Those with a keen sense of the history of ideas will have noticed that just a few years before Kierkegaard’s 200th birthday was Darwin’s 200th birthday. Those with an even keener perception will have also seen the significance of the relation between these two bi-centenaries For Kierkegaard’s writings were a reaction to Darwin or, more broadly put, to the spirit of the times of which Darwin was the pinnacle. Both Darwin and Kierkegaard lived when it was becoming obvious that the (...) claims of the Bible could not literally be true. The findings of science rendered the Christian account of creation untenable. It was during the rush to discover the mechanisms of evolution, a discovery that would ring the death knell for any objective truth in the Christian story of creation, that Kierkegaard came up with the idea that objective truth had nothing to do with Christianity. Kierkegaard thus can easily be seen as fighting a rear-guard action to salvage what was left of Christianity. For if the objective findings of science were raising questions about the objective truth of Christian beliefs, then one way to avoid answering these questions would be to argue that Christianity has nothing to do with objectivity. There is, however, a major problem with Kierkegaard’s attempt to save Christianity in this “retreat to subjectivity” fashion. For in addition to pulling the carpet out from under the evolutionists, he also pulled the carpet out from under himself. The reason for this is because, despite his claims about Christian truths existing only in subjectivity and Christianity having no existence in objectivity, it is quite clear that Kierkegaard wants various Christian claims to be objectively true and therefore for Christianity also to have an objective existence. (shrink)

The paper deals with the question whether musical works are created or discovered. In the preliminaries some ontological presuppositions concerning the nature of a musical work setting the stage for the whole debate and the Creationist and Platonist views are discussed. The psychological concepts of creation and discovery are distinguished from their ontological counterparts and it turns out that only the ontological ones are relevant in this context and that the Creationist arguments fail to prove the point in (...) question. Finally it is argued that there is not necessaryly a conflict between the positions of the creationist and the Platonist, if they are construed in an appropriate way. The Creationist view that to compose is to create and the Platonist that to compose is to discover are compatible, at least if creation is understood in a quite natural and common sense way. (shrink)

This is a partly provocative essay edited as a humanitarian study in philosophy of science and social philosophy. The starting point is Isaac Asimov’s famous sci-fi novella “Profession” (1957) to be “back” extrapolated to today’s relation between Thomas Kuhn’s “normal science” and “scientific revolutions” (1962). The latter should be accomplished by Asimov’s main personage George Platen’s ilk (called “feeble minded” in the novella) versus the “burned minded” professionals able only to “normal science”. Francis Fukuyama’s “end of history” in post-Hegelian (...) manner is now interpreted to an analogically supposed “end of scientific history” without “scientific revolutions” any more. The relevant dystopia of the prolonged or even “eternal” period of normal science is justified to the contemporary institution of science due to mechanisms such as “peer-review”, “impact-factor rating”, the projects’ competition for funding, etc. Positive feedbacks forcing all scientists needing careers to be more and more orthodox are demonstrated therefore establishing for that dystopia to be the real state of contemporary science. Two counterfactual case studies based correspondingly on Feyerabend’s “Against method” (1975) if Galilei should make his discoveries today and Sokal’s hoax (1996) if he suggested a scientific masterpiece to be really rejected by journals are discussed. Still one case study considering the abundance of Kelvin’s “clouds” on the horizon of today’s physics (dark matter, dark energy, entanglement, quantum gravitation, phenomena refuting the Big Bang, etc.) serves to verify the aforementioned conjecture that science has already entered that dystopia of eternal normal science. The conception of “ontomathematics” implying “creation ex nihilo” being scandalous for the dominating paradigm is sketched as an eventual revolutionary way out. An imaginary and utopic “happy end” reinterpreting the analogical “happy end” of Asimov’s “Profession” finishes the essay “instead of conclusion” relying on the Internet and AI in an increasingly “fluid” and anti-hierarchical society. (shrink)

I argue that entities which best fill the role of musical works are discovered and not created. I begin by distinguishing two senses of ‘create.’ I then examine what our ordinary talk of musical works commits us to, paying special attention to this distinction. Finally, I look at Renée Cox's arguments for the creation view of musical works. One of her reasons actually supports the discovery position. Her other claims are consistent with the view that musical works are (...) discovered. I conclude that though our ordinary talk concerning musical works is often ambiguous, the discovery view is superior. (shrink)

Climate change calls for resource saving, sustainable ways to generate energy as well as moderation in growth and industrialization. Religion can help to develop a general change in our worldview and a realignment of our aims and lifestyles. If we are seeking a new outlook on life, religion should be a part of it, as religion and culture shape and form our outlook in significant ways. Gordon Kaufman is one of those theologians who have early on openly acknowledged the scope (...) and responsibility of religion concerning environmental exploitation and destruction.1 Due to his dissatisfaction with traditional anthropomorphic talk about God and the world, Kaufman was always looking for new ways of shaping... (shrink)

A collection of previously printed but newly revised essays. The author holds that "art both creates and discovers values and meanings," because it reveals its object both in itself and through itself, because it is, as it were, an opaque sign. Art is semi-autonomous; the world of art organizes experience, yet does not find its validation in it. There are some essays in and about literary criticism, but the author is primarily concerned with the "manner in which art informs culture," (...) and only secondarily with works of art themselves. The book is important and illuminating.--A. R. (shrink)

Eliseo Vivas gives forceful expression to this ancient but neglected truth in a recent volume of essays. These papers deal with a wide variety of topics, but they all focus upon the theme of the relation between art and ontology, and they all insist that we can approach an understanding of art only to the extent that we can clarify the nature of the object that art discloses. Because of the separation of present-day intellectual disciplines, the vocabulary in which this (...) discussion is cast is apt to make it miscarry. So it is worth a moment to translate its central thesis into those dialects that are most prevalent in contemporary aesthetic discourse. (shrink)

Es incuestionable el hecho de la evolución, así como la admisión de una realidad previa de la cual partir, sea creada o no. Pero luce cuestionable el mecanismo de la evolución en clave de “selección natural” cuando se la entiende como netamente naturalista. El evolucionismo darwinista no tiene fundamento suficiente para afirmar que las especies evolucionan de modo totalmente aleatorio y sin finalidad definida. Los más recientes descubrimientos socavan los cimientos del darwinismo (J. Enrique Cáceres-Arrieta), y nos hablan de un (...) Diseñador creando el universo de la nada en un tiempo finito y aceptando la evidencia del Big-Bang (William Lane Craig). Otros tipos de evolucionismo, aunque rechazan la teleología, admiten sin embargo, la teleonomía, que no es incompatible con la tesis agustiniana del “creacionismo evolutivo”. En estos tipos de evolucionismo sí cabe una tendencialidad antrópica como la defendida por Agustín, a través de sus razones seminales-causales y de los distintos modos de creación derivados de aquel “simul et in ictu” creacional. Las distintas creaciones virtuales, también simultáneas y derivadas de la creación propia “ex nihilo”, no implican que sean efectivas “simul” también las especies o prototipos. Una cosa es el hecho de la creación simultánea y otro el de su real y existencial efecto en el tiempo. En esta idea encontramos la fundamentación para defender un creacionismo evolutivo a lo agustiniano, que podría sintonizar con otros evolucionismos al estilo de X. Zubiri, K. Rahner, Pedro Laín Entralgo,… Palabras clave: creacionismo; creacionismo evolutivo; creación virtual; evolucionismo; razón seminal; fixismo (o fijismo); principio o sentido antrópico. Saint Augustine versus Darwin: Evolutionary Creacionism of ‘Seminal Reasons’Evolution is an unquestionable fact, and so is the admission of a previous reality from which to start up, whether created or not. But the mechanism of evolution in terms of “natural selection” does look questionable, when the latter is understood as entirely naturalistic. Darwinist evolutionism has no sufficient grounds to assert that species evolve in a totally random way, without a defined end. The most recent discoveries undermine the foundations of Darwinism (J. Enrique Cáceres-Arrieta), and tell us about a Designer creating the universe out of nothing in a finite time, accepting the big bang theory (William Lane Craig). Other types of evolutionism, while rejecting teleology, do admit teleonomy, which is not incompatible with the Augustinian thesis of “evolutionary creationism”. In these kinds of evolutionism it is indeed possible to speak of anthropic tendencies, as was defended by Augustine by means of his seminal-causal reasons and the different modes of creation derived from that creational “simul et in ictu”. The different virtual creations, simultaneous as well and derived from the “ex nihilo” creation, do not entail that the species or prototypes should also be effective “simul”. One thing is the fact of simultaneous creation; a different one is its real and existential effect over time. In this idea we find the grounds on which to defend an Augustinian-like evolutionary creationism, which might be compatible with other types of evolutionism like those of X. Zubiri, K. Rahner, Pedro Laín Entralgo,… Keywords : Creationism;Evolutionary Creationism; Virtual Creation; Evolutionism; Seminal Reason; Fixism; Anthropic Sense or Principle. (shrink)

This book reconstructs the metapsychological and clinical theories of Melanie Klein and Jacques Lacan in a manner designed to redress prevalent mischaracterizations of their works that are largely responsible for the deadlocked polemics between partisans of Kleinian and Lacanian camps.

Contents Preface General Introduction 1 | Science and Pseudoscience Introduction Karl Popper, Science: Conjectures and Refutations Thomas S. Kuhn, Logic of Discovery or Psychology of Research? Imre Lakatos, Science and Pseudoscience Paul R. Thagard, Why Astrology Is a Pseudoscience Michael Ruse, Creation-Science Is Not Science Larry Laudan, Commentary: Science at the Bar---Causes for Concern Commentary 2 | Rationality, Objectivity, and Values in Science Introduction Thomas S. Kuhn, The Nature and Necessity of Scientific Revolutions Thomas S. Kuhn, Objectivity, Value (...) Judgment, and Theory Choice Ernan McMullin, Rationality and Paradigm Change in Science Larry Laudan, Kuhn’s Critique of Methodology Helen E. Longino, Values and Objectivity Kathleen Okruhlik, Gender and the Biological Sciences Commentary 3 | The Duhem-Quine Thesis and Underdetermination Introduction Pierre Duhem, Physical Theory and Experiment W. V. Quine, Two Dogmas of Empiricism Donald Gillies, The Duhem Thesis and the Quine Thesis Larry Laudan, Demystifying Underdetermination *Colin Howson and Peter Urbach, The Duhem Problem Commentary 4 | Induction, Prediction, and Evidence Introduction Peter Lipton, Induction Karl Popper, The Problem of Induction Wesley C. Salmon, Rational Prediction Carl G. Hempel, Criteria of Confirmation and Acceptability Peter Achinstein, Explanation v. Prediction: Which Carries More Weight? *Nelson Goodman, The New Riddle of Induction Commentary 5 | Confirmation and Relevance: Bayesian Approaches Introduction Wesley C. Salmon, Rationality and Objectivity in Science *Deborah G. Mayo, A Critique of Salmon’s Bayesian Way *Alan Chalmers, The Bayesian Approach Paul Horwich, Therapeutic Bayesianism Commentary 6 | Models of Explanation Introduction Rudolf Carnap, The Value of Laws: Explanation and Prediction Carl G. Hempel, Two Basic Types of Scientific Explanation Carl G. Hempel, The Thesis of Structural Identity Carl G. Hempel, Inductive-Statistical Explanation Peter Railton, A Deductive-Nomological Model of Probabilistic Explanation *Philip Kitcher, Explanatory Unification *James Woodward, The Manipulability Conception of Causal Explanation Commentary 7 | Laws of Nature Introduction A. J. Ayer, What Is a Law of Nature? Fred I. Dretske, Laws of Nature D. H. Mellor, Necessities and Universals in Natural Laws Nancy Cartwright, Do the Laws of Physics State the Facts? Commentary 8 | Intertheoretic Reduction Introduction Ernest Nagel, Issues in the Logic of Reductive Explanations Paul K. Feyerabend, How to Be a Good Empiricist *Jerry A. Fodor, Special Sciences Philip Kitcher, 1953 and All That: A Tale of Two Sciences Commentary 9 | Empiricism and Scientific Realism Introduction Grover Maxwell, The Ontological Status of Theoretical Entities Bas C. van Fraassen, Arguments Concerning Scientific Realism Alan Musgrave, Realism versus Constructive Empiricism Larry Laudan, A Confutation of Convergent Realism *Juha T. Saatsi, On the Pessimistic Induction and Two Fallacies Ian Hacking, Experimentation and Scientific Realism David B. Resnik, Hacking’s Experimental Realism *Martin Carrier, What Is Right with the Miracle Argument Arthur Fine, The Natural Ontological Attitude Alan Musgrave, NOA’s Ark---Fine for Realism Commentary Glossary Bibliography Name Index Subject Index. (shrink)

This article briefly replies to commentaries by Ilina Singh and Peter Lucas on our original piece titled "Mental Disorder and the Concept of Authenticity". In response to Lucas, we argue that those who face questions of authenticity in the context of mental disorder cannot avoid the dilemma between the "self-discovery" and "self-creation" approaches. In response to Singh, we suggest some ways in which the concept of authenticity might be of relevance to clinicians.

The creation discovery view and together with it its technically underlying hidden measurement formalism has been elaborated from the early eighties on, and many aspects of it have been exposed in different places [6, 7, 12, 13, 15, 16, 19, 20, 22, 23, 30–37]. In this paper we give an overview of the most important of these aspects.

The history of the modern oil industry begins along Oil Creek in August 1859 when Edwin Drake and Billy Smith found petroleum at the bottom of their well. Over the next decade and a half, Petrolia, the name given to this region in northwest Pennsylvania, produced more oil than anywhere else on earth. In the process, Petrolia became a massive industrial site and a vivid cultural image. Understanding this profound dual transformation is the object of Brian Black's sensitively drawn portrait (...) of the landscape of America's first oil boom.A landscape, according to Black, is a place where culture and nature meet, and in the 1860s a devastating crash occurred when the natural oil of Oil Creek met the commercial demand for lamp and machine oil. Oil Creek had been a quiet, lightly populated agricultural region whose sense of place was entirely self‐constructed by the local farmers. After Drake's discovery, the area became a place of unprecedented exploitation whose identity was hastily assembled by the thousands of outsiders that flooded the area looking for work, riches, or an exciting newspaper story. Petrolia soon became a mythic boom, a mania, a craze. Distant capitalists and recently arrived entrepreneurs painted fantastic pictures of endless and easy wealth. Oil became a prized commodity, and everything else—animals, plants, people, and even the creek itself—became expendable in a single‐minded market designed to pump as much oil as fast as possible. There seemed no legal, economic, or natural limitation to the exploitation—or to the boom mentality. Petrolia became the very embodiment of greed and speculation, instantaneous wealth and sudden failure. Its mores were as ephemeral as its transient population.All this is grist for Black's ethical mill, and he grinds it well, perhaps too relentlessly. There is no doubt that looking at the exploitation of oil from the obliteration of the wooded valleys, or the filth of boomtown streets, or the emptiness of ghost towns reveals a sacrificial landscape—an environment abused, wasted, ruined, and despoiled in pursuit of profit. Certainly Black is on firm ground when he ties what happened in Petrolia to what happened in Gilded Age America as a whole, but he may overstate the case when he argues that “industrial rationalization would never allow … humanitarianism to penetrate the utilitarian logic of Petrolia” .Was the logic of oil so ruthless and the motives of the Petrolians so shortsighted as to miss what was happening around them and what they were doing to themselves? They took photographs, after all. They criticized and complained endlessly about the mud, the floods, and the fires. Certain towns curbed land speculation, restricted development, and preserved a sense of community. And capitalists, by definition investors who try to reduce risk, worked to bring stability to petroleum production and prices. Black describes these valiant if sometimes vain efforts to restrain the oil rush. But taken together, they seem to suggest more of a struggle—communities versus companies, humanitarianism versus utilitarianism—than Black acknowledges.Many of those involved in the seeming chaos that was Petrolia wanted the oil industry to become a permanent, predictable branch of mining. This was especially true for the engineers, scientists, and other petroleum experts. To this end, Black provides a useful sketch of the technology of oil production along with a brief explanation of petroleum geology. He concludes, however, that none of these experts had much effect on the problems. “Science and technology were clearly tools of industry in Petrolia” .To an extent. In Black's account, the oil “industry” was a collective evil. Equal parts cultural and economic, it acts like a numberless, faceless mob, gripped by “oil on the brain” and motivated by an all‐pervasive ethic of progress and an insatiable drive to make money. It reduces to the sharp end of a rod used to bore through the earth for oil—environmentally insensitive and destructive. As an analytical device, however, “industry” is a blunt tool. Not all wells struck oil, not all companies manipulated knowledge and technique to their own purpose. Experts learned quite a bit and quite quickly about the habits of oil. The divining rod was not the most acceptable method of exploration . Again, there was more of a struggle—sci‐tech versus random wildcatting—than Black allows.The suggestion of situated struggles, however, does not detract from Black's larger theme. Petrolia was environmental hell. Black has rendered this nightmarish landscape into a powerful and at times passionate story about the physical changes to the land and its meaning . If there is a lesson to be found in Petrolia, it is that the modern oil industry is truly an American creation. (shrink)

One of the particular problems in the debate between science and theology regarding human origins seems to be an apparent controversy between the continuous character of evolutionary processes leading to the origin of Homo sapiens and the punctual understanding of the act of creation of man seen as taking place in a moment in time. The paper elaborates scientific arguments for continuity or discontinuity of evolution, and what follows, for the existence or nonexistence of a clear borderline between our (...) species and the rest of the living world. It is argued that, due to the conventional character of the notion of species, anthropology is unable to point to a moment in time or a place on Earth when or where Homo sapiens came into existence as a ‘really new’ species. The argument of the non˗specificity of humans is reinforced by considering emotional homologies between man and apes, “cultural” transmission of the patterns of behaviour in animals, or their mental and communicational abilities. All this is in line with a more general philosophical view of ontological continuity of the world. However, the argument is counterbalanced by pointing to such human characteristics as the ability to use abstract notions, or those forms of human behaviour which do not seem to have their animal analogues. In turn, various possibilities of theological interpretations of the act of creation of man are pointed out and a question is considered as to what extent theology is interested in a "momentary" account of this act. By pointing to theological accounts proposed as early as the 2nd century, it is argued that a vision of God – the craftsman who ‘builds’ its creation step by step, or even less restrictive forms of divine interventionism, are theologically inadequate. The original opposition between the continuity of evolutionary processes and ‘punctual’ character of creation is thus weakened and, from that perspective, a solution to the controversy in question is sought. One of such solutions, an “evolutionary model of creation”, a form of evolutionary creationism, proposed by a Polish philosopher Kazimierz Kloskowski, is presented. This model is based on two assumptions, stemming from process philosophy and evolutionary epistemology. The need to apply them in constructing a coherent view on evolution and creation is critically considered in the paper. (shrink)

Einstein Versus Bohr is unlike other books on science written by experts for non-experts, because it presents the history of science in terms of problems, conflicts, contradictions, and arguments. Science normally "keeps a tidy workshop." Professor Sachs breaks with convention by taking us into the theoretical workshop, giving us a problem-oriented account of modern physics, an account that concentrates on underlying concepts and debate. The book contains mathematical explanations, but it is so-designed that the whole argument can be followed (...) with the math omitted. Professor Sachs' story begins with classical and nineteenth century physics, describes the early discoveries in particle theory, and introduces the "old" quantum theory, which evolved into the quantum mechanics of the Copenhagen School. Such important ideas as the Einstein Photon Box experiment and the Einstein-Podolsky-Rosen Paradox, and Schrodinger's Cat Paradox are clearly expounded, followed by a completely fresh explanation of relativity in conceptual terms, showing how apparent paradoxes can be removed by Einstein's own interpretation, especially that of his later years. Professor Sachs gives a detailed comparison of the fundamentals of the quantum and relativity theories, suggesting how the contradictions might be resolved. In an epilogue, he makes suggestions, with reference to religious notions, Taoism, and Buber's theory of I-Thou, for generalizing Einstein's approach beyond physics. (shrink)

An attempt to give a comprehensive scientific account of the creative process. Humor, scientific discovery and art are all understood as dependent upon the act of "bisociation," the spontaneous intersecting of two or more previously unrelated frames of reference or "matrices." The first half of the book propounds this theory; the second half attempts to give its physical and psychological underpinnings. Though he fails to give any definite answer to how and why the bisociative act takes place, Koestler's erudition, (...) insights and considerable skill as a writer are impressive.—S. C. H. (shrink)

The purpose of my paper is to challenge the binary classification of authenticity, which is currently employed in the bioethical debate on enhancement technologies. According to the standard dichotomy, there is a stark opposition between the self-discovery model, which depicts the self as a substantial and original inwardness, and the self-creation model, which assumes that the self is an open project, that has to be constituted by one’s free actions. My claim is that the so-called self-creation model (...) actually conflates two distinct versions of authenticity: one that is decisionist and one that is experimentalist. Hence, my proposal is to distinguish between three different models of authenticity: (i) self-discovery, which is an expressivist model of authenticity; (ii) existential commitment, which is a decisionist model; and (iii) reinvention of the self, which is an experimentalist model. Such a three-fold distinction will vast a more nuanced and clear light upon the enhancement debate. (shrink)

Inspiring and empowering, this journey behind the scenes of humanity's greatest creations reveals the surprising way we make something new. What do Thomas Jefferson's ice cream recipe, Coca Cola, and Chanel No. 5 have in common? They all depended on a nineteenth-century African boy who, with a single pinch, solved one of nature's great riddles and gave birth to the multimillion-dollar vanilla industry. Kevin Ashton opens his book with the fascinating story of the young slave who launched a flavor revolution (...) to show that invention and creation come in unexpected shapes and sizes. From the crystallographer's laboratory where the secrets of DNA were first revealed by a long-forgotten woman, to the electromagnetic chamber where the stealth bomber was born on a 25-cent bet, Ashton weaves tales of humanity's greatest creations to unpack the surprising true process of discovery. Drawing on the Amish and the iPhone, Kandinsky and cans of Coke, Lockheed, South Park, and the Wright brothers--who set out to "fly a horse"--he showcases the seemingly unremarkable individuals, gradual steps, multiple failures, and countless ordinary--and usually uncredited--acts that led to our most astounding breakthroughs. Creators, he shows, apply everyday, ordinary thinking that we are all capable of in particular ways, taking thousands of small steps, working in an endless loop of problem and solution. He explores why innovators meet resistance and how they overcome it, why most organizations stifle creative people, and how the most creative organizations work. In a passionate and profound narrative that amazes and inspires, Ashton's book sheds new light on how "new" comes to be. (shrink)

What is the goal of creativity? Is it just a symbolic reshuffling or a moment of semantic extension? Similar to the contrast between syntax and semantics, creativity has an internal and an external aspect. Contrary to the widespread view that emphasises the problem-solving role of creativity, here we consider whether creativity represents an authentic moment of ontological discovery and semantic openness like Schopenhauer and Picasso suggested. To address the semantic aspect of creativity, we take advantage of recent externalist models (...) of the mind suggesting that the mind is more than symbol recombination. (shrink)

Introduction : points of departure -- A genealogy of the Christian colonial mindset : ex nihilo from disputed beginnings to orthodox origins -- Ex nihilo and the origin of an empire -- Ex nihilo, erasure and discovery? -- The cogito, ex nihilo, and the legacy of John Locke -- The creation ex nihilo of terra nullius lands : omnipotent nations and the logic of global-colonization -- From epistemologies of domination to grounded thinking -- Opening words about God onto (...) creatio continua -- Creatio continua "all the way down": a post-colonial, planetary understanding of continuing creation -- Conclusion : a brief thought after. (shrink)

Myths of origin in archaic culture – including the Hebrew Scriptures – locate reality at the point of origin. The Greek term, αρχη, means both origin and governance. How something originates governs its definition; it was assumed by our ancestors. Hence the term archonic. Until we get to Christian eschatology and the promise of the new creation. In the New Testament, we find that God’s eschatological consummation will retroactively define what has always been. God’s redemption will epigenetically redefine what (...) occurred at our genesis. Who you and I really are as creatures will be determined by our completion in the Kingdom of God. The new creation, Omega, determines what was true at the point of origin, that is, at Alpha.Contribution: This article develops a theology of nature that incorporates natural science and augments the journal series in this subject area. Furthermore, this article develops a retroactive ontology based on the New Testament promise of an eschatological new creation. (shrink)

The medieval notion of instrumental cause is not limited to what we call today “instruments” or “tools.” It extends way beyond the realm of technology and includes natural entities, for instance, the accidents by which a substance acts on another substance, sensible species in the air acting on a visual faculty, sacraments, bodily organs, and sometimes creatures with respect to God’s action. In all these cases, instrumental causes, like secondary causes in general, are subordinated to a principal cause and contribute (...) to its action and effects. However, the manner in which they do so makes them different from regular secondary causes, and the specifics are not easy to pinpoint. At the occasion of discussions about creation ex nihilo and sacraments, John Duns Scotus challenges Thomas Aquinas’s theory of instrumental causality. Whereas Aquinas does not strongly distinguish between artifacts and natural agents, and postulates a complex superposition of layers of causation, Scotus offers a novel view that clearly separates artificial instrumentality and natural instrumentality, and in both cases explains causation with great economy. Scotus’s in-depth discussion has far-reaching implications. It completely transforms the understanding of instrumental causality in general. (shrink)

I address the issue of justifiable profits from distinct perspectives in economics, strategy research and ethics. Combining insights from Austrian economics, the resource-based perspective, and finders, keepers ethics, I argue that strategy is about the discovery of hitherto unexploited possibilities for exchange. To the extent that strategy is about the discovery/creation ex nihilo of products, ways of producing products, etc., the resulting profits are argued to be justifiable from a finders, keepers perspective.

Memes are hypothetical cultural units passed on by imitation; although nonbiological, they undergo Darwinian selection like genes. Cognitive study of multimodular human minds undermines memetics: unlike in genetic replication, high-fidelity transmission of cultural information is the exception, not the rule. Constant, rapid 'mutation' of information during communication generates endlessly varied creations that nevertheless adhere to modular input conditions. The sort of cultural information most susceptible to modular processing is that most readily acquired by children, most easily transmitted across individuals, most (...) apt to survive within a culture, most likely to recur in different cultures, and most disposed to cultural variation and elaboration. (shrink)

Alarmed by the domination inherent in the patriarchal idea of truth, the author sketches principles that allow her to develop accounts of reality-to "do theory"-without implying that others should agree. This epistemological setting supports differences among wimmin that are expressed in different understandings of the world; it also supports agreement.

While collaboration has always played an important role in many cases of discovery and creation, recent developments such as the web facilitate and encourage collaboration at scales never seen before, even in areas such as mathematics, where contributions by single individuals have historically been the norm. This new scenario poses a challenge at the theoretical level, as it brings out the importance of various issues which, as of yet, have not been sufficiently central to the study of problem-solving, (...) discovery, and creativity. We analyze the case of collective and web-based proof events in mathematics, which share their temporal and social nature with every case of collective problem-solving. We propose that some ideas from cognitive architectures, in particular, the notion of codelet—understood as an agent engaged in one of a multitude of available tasks—can illuminate our understanding of collective problem-solving and act as a natural bridge from some of the theoretical aspects of collective, web-based discovery to the practical concern of designing cognitively inspired systems to support collective problem-solving. We use the Pythagorean Theorem and its many proofs as a case study to illustrate our approach. (shrink)

The explanation [of scientific change and problem solving] must, in the final analysis, be psychological or sociological. It must, that is, be a description of a value system, an ideology, together with an analysis of the institutions through which that system is transmitted and enforced. Thomas Kuhn Traditional epistemology with its concentration… on knowledge in the subjective sense, is irrelevant to the study of scientific knowledge. Karl Popper.

This chapter focuses on the issue of methodological usefulness of a strong versus weak adaptationist position in attempting to gain significant insight and to make scientifically important advances and discoveries in human cognition. Strong adaptationism holds that complex design is best explained by task-specific adaptations to particular ancestral environments; whereas weak adaptationism claims that we should not assume that complex design is the result of such narrowly determined task- or niche-specific evolutionary pressures in the absence of substantial corroborating evidence. (...) It argues that in cases of certain domain-specific cognitive competencies strong adaptationism has proven useful but not necessary to recent progress in the field. In other cases, a weak adaptationist strategy has been arguably most productive in advancing scientific understanding, without precluding that the structures uncovered by other means are actually adaptations. (shrink)

Ever since Newton created dynamics, there has been controversy about its foundations. Are space and time absolute? Do they form a rigid but invisible framework and container of the universe? Or are space, time, and motion relative? If so, does Newton's 'framework' arise through the influence of the universe at large, as Ernst Mach suggested? Einstein's aim when creating his general theory of relativity was to demonstrate this and thereby implement 'Mach's Principle'. However, it is widely believed that he achieved (...) only partial success. This question of whether motion is absolute or relative has been a central issues in philosophy; the nature of time has perennial interest. Current attempts to create a quantum description of the whole universe keep these issues at the cutting edge of modern research. Written by the world's leading expert on Mach's Principle, The Discovery of Dynamics is a highly original account of the development of notions about space, time, and motion. Widely praised in its hardback version, it is one of the fullest and most readable accounts of the astronomical studies that culminated in Kepler's laws of planetary motion and of the creation of dynamics by Galileo, Descartes, Huygens, and Newton. Originally published as Absolute or Relative Motion?, Vol. 1: The Discovery of Dynamics, The Discovery of Dynamics provides the technical background to Barbour's recently published The End of Time, in which he argues that time disappears from the description of the quantum universe. (shrink)

European thought begins with the Greeks. Scientific and philosophic thinking--the pursuit of truth and the grasping of unchanging principles of life--is a historical development, an achievement; and, as Bruno Snell writes in The Discovery of the Mind, nothing less than a revolution. The Greeks did not take mental resources already at their disposal and merely map out new subjects for discussion and investigation. In poetry, drama, and philosophy they in fact discovered the human mind. The stages in man's gradual (...) understanding of himself are revealed in the course of ancient literature from Homer to Virgil. A rational view of the nature of man slowly established itself in the creations of epic and lyric poetry, tragedy and literary criticism, pre-Socratic thought, and early Greek ethics all the way to the discovery of humanitas and the spiritual landscape of Virgil's Arcadia. The Discovery of the Mind is a landmark work in tracing this evolution of consciousness--one of the distinguishing characteristics of the history of man. (shrink)

The structures of protein and DNA were discovered primarily by means of synthesizing component-level information about bond types, lengths, and angles, rather than analyzing X-ray diffraction photographs of these molecules. In this paper, I consider the synthetic and analytic approaches to exemplify alternative heuristics for approaching mid-twentieth-century macromolecular structure determination. I argue that the former was, all else being equal, likeliest to generate the correct structure in the shortest period of time. I begin by characterizing problem solving in these cases (...) as proceeding via the elimination of candidate structures through the successive application of component-level information and interpretations of X-ray diffraction photographs, each of which serves as a kind of constraint on structure. Then, I argue that although each kind of constraint enables the elimination of a considerable proportion of candidate structures, component-level constraints are significantly more likely to do so correctly. Thus, considering them before X-ray diffraction photographs is a better heuristic than one that reverses this order. Because the synthetic approach that resulted in the determination of the protein and DNA structures exemplifies such a heuristic, its use can help account for these discoveries. (shrink)

Ever since Newton created dynamics, there has been controversy about its foundations. Are space and time absolute? Do they form a rigid but invisible framework and container of the universe? Or are space, time, and motion relative? If so, does Newton's 'framework' arise through the influence of the universe at large, as Ernst Mach suggested? Einstein's aim when creating his general theory of relativity was to demonstrate this and thereby implement 'Mach's Principle'. However, it is widely believed that he achieved (...) only partial success. This question of whether motion is absolute or relative has been a central issues in philosophy; the nature of time has perennial interest. Current attempts to create a quantum description of the whole universe keep these issues at the cutting edge of modern research. Written by the world's leading expert on Mach's Principle, The Discovery of Dynamics is a highly original account of the development of notions about space, time, and motion. Widely praised in its hardback version, it is one of the fullest and most readable accounts of the astronomical studies that culminated in Kepler's laws of planetary motion and of the creation of dynamics by Galileo, Descartes, Huygens, and Newton. Originally published as Absolute or Relative Motion?, Vol. 1: The Discovery of Dynamics, The Discovery of Dynamics provides the technical background to Barbour's recently published The End of Time, in which he argues that time disappears from the description of the quantum universe. (shrink)