a la pregunta por su lugar dentro del "silogismo práctico" ABSTRACT One of the fundamental theses inside the Aristotelian ethics is that virtue, and therefore happiness depends on ourselves. To explain this, Aristotle develops a theory of voluntariness, where the main concept is prohairesis. However, when Aristotle tries to explain human action (although animal movement too) through the so-called "practical syllogism", he fails to tell us clearly and distinctly, what role prohairesis plays there, reprehensible obscurity given the importance of such concept. Then, the purpose of this article is to explain what the place ofprohairesis within the practical syllogism is. In this process, we will find that the question "what is prohairesis?" is inaccurate and that we rather must ask ourselves "what areprohaireseis?", since we can identify three different types of it, which we are going to explain in the following. (shrink)

The premise of this article is that the political import of Deleuze and Guattari’s “micropolitics of desire” has been obscured and as such remains underdeveloped. The micropolitics of desire is here reproduced to provide a Nietzscheo-Marxian critique of capitalism and resistive politics of the future. This entails an entirely different understanding of the nature of power and resistance, as compared to prevalent views. Power is not negative or anti-energy, but a socially productive force operating on, with and (...) through the productivity of desire, delineating an immanent, quantitative and “fusional multiplicity” of a producing-production. Resistance is a matter of recomposing this producer-produced relationship in a manner problematic to and in excess of the very productive core of capitalism. In terms of praxis, this amounts to experimental practices that resonate into a viral though non-teleological “revolutionary-becoming”, delineating a form of a-systematic and post-identity resistance. The underlying thesis is that we must change our “desire”, before we can hope to change our politics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Histories of Science in Early Modern Europe:IntroductionRobert GouldingIn 1713, Pierre Rémond de Montmort wrote to the mathematician Nicolas Bernoulli:It would be desirable if someone wanted to take the trouble to instruct how and in what order the discoveries in mathematics have come about.... The histories of painting, of music, of medicine have been written. A good history of mathematics, especially of geometry, would be a much more interesting and (...) useful work.... Such a work, if done well, could be regarded to some extent as a history of the human mind, since it is in this science, more than in anything else, that man makes known that gift of intelligence that God has given him to rise above all other creatures.1Such a history of mathematics was attempted by Jean-Etienne Montucla in his Histoire des mathématiques (first printed in 1758, and reissued in a [End Page 33] greatly expanded form in 1799).2 Montucla's great work is generally acknowledged as the first genuine history of mathematics. According to some modern historians, previous attempts at such a history had amounted to little more than collections of anecdotes, biographies or exhaustive bibliographies: "jumbles of names, dates and titles," as one writer in the Dictionary of Scientific Biography characterized them.3 Montucla, on the other hand, was thoroughly animated by the Enlightenment project expressed in Rémond's letter, and his Histoire was a philosophical history of the "development of the human mind," as he himself described it.4 It was precisely Montucla's vision of what mathematics meant and his conviction that mathematics itself must change in order to reflect the historical elevation of the human intellect, that allowed him to transform the scattered dates and anecdotes of his predecessors into a genuine history. All subsequent histories of mathematics—until the most recent social histories5 —have been in a sense "footnotes to Montucla."The papers here argue that there were indeed histories of mathematics before Montucla which are worthy of scholarly attention, and that the dismissal of Renaissance histories of science as nothing more than a "cloud of fine adjectives and metaphors" is unfair (although it contains a germ of truth). Anthony Grafton has argued in an article on the historical writings of Cardano, Rheticus, and Kepler, that the purpose of such texts was not so much to trace what actually happened, as to justify the study of a subject often derided—by both humanist and scholastic writers—as obscure, useless and undignified.6 The following four papers go further in arguing that writings in this genre (or, at least, some writings in this genre) were not limited to this characteristically humanist objective. Authors did not just use their histories to persuade others. They themselves relied on historical narratives in order to think about their discipline, define its parts, distinguish among its acceptable and unacceptable forms and prescribe its content [End Page 34] and method of teaching. By placing their discipline into a historical context shared by other, more mainstream humanistic arts, moreover, they could draw upon the large, narrative structures which Renaissance humanists had adapted to understand human intellectual and cultural development, origins, progress and decline.James Byrne's article highlights a disparity of vision between those humanists who treated the origin of the arts as just another subject for humanistic display; and those (like Regiomontanus) who were invested in the arts and wrote their histories from an insider's perspective. Alongside Regiomontanus, one could include several other authors treated in this collection, such as Thomas Vaughan, Peter Ramus, and Henry Savile. In each case, history provided a means for working through problems of the legitimacy and nature of their disciplines. While their writings are not "histories of the human mind," their interests went beyond mere rehearsal of anecdotes. Ramus's histories, for instance, written 200 years before Montucla's Histoire, had the kind of unifying vision which de Montmort demanded, and shared Montucla's concern to find a meaning in the development of mathematics. Ramus, and the supporters and detractors he spawned, were convinced that constructing the history of this science was crucial to understanding how and why human beings have... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BLACK-ON-BLACK VIOLENCE: THE INTRAMEDIATION OF DESIRE AND THE SEARCH FOR A SCAPEGOAT Fred Smith Emory University René Girard's mimetic hypothesis provides a means of interpreting texts in terms of a systematic understanding ofcultural formations such as ritual, prohibition, and myth. It is based on an anthropology which accepts that most cultural texts are generated by an agency that does not appear explicitly or thematically within the (...) texts themselves. That generative agency is the scapegoat mechanism which I will discuss extensively in this essay as it concerns black-on-black violence in American society. With some modification, Girard's ideas account for the effects of the pathogenic educational environment to which black boys are exposed and which results in such violence. What we are witnessing in black-on-black violence may be understood in part as the consequence ofscapegoating which is driven by interdividual dynamics of desire analyzed in Girard's observations of mimetic behavior among humans. Mimetic desire is the starting point ofGirard's theory. Desire is mimetic in the sense that it imitates the desire of another. One's desire copies the other's desire for an object. Such desire is potentially violent because it can and often does lead to the rivalry of desires for the very same object. When mimetic desire is acquisitive, it produces violence at its most fundamental level. It is not that all mimetic desires "produce" violence, only acquisitive desire that becomes rivalrous or conflictual. I. The Triangle of Desire "Mimetic" comes from the same root as "mime" and "imitate." An acquisitive mimetic desire in Girard's theory involves the "desire to have" which imitates another person's desire for the possession or enjoyment ofan Fred Smith33 object. The object of desire may be a person or a thing; it can be a nonmaterial or metaphysical object like prestige, honor or "face" (pride). It is another who serves as the model for desiring a particular object. The greater the model's desire for the object, the greater the mimetic desire it inspires. The results are jealousy and covetousness over the possessions, positions or prestige, desired or enjoyed by the model of our desires. Desire is imitative because it is attracted to the object(s) belonging to another; furthermore, it is activated by the desire ofthe other, who may be a single person or an entire group. This imitative process requires that the subject have access to, or be able to appropriate and dispose of, the model's objects or possessions. Thus desire is triangular in its structure, being comprised ofthe subject, the other as model of desire, and the model's objects. Distance between the subject and model is an important factor in this structure. It does not necessarily denote physical space, for it can also function in terms ofpsychosocial space (i.e., race, socioeconomic position, cultural standing, etc.) (Redekop 7). Not only individuals, but society as a whole can serve as the model of desire. One also learns what is desirable from the aggregate of others that is society (Hamerton-Kelly 3). Acquisitive mimetic desire necessitates the ability of individuals to see themselves in the position ofthe model of desire. Ifthey are not able to see themselves in the place ofthe model, then the potential for the development of mimetic desire is minimal. This is why there is greater rivalry and jealously among slaves than between slave and master; among workers, rivalry is greater than between bosses and workers among siblings it is greater than between parents and children. This is the primary reason why violence is intraracial rather than interracial. II. Internal Mediation of Desire Mimetic desire is often reciprocal. Two people can be models ofdesire for each other, each one imitating the desire of the other for a common object. Acquisitive mimetic desire not only involves a desire to have, but includes the desire to be like, or even to be the other. This is why mimetic desire often evolves into love/hate relationships. An individual wants to be like the other, and simultaneously hates the other because he or she cannot be that other. The frustration of not being able to be another person or to have... (shrink)

What is the relationship between pleasure and desire? While some philosophers reduce pleasure to desire, this paper explores the prospects for a hedonic theory of desire, which reduces desire to pleasure instead. I argue that desiring that p is best analyzed not as a disposition to feel pleased that p when you believe that p, but rather as a disposition to feel pleasure in what you imagine when you imagine that p. (...) I give three arguments for this hedonic theory of desire, defend it against objections, and consider its broader theoretical implications for current debates in ethics and philosophy of mind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:I. The Concept of Beatific EnjoymentThe locus classicus for the medieval scholastic discussion of beatific enjoyment is the first distinction of Book I of Peter Lombard's Sentences. Lombard extracts three distinct formulations of the term "enjoyment" from Augustine's writings. The first formulation is borrowed from the first book of Augustine's treatise On Christian Learning . The formulation states that "to enjoy is to inhere with love in something (...) for its own sake." The other two formulations are taken from Book X of Augustine's work On the Trinity . The first reads as follows: "we enjoy the things that we know, when the will rests, by delighting in them for their own sake." The second says that "to enjoy is to use with gladness , not merely through hope, but already in reality." These truncated statements served as technical definitions of the concept of enjoyment in scholastic Sentences commentaries. It was thought that the definitions call attention to the various psychological factors required for enjoyment to occur. For instance, the theologian Alexander of Hales explains that the definitions reveal distinct aspects of enjoyment with respect to the subject experiencing it and with respect to the object motivating the enjoyment. The expression "to inhere with love" refers to the soul on the part of the subject and to God on the part of the object. The saying "to use with gladness" relates to the power of the soul on the side of the subject and to created beatitude on the side of the object. Finally, the phrase "we enjoy the things that we know" corresponds to the faculty of the will as well as to the uncreated divine persons. Alexander would thus say that an adequate treatment of Augustine's concept of enjoyment must take into account the subject involved in the activity of enjoyment – e.g., the human soul, the faculty of the will, the faculty of cognition, etc. – and the object or objects of an act of enjoyment – created beatitude, the persons of the Trinity, or simply God.A slightly different reading of Augustine's definitions of enjoyment is found in Thomas Aquinas's Sentences commentary. In his literal exposition of the first distinction of Lombard's Sentences, Thomas notes that a perfect definition of a thing must disclose all of its proper causes. He then offers an explanation of the way in which Augustine's three definitions aim to clarify the concept of enjoyment. According to Thomas, the statement "to inhere in something with love for its own sake" portrays the act of enjoyment in relation to the object as a thing worthy for its own sake and the habit of love causing the enjoyment. The second formulation – "we enjoy the things that we know, etc." – links the act of enjoyment with the faculty of cognition required for the activation of the will. The third formulation – "to enjoy is to use with gladness" – refers primarily to the property of delight , which accompanies the obtainment of the desired object and perfects the act of enjoyment. Thomas, thus, identifies three factors contributing to the occurrence of an act of enjoyment – habit, cognition, and delight . In the first article of the first question of his commentary on Book I of the Sentences, Thomas states that enjoyment is the ultimate happiness of a human being. Enjoyment requires the clear intellectual vision of God, it involves an union as well as a sort of a mutual penetration through love between the one who sees and the thing that is seen, and it culminates in supreme delight . Thomas also says that enjoyment is an act of the will manifesting the habit of charity. In his Summa theologiae Ia IIae, Thomas defines enjoyment as an act of the appetitive faculty , and.. (shrink)

Wants and desires are central to ordinary experience and to aesthetic, philosophical, and theological thought. Yet despite a burgeoning interest in the history of emotions research, their history as objects of scientific study has received little attention. This historiographical neglect mirrors a real one, with the retreat of introspection in the positivist human sciences of the early 20th century culminating in the relative marginalization of questions of psychic interiority. This article therefore seeks to explain an apparent paradox: the attempt to (...) develop a comprehensive theory of ‘why … we want what we want’ in the 1940s by esteemed American ‘neo-behaviorist’ psychologist Edward Tolman – a proponent of a methodology famous for its prohibition on appeals to unobservable mental phenomena. Though chiefly known today for his theory of ‘cognitive maps’, Tolman also sought to map the contours of desire as such, integrating Freudian and behaviorist models of the ‘drives’ to develop a complex iconography of the universal structures of motivation. Close attention to Tolman's striking maps offers a compelling limit case for what could and could not be captured within an anti-mentalist framework, and illuminates an important precursor to theories of motivational ‘affect’ in the postwar cognitive and neurosciences. His work upsets a standard chronology that centers on the ‘cognitive revolution’ of the 1960s, and points to the significance of psychoanalysis to an earlier turn to cognitivism. Tolman concluded his theory pointed ‘in the direction of more socialism’ – a reminder of the politically labile anti-essentialism of behaviorism's commitment to mental plasticity. (shrink)

Understanding Kant’s account of desire is vital to the project of evaluating his views about moral psychology, as well as his account of freedom qua autonomy. In Anthropology from a Pragmatic Point of View, Kant claims that “Desire (appetitio) is the self-determination of a subject's power through the representation of something in the future as an effect of this representation” (7:251). My goal is to clarify which of the subject’s specific capacities Kant means by the “subject's power,” (...) and what role this capacity plays in desire. I argue that the subject's power cannot be her capacity to act. Rather, the subject's power is best understood as her capacity to generate the psychological states that cause action. I call these motivational states 'activation signals'. Desire consists in the self-determination of the subject’s capacity to generate activation signals by her representation of the object of desire together with an accompanying incentive. (shrink)

SummaryPhilosophic questions about the adequacy of our prevailing Western conceptions of rationality have emerged from the growing recognition that one cannot simply “add women” as objects of knowledge to the existing bodies of our social and natural knowledge. Recent research in psychology and in moral development theory suggests that our understandings of the rationality of human activity are distorted and obscured by systematically identifying as universally desireable, as Human goals, conceptions of the self, others, and the appropriate relationships (...) between the two which are distinctively masculine. The essay suggests some implications of these research findings for the ways philosophers think about “the problems of philosophy”, moral theory, the role of formality and abstractness, and the “rational reconstructions” of the history of science.RésuméDes questions philosophiques se sont posées, a propos de ľadéquation de nos conceptions occidentales courantes de la rationalité, du fait de la reconnaissance qu'on ne peut pas simplement ajouter les femmes comme objets de connaissance aux corpus existants de notre connais‐sance sociale et naturelle. Des recherches récentes en psychologie et en théorie du développement moral suggèrent que notre comprèhension de la rationalité de ľactivité humaine est déformee et obscurcie par une identification systématique, comme universellement désirables, comme buts de ľhumanité, des conceptions de soi, des autres et des relations entre les deux qui sont distincte‐ment masculines. Cet essai suggère quelques applications de ces resultats de recherche quant à la maniere dont les philosophes pensent les problèmes de la philosophies la morale, le rôle du formel et de ľabstrait et les reconstuctions rationnelles de ľhistoire de la science.ZusammenfassungPhilosophische Fragen ïber die Angemessenheit unserer vorherrschenden Auffassungen von Rationalität im Westen sind durch die wachsende Einsicht entstanden, dass man nicht einfach Frauen als Objekte dem bestehenden Korpus unserer Sozial‐ und Naturwissenschaften hinzufügen kann. Neuere Forschungen in Psychologie und Theorien der moralischen Entwicklung legen nahe, dass unser Verstandnis der Rationalität von menschlichen Handlungen dadurch verzerrl und verdunkelt wird, dass systematische Auffassungen vom Selbst, den andern und den unter ihnen angebrachten Beziehungen als allgemein wünschbare Ziele anerkannt werden, die spezi‐fisch männlich sind. Es werden einige Implikationen dieser Forschungen t'iir die Art, wie Philoso‐phen über die Probleme der Philosophie denken, aufgezeigt – u.a. in bezug auf die Theorie der Moral, die Rolle der Formalisierung und Abstraktion, und die rationalen Rekonstruktionen der Geschichte der Wissenschaft. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE SCANDAL OF ORIGINS IN ROUSSEAU Jeremiah L. Alberg University of West Georgia To speak of Jean-Jacques Rousseau and scandal is not difficult. Immediately one thinks of his relationship with Mme de Warens, his lover and his beloved mama. Most of his works upset some group or another—other intellectuals (the Discourse on the Sciences andArts), the Genevan authorities (the "Dedication" the Discourse on Inequality), the Church (Emile)—the list could (...) go on and on. In this article I would like to turn away from our usual use ofthe word scandal and look more deeply at the connection between Rousseau's system and the theological or, more properly, the biblical notion of scandal. This notion is obscure. While no one would deny its importance in the New Testament, trying to develop a coherent "theory ofscandal" from the various usages in the New Testament has proven difficult.1 To give only one example of the problem, Christ crucified is proclaimed as a scandal (ICor 1.23) and yet the Christians who follow him are forbidden to cause scandal to others (ICor 8.9), especially the younger and weaker. 1 For a basic understanding ofthe biblical notion ofscandal the following titles are helpful' G. Stählin, Skandalen Untersuchungen zur Geschichte eines biblischen Begriffs, (Gütersloh. Bertelsmann, 1930), as well as his article "Skandalen, skandahzo" in Theologisches Wörterbuch des Neuen Testaments, ed Kittel and Friedrich, 7 339-58, J Calvin, ConcerningScandals (translation oíDe scandalis. 1550) (Grand Rapids Eerdmans, 1 978), H Bintz. Das Skandalen als Grundlagenproblem derDogmata. (Berlin de Gruyter. 1969), D McCracken, The Scandal ofthe Gospels Jesus, Story, and Offense, (NY Oxford UP, 1994); J Alison, The Joy ofBeing Wrong Original Sm Through Easter Eyes (NY Crossroad, 1998) 140-146; G. Bailie, Violence Unveiled Humanity at the Crossroads (NY Crossroad, 1995) 207-2 10; R Girard, Des choses cachées depuis lafoundation du monde, (éditions Grasset et Fasqelle, 1978) especially 573-592 2 Jeremiah L. Alberg The most successful attempt at bringing coherence to the various elements of scandal has been carried out in the various works of René Girard.2 His basic insight was to see in biblical scandal an inchoate theory of human desire. Girard calls this desire "mimetic" or desire that one receives from another. This type of desire leads to scandal. It is here that the connection with Rousseau becomes evident. The famous literary theorist T. Todorov states: "the 'mimetic desire' of Girard is only another name for the amour-propre ofRousseau" (Todorov 38). For his part Girard defines theskandalon (that which causes the scandal) in the following way: It is not an obstacle thatjust happens to be there and merely has to be got out ofthe way; it is the model exerting its special form of temptation, causing attraction to the extent that it is an obstacle and forming an obstacle to the extent that it can attract. (Girard 1987, 416) Rousseau's analysis of amour-propre as that which excites without satisfying, seduces without delivering, and promises without fulfilling, parallels Girard's analysis ofmimetic desire as the doomed-to-be-frustrated reaching for the scanáalon3 Thus, I am arguing that in his various works Rousseau is developing the conceptual possibilities of biblical scandal. While there would be many way's of showing this structural parallel between Rousseau's thought and biblical scandal, I will concentrate on a reading ofthe "Preface" to the Discours sur l'origine et lesfondements de l'inégalité parmi les hommes (1755), in order to show that this work is structured by scandal. It is structured by a human desire that seeks what is unattainable and renders the object unattainable in the very seeking after it. More concretely, 1 shall argue that in the "Preface" Rousseau is able to reduce the question aboutthe origin ofinequality "to its genuine state" only 2 See the work cited above as well as his more recent / See Satan Fall Like Lightning ' Rousseau's definition of amour-propre makes its connection with offense (another translation of the biblical word for scandal) quite clear. Speaking of man in the primitive state he remarks. "For the same reason [that he is not capable ofmaking comparisons... (shrink)

With an estimated one billion smartphones producing over 5 petabytes of data a day, the spatially aware mobile device has become a near ubiquitous presence in daily life. Cogent, excellent research in a variety of fields has explored what the spatial data these devices produce can reveal of society, such as analysis of Foursquare check-ins to reveal patterns of mobility for groups through a city. In such studies, the individual intentions, motivations, and desires behind the production of said data can (...) become lost through computational aggregation and analysis. In this commentary, I argue for a rethinking of the epistemological leap from individual to data point through a seating of the reflexive, self-eliciting subject as an object for spatial big data research. To do so, I first situate current research on spatial big data within a computational turn in social sciences that relies overly on the data produced as a stand-in for the subject producing said data. Second, I argue that a recent shift within geography and cognate disciplines toward viewing spatial big data as a form of spatial media allows for study of the sociotechnical processes that produce modern assemblages of data and society. As spatial media, the spatial big data created through mobile device use can be understood as the data of everyday life and as part of the sociotechnical processes that produce individuals, data, and space. Ultimately, to understand the data of everyday life, researchers must write thick descriptions of the stories we tell ourselves about the data we give off to others. (shrink)

The Tao Tê Ching is probably the world's second most translated and annotated book , yet it remains among the most enigmatic. Of its eighty-one chapters, no one denies that the most important is the first, and many scholars go further to claim that it is the key to the whole work: if it is understood fully, all the rest may be seen to be implied. Unfortunately, the first chapter also happens to be the most ambiguous. But even (...) so, after so much attention can there be anything left to say? It seems to me that an important point has been missed or at least obscured, and that the popularity of certain translations has made this obscuration more prevalent recently. To correct this, I shall offer below a line-by-line explication of this crucial passage. The following interpretation first demonstrates the parallel structure of the first eight lines as signifying two different ways of experiencing: lines one, three, five and seven refer to the experience of Tao, and lines two, four, six and eight to our more usual way of experiencing the world. I shall suggest that the difference between these ways is the difference between our familiar dualistic experience and a much less common nondualistic way of experiencing in which there is no bifurcation between subject and object. Second, we shall see that the parallel structure unfolds dialectically: each succeeding pair of lines elaborates upon the issues that naturally arise in response to the preceding pair. In the process of showing this, I shall take sides on the two main controversies over this chapter: first, whether it should be interpreted cosmologically or ontologically/epistemologically , and second, whether lines, five and six should be punctuated to translate yü as ‘desire/intention’. My main thesis is that the traditional understanding of yü as ‘desire’ or ‘intention’ is an essential part of the meaning of the chapter. This is by no means an original claim, but why it is so important does not seem to have been noticed before and provides the reason for this paper. Wing-tsit Chan's criticism of such translations, that ‘intention interrupts the thought of the chapter’, 1 is thus a serious misreading of the text. (shrink)

continent. 1.2 (2011): 136-140. In early 2011, Cow Heavy Books published The Official Catalog of the Library of Potential Literature , a compendium of catalog 'blurbs' for non-existent desired or ideal texts. Along with Erinrose Mager, I edited the project, in a process that was more like curation as it mainly entailed asking a range of contemporary writers, theorists, and text-makers to send us an entry. What resulted was a creative/critical hybrid anthology, a small book in which each page (...) opens to a new iteration of textual desire. These texts explore the material possibilities of the book. Somewhat parallel to the call of N. Katherine Hayles who, in her book Writing Machines , urges literary theorists to take up the practice of Medium Specific Analysis (to account for the way the medium in which it is presented conditions or at least bears on a literary text). I see in the imagined works of The Official Catalog a call for the innovative writers of today to become Medium-Responsive. This would mean thinking through the specific (materially constrained) possibilities offered by the media in which texts are presented, and in thinking of the literary text as a kind of art in the greater context of other arts and the book as a medium situated within the context of many other media. In doing so, the contemporary writer refutes the chorus of critics who lament the death of the book by consistently reinvigorating literary innovation. The following are selections from The Official Catalog of the Library of Potential Literature that show possible paths for (thinking about) new writing that engages with its medium. —Ben Segal, Editor THE CUBE Even the most radical non-linear texts have tended to exploit or subvert only the sequential possibilities of print—from the continuous loop of Joyce's Finnegans Wake to the shuffled cards of Marc Saporta's Composition No. 1 —but The Cube takes such multiplicities to an entirely new level. Set in a grid, the book's words can be read conventionally, across the page, as well as down each column—with either route making complete grammatical sense. But they can also be read as stacked strata and mined like lexical core samples through the layered pages of the book. Each path tells the same story from a different perspective (the narrative, naturally, hinges on the potential outcomes of a throw of cubed dice). By opening up the z-axis to reading in this way, The Cube recognizes the book as a three-dimensional sculptural space. Taking its lead from Armand Schwerner's (If Personal) and Raymond Queneau's Cent mille milliards de poèmes , The Cube reads like a experiment by Christian Bök precision printed by Emily McVarish. Craig Dworkin is the editor, most recently, of The Consequence of Innovation: 21st Century Poetics (Roof Books, 2008), The Sound of Poetry/The Poetry of Sound , with Marjorie Perloff (U. Chicago Press, 2009), and Against Expression: An Anthology of Conceptual Writing , with Kenneth Goldsmith (Northwestern UP, 2010). He teaches at the University of Utah. HE GOES In He Goes , we read notes, letters and e-mails from a scholar father to his novelist daughter. We read of the father's musings on Beckett, on Pinter, on Anne Frank; his description of a woman hanging laundry from a line. We read about his journey toward dying, followed by a brief, third person account of his death, and his obituary. Then a long series of blank pages that demand to be read in real time, non-sentence by non-sentence, blank page by blank page. Finally—and it is here that this peculiar little book begins to soar—the dead father writes to his as-of-yet-still-living daughter. He does not write from death. He does not write from life. The words unprint, unstamp, unkindle. Still, they require no translation. The father "writes" (for lack of a better word) about the serendipitous, the commonplace; he recommends another book. He jokes. He asks his daughter how her stomach is. He says forget about presence in absence, darling; screw words as memorial and the guys in garbage cans and loss as redemption and I can't go on I must go on. He goes, "Love, Fodder." He goes, "incidentally." He goes, "I thought you might like to know." Elizabeth Graver is the author of a story collection, Have You Seen Me? , and three novels: Unravelling ; The Honey Thief ; and Awake . Her work has been anthologized in Best American Short Stories , Best American Essays , and Prize Stories: the O. Henry Awards . She teaches at Boston College. THE PAPER ARCHIVIST A stunning package and a triumph of imagination, The Paper Archivist at times looks to be less a book than an abstract expressionist painting. Softly bound, its contents unfold to a single sheet of uneven thickness and texture—a canvas splattered with colored lines, stickers, broken sentences, and nonsense pictographs. But by following the directions to fold, dip, smell, rub, scratch, and tear the sheet according to the contingencies of the weather and using only the objects at hand, the reader slowly brings the forces hidden in the noise into a glorious sculptural convergence, processing a different story and shape each time. This is the rare book that continues to stir, whirl, and pop on every new reading. Sean Higgins blogs at BOMBlog where he is responsible for the column Volumes and Territories, as well as Ghost Island , a fledgling collaborative intellectual collective. THE SLOW BOOK The Slow Book , written by an anonymous author at the dawn of literacy, on a minor planet (otherwise notable only as the source of that exceptionally hardy, not very tasty grain called “shef” sowed on hostile planets as an early step to colonization), and encoded into a series of punctures on a strip of copper coiled inside a clever device, something between a player piano and an old-fashioned film projector, is being released into print, as was the author’s intention, at a rate of one word per century (local time). Each word is, across the Forty Galaxies, agreed to be uncannily apt for the century in which it appears—even “of,” in a century during which the highest value was attached to fidelity, whether to ideals, worlds, or romantic love; even “the,” which governed two centuries, one extraordinarily materialistic, during which advances in propulsion and navigation accelerated the exchange of exceptional objects between the remotest planets of the Forty, and one in which the central concern, both of philosophers and the common man, was whether, in an age of rapidly proliferating hypothetical worlds, anyone or anything concretely existed at all. Even those words published long before interstellar contact can be seen in retrospect to have transgalactic pertinence. As a result, attempts to abstract the machine from its publishers, Hobson & Hui, in order to “predict the future” for insight or gain by “fast- forwarding” the copper strip have been many and ingenious. While, in centuries of skepticism (“maybe”), or of unrest (“go”) the book has been nearly forgotten, in others it seems to haunt every thought, every deed, despite the fact that the subject of The Slow Book is still unclear. So far only a few sentences exist in print; everyone knows them, can quote them, offer the standard exegeses and assorted heresies; yet certainties are the stuff of adolescence; mature readers are forced to acknowledge that these sentences are probably only a preamble to the main argument. They contain no proper nouns, nor can we identify any definite theme. There is even disagreement about their tone, whether coolly ironic, as some insist, or ardent. The appearance of an unusual grammatical case, sometimes called the future pluperfect continuous, used to describe events that at some future point will have always been true (but are not yet)—hitherto known to appear only in the synthetic dogmas of the Thanatographical Society, and in certain highly circumscribed religious contexts—has suggested to some scholars that the Slow Book was originally intended for ritual use, but the proximity of the usage to a term designating a small hand plow that, as Pott and Mielcke have convincingly shown, would have borne a distinctly obscene double meaning in its culture of origin in the author’s time, argues otherwise. It is likewise unclear whether the situation that seems to be—with teasing incompleteness—sketched out in these few lines is intended as an illustration of general principles, a case study, a dramatic scene, or an extended metaphor. In short, we have no idea what The Slow Book is about. In our own time, we believe that it is almost certainly a work of fiction, but that may be because we live in the century of “if”. In each age, perhaps, we see the book we most need to read. Some have dared to suggest that the metal strip is blank until, with millennial fanfare, it advances into its new position, that no ur-text exists, that the book itself is brought into being—written—by our need. But that is exactly the sort of thing we would believe, in 7645. Shelley Jackson is the author of the story collection The Melancholy of Anatomy , the novel Half Life , and hypertexts including Patchwork Girl . The recipient of a Howard Foundation grant, a Pushcart Prize, and the 2006 James Tiptree Jr Award, she has also written and illustrated several children's books, including The Old Woman and the Wave ; Sophia, the Alchemist's Dog ; and Mimi's Dada Catifesto . Her stories and essays have appeared in Conjunctions , McSweeney's , The Paris Review , and Cabinet Magazine . In 2004 she launched her project SKIN , a story published in tattoos on 2095 volunteers. THE BOOK OF SOUNDS The Book of Sounds is just that: a book of sounds made when letters are construed in new ways to bring forth out of the alphabet new forms of speech. A book meant to be read out loud, The Book of Sounds is not unlike Laurie Anderson's O Superman or Brian Eno's Music for Airports in its attempt to make music out of the most primary and simplest of methods. It breaks language down to its barest bones and makes out of the page a drum that has never before been beaten upon. Peter Markus is the author of a novel, Bob, or Man on Boat (Dzanc Books) as well as two books of short fiction, Good, Brother and The Singing Fish , both of which were published by Calamari Press. A new collection of stories, We Make Mud , is now available from Dzanc Books. PARADISE OF THE BLIND by Celan Solen Although the reclusive Celan Solen published his first and only book in 1963—paying out-of-pocket for a limited edition of the slim collection No One May Have the Same Knowledge Again —he remained in American obscurity for almost three decades. In 1992 a micro-press in Istanbul brought out No One in Turkish. A German translation followed in 1995. Soon it became clear in literary circles Solen was a world-class (if highly unclassifiable) artist—lyrical, dense, enigmatic—who could undo the conventional short story in 397 words by inventing impossible worlds housed in impossible whirls (in “Small Sadnesses,” a single chartreuse tree frog in Borneo unknowingly holds time together by its very presence in the universe, while each letter of its tale refers, not to itself, but to the one preceding it in the alphabet). By his disappearance last year, Solen was considered master by a generation of writers and critics (except, alas, for those gentlemen in the Swedish Academy). Imagine, then, that generation’s delight at the discovery, locked away in the author’s safe-deposit box, of his second and final composition. Had Lynch’s Lost Highway been book instead of film, and had it been penned by Beckett at his least certain, revised by Barthelme at his most formally deranged, and typeset by Derrida at his most semiotically catastrophic, the result might have been something like Paradise of the Blind : interlacing narratives of a man composed of borrowed organs (whose most cheerless and difficult to locate, god, could only have been invented by an empty heart), a nonexistent medieval painting blamed for the ruin of future hope, and the spread of a philosophy that holds earth a mistake constantly recurring in the dream of a fish lying on the floor of the Atlantic (if the fish wakes, our world winks off)—all contained in a text packed with typed-over passages, torn postcards, poems that can be deciphered only when held up to a mirror, pages ornamented with trompe-l'œil paperclips and coffee stains and buzzing houseflies, some busy with illegible runes that dissolve when exposed to light, three that smell like roses or lemons (depending on whether a man or woman is reading), two that stain with the bloody fingerprints of the those who handle them, one that ignites when brushed with breath, thirteen sewn from baby skin, one that moans when touched, and one that screams—yet all without mass, unimaginable, and invisible. Lance Olsen is author of more than 20 books of and about innovative fiction, including, most recently, the novels Calendar of Regrets (2010) and Head in Flames (2009). He teaches experimental narrative theory and practice at the University of Utah. SUPERSTRUCTURE! by Barbara D'Albi As soon as I opened the third drawer of Barbara D'Albi's wooden novel, everything became hopeless. Now in Ithaca, there was no going back. And it wasn't just the intricate series of shelves, hinged doors and locked drawers which D'Albi layered into the book, no, lo, I was constructed anew by the story. Who else but D'Albi to imagine a God who becomes a carpenter and gets killed?! And makes it good! You want stories? D'Albi is a skyscraper, built with planes and levers. Momentarily I wondered where I could shelve this book, and then I thought: no matter; I couldn't put it down. Adam Robinson lives in Baltimore, where he runs Publishing Genius. He is the author of Adam Robison and Other Poems and Say, Poem. (shrink)

It is widely held that the Experience Machine is the basis of a serious objection to Hedonistic theories of welfare. It is also widely held that Desire Satisfactionist theories of welfare can readily avoid problems stemming from the Experience Machine. But in this paper, we argue that if the Experience Machine poses a serious problem for Hedonism, it also poses a serious problem for Desire Satisfactionism. We raise two objections to Desire Satisfactionism, each of (...) which relies on the Experience Machine. The first is very much like the well-known Experience Machine objection to Hedonism. The second asks whether someone who accepts Desire Satisfactionism should want to form a desire to plug into the Experience Machine. (shrink)

This article develops an account of local epistemic practices on the basis of case studies from ethnobiology. I argue that current debates about objectivity often stand in the way of a more adequate understanding of local knowledge and ethnobiological practices in general. While local knowledge about the biological world often meets criteria for objectivity in philosophy of science, general debates about the objectivity of local knowledge can also obscure their unique epistemic features. In modification of Ian Hacking’s suggestion (...) to discuss “ground level questions” instead of objectivity, I propose an account that focuses on both epistemic virtues and vices of local epistemic practices. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:AQUINAS ON THE ROLE OF EMOTION IN MORAL JUDGMENT AND ACTIVITY JUDITH BARAD Indiana State University Terre Haute, Indiana MONG PHILOSOPHERS who have discussed the role of emotion in morality there is much disagreement. At one extreme there is a tradition of ethical thinkers, represented by David Hume, who juxtapose reason and emotion and hoM that the choice of ultimate va:1ues is always made by the emotional side (...) of our natul'e. Insisting that emotion, not reason, is the foundation of moral philosophy, Hume says "Reason is, and ought to he, the slave of the passions, and can never pretend to any office other than to serve and obey them." 1 Conv:erseily, Immanuel Kant adamantly insists that reason must be the sole determinant of morality. Since morality is stricrtly a rational endeavor, the emotions (or what he more generrully called the incJinations), whethei!.' beneficent or ma1e:fiicent, should never be alilowed to intrude into our moral judgments. Each extreme claims that a part of our nature, respectiv 'e,ly reason or emotion, is not essentirul to the moral life. Hut the be1lief that we shouM sev;er any part of our nature from swch a pervasive area of our lives leads to unfortunate consequen1ces. If we base our understanding of morality on Hume's call for the slavish submission of reason, we can justify all kinds of social exploitation and sensuous indulgence. On the other hand, if we follow Kant's ideal of suppressing our emotions, then bodi1ly desires can appear ba:d to us, and we may irrationaHy disaJfow many human needs, both to ourselv;es and to others. i David Hume, A Treatise of Human Nature, 3, 3. 397 398.TUDITH BARAD But on this question of the role of emotion in mol'lwl judgment, Aquinas oiooupies a position intermediate between Kant and Hume. He neither dismisses reason as a guide to practical affairs nor regards emotions as mere obstacles to be overcome in form.mating a moral judgment. For Aquinas even though e&ch of the human £acmlties has a unique role to perform, an individual £unctions in his entirety in the moral sphere. This essay will focus on how our emotions can support as well as impruir our moraJ conduct. The purpose of this study is to show thrut emotion may be either 1an impediment or a usefuJ srtimu1us to obj·ectiv;e moral decision malcing, obscuring our morrul judgments or 11einfol'lcing our commitments. Obviously, Hume's argument ·that reason cannot judge or criticize the emotions is very foreign to Aquinas's thought, and no one has yet ruttemp ;!Jed 1to subsume one •ruooount under the other. Afan Donagan, however, has clwimed that Aquinas's moll"al theory " anticipates Kant's metaphysics of morals," because of what " both ~are] found to 1say about motiViation." 2 But, contrary to Donagan 's claim, this study will make clear rlihat in the area of how emotions a:ffrect our moral life ·the two g11eat thinkers pal'lt company. To understand how emotion :liun:ctions mthe moral judgment, we must fust examine what Aquinas means by "emotion." 3 He describes :emotion as a spontaneous.feeling consisting of both a phy;siofogical 1and an affective response to an object.4 He observes that emotion involves virtually ithe en2 Alan Donagan, " Teleology and Consistency in Theories of :Morality as Natural Law," in Georgetown Symposium on Ethics, edited by Rocco Porreca (Lanham, :Md.: University Press of America, 1984), p. 96. a Throughout this paper I will use the word "emotion " for the Latin passia, since " passion" has a more intense connotation in contemporary English than the term employed by Aquinas. "Thomas Aquinas, Summa theologica, (Westminster, :Md.: Christian Classics, 1981), I-II, q.22. In the first article of this question, Aquinas says that " Passion... is only in respect of a bodily transmutation." Quoting Damascene in the third article, he says " Passion is a movement of the sensi· tive appetite when we think of good or evil." I have combined both passages to arrive at Aquinas's description of emotion. AQUINAS ON EMOTIONS AND MORALS 399 tire human being: intd1ect, sense cognition, spontaneous volition, and bodily changes. Aquinas bases this position on his hylomorphic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 35.1 (2005) 71-98MuseSearchJournalsThis JournalContents[Access article in PDF]Hospitality after the Death of GodTracy McNultyPierre Klossowski's fiction has been only sporadically published in English, and largely dismissed as perverse erotica or soft-core porn. When his 1965 trilogy Les lois de l'hospitalité was partially translated in English (under the title Roberte, ce soir & The Revocation of the Edict of Nantes), its Library of Congress classification characterized it simply as "erotic (...) fiction—French." Even in France, Klossowski has become the very signifier of perversion. His artwork graces the cover of Serge André's L'imposture perverse and of numerous erotic novels, he has been "diagnosed" as a pervert by writers on both sides of the Atlantic, and unironic readers of his Sade mon prochain hail him as Sade's disciple and heir.1Admittedly, the larger stakes of Klossowski's work are easily obscured by its free adaptation of the stock themes of libertine literature. His fictional works, like his visual compositions (essentially representations of rape scenes, often on historical themes—Diana and Actaeon, the Rape of Lucretia), explore the conflict between a woman's chaste moral attitude and her gradual surrender to an assailant's advances. The Laws of Hospitality concerns the erotic awakening of "hospitality" in a woman, which exposes a contradiction within her moral character and reveals her symbolic identity to be without foundation. Its protagonist Octave, who bears more than a passing resemblance to his creator, is a collector of artworks that eroticize the moment of moral hesitation experienced by women submitting to the sexual advances of a chance stranger—or even a "spiritual" apparition. His "laws of hospitality" are the fruit of his desire to experience this operation firsthand; they name a practice wherein the master of the house "offers" his wife to fortuitous guests, in order to savor the moment of her surrender.However, the stakes of Klossowski's "perverse" meditations are very different from the Sadeian project of uprooting religious morality. Sade challenges the patriarchal and religious authorities of his day by demonstrating that the paternal signifier on which their laws are based is without foundation. In proving that the law cannot hold [End Page 71] up against the repeated assaults of libertinage, he mounts a systematic deconstruction of the symbolic order of language by the real of jouissance. But although Klossowski may share Sade's perverse drive to "humiliate the law with the object,"2 his target is not the signifier as such, but rather the imaginary consistency afforded by what he calls the "grammatical fiction of the 'I,'" the illusion of autonomous personhood. The "object" he confronts it with is not the natural "truth" of jouissance, but rather the feminine object who disrupts the identity of the "master" who offers her.Klossowski's reflections on the special status of femininity in Enlightenment culture—at once marginal and singularly "extimate"—have never been fully appreciated, despite their enormous interest for the study of culture. In a way unique among contemporary authors, Klossowski sheds light on Jacques Lacan's enigmatic insight that the cultural importance of the feminine object consists in its sublimated status as an "object raised to the dignity of the Thing" [Lacan 112]. His fiction underscores the close ties between the feminine and what Freud called das Ding, the Thing uncannily internal to subjectivity that Lacan later identified with the function of the Nebenmensch, as the apotheosis of the Christian idea of the prochain, or neighbor [Lacan 151–52].Although Klossowski's erotic scenario invites comparisons with Sade's and Fourier's utopian calls to dissolve the privative boundaries between subjects, what he understands by "hospitality" is not the abolition of personal identity, but rather the staging of its internal contradiction.Hospitality, at the Limits of the LawThe act of hospitality—whose theological and philosophical origins this former Dominican novice and Latin scholar was intimately acquainted with—concerns a very particular tension. Etymologically, the host is the "master," the one who "eminently personifies" identity: not only his own identity, but also that of the group in whose... (shrink)

RESUMEN En De Anima III 10, Aristóteles introduce la noción de phantasía logistikē como uno de los principios de la acción racional. A partir de la exposición de algunos textos del De Anima y de Ética a Nicómaco, se busca interpretar el lugar de aquel tipo de imaginación en el razonamiento práctico. Para ello, se presenta primero la doctrina aristotélica de los principios de la acción y la problemática de su articulación, y luego se discute el papel de la imaginación (...) racional en la configuración del objeto del deseo. ABSTRACT In De Anima III 10, Aristotle introduces the notion of phantasía logistikē as one of the principles of rational action. On the basis of some texts from De Anima and the Nicomachean Ethics, the paper seeks to interpret the place of that type of imagination in practical reasoning. To that effect, it first sets forth Aristotle's doctrine regarding the principles of action and the issue of their articulation, and then goes on to discuss the role of rational imagination in the configuration of the object of desire. (shrink)

I defend moral objectivism against charges that it cannot plausibly preserve or explain morality's action-guiding nature. I take as my starting point the intuitive view that morality has a special connection to motivation: one who genuinely accepts a moral verdict must have a motivating reason to follow its dictates and, indeed, must often enough be motivated to act as it recommends. ;Many have argued that this connection vindicates subjectivism. Some argue that there can be no universally (...) accessible truths whose acknowledgements necessarily give one reason to act, because all reasons for action are based on desires that vary across rational agents. I argue against the Humean doctrine, implicit in this claim, that beliefs alone cannot move rational agents. The 18th-century metaphors of "passive" belief and "active" desire rest on arguments which either beg the question, equivocate, or misunderstand what would be involved in attributing the appropriate motivational power to belief. Others ground their objection in morality's holistic tie to desire, claiming that desires distort truth, rather than reveal it to us. I argue that there is nothing mysterious about the idea that possession of certain desires can be preconditions to seeing how things are. (shrink)

The Aristotelian dictum that desire is the starting point of practical reasoning that ends in action can of course be denied. Its denial is a commonplace of moral theory in the tradition of Kant. But in this essay I am concerned with that issue only indirectly. I shall not contend that rational action always or necessarily does involve desire as its starting point; nor shall I deny it. My question concerns instead the possibility of (...) its ever beginning in desire. For there is a question whether it is even possible for reasoning to begin in desire, a question arising from the nature of desire and its objects, which to my knowledge has not been articulated. If we can see how desire can provide the arche of action, then we can consider later, and from that vantage point, whether it is necessary that it should do so. It will, I think, be possible eventually to argue that if practical reasoning has the character it must have, if it can begin in desire, then its starting point can be nothing but desire. (shrink)

The purpose of the article is to study the influence of Nazi experiments on the formation of ideas about the ethos of science in the field of biomedicine. It is shown that the idea of discrediting a value-neutral science was often confronted with the resistance of the scientists themselves, who, in different contexts of condemning Nazi crimes, appealed to the fact that they acted for the good of science, and even of all mankind. The article discusses the strategy (...) of American lawyers adopted at the Nuremberg Trials aimed at demonstrating the perversity of Nazi crimes in the field of biomedicine both ethically and scientifically. In addition, an analysis of individual materials of the Nuremberg process was carried out, which made it possible to give an idea of the scientific and linguistic design of the human body (name correction strategy) as a “correct” scientific object with desired properties. The article considers the influence of the data obtained on Nazi crimes on the formation of the content of the Nuremberg Code and the design of the principle of informed consent in biomedicine. Ethical aspects related to the further use of Nazi scientific data are also considered. In conclusion, the problem of the formation of scientific knowledge in non-violence mode is articulated. (shrink)

The model developed in the target article is not as comprehensive as might be desired on two counts: (1) in that how the transition from proximal stimulation at the skin gives rise to the perception of external objects is taken for granted; and (2) in that another population of participants, the blind, constitute an important group from which we can understand somatosensory processing and neural plasticity.