Mangas often reflect the attraction of Japanese culture to combine spiritualities and cultural inspirations in a phenomenon of syncretism widely accepted in both fiction and everyday life. Death Note (Ohba & Obata, 2004-2006) provides an effective example of this phenomenon. The story deals with a notebook that fel from the sky and allows anybody who writes in its pages to kill any human. When young student Light Yagami uses the notebook for his own glory, he quickly encounters the Gods of (...) Death (shinigamis) directly linked to this terrible object. The presence of these creatures and occasional glimpses of their world in the story lead us to offer, in this study, a commentary on different spiritual influences, contemporary or traditional, that may have inspired the authors of Death Note. The creative process that follows, in service of their own narrative, undoubtedly contributes to the success of this work, both in Japan and around the world. (shrink)

The folklore studies scholar, such as Dorson (1976, Folklore and fakelore: Essays toward the discipline of folk studies, Harvard: Harvard University Press), was emphatic about the distinction between folklore and ‘fake lore’, one being authentic and the other as invented by the popular industry; however, he paradoxically maintained interest in the contemporariness of folklore. This was a paradox since the contemporariness of folklore is largely, and usually, due to intersections of folk with popular and political. (...) Nevertheless, the emphasis on contemporariness was a harbinger of discussion on the potential dynamics of folklore, and everything buried therein, including value orientation. This essay is guided by the observations emerging from folklore studies, socio-cultural anthropology and performance studies in order to get into a specific case of Bihu, a folk performance inclusive of songs, dance, attires and instruments inter alia in Assam, in the northeast of India. The curious case of Bihu in flux divulges dynamics of value orientation and intersections of identity politics, in the wake of the contemporariness of folklore. (shrink)

The French nineteenth century artists Henry Toulouse-Lautrec (1864-1901) is known for his distinctive style and bold character portraits of the theatrical scene of the gaslight era in Paris. The paper examines some of the formative influences of eighteenth century Japanese art on the development of visual characters, with specific focus on a lithograph entitled Divan Japonais. Alluding to the refined representation of Japanese courtesans, subtle nuanced reminiscences to an ideal of elegance create an allusion to highly respected courtesans in (...) the Japanese ‘Green Houses’ of the Asian Yoshiwara the famous “Good Luck Meadow” in Edo, present day Tokyo. I argue that Lautrec draws on techniques in Asian art, effectively creating a visual language that suggests a carefully crafted reevaluation of values. Lautrec’s visual language promotes sensibilities characteristic for a Japanese aesthetic and lifestyle that are also intrinsic to a traditional cultivation of moral virtues in Asia. The argument will be developed in conjunction with an analysis of diverse forms of visual language apparent in two works of Lautrec, a print by the Japanese artist Kitagawa Utamoro (1753-1806), and a photo of the dancer Jane Avril (1868—1943). (shrink)

Taking a set of central issues from ancient Greek medicine and biology, this book studies firstly, the interaction between scientific theorising and folklore or popular assumptions; secondly, the ideological character of scientific inquiry. Topics of interest in the philosphy and sociology of science illuminated here include the relationship between primitive thought and early science, the roles of the consensus on the scientific community, tradition and the authority of the written text, in the development of science.

A distinguished wise man, Emil Cioran, with whom I share a country of birth and the thought that follows, said once that the two most interesting things in life are gossip and metaphysics. I can hardly think of a more self evident and enjoyable truth, if wisely construed. This volume combines the two pleasures, for it is an exercise in the metaphysics of wise gossip, of how we make sense of each other, and how, as a result we interpret, explain, (...) rationalize and evaluate our representations and actions. The body of wisdom which allows us to do all this is currently currently called folk or common sense psychology. I will also call it psychofolklore or the folklore of the mind. (shrink)

Cet article rend compte des modes d'utilisation et d'accès aux TIC au Japon, sous l'angle des controverses et des défis qui se présentent aux différentes générations. Pour les parents, il s'agit d'assurer un environnement informatique sans risque tout en aidant leurs enfants à découvrir des informations en ligne et à en tirer le meilleur parti. Quant aux adultes en général, les inégalités existantes déterminent la nature et les modes d'utilisation des TIC. En conclusion, l'article suggère qu'Internet présente non pas un (...) moyen d'expression transparent à une société civile pré-existante, mais soulève au contraire des problématiques classiques dans la société civile japonaise, ayant trait par exemple à l'égalité, à l'intégration et à la participation aux délibérations civiques.This article reports on usage patterns and access to ICTs in Japan, in terms of controversies and challenges that arise between generations. For parents, it is to ensure a safe computing environment while helping their children discover information online and get the best. For adults in general, existing inequalities determine the nature and patterns of use of ICT. In conclusion, the article suggests that the Internet has not a transparent medium of a pre-existing civil society, but instead raises issues in traditional Japanese civil society, for example in relation to equality, integration and civic participation in the deliberations. (shrink)

Face à l’extension d’un art disséminé, nous nous arrêtons sur un registre de pratiques et de notions malentendues, les arts martiaux japonais, confondus avec des « sports de combat ». Par « art » nous entendons une conduite soucieuse de mener une pratique et une production à la perfection, et foncièrement à la perfection de soi, quelle que soit la manière culturelle locale d’envisager cet état d’accomplissement. En regard de l’art du bouquet ( ikebana ), de pratiques shintoïstes (comme (...) le kototama ), nous examinons des notions comme celle d’art martial ou bugei, littéralement l’art ( gei ) d’arrêter la lance ( bu ). Ce que les Occidentaux ont interprété comme un « art de la guerre » se voulait un « art de la paix ». Les arts martiaux japonais mobilisent en ce sens des notions et des expériences parfois connues en Occident comme le ki, l’énergie, ou méconnues comme le shin (le cœur-esprit), le ma (l’espace-temps) ou l’ aï (l’un). Nous nous proposons de démonter un malentendu à partir d’une pratique artistique, le kino-michi, élaboré par Masamichi Noro, dérivée de l’aïkido, en vue de comprendre en quoi ces bugei sont une éducation, une élévation de l’âme et du corps au même titre que la musique ou la danse. (shrink)

The article characterizes post-folklore as a cultural phenomenon of the network society and defines various aspects of its functioning − sociocommunicative, cultural and psychological. The research methodology consisted of a set of basic approaches, principles and methods of scientific research. To achieve the goal, a set of general scientific and special methods was used, including the methods of logical analysis, problemchronological, generalization, synthesis, induction, and analogy.Research results. It has been proven that post-folkloric creativity is important for the development of (...) social communications, as it promotes the exchange of information between users of social networks, conveys people’s knowledge, moods, feelings, and emotions. In the cultural aspect, the works of post-folklore appear as cultural heritage of modern urbanized society and are represented by various types and genres. From the point of view of psychology, post-folklore has an impact on individual and social consciousness, on the development of cognitive processes, etc. The emergence of post-folklore in the field of education is separately mentioned, which indicates its important importance for the formation of the worldview of school youth.Conclusions. Today post-folklore is the subject of scientific research as a phenomenon of mass culture and network society, as a means of social communication, as a phenomenon that has an impact on public and individual consciousness and is gradually being established in the field of education. In the era of accelerated development of information and communication technologies, everyone has the opportunity to become a collector or author of post-folkloric creativity. Further research is planned to be carried out in the direction of studying the prospects for the development of post-folklore in Ukrainian and foreign cultures. (shrink)

Games, festivals, folklore, a derivation of them, and artistic expression are manifestations of symbolic invention. To compare them is to bring out the differences in the order of the symbolic production and have, as a consequence, a differentiated perception of the way they function. It is also to put them into a perspective of filial relationship. In fact, a genealogy appears with the processes that regulate the passage from one to the other of these means of expression. Through the (...) successive dissipation of structural stabilizations that are in turn play, festival and folklore, a generative order of complexity is established of which art, with its dynamics open to all expressive invention, is the end result. Finally, it is to discover at the end of the process the literary text, conceived as a work of art, surrounded by expression and preceded by it, appearing from then on according to one of the precepts of the theory of the text, as a production “of society and history” and as issuing from the social phenomenon in its entirety. “I am not only undertaking a study of a sociology of games,” wrote Roger Caillois. “My idea is to lay the foundations for a sociology beginning with games.” We would say of a sociology in which we would be permitted to glimpse the achievement of the task of explaining the entire social phenomenon itself. (shrink)

Parmi les grands intellectuels japonais du XXe siècle, Maruyama Masao (1914-1996), historien des idées, sociologue et philosophe, est l'un des plus significatifs. Homme lucide et engagé, il n'a cessé de se battre contre toute forme d'autoritarisme ou de nationalisme. 1945 est sans doute le point de départ de sa réflexion tant la guerre a été vécue comme un traumatisme. A partir de là, il a cherché à développer une conscience politique susceptible de faire face aux malheurs successifs de son (...) pays : l'accession au pouvoir des militaires, le bombardement atomique d'Hiroshima, les luttes pour le rétablissement de la liberté face à un occupant américain. C'est dans cet esprit qu'il s'attelle à la fondation d'une véritable science politique japonaise, et qu'il entreprendra ses grands travaux sur l'histoire des idées au Japon : l'époque d'Edo et les prémisses d'une modernité autochtone, la crise identitaire de l'époque Meiji, le militarisme du XXe siècle, puis l'ambiguïté et les promesses de l'époque contemporaine. Ses analyses de l'ultranationalisme japonais se révéleront ainsi être un parfait complément aux études d'Hannah Arendt sur les totalitarismes européens. Avec lui, nous comprenons que les notions de démocratie, de modernité et d'autonomie politique ne sont pas des idéologies d'importation mais bien des valeurs universelles que le Japon a intériorisé à sa manière. (shrink)

El autor discurre sobre la historia y esencia del arte, y su relación con las demás manifestaciones del saber humano.

Popular Traditions, Folklore and Politics The article studies how the "language" of folk traditions and folklore continues to be a tried-and-tested means for the representation and propagation of political concepts and ideas. The author notes transformations in the significance of folklore and folk traditions in historically changing both political and socio-cultural contexts. Attention is drawn to the significance of folklore in the nation-forming thinking of the 19th century, the place of honour accorded to it as an (...) expression of the working people during the period of socialism, and its contradictory perception in the post-socialist context today. (shrink)

This article explores how Paul Féval’s work integrates and transforms Breton legends and popular beliefs to shape a distinctive imaginary novel. Féval, born in Rennes in 1816, was influenced by the oral traditions of his native region. He drew on this rich cultural heritage to create works combining fantasy, the marvellous and romanticism, such as La Femme blanche des marais, Les Belles-de-nuit and La Fée des Grèves. These stories illustrate a hybrid between elements of authentic folklore and literary reinterpretations (...) influenced by European Romanticism. Féval is particularly interested in legendary female figures linked to water and the Other World, such as the White Woman of the Marshes, a spectre protecting the Malestroit family, and the Belles-de-nuit, ghosts mourning their tragic fate. These characters do more than simply enrich the poetic background: they play an active part in the plot and crystallise the introduction of the modern marvellous, where the supernatural emerges in a realistic setting, provoking fascination and turmoil. The novelist also explores the figure of the fairy, as in La Fée des Grèves, where this romantic aquatic creature, both protective and ambiguous, crosses symbolic thresholds between life and death, land and sea. The fairy, often associated with natural forces and sometimes Christianised, reflects the Breton imagination in constant transformation. This article also highlights the way in which Féval uses legends to meet the expectations of a wider audience, eager for a marvellous story that is accessible and rooted in geographical and historical reality. This process includes adapting traditional stories to make them compatible with the serial novel, a genre that values intrigue and mystery. Finally, this article highlights the ideological function of these stories: to re-enchant a modern world perceived as disenchanted by industrialisation and the rise of materialism. The reworked legends thus become a narrative and poetic tool enabling Féval to celebrate a past imbued with spirituality and mystery, while at the same time criticising a society in the throes of change. (shrink)

Japanese nationalism after World War II emerged out of the U. S. occupation of Japan. Rather than oppressing nationalist sentiment, the U. S. occupation administration nurtured the sense of national uniqueness and continuity in Japan and helped absolve Japanese colonial guilt and war responsibility. This U S. strategy toward Japan is best symbolized by the way the emperor system was reconstructed as part of the American reign in East Asia. Although it sometimes reveals its anti-American emotion, Japanese nationalism is in (...) complicity with the US. hegemony in East Asia, in such a way that Japan’s subjugation to US. policies is further intensified as its nationalism manifests more jingoistic tendencies. Perhaps we should find an intimation of today’s global complicity of the peripheral state with the super-state in this entanglement. (shrink)

In this article, the aim is to explore Lebanese folklore through proverbs and to demonstrate how the dynamic field of imagination behind concise oral statements influences contemporary society and anchors, in the collective thinking of several generations, the values of a community, whether they are well-founded or not. Although Lebanese society is patriarchal, men are often depicted as beasts, frequently domestic and specifically as draft animals. The parody, satire, and humor that generally characterize proverbs feed into the images that (...) circulate in the collective unconscious. Durand's theriomorphic symbolism and its resulting ramifications, while referring to Bourdieu's “male domination,” highlight customs and traditions that devalue women and represent them as inferior beings or even as the embodiment of evil on earth. As one facet of folklore, these popular expressions sometimes originate from mythical, biblical, or traditional stories that are the result of beliefs and rituals passed down through centuries. (shrink)

Noruz, the new year in the Iranian world, corresponds to the spring equinox. The rites and festivities to which this festival gives rise in Iran are described here. But celebrating the new year on a fixed date according to a solar calendar is opposed to the customs of the Muslim world governed by a lunar calendar. The custom of the festival is all the more called into question when the spring equinox and its joyous manifestations correspond to a ritual of (...) mourning, as was the case in 2006. The celebration of Noruz was also prohibited under the Soviet Union and one of the first steps taken by the new Middle Eastern republics was its re-establishment. In Turkey, this popular festival by the Kurds and Alevis was the subject of a reinterpretation, enhancing the patriotic spirit. (shrink)

En este artículo se presenta el guión de una conferencia que Roberto Lehmann-Nitsche, pocos años después de radicarse en la Argentina, desarrolló en 1901 acerca del folklore mapuche. La intervención se realizó a solicitud de la Deutschen Frauen Verein, una asociación de mujeres alemanas con sede en la ciudad de Buenos Aires, y abordó aspectos teóricos sobre esta disciplina, entonces en expansión, desde la perspectiva germana. Además, realizó una catalogación de los materiales empíricos documentados por este antropólogo durante los (...) primeros años de su residencia en el país. El texto original, hasta el momento inédito, se entrega en su versión en alemán y en traducción al español. En la presentación se proporciona un análisis que permite reconocer cómo en esta intervención se integran apreciaciones que Lehmann-Nitsche también sostuvo en posteriores publicaciones científicas y de divulgación por él realizadas. Como se sabe, su producción en el campo del folklore comprendió dos vertientes: por un lado, el folklore criollo y por otro, el devenido de arte verbal y tradiciones de los pueblos indígenas preexistentes, en especial textos correspondientes a géneros narrativos y adivinanzas en las lenguas propias y en castellano. En relación con este último aspecto, se retoman aportes de autores filiados en la tradición germana a fin de indicar afinidades y vínculos, con algunos americanistas que eran sus contemporáneos. (shrink)

In pre-Columbian times, the Zenu Indians established drainage systems in the wetlands of the Colombian Caribbean that enabled them to exploit this rich ecosystem in a sustained manner. Modern inhabitants of the region are, however, exposed to a regimen of periodic flooding that limits their productive activities. In addition, they are surrounded by large cattle ranches that occupy almost all the land and are responsible for the disappearance of forests that sustain the wild fauna. These peasants employ a classification system (...) for the fauna that favors the criterion of habitat over that of morphology to distinguish categories of animals. Secondary forest animals inspire carnival dances, folk tales, poetry, and songs, while insects and other invertebrates are barely represented in the oral tradition. Fishing provides the principal source of protein for many families, but there are no mechanisms to control the use of large nets that exhaust the resource. The capture of reptiles such as iguanas, turtles, and crocodilians is intensive and is not based on studies that determine the state of the populations and the impact of hunting activities. The author draws attention to the need to take into account local representations of animals in programs aimed at conserving the wetlands and their fauna. She discusses the popular nomenclature, knowledge, attitudes, and beliefs regarding the fauna of a wetland region of the Colombian Caribbean to assist in the design of programs for the sustainable exploitation of the resources of this ecosystem, vital to the survival of local fishermen and peasants. (shrink)

Folklore in Buddhist and Jaina Literatures. An account of the life of the common people as reflected in Pali, Prakrit and Apabhramsa works. Sures Chandra Banerji. Bibliotheca, Indo-Buddhica 37, Delhi 1987. xv, 120 pp. Rs 130.

Mythology is a very ancient, but at the same time a very vital form of creative fantasy. It is a dominant feature in the spiritual culture of primitive societies, and to some extent of ancient societies; it is the principal means of giving an overall sense to the world. In a primitive culture, mythology gives body to an as yet weakly differentiated syncretic unity of unconscious creation, primitive religion and the embryonic forms of pre-scientific notions about the surrounding world. Mythology (...) provides the soil and the raw material for early forms of religion and of poetry. (shrink)

A narrative collage of ancient and contemporary storytelling, modern theory, and personal reflection. This title examines the nature of oral culture, its embodied nature, its connection to place, and its use of metaphor, laughter, ethnicity, and intergenerational conversation to create unique kinds of interactions and learning.

Examining the establishment of Christianity as a major world religion, Jewish nationalism and the myths and customs of pre-historic Egypt, the volumes in this mini-set, originally published between 1924 and 1929 include work by Winifred Holtby, Edward B Powley and H F Scott Stokes.