In lieu of an abstract, here is a brief excerpt of the content:504 HISTORY OF PHILOSOPHY Earle's position, needless to say, is a radical one. If taken seriously it appears to commit him either to a private language doctrine or, more likely, to silence. If the concepts embodied in our language are public, intersubjective concepts, then either a minimal characterization of singular human existence is possible or Earle is stranded in a hopeless, speechless solipsism. I shall mention just one other (...) paper, Natanson's "Alienation and Social Role." Natanson distinguishes role-taking from the more basic activity which he refers to as the intentionality of role-taking or, as he terms it, "role-action." He attempts to give a phenomenological grounding to the notion of role-taking, thereby showing the relevance of phenomenology to problems in social philosophy and sociology. Though a difficult paper, "Alienation and Social Role" is a helpful study of various structures presupposed in social interaction. Natanson's analyses go a long way toward dispelling the view that a phenomenological starting point commits one to subjectivism. I might have mentioned other, equally instructive essays. These, however, give some indication of the diversity of concerns inherent in the American phenomenological tradition. Phenomenology in America documents these concerns well. STEPHEN A, ERICKSON Pomona College Heimkehr ins Eigentliche. By Walter Robert Corti. (Amriswil, Switzerland, Amriswiler BiichereL 1969. Pp. 152. n.p.) This collection of essays written between 1935 and 1966 gives a fine example of the changes in the concern for the meaning of human existence during these thirty years both in the mind and emotions of an individual philosopher and in Western culture generally. The essay from which the title is taken dates from 1958. It is a charming, poetic autobiography, describing the growth of philosophic and scientific wonder from the author's childhood, when he was thrilled by the wonders of biology and chemistry, to his more general wonder at being in and of the world of wonders, culminating in a self-conscious wonder about the implications of a wondering being in a wonderful world. The early essay of 1935, entitled Zu den Dingen is a vivid statement of a Heidegger-inspired existentialism, which analyses the difference between the attempt of Husserl to understand Sachen by his search for the essence of an object ;rod his formulation of phenomenology, and the very different appreciation of things in nature, which demands a non-verbal familiarity or "communion" with another natural being in existential terms, not in terms of the concept of "essence." The later essay of 1958 contains a critical history of the relations between the theories of explication, evolution, and development as cosmologies. After the historical survey it describes the physiological and mental restlessness of man. In this context, the problem of the meaning of existence is explored, not as a question to be answered, but as a significant form of human restlessness which has implications for a kind of restlessness in nature and in cosmic process. Beside these essays which are contributions to the history of recent philosophy, there are several other essays related to the varied and remarkable interests and BOOKS RECEIVED 505 achievements of Dr. Corti, partly in his activities as a distinguished Swiss public leader, partly in connection with his work as director of the Archly fiir genetische Philosophie in Winterthur. HERBERT W. SCHNEIDER Claremont, California BOOKS RECEIVED First Editions Adler, Mortimer. The Time of Our Lives: The Ethics of Common Sense. New York: Holt, Rinehart and Winston, I970. Pp. xiii+361. $7.95. Allen, Gay Wilson. William lames. Pamphlets on American Writers, Number 88. Minneapolis : University of Minnesota, 1970. Pp. 48. $.95. Bahm, Archie. Directory o[ American Philosophers. V 1970-71. Alburquerque: Archie I. Bahm, I970. Pp. 436. $I4.95. Brown, Peter. Augustine of Hippo: A Biography. Berkeley and Los Angeles: University of California Press, 1969. Pp. 463. Paper. $2.95. A review of this book appeared in the Journal, ~ 4, Vol. 6. Cailliet, Emile. Journey Into Light. Grand Rapids: Zondervan Publishing House, 1968. Pp. 117. $3.95. Cantore, Enrico. Atomic Order: An Introduction to the Philosophy of Microphysics. (~mbridge (Mass.): The MIT Press, 1969. Pp. xi+334. $12.50. Caponigri, A. Robert. Philosophy from the Renaissance to the Romantic Age. A History of... (shrink)

The I in the reflectively revealed "I think" has had, as we all know, a rather checkered career. For Descartes, it was a "thinking substance". For Kant it was a "transcendental unity of apperception," an empty, formal unifying function whose occupation was a priori synthesis, and which was sharply distinguished from anything which might be called a "soul." With Husserl the pure I was again an empty, formal source of all intentionalities, a pure transparency devoid of depth; at least this (...) was Husserl at the epoch of the Ideen I, although the Cartesian Meditations altered the matter in fundamental respects. But there has always been an opposing body of philosophers, empiricists, and now existentialists, for whom there is no I at all within consciousness; the Cartesian cogito ergo sum demonstrates, they maintain, only that "there is thinking," an impersonal stream of conscious acts which need no I as their source or support. And finally, there is a third group which holds that while there is most certainly an I, it is not formal, nor empty nor even fully transparent to itself; it has certain depths which are not accessible to its own direct reflection but can be "felt" or "touched" in certain experiences which engage the ego in its totality, or which shatter its own thin picture of itself. Jaspers and Marcel belong to this group. And so, while we began with a certitude, I think, we find at last that both the existence and character of this most certain of all things are questionable, or at least have been questioned. I propose then to reexamine the question, first briefly to ascertain that there is indeed an I or thinking subject; and then more extensively to follow certain clues as to its character in depth. (shrink)

_The Legacy of Herbert Marcuse: A Critical Reader_ is a collection of brand new papers by seventeen Marcuse scholars, which provides a comprehensive reassessment of the relevance of Marcuse's critical theory at the beginning of the 21st century. Although best known for his reputation in critical theory, Herbert Marcuse's work has had impact on areas as diverse as politics, technology, aesthetics, psychoanalysis and ecology. This collection addresses the contemporary relevance of Marcuse's work in this broad variety of fields and from (...) an international perspective. In Part One, veteran scholars of Marcuse and the Frankfurt school examine the legacy of various specific areas of Marcuse's thought, including the quest for radical subjectivity, the maternal ethic and the negative dialectics of imagination. Part Two focuses on a very new trend in Marcuse scholarship: the link between Marcuse's ideas and environmental thought. The third part of this collection is dedicated to the work of younger Marcuse scholars, with the aim of documenting Marcuse's reception among the next generation of critical theorists. The final section of the book contains recollections on Marcuse's person rather than his critical theory, including an informative look back over his life by his son, Peter. (shrink)

It seems that the only scientific device which is not widely applicable is the special experimental technique necessary to establish the cause-and-effect ...

Memory, of course, is not a trivial or isolated act, and therefore truth or falsity in descriptions of memory will have consequences for large reaches of our philosophical theory. Memory at least purports to give us our only direct knowledge of the past. And our only indirect knowledge of the past, through inference, must credit some memories somewhere. If then our knowledge of the past is vitiated, what remains of our knowledge of the present, or our expectations for the future? (...) But if memory lives up to its pretentions of acquainting us with the past, then what sort of world is it where an existent mind now can become directly acquainted with what is no more existent, but passed away? What in other words, are the ontological presuppositions of the act of memory? (shrink)

The arts were created from an appeal to freedom. There can be no general aesthetic that defines how that freedom must express itself. Movies offer a seductive example. Of all the major arts, cinema is the only one that was invented during the lifetime of some who are now living. From this perspective, Earle argues that filmmakers were far more inventive in their early days than now, when commercial film has settled into a realist routine with occasional and timid forays (...) into the personal and imaginative. Earle suggests that unsympathetic readers should look again at the possible sources of film poetry, sources that have almost dried up in the flood of boredom experienced nightly in theaters throughout the world. Surrealism in Film is largely a manifesto against realism; it ends in a clash of sensibilities. The book encourages new exploration of absolute poetry. The intention of these essays is to destroy the absolute authority of the realist sensibility. Within that sensibility is everything thought necessary to "sense": narrative plot, recognizable and nameable passions, continuity and integration within the film, a gist or moral for the whole affair, social commentary, and psychoanalytic depth-meanings. Earle argues for a self-critique that should be performed if movies are not to remain encapsulated within its own delusions. (shrink)

Heidegger, Sartre and the later existentialist philosophers inherited a world, it has been said, from which "God is absent". Contemporary philosophy begins in the momentous questioning of the Christian experience by such nineteenth-century figures as Nietzsche and Dosteyevsky. But if existentialism is in some respects a beginning-again, it is in other respects linked to the classical world out of which Christianity arose and to certain themes in the writings of ancient and medieval Christians. Renewal and innovation converge. Addressing themselves to (...) the general reader, the three author-philosophers consider both the contemporary and the perennial. [Book jacket]. (shrink)

Heidegger, Sartre and the later existentialist philosophers inherited a world, it has been said, from which "God is absent". Contemporary philosophy begins in the momentous questioning of the Christian experience by such nineteenth-century figures as Nietzsche and Dosteyevsky. But if existentialism is in some respects a beginning-again, it is in other respects linked to the classical world out of which Christianity arose and to certain themes in the writings of ancient and medieval Christians. Renewal and innovation converge. Addressing themselves to (...) the general reader, the three author-philosophers consider both the contemporary and the perennial. [Book jacket]. (shrink)

On the other hand nothing could be more evident than that we have very few such fully explicit objects before our minds. It would be a fine point in metaphysics to determine whether any objects are fully explicit, so clear and distinct that there is nothing more to them than what appears, and, if there are any such objects, which ones they are. Obviously most of the things we know hover between clarity and obscurity; we know something of them, but (...) often only enough to know that there is much more to know. The problem of knowledge then for an existing mind consists not so much in reflecting upon what it does know and rejoicing in its clarity, as it does in making what it knows vaguely or implicitly as clear and explicit as the occasion requires. Theory of knowledge therefore must locate itself in the chiaroscuro of our actual situation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Selected Letters by William, Henry JamesWilliam James EarleWilliam and Henry James. Selected Letters. Edited by Ignas K. Skrupskelis and Elizabeth M. Berkeley. Introduction by John J. McDermott. Charlottesville VA: University Press of Virginia, 1997. Pp. xxxi + 570. $ 39.95.Almost fifty years of letters to and from the very diversely brilliant James brothers: in this volume a generous, and probably ample, selection of 216 from a total (...) of 740 surviving letters or postcards, from an original total, according to the present editors, of twice as many. This volume of correspondence reflects the deep, unquestioned, unshakable familial (and virtually statutory) closeness of William and Henry who happened, as adults, to be seldom in the same place. There is, it must be said, very little explicit philosophy, narrowly or broadly defined, in these letters, but the philosophical reader will—or ought to—find much raw material for philosophical reflection. For example, a reasonable historicist thesis of how brotherhood, or family connection generally, plays itself out is supported by these documents. The nineteenth century is not the same as the twentieth. For example, here is William’s comment on the will of his sister, Alice, who left more to her companion and care-giver, Katherine Loring, a [End Page 479] women of extraordinary virtue and burden, than to her brother Robertson: “I can well sympathize with Alice’s desire to leave her something handsome; but I must say that her own consent (being apparently privy to the will) strikes me as tant soit peu lacking in delicacy. Surely no one of us would like to be in such a position in her family or any other” (271). This would be, in 1998, a rather unenlightened and ungenerous attitude, but is natural enough in 1892, even if not quite inevitable, not being shared by Alice herself. There is, incidentally, much discussion of wills and bequests, for the Jameses were of the genteel class, people with small family money and modest private incomes for whom the wherewithal to maintain homes with servants and to provide themselves with country houses and recuperative European vacations was always a faintly embarrassing, and occasionally a pressing, problem.It is probably also true that the much-discussed question of Henry’s homosexuality has, somehow, to be recast in historically relative terms. Here is an early report—1869—of Henry’s from Oxford: “As I walked along the river I saw hundreds of the mighty lads of England, clad in white flannel & blue, immense, fair-haired, magnificent in their youth, lounging down the stream in their punts or pulling in straining crews & rejoicing in their godlike strength” (41). This could not, the point is, be said by anyone, gay or straight, in 1998. Yet Henry is neither generally naive nor uncritically anglophile. He says of the Warwickshire scenery, which in a way he likes, that it is “too monotonously sweet & smooth—too comfortable, too ovine, too bovine, too English in a word.” And he adds, a little surprisingly: “It seems like a vast show region kept up at the expense of the poor” (41). This is only one of many appealing comments not sparsely scattered, but unpredictably, in letters of more ordinary news. Here’s one I liked occasioned by seeing theater in Paris: “We talk about it & write about it & criticize & dogmatize & analyse to the end of time: but those brave players stand forth & exemplify it & act—create—produce!” (66).Of course the “wit and wisdom” are not the monopoly of Henry. Here is William being wise: “We all learn sooner or later that we must gather ourselves up and more or less arbitrarily concentrate our interests, throw much overboard to save any” (55–56). Again: “It is a sweet world, in the interstices of its bedevilment & brutality” (321). And William being funny: “Boils are surely the most slowly evolving things in nature—Christian doctrine is nothing to them” (393). He is talking about his own boils and was subject, at every period, to ailments and infirmities: “Since writing to you, I have been swimming in deep seas of influenza, gout and Erysipelas of the face” (443). Or as he, in 1900, sums it up: “My... (shrink)

Epicurus, though popularly and indeed nominally associated with a doctrine advocating the procurement of rather expensive pleasure, lived very simply in his garden with a circle of friends. The 14th of his Sovran Maxims or Cardinal Tenets (kuriai doxai), as collected by Diogenes Laertius, reads: ‘When tolerable security against our fellowmen is attained, then on a basis of power sufficient to afford support and of material prosperity arises in most genuine form the security of a quiet private life withdrawn from (...) the multitude’ R. D. Hicks, the translator, gives, as an alternative to ‘power sufficient to afford support’, ‘power to expel’, but on either reading, we are to think of Epicurus's garden, both the real place and the conceptualized, or tropologized, topos of wisdom and earthly felicity, as enclosed and exclusive. This enclosure, exclusivity, and—what is also implied—abstention of its inmates from participation in the affairs of state are given apophthegmatic expression in ‘Live hidden!’ We contemplate this adage, or slogan, from an enormous cultural distance and, for most of us, ‘Live hidden!’ is much more likely to trigger secondary reflections about the relations between ethics and politics, private and public, perfection of self and improvement of the world, than it is to constitute an actual, or potential, piece of advice we might think about whether, and how, to follow. (shrink)

An examination of late Rorty shows that he does not abandon belief in an external world about which we can, and indeed must, acquire knowledge. His disapproval of the correspondence theory of truth does not involve the idea that anything other than local weather, for example, could falsify remarks about local weather. It is just that once we get done looking out the window or, if we are outside, feeling the right kind of drops make contact with our skin, there (...) is nothing else we can do, nothing better, to make ourselves more certain, more cognitively secure. One can see this in the detailed work that enables scientific progress. Science improves itself by doing more of the same. G. E. Moore's famous open question stays open only as a reminder that our fallibility never disappears and that our cognitive security is never better than pro tem. Rorty, as a faithful pragmatist and undogmatic meliorist, thinks this is perfectly O.K. (shrink)

Today, happily, we have much less confidence than a Montesquieu or a Hegel in depicting the “spirits” of nations, times, and generations. The more intelligible such depictions are, and the more suitable for their role in world–historical drama, the less plausible they seem to those whose spirits they are supposed to be. For no matter how subtly drawn and with no matter how many reservations, they remain in the end categories. The application of categories to any living subject matter itself (...) generates a categorial malaise: the category is clear, but life while it illustrates that category, also illustrates its opposite, as well as an indefinite number of other categories not encompassed in either the one or the other. (shrink)

E j lemmon, B a o williams, Bas van fraassen, And ruth marcus have argued on behalf of the existence of moral dilemmas, I.E., Cases where an agent is subject to conflicting absolute moral obligations. The paper criticizes this support and contends that no moral dilemma is possible.

2. In the first place, the term "power" is used to refer to processes which are held to go on at particular times, and to be accessible to direct experience. It is not clear to me why our experiences of activity are not "explicit", or why they are not to be regarded as manifested to the senses ; but possibly these assertions could be defended on the ground that the experiences in question are phenomenologically distinctive in some way.

In lieu of an abstract, here is a brief excerpt of the content:Scott Joplin and the Quest for IdentityEarl Stewart and Jane DuranIn his innovative work I Wanna Be Me: Rock Music and the Politics of Identity, Ted Gracyk does much to dismantle notions of cultural authenticity and theft as they are currently articulated by some critics. Explaining that such concepts are less monolithic than some have claimed, Gracyk writes:While popular musicians often "pick up" the music of other cultures, such (...) practices are culturally, politically, and morally complex. In discussing such issues, I hope to show that they are even more complex than is typically thought. Here, I borrow an insight from Michelle Moody-Adams, who argues that prevailing positions in social and cultural anthropology assume that cultures are internally integrated wholes and that each culture is fundamentally a set of self-contained and discrete practices and beliefs. The same assumptions infest discussions of appropriation in cultural studies, folk-lore studies, and ethnomusicology. But these assumptions are highly questionable.1Gracyk's overall point is that what has frequently been simplified as "theft" or "inauthentic" is not susceptible to such easy formulation; indeed, Gracyk contends there is scarcely such a thing as a pure musical tradition.Gracyk's sophisticated argument is one, however, that itself admits of gradations and emendations. While it is no doubt accurate that there is very little that might count as artistically or culturally pure (hence, very little that can justifiably be claimed to have been stolen), some work is much more evocative of a cultural point of view than other efforts, and some work is much more centrally located within a given culture and its traditions than other musical work. In this article we shall make the twofold argument that much of the work of Scott Joplin is located in a tradition that is manifestly African derived, and that the composition of such work had, as one of its motivators, the desire to make a cultural statement. Thus, more so than some of Gracyk's exemplars, Joplin's work is strongly culturally attached, and its attachment needs to be duly noted.IThe origins of Joplin's work speak to the concerns of the nineteenth century and of the period immediately subsequent to emancipation. Most of [End Page 94] the black leadership of the time was united in its belief that a nationalist art would serve in the reconstruction of the image of African Americans. During the latter part of the nineteenth century many of these leaders saw the spiritual as the ideal folkloric basis for a serious black artistic expression. In music this notion was given strong support as a result of a concurrent interest on the part of European composers in African American music—an interest fed by the aesthetic of romanticism, which encouraged artistic investment in the strange, unusual, primitive, and exotic.Most classically trained African American composers attempted to comply with the vision of these black leaders by constructing a more or less European-style music tinctured with African American folk elements. The result would be a set of works that to this day has failed to be adopted by the African American community at large.Scott Joplin tried a different approach. He sought to create an African American musical expression that would be predicated upon an African American vernacular style—ragtime. Joplin essentialized his music in many ways. First, by choosing ragtime as a stylistic paradigm he assured the preservation of black rhythm. Second, to promote continuity and coherence he often employed rhythmic relationships between contrasting sections. Third, he frequently employed African American folk idioms like pentatonicism and call-and-response (antiphony) as interregnal devices in the structure of his melodies. Fourth, to assure an intrastructural linkage with the African American vernacular music of his day, he frequently used phrase structures that were consistent with those employed in folk music, particularly the black spiritual, for example, aaab. In his opera, Treemonisha, he based his libretto largely on black dialect, thus linking it with black literary tradition. These are but a few of the devices Joplin employed to assure a strong cultural essentialism to his music. As a result, Joplin has been acknowledged as one of the great icons of... (shrink)

This short history of Pembroke College, Cambridge appeared in 1936, during a particularly successful period for the college in terms of both academic and sporting achievements. Pembroke was founded in 1347, when Edward III granted Marie de St Pol, widow of the Earl of Pembroke, a licence for the foundation of a new educational establishment in the young University of Cambridge. The college flourished, and from the mid-nineteenth century expanded greatly. The author of this book, which (...) is still regarded as the 'official history of Pembroke College', was a leading authority on the college's history. However, he died before the manuscript could be completed, and the final part was written as a postscript by S. C. Roberts, a former Master of the college. The book has delightful illustrations and a thorough index of the influential scholars, former students and benefactors connected with the college over the centuries. (shrink)

Suicidal Thoughts is a compilation of some of the most moving and insightful writing accomplished on the topic of suicide. It presents the thoughts and experiences of fifteen writers who have contemplated suicide-some on a professional level, others on a personal level, and a few, both personally and professionally. Through this collection, the reader is able to bear witness to the struggle between life and death and to the devastating aftermath of suicide. Suicidal Thoughts provides readers with a better understanding (...) of the reasons why some individuals give serious consideration to killing themselves. (shrink)

William Lycan's On Evidence in Philosophy makes noteworthy contributions to many important philosophical topics. The topics discussed here are epistemic justification by explanatory coherence, seeming truths as sources of initial justification, the extent of our philosophical ignorance, the fault in begging the question, the nature of intuitions, and the evidence that intuitions supply. For each topic, an attempt is made to employ work done in the book to advance the philosophical issues.

What can reason do for us and what can't it do? This is the question examined by Herbert A. Simon, who received the 1978 Nobel Prize in Economic Sciences "for his pioneering work on decision-making processes in economic organizations." The ability to apply reason to the choice of actions is supposed to be one of the defining characteristics of our species. In the first two chapters, the author explores the nature and limits of human reason, comparing and evaluating the major (...) theoretical frameworks that have been erected to explain reasoning processes. He also discusses the interaction of thinking and emotion in the choice of our actions. In the third and final chapter, the author applies the theory of bounded rationality to social institutions and human behavior, and points out the problems created by limited attention span human inability to deal with more than one difficult problem at a time. He concludes that we must recognize the limitations on our capabilities for rational choice and pursue goals that, in their tentativeness and flexibility, are compatible with those limits. (shrink)