The paper presents comments of a technologist, consciously representing a technological cognitive perspective. It is stressed that technology is interested recently in the interplay of tacit, emotive and intuitive knowledge with explicit knowledge, expressed by micro-theories of knowledge creation. Between many results of such theories, two fundamental principles are of basic, also metaphysical importance: multimedia principle and emergence principle. Important is also the fact that these principles are not only intuitive generalizations, they are also justified scientifically, rationally and pragmatically in (...) relation to diverse parts of human knowledge. These principles go beyond and are in a sense opposed to fashionable trends of postmodernism and poststructuralism. In relation to these principles, the importance of objectivity—understood not as an absolute condition, because such is not attainable, but as a goal and value emerging accordingto the principle of emergence—is shown by an evolutionary argument. A general spiral of the evolutionary knowledge creation with an objectifying feedback is proposed. (shrink)

The teaching of John Paul II clearly articulates the strain of human rights. The Pope initiates a dialogue with the Enlightenment tradition and develops the theological and philosophical foundations of the culture of human rights. Karola Wojtyła’s personalistic thought appears to be a very coherent and reliable key to understand the doctrine of human rights. Wojtyła stresses subjectivity and non-reducibility of the person as a concrete human „I.” It is both autonomy and transcendence that constitute dignity of the person towards (...) other personal and impersonal beings. (shrink)

Ever since Lessing’s 1776 “Laocoön: An Essay upon the Limits of Poetry and Painting” aestheticians have been debating the essential differences between the temporal and the visual arts. Pace Lessing and his twentieth-century philosophical descendants, this essay explores the idea that the musical style cultivated by the American composer Elliott Carter in the years following World War II and the “action paintings” produced ca. 1947–53 by his compatriot Jackson Pollock in fact have quite a bit in common. The commonality, the (...) essay argues, is not so much anything contained in the works themselves as something perceived – perhaps even viscerally felt – by persons who experience the paintings and the musical compositions. Although their musical and painterly efforts are in most ways as different as night and day, both Carter and Pollock managed in their postwar works – perhaps uniquely – to create the potent illusion of multiple times that seem to pass at the same time. (shrink)

Even though Slavoj Žižek has written many words about music without really saying much about it, his work nevertheless contains much that for the philosophically minded musicologist, or for the musically minded philosopher, can stimulate thinking. For the author of this article, for example, some of the ideas presented in Žižek’s 2006 The Parallax View have stimulated thinking about the possibilities of taking a comparable approach—that is, a metaphorically ‘parallax’ approach that involves considering an object of attention alternately from more (...) than one perspective—not just to music but to sounds in general. Along with summarizing Žižek’s views on music per se, “Focused Listening: The Aesthetics of Parallax” explores various ways in which persons in the presence of a single ‘sound object’ might listen to, and thus perceive and hear, that sonic phenomenon. (shrink)

“Postmodern” is an elusive concept that embraces a wide range of critical theories and attitudes. To borrow the assessment that the American poet Walt Whitman offered of himself, the concept is large and contains multitudes, various aspects of which often seem to be at odds with one another. Postmodern art likewise contains multitudes; indeed, it would seem that one of postmodern art's chief characteristics is the comfortable integration of apparently contradictory stimuli that, importantly, are sited less in the “work” itself (...) than in the eye/ear/mind of the beholder. Grounded on the idea that postmodern music is defined not by composers but by listeners, this essay challenges musicological writing that since the early 1990s has sought both to illuminate an ideology of postmodernism and to identify elements of a postmodernist style. In particular, it counters the much-repeated statement that the first, and perhaps quintessential, example of musical postmodernism is the eclectic yet thoroughly linear and discursive 1972 Third String Quartet of the late American composer George Rochberg; the essay suggests that, if a prototype of the postmodern in music must be named, a better candidate would be Rochberg's palimpsest-like 1965 Music for the Magic Theater. (shrink)

It has been noticed by several authors that the colloquial understanding of anonymity as mere unknown-ness is insufficient. This common-sense notion of anonymity does not recognize the role of the goal for which the anonymity is sought. Starting with the distinction between the intentional and unintentional anonymity (which are usually taken to be the same) and the general concept of the non-coordinatability of traits, we offer a logical analysis of anonymity and identification (understood as de-anonymization). In our enquiry, we focus (...) on the intentional aspect of anonymity and develop a metaphor of “anonymity game” between “perpetrator” and “detective”. Beginning from common-sense intuitions, we provide a formalized, critical notion of anonymity. (shrink)

The annual Kronos Philosophical Journal was established in Warsaw in 2012. The papers presented in the annual might be of interest to the readers from outside Poland, allowing them to familiarize themselves with the dynamic thought of contemporary Polish authors, as well as entirely new topics, rarely discussed by English speaking authors. Volume V/2016 comprises articles problematizing Russian phlosophy and literature as well as Ancient Greek philosophy and culture.

[Andrzej P. Wierzbicki, Techne: Elementy niedawnej historii technik informacyjnych i wnioski naukoznawcze].

1. Metaetyka : nowa rzecz czy nowe słowo? / redaktor tomu Andrzej Szostek -- 2. Etyka niezależna / redaktor tomu Kazimierz Krajewski -- 3. Objawiać osobę / redaktor tomu ks. Alred M. Wierzbicki -- 4. Wolność w prawdzie / redaktor tomu ks. Alred M. Wierzbicki.