This article is about the logic of the concept of "coherence" as used by historians to justify an argument. Despite its effectiveness in historical arguments, coherence is problematic for epistemologists and some theorists of history. The main purpose of this paper is to present some insights that bear upon the logical status of coherence. As will be demonstrated, this will also shed some light on the allegedly dubious epistemological position of coherence. In general I will argue that, logically seen, coherence (...) is a property of a set of related beliefs which makes it possible to justify a choice out of different factually justifiable interpretations. Coherence disambiguates vague or ambiguous observations. As words lose their vagueness or ambiguity in contexts, so do contexts disambiguate historical facts. My argument will be based on some relatively recent findings about the cognitive processes underlying vision and reading. Research in the field of text linguistics is used to show what kinds of relationship exist between historical representations that might be considered to cohere. (shrink)

Departing from Pierre Bayle's discussion of Spinoza in the entry 'Japan' in his Dictionaire, this article discusses how debates about the Far East functioned as a foil for the polemics generated by the Radical Enlightement. The central point of investigation is a debate between Gerard Vossius and Georg Hornius, integrating three main issues where ideas about the East challenged accepted European authority: sacred history, republicanism, and natural philosophy. The article demonstrates that the onset of radicalism involved a plethora of old, (...) new and exotic ideas, from logic to linguistics and Hermeticism, before crystallizing into the scientific and political notions now associated with modernity. (shrink)

Thinking out of habit: an embodied perspective In the second half of the twentieth century, habit had received little attention in the cognitive sciences and philosophy of cognition. This despite the extensive theoretical attention habit received in phenomenology and pragmatism. This is because due to influence of behaviorism and the cognitivist revolution, habit was reduced to mechanical stimulus-response reaction that is learned through drill and repetition, and therefore habit cannot be considered intelligent. In this article I argue that a richer (...) and more accurate notion of habit is possible through an embodied vision of cognition, namely enactivism and ecological psychology. This means that we can consider habit as intelligent without equating habit with reflective thought. Such a notion is possible because both enactivism and ecological psychology have their conceptual roots in pragmatism and phenomenology. Secondly, an embodied vison of cognition can describe how our habits are formed from sensorimotor contingencies and are self-organizing patterns of behavior in interaction with an environment. This can be described through the metaphor of ‘laying down a path’, whereby taking a shortcut across a field of grass a path is formed, which enables walking across the field of grass. Laying down a path is more than a metaphor, but also an example of the sociomaterial dimension of habit. Habits are always formed in an interaction between an organism and an environment that is, in our case both material and social. (shrink)

Ancient Poetry in general makes the claim of divine inspiration, thus deriving authority from a supernatural source. Accordingly, it bases the validity of its message on a foundation beyond argument, which has consequences both for the relationship between poets and their poems, as well as between poems and their readers. In Christian Late Antiquity the divine foundation of poetry had to be renegotiated, and as a consequence authorities and arguments had to be given a new role in the Christian poetic (...) discourse. This paper will analyse the various possibilities and their consequences, also looking at the issue in terms of how far pagan poetry already foreshadowed such a development. The poets taken into consideration include Commodianus, Prudentius, the Carmen adversus Marcionitas, Prosper of Aquitaine, and Venantius Fortunatus. (shrink)

This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.

In order to contain public care expenditure, policymakers in the Netherlands have over the last decades formulated in ever more stringent ways what ought to be expected from spouses, partners, and family members with regard to care for dependent relatives. The current Dutch coalition cabinet plans to shift the principal responsibility for nonmedical care, including demanding forms of care such as long-term personal care, to individuals and families. I argue that these policy developments imply cost redistribution rather than cost containment (...) and that this redistribution is disadvantageous for women. (shrink)

Augustine and the Disciplines takes its cue from Augustine's theory of the liberal arts to explore the larger question of how the Bible became the focus of medieval culture in the West. Augustine himself became increasingly aware that an ambivalent attitude towards knowledge and learning was inherent in Christianity. By facing the intellectual challenge posed by this tension he arrived at a new theory of how to interpret the Bible correctly. The topics investigated here include: Augustine's changing relationship with the (...) 'disciplines', as he moved from an attempt at their Christianization to a radical reshaping of them within a Christian world-view ; the factors that prompted and facilitated his change of perspective; and the ways in which Augustine's evolving theory reflected contemporary trends in Christian pedagogy. (shrink)

Angesichts von Menschenwürdeverletzungen stellt sich die philosophisch bislang kaum behandelte Frage nach der Würde der Täterinnen und Täter: Kann man der jeweils eigenen Würde schaden, indem man die Würde anderer verletzt? Im Anschluss an Pufendorf und Kant wird folgende These vertreten: Die Menschenwürde basiert auf der Überzeugung menschlicher Gleichwertigkeit. Wer die Würde anderer missachtet, deren Gleichwertigkeit als Mensch bestreitet und sich damit über diesen Menschen erhebt, kann entsprechend auch kein Gespür für die eigene Gleichwertigkeit und damit die eigene Würde haben. (...) Entweder haben alle Menschen den gleichen Wert, bloß weil sie Menschen sind – oder sie haben alle gleichermaßen keinen. (shrink)

Thijs Lijster considers the thought of Walter Benjamin and Theodor Adorno on such key topics as the relationship between art and historical experience, between avant-garde art and mass culture, and between the intellectual and the public.

Is het niet vreemd om te zeggen dat een verhaal uit de achtste eeuw voor Christus ons iets kan vertellen over onze hedendaagse westerse cultuur? Hoe kan de beschrijving van een wereld die geregeerd wordt door goden, heksen, nimfen en allerlei mythische gedrochten bijdragen aan ons zelfbegrip? Dat is minder vreemd dan het lijkt. Juist omdat Homeros helemaal aan het begin van onze beschaving stond, kunnen wij in retrospectief herkennen wat de nieuwe wereld scheidde van de oude. De homerische epen (...) vormen een eerste definitie van de westerse cultuur, zij geven de contouren aan van een manier van denken en handelen die de wereld tot op de dag van vandaag beheerst. (shrink)

The metaphor of base and superstructure has been one of the most controversial elements in Marxist aesthetics. In this text I discuss some of the many questions it raises. Today, many theorists believe that its problems are so extensive that it has lost all plausibility. I believe, however, that in rejecting the Marxist framework, aesthetics and cultural theory risks throwing out the baby with the bath water and jeopardizes its critical potential. Drawing on the work of Fredric Jameson and Slavoj (...) Žižek, I will propose a heuristic reinterpretation of the metaphor of base and superstructure. (shrink)

Pleidooi vooor eerherstel van de politiek, door de PvdA-fractieleider.

A cursory overview of the most recent studies on Kant's philosophy of history might lead one to suspect that Kant was so confident of the moral potential of human reason that the future could only lead to human progress. But in fact Kant was very much conscious of the disheartening picture that human development presented. In the conclusion to his Conjectures on the Beginnings of Human History he writes: “The thinking person is assailed by a melancholy that can even lead (...) to moral corruption, something of which the unthinking person knows nothing: namely a dissatisfaction with that providence that rules the course of the world.” But Kant not wish to remain in a state of “melancholy”. He sees a possible connection between melancholy and the philosophy of history. In his relevant writings Kant addresses himself directly to the threat of this despair. The horrors of history can yield a philosophical meaning. Not history itself, but rather the philosophy of history has the capacity to console us. It can “heal” that which is lacking in wholeness through human progress. And because the history of philosophy contributes to the recovery of hope and conviction, it itself becomes an important movens of history. (shrink)

Martens vs. KIRAC: les extrêmes se touchent? This paper discusses the relationship between art and politics by taking Walter Benjamin’s famous formulation on the ‘politicization of art’ and the ‘aestheticization of politics’ as a starting point. The work of Dutch artist Renzo Martens and the work of art collective KIRAC are considered to be exemplifying the two sides of Benjamin’s formulation, and at the same time as representative of wider tendencies of the contemporary art world. I argue that, in their (...) extreme and contradictory positions, these sides also share a common, art-hostile moment, one that I counter with a conception of art as ‘acting as if’ (doen alsof) – with the dual dimension of acting (a form of praxis or performance) and ‘as if’ (imagined). Based on this idea of ‘acting as if’ I argue that art’s relationship to politics is one of productive contradiction. (shrink)

An English double-embedded relative clause from which the middle verb is omitted can often be processed more easily than its grammatical counterpart, a phenomenon known as the grammaticality illusion. This effect has been found to be reversed in German, suggesting that the illusion is language specific rather than a consequence of universal working memory constraints. We present results from three self-paced reading experiments which show that Dutch native speakers also do not show the grammaticality illusion in Dutch, whereas both German (...) and Dutch native speakers do show the illusion when reading English sentences. These findings provide evidence against working memory constraints as an explanation for the observed effect in English. We propose an alternative account based on the statistical patterns of the languages involved. In support of this alternative, a single recurrent neural network model that is trained on both Dutch and English sentences is shown to predict the cross-linguistic difference in the grammaticality effect. (shrink)

To integrate social robots in real-life contexts, it is crucial that they are accepted by the users. Acceptance is not only related to the functionality of the robot but also strongly depends on how the user experiences the interaction. Established design principles from usability and user experience research can be applied to the realm of human–robot interaction, to design robot behavior for the comfort and well-being of the user. Focusing the design on these aspects alone, however, comes with certain ethical (...) challenges, especially regarding the user’s privacy and autonomy. Based on an example scenario of human–robot interaction in elder care, this paper discusses how established design principles can be used in social robotic design. It then juxtaposes these with ethical considerations such as privacy and user autonomy. Combining user experience and ethical perspectives, we propose adjustments to the original design principles and canvass our own design recommendations for a positive and ethically acceptable social human–robot interaction design. In doing so, we show that positive user experience and ethical design may be sometimes at odds, but can be reconciled in many cases, if designers are willing to adjust and amend time-tested design principles. (shrink)