본고는 『천 개의 고원』의 서문인 「리좀」을 바탕으로 하여, 리좀을 이해하기 위한 핵심개념 중의 하나인 ‘미리우(milieu)’를 ‘리좀적 중도’이자 일종의 ‘철학적 중도’로 규명하는 것을 목적으로 한다.BR글의 구체적인 전개과정은 다음과 같다. 먼저, 텍스트에서 서양 전통 형이상학의 나무-뿌리 형태의 책에 대한 대안으로 제시되고 있는 리좀-수로 형태, ‘책-리좀’의 사유 체계를 검토한다. 다음으로, 리좀적 사유가 어떻게 ‘길’이 되고, 동양적 ‘도(Tao, 道)’와 만나 리좀적 중도가 되며 철학적 중도로 해석될 수 있는지를 밝힌다. 다른 한편으로, 본고는 리좀적 사유가 우리로 하여금 내재적 차이와 타자에 대한 이해를 보다 깊이 하도록 (...) 하며, 또한 공(空)한 다양체의 원리에 따른 실천적 삶의 수행을 돕는 방법으로서의 의의를 가짐을 조명한다. 이 연구는 동양의 중도의 사유를 현시대에 적합하게 풀어내어 철학적으로 실천하는 일에 기여할 수 있을 것으로 기대된다. (shrink)

이 논문은 중도의 태도를 가지고 있는 것으로 보이는 현대프랑스철학자 프랑수아 라뤼엘의 비-철학을 동양 사유의 한 전통인 중도의 사유방식 및 논리와 함께 비판적으로 계승하고 발전시키고자 하는 목적으로 살핀다. 이 과정에서 비-철학이 공성(空性)으로 볼 수 있는 내재적 실재로서 일원적 일자의 철저한 내재성으로부터 사유한다는 점과 동시에 일원적 일자의 내재성은 초월성과 내재성이 혼재된 차이의 철학의 전체적이거나 초월적 혹은 초월론적인 성질의 내재성과 그 결을 달리한다는 점을 밝힌다. 다음으로, 일자의 내재성으로부터 보는 일심, 즉 일원적 관점이 갖는 일원적 이원성을 검토하는 과정에서 라뤼엘의 일원적 관점은 필자의 ‘일원적 중도의 (...) 관점’의 도움을 필요로 한다는 사실을 검토한다. 일원적 관점은 실제로 비일자와 비-일자를 일원적 일자로 일원화시켜 보기엔 적합하지만 그들의 일원적 이원성, 즉 비-관계적 관계와 그들의 특이성을 함께 살피기 위해서 반드시 일원적 중도의 관점의 동반을 필요로 하는 것으로 보인다. 마지막으로, 비-철학적 사유로서 일원적 중도의 관점은 절대적 초월로의 위험이 있는 동양의 공(空)사상에 대한 집착의 태도에, 그리고 초월성과 내재성이 혼합되어 있는 차이에 대한 사유로서 해체론 시대의 철학에 철학의 종말이라는 형이상학적 허무로부터 벗어날 수 있는 미래 철학으로의 새로운 길을 제시하기 위한 결정적인 실마리가 될 수 있음을 밝힌다. (shrink)

Difference and Repetition might be said to have brought about a Deleuzian Revolution in philosophy comparable to Kant’s Copernican Revolution. Kant had denounced the three great terminal points of traditional metaphysics – self, world and God – as transcendent illusions, and Deleuze pushes Kant’s revolution to its limit by positing a transcendental field that excludes the coherence of the self, world and God in favour of an immanent and differential plane of impersonal individuations and pre-individual singularities. In the process, (...) he introduces numerous conceptual innovations into philosophy: the becoming of concepts; a transformation of the form of the question; an insistence that philosophy must start in the middle; an attempt to think in terms of multiplicities; the development of a new logic and a new metaphysics based on a concept of difference; a new conception of space as intensive rather than extensive; a conception of time as a pure and empty form; and an understanding of philosophy as a system in heterogenesis – that is, a system that entails a perpetual genesis of the heterogeneous, an incessant production of the new. -/- Keywords: concepts, becoming, multiplicity, singularity, the middle [au milieu], difference, intensity, time, system, the new. (shrink)

The concepts of territory and ritornello cannot be separated from one another, despite the fact that scholarship tends to restrict the former to discussions of politics and the latter to discussions of art. Deleuze and Guattari deploy the combination of territory and ritornello, along with associated notions such as rhythm, milieu, counterpoint and force, as a method to describe and understand the formation, existence and relations of living beings. They understand ‘life’ to also include a variety of nonorganic entities, (...) such as social formations. Territory and ritornello provide a philosophical alternative to understanding the existence of beings in terms of an immutable, unchanging transcendent structure, such as divine revelation, politico-economic ideology or cultural identity. As such, this conceptual pair is a necessary element in translating Deleuze and Guattari's metaphysical commitment to immanence and univocity into ethical and political theory and practice. (shrink)

The author points to the power of traditionalism in Slovak cultural – spiritual milieu and to the rise of the intellectual modernity in the Slovak thought in 17th – 20th centuries . There is a continuity of alternating between tradition and modernity. The problem of this philosophy remains “idolatrism”. Regarding the problem of receptivness, the author points to the theoretical and methodological standpoints of structuralism with its principle of immanence. In conclusion the author examines the problem of the marginality (...) of “national” philosophy. (shrink)

In his fascinating doctoral thesis, W.J. Hanegraaff has drawn a clear map to the labyrinth called 'New Age', which he defines as 'the cultic milieu having become conscious of itself as constituting a more or less unified movement'. It is an 'etic' description of 'emic' points of view held by a wide variety of representatives of this movement. The book is divided in three parts: 1. A general orientation; 2. The varieties of New Age experience; 3. An interpretation of (...) the material presented in parts 1 and 2. The author argues that although New Age is composed of many heterogenous elements, nevertheless a measure of coherence can be demonstrated even on the level of beliefs. He holds that as New Age is based on popular culture criticism, thus western esotericism, in which the movement is rooted, it is a third, 'gnostic' option in western culture next to philosophical and scientific rationalism and institutional Christianity. The reviewer, though enthusiastic about the book, questions it on its criteria for distinguishing New Age and Christianity and on the question of possible esoteric influences on apparently Christian movements. The distinction between faith and gnosis could perhaps be profitably related to God's transcendence and his immanence. The platonism of the early Church, adapted for Christian use, ought to be compared with the many platonic elements of present day New Age. (shrink)

THE FIRST EXHAUSTIVELY SCIENTIFIC, speculative inquiry into the notion and nature of essence in the Western philosophical tradition is found in Aristotle's Metaphysics. In contrast to the earlier Greek philosophers and Plato, after considering the problem of being and change Aristotle reached the conclusion that the essential identity of material phenomena, or ousia, is an immanent and inseparable quality that forms the identity of each particular phenomenon. In Aristotle's concept, however, which constitutes the original form of phenomenal realism, ousia (...) is not "it"-self some-thing or some it. For though its presence may certainly be speculatively implied, "it" is not. Following Aristotle, though, and for reasons extraneous to the theme of this present article, the speculative inquiry into the nature of essence and phenomenality deviated from the orientation that Aristotle initially imputed to that study, evolving in a philosophical milieu whose theoretical propensity was predominantly transcendental. This article, then, focuses on the problematic of essential identity in the Western transcendental tradition, and, more particularly, seeks to contrast and compare the essence of the transcendental philosophers against the ousia of Aristotle's metaphysic. (shrink)

Apart from these reservations, however, the child sacrifices certain immediate ends of satisfaction for ends which by their very transcendence elude him. The consequence of his new attitude on his interpretation of the actions of other individuals will he striking; for, inasmuch as their acts and gestures no longer signify as means to his immediate and tangible ends within his life-space, their behavior will be problematic, and the child will attempt to interrogate its meaning. Under the old dispensation he could (...) grasp the meaning of a bodily movement by following its direction towards an object in his proximate environment, and the end of the movement was simply the object viewed as terminus ad quem or as positively charged with respect to action. Under the new dispensation, based no longer on Pleasure and Pain but on Good and Bad, the signification of the gestures and speech of those around the child is transcendent in the sense that it does not aim at material objects or at combinations of the same in his proximate milieu, but at possible or ideal objects separated from the child not by an interval of space but by an interval of time. Thus the transcendent terminus of a gesture is not a materially given object but an object to be constructed and as yet existing only in the projects of the parents. Moral and intellectual formation is a process of self-alienation, of auto-suggestive submission to the Transcendent, interrupted periodically on the part of the child by acts of defiance, systematic contradiction and obstinacy, and regression to earlier modes of adjustment with considerable nuisance-value. If under the regime of indulgence the child becomes what he is by acquiring his immanent meaning in his activities of self-gratification, under the regime of discipline he becomes other than he is by a sacrifice of his determinate individuality. (shrink)

Une des difficultés de la philosophie de l’être de Thomas d’Aquin est la multiplicité des sens de la notion d’ esse dans les différents lieux du corpus. En vue de mettre de l’ordre dans le sens et l’origine des formules de Thomas, deux herméneutiques opposées se sont affrontées depuis le milieu du xx e siècle sur sa pensée authentique. Après avoir présenté les arguments des uns et des autres, on aborde la question difficile de l’articulation des aspects immanent (...) et transcendant de l’être au sein de l’entité. (shrink)

Stanley Kubrick is regarded as a filmmaker of complex imagery. Yet the vitality of his more metaphysical works lies in what is unseen. There is an embodiment to Kubrick’s films that maintains a sense of subjectivity, but one which is unapparent and non-visual. This opens another way into Kubrick’s works, that of conditions of audibility, affectivity, and signs. To think of embodiment from such an audible perspective requires one to subvert film spectatorship and instead enter the reality of the film’s (...) immanent, borderless unfolding as itself. This essay applies Gilles Deleuze’s semiotic concepts of cinema, metaphysics, and subjectivity to conditions of audibility and unseeing, a connection Deleuze largely ignored in his writings. These dual concepts of audibility and unseeing break prevailing analytical norms in cinema discourse that affirm limitations via material, visual, textual, and spatial reification: subjective-objective delineations, the body and the gaze, sound as necessarily spatial/material, and the dominance of images in regard to aesthetics, surveillance, and evidence. Instead, this essay moves through Kubrick’s constructions of milieu that are unseen in the midst of an otherwise visual unfolding, and audible in the midst of an otherwise sonic unfolding. To consider Kubrick’s films through their audible embodiment, one must detach the microphone from its adherence to space, the body from its visual gaze. Here, sounds, images, and objects become secondary to hearing and signs in a temporal unfolding, resulting in a cinema that is experiential rather than representational. This opens to an actuality of spirit within the world of the film, offering new opportunities for creativity in the cinematic form. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Nos faysoms contre Nature...”: Fourteenth-Century Sophismata and the Musical Avant GardeDorit TanayThe secular musical repertory of the late fourteenth century has been described in terms of unparalleled rhythmic intricacies, reflecting a conscious tendency to exhaust the scope of free play within the parameter of time in music. 1 Historians of music see in such musical complexity a case of a musical system in disarray, to be explained by patterns (...) that seem always adequate to account for phases of aberration from stylistic norm, such as the notions of mannerism or fin de siècle phenomenon, understood literally as well as figuratively. 2Current views seem to echo contemporaneous observations. The late fourteenth-century poet-musician Guido cast his critique on what he interprets as a shift towards chaotic musical expression, in a form of an introspective ballade:Or voit tout en aventure Puis qu’ainsi me convient fayre A la novelle figure Qui doyt a chascun desplayre; Que c’est trestout en contraire De bon art qui est parfayt: Certes, ce n’est pas bien fayt. [End Page 29]Nos faysoms contre Nature De ce qu’est bien fayt deffayre; Que Philipe qui mais ne dure Nos dona boin exemplaire. Nos laisons tous ses afayres Por Marquet le contrefayt: Certes, ce n’est pas bien fayt. L’art de Marquet n’a mesureN’onques rien ne sait parfyre; D’ansuir et de portrayre C’est trop grant outrecuidure Ces figures, et tout traire Ou il n’a riens de bon trayt: Certes, ce n’est pas bien fayt. 3Curiously enough, Guido set his ballade to a melody that evokes some of the obscenities deplored in the poem. The musical text displays needless complication, being notated by deceitful figures that are willful, misleading, and difficult to decipher and follow. 4 The literary text, similarly, diversifies words in a vein of irony and ambiguity, clouding any indication as to whether the speaker is for or against the new style. In other words Guido’s esthetic position is sophistic, self-amused, and self-conscious.Since artistic expressions are generally conceived as reflecting their consumers, late-medieval chansons have been interpreted as a manifestation of the incredibly decadent yet sophisticated social milieu in which and for which the music was created. To ground further the argument for the correspondence between the countenance of the music and that of its audience, historians invoke the proximity in time and space between the evolution of the manneristic musical style, significantly in Avignon, and the Great Schism (1378–1417) that [End Page 30] followed the Babylonian Captivity. This famous crisis in the papal reign has been associated with a strong tendency to secularization in the papal Court, by which life styles became luxurious if not licentious. 5This socio-historical account is based on suggestive conjectures, comprising in part explanatory commonplaces. No direct relation can be established between the “Great Schism” or the specific social condition, of Avignon and the most refined music of the late fourteenth century. Furthermore, the claim of the above social account for a contextual approach is misleading. In fact no solid immanent relations are shown to exist between a complex, quasi-degenerate society on the one hand, and the intricate rhythms of the music on the other. The attribution of complexity in the broadest sense of the term does not satisfy our curiosity as to the possible interdependence between style and society. Interestingly enough, as far as late fourteenth-century chansons style is concerned, such an association can even be countered, considering the coincidental cultivation of the new simple style in the complex and decadent Burgundian courts of the waning Middle Ages. 6Here I propose to examine the late fourteenth-century musical style not on the background of social procedures but in the context of fourteenth century scientific thought, and to demonstrate immanent and structural cohesion between a compositional trend that features manipulations within the dimension of musical time and the sciences which investigate the properties of time qua continuum. This affinity concerns a parallel, yet not a completely overlapping, development directed towards the ultimate refinement of the notion of mensura. In other words we are dealing here... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Deleuze and the Schizoanalysis of Feminism ed. by Janae Sholtz and Cheri CarrJami Weinstein (bio)Janae Sholtz and Cheri Carr, eds., Deleuze and the Schizoanalysis of Feminism London: Bloomsbury Publishing Plc., 2019, 304 pp., ISBN 978-1-3500-8042-3Deleuze and the Schizoanalysis of Feminism is a timely, ambitious, and wonderfully diverse collection of essays that aims to forge a new feminist methodology. Described as a “delirium” with the potential to “unleash new (...) ideas, new desires, and new imaginings” (Sholtz and Carr, 1), the editors adopt Deleuze and Guattari’s schizoanalysis as the basis for this methodology. They argue that this juxtaposition of feminist theory and schizoanalysis might synthesize and advance research on notions like becoming-woman, rhizomatics, deterritorialization, assemblage, immanence, and material vitalism (2) that have propelled feminist work on Deleuze and Guattari over the last several decades. Moreover, in the volume’s critical reevaluation of schizoanalysis, it strives to reimagine “the philosophical, ethical, aesthetic, and political” (1) by incorporating the evolution of feminist thought since Deleuze and Guattari’s time. The volume is, indeed, important reading for feminist continental philosophers in search of fruitful applications of Deleuzo-Guattarian thought to a wide, intersectional diversity of feminist theory.Citing Buchanan and Colebrook’s Deleuze and Feminist Theory (2000) as the origin of a productive and less skeptical feminist engagement with their work, the volume aims to advance a new generation of feminist Deleuzo-Guattarian thought that departs from a radically heterogeneous, schizoanalytic foundation [End Page 192] asking, “what can philosophical concepts do?” (2). The editors also mention the recent uptake of schizoanalysis as a methodology by reference to the Schizoanalytic Applications series in which the volume is published. There, its application “to contemporary issues and uses in critically oriented and socially engaged philosophical approaches” (4) is explored in a variety of otherwise targeted collections. They suggest that the relevance of schizoanalytic methodology “to feminist theory can be similarly situated in providing a new lens for critical and social engagement,” which the volume explores under the guise of discovering what this “new encounter” between feminism and schizoanalysis “might yield” (4). Thus, the collection is a dual-pronged, dynamic investigation, where one trajectory investigates the potentials for forging a feminist schizoanalytic framework and the other considers the ways that feminism might nuance or reshape the contours of schizoanalysis that were established across Deleuze and Guattari’s collaborative works (1).Furthermore, the editors cite the publication of Guattari’s Schizoanalytic Cartographies (2013) as additional inspiration. And it is, indeed, in part from Guattari’s visionary work that the joint project with Deleuze—including the articulations of schizoanalysis in Anti-Oedipus, Kafka, and A Thousand Plateaus— came into being (see: Guattari 2006). As Stephane Nadaud explains, their collaboration was designed to “counter... despotic, solitary enunciation—with their own collective one,” which transcends the Cartesian “unity of our ego—the famous I that thinks, and therefore... the cogito” (Guattari 2006, 19). It is, thus, curious that the volume’s title omits Guattari’s name (though other books in the series include it) and that contributors make scarce reference to his individual work. For, it is the very process of their collaboration, which entails their essential duality and the schizoanalytic becoming-imperceptible of their respective individualities, that becomes an archetype for schizoanalytic praxis.The aforementioned delirium, which is at the heart of schizoanalysis, originates from the split or break implied by the “schizo,” meaning that schizoanalysis seeks to locate then mobilize these breaks toward the creation of delirious, impersonal subjectivities. Merging desire and delirium, which he considers “in a deep sense” indistinguishable, Deleuze emphasizes that “desire-delirium is by its nature a libidinal investment of an entire historical milieu, of an entire social environment” (2004, 275). The schizoanalysis process, according to the editors, thus aspires to be a liberatory short-circuit of the rigidly enclosed “Oedipal constraints on the unconscious,” which, in turn, decouples “the unconscious libidinal investment[s]... from the preconscious investments of class and interest” (Shultz and Carr, 4). This echoes Deleuze and Guattari’s well-known invocation: “Destroy, destroy. The task of schizoanalysis goes by way of destruction— a whole scouring of the unconscious, a... (shrink)

Joaquim Hernandez-Dispaux propose une étude qui est le fruit d’un long contact avec les notes préparatoires ayant servi à la rédaction de la trilogie sur le christianisme de Michel Henry, où il révèle l’influence latente de Cl. Tresmontant dans la compréhension henryenne du milieu johannique. Ce n’est toutefois pas tant le parangon de la « philosophie chrétienne » qui retient M. Henry, mais ses recherches autour d’un Christ hébreu, essentiellement utilisées pour fonder une sorte d’archéologie christologique permettant de remonter (...) vers la parole la plus originaire. Par cette médiation inattendue, on voit combien M. Henry recherche à la fois la fondation transcendantale de la parole christique dans son authenticité la plus originaire, mais aussi sa radicale différence par rapport aux mondes grec et juif, celui-ci voyant passer le point de rupture par rapport à la question de l’immanence. (shrink)

Since the turn of the millennium, theologians and secular scholars of religion have increasingly begun exploring the relationship between transhumanism and religion. However, analyses of anti-transhumanist apocalypticisms are still rare, and those that exist are situated mainly among broader explorations of religious and secular bioconservatism. This article addresses this lack of specificity by drawing analyses of transhumanism and religion into dialogue with explorations of contemporary demonology through a close study of the beliefs of the evangelical conspiracist Thomas Horn and the (...) anti-transhumanist milieu around him. Exploring the milieu's multifaceted demonology of the secular world in light of genealogies of religion and secularity, the article situates Horn's demonology as one attempt to negotiate these genealogies, using what Sean McCloud terms a “‘supernatural’ hermeneutics of suspicion” that sees spiritual forces as the structural base of reality. It argues that, while fringe, milieus like Horn's illuminate broader cultural tensions and genealogical relations surrounding the place of religion in a secular world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kierkegaard’s Relations to Hegel ReconsideredStephen N. DunningJon Stewart. Kierkegaard’s Relations to Hegel Reconsidered. New York: Cambridge University Press, 2003. Pp. xix + 695. Cloth, $55.00.It is rare to find a scholarly book that treats its topic exhaustively. But Jon Stewart's 658-page Kierkegaard's Relations to Hegel Reconsidered, despite its author's disclaimers, comes close. It is an impressive attempt to demolish what Stewart calls "the standard view," using a three-part (...) argument: that Hegel exerted a substantial positive influence on the young Kierkegaard; [End Page 500] that Kierkegaard was never the radical critic of Hegel claimed by the "standard view"; and that most Kierkegaard scholars (especially Niels Thulstrup in Kierkegaard's Relation to Hegel [Princeton: Princeton UP, 1980]) have been led astray on these matters by their ignorance of Kierkegaard's philosophical milieu and their ideological bias.Hegel's positive influence on Kierkegaard is presented in chapters devoted respectively to The Concept of Irony, Either/Or, and Sickness Unto Death. Stewart employs a contextual method, limiting himself to passages in Kierkegaard's texts that have clearly been influenced by passages in or characteristics of Hegel's works. He easily shows Hegelian influence on the dialectical structure of the argument in The Concept of Irony, on the contrast between the ancient and "modern" Antigones in Part One of Either/Or, on the concepts of mediation and romantic love presented in Part Two, and on the dialectical structure of the section on "The Forms of This Sickness (Despair)" in The Sickness Unto Death.The claim that Kierkegaard was never a strong critic of Hegel turns on Stewart's careful contextual analysis of the major Danish Hegelians and anti-Hegelians contemporary with Kierkegaard. Thanks to Bruce Kirmmse's Kierkegaard in Golden Age Denmark (Bloomington: Indiana UP, 1990), many scholars will be familiar with Heiberg and Martensen, and also the anti-Hegelian Bishop Mynster, but few will have examined the Hegelianism of Adler and the criticisms of Sibbern and Møller. Stewart argues that the texts of Kierkegaard's "middle period," which appear to attack Hegel directly, are really an attack on the Danish Hegelians—especially Heiberg, Martensen and Adler. He claims that "Hegel" often served as a code name for one of these Hegelians, and that such secret codes were commonly used, just like pseudonyms, to avoid giving offence in the small town of Copenhagen.Stewart's criticism of other scholars is based upon both his analyses of the selected passages in Kierkegaard's works and his discussion of the Danish Hegelians. It is true that many scholars have portrayed Kierkegaard as one-dimensionally anti-Hegelian, and some may have done it for the ideological reasons imputed to them by Stewart. But it is not clear that Thulstrup, for example, deserves to be dismissed as a scholar. He clearly admitted that Kierkegaard had read sections of Hegel's major works "intensively," and he also observed that Kierkegaard was provoked to his anti-Hegelianism by the influence of Hegel on Martensen (whom Thulstrup mentions often, as also Heiberg and Mynster). Stewart implies that Thulstrup had little understanding of Hegel and no interest in the Danish Hegelians, but his discussion of Thulstrup's work is too selective to be persuasive.Stewart also seems to have been a bit hasty in concluding that recent scholarship on the Hegel-Kierkegaard relation blindly follows Thulstrup and the "standard view." In different ways, Robert Perkins, Merold Westphal and I have all written on aspects of Kierkegaard's thought that show Hegelian influences. Stewart lists us in his Bibliography and even cites my book as one of several that investigates Hegelian influences on The Sickness Unto Death, but he never discusses the arguments we present, even though they clearly strengthen his claim about Hegel's positive influence on Kierkegaard. Indeed, the only American book on "Hegel and Kierkegaard" he takes seriously is Mark C. Taylor's Journeys to Selfhood: Hegel & Kierkegaard (Berkeley, 1980), which is a creative philosophical project that does not attempt to be a study of their historical relationship. Stewart writes that much scholarship suffers from using a "text-immanent" (628) method of analysis that ignores the relevant historical... (shrink)

When we criticize social institutions and practices, what kinds of reasons can we offer for such criticism? Political philosophers often assume that we must rely on universal moral principles that are not necessarily connected to the particular social practices of our communities. Traditionally,continental critical theory has rejected this claim through its endorsement of the method of immanent critique. Immanent critique is a critique of social practices that draws on norms already present within these practices to demand social change, (...) rather than merely conservatively reproducing them. This book defends the claim that such a critique is not only possible, but also has politically powerful potential. Taking up recent developments in analytic collective intentionality theory and in the philosophy of language, the book argues that all social practices rest on structures of mutual recognition between persons that allow social theorists to reconstruct hidden norms present within these practices. Starting from a comprehensive critique of contemporary critical theory, the book also spells out the consequences of this line of thought for the practice of social critique, for the social sciences and for political philosophy. (shrink)

In this essay, we will discuss what Husserl mean when he says that immanent objects are “constituted” by inner temporality. Our discussion will amount to a study of how sensations and intentions come to be in out subjectivity, and how we are conscious of them; Husserl’s opinion on these points will be taken from his Lectures on the Phenomenology of Inner Time Consciousness.

Rocco Gangle addresses the methodological questions raised by a commitment to immanence in terms of how diagrams may be used both as tools and as objects of philosophical investigation. Gangle integrates insights from Spinoza, Pierce and Deleuze in conjunction with the formal operations of category theory.

The terms immanence and transcendence have played a significant role in philosophical thought since its inception. Implicit in the notions of immanence and transcendence, as typified within the history of ideas, is often a separation and division between the human and the godly. This division has served to generate ontologies of isolation and set up epistemologies that can be both binary and divided. The terms immanence and transcendence thus sit at the heart of contemporary onto-epistemic accounts of the world. As (...) such, in seeking to examine the nature of what is, this paper traces a line through the history of ideas in an attempt to clarify the connections and dissonances in the notions of immanence and transcendence. This is done for the purpose of demonstrating what philosophical and religious accounts may offer in attempting to create a sound account of the godly and thus the world in a secular age. (shrink)

The essays in this book present a complex theme at the heart of the philosophy of Gilles Deleuze, what in his last writing he called simply "a life." They capture a problem that runs throughout his work--his long search for a new and superior empiricism. Announced in his first book, on David Hume, then taking off with his early studies of Nietzsche and Bergson, the problem of an "empiricist conversion" became central to Deleuze's work, in particular to his aesthetics and (...) his conception of the art of cinema. In the new regime of communication and information-machines with which he thought we are confronted today, he came to believe that such a conversion, such an empiricism, such a new art and will-to-art, was what we need most. The last, seemingly minor question of "a life" is thus inseparable from Deleuze's striking image of philosophy not as a wisdom we already possess, but as a pure immanence of what is yet to come. Perhaps the full exploitation of that image, from one of the most original trajectories in contemporary philosophy, is also yet to come. (shrink)

The Implications of Immanence develops a philosophy of life in opposition to the notion of “bio-power,” which reduces the human to the question of power over what Giorgio Agamben terms “bare life,” mere biological existence. Breaking with all biologism or vitalism, Lawlor attends to the dispersion of death at the heart of life, in the “minuscule hiatus” that divides the living present, separating lived experience from the living body and, crucially for phenomenology, inserting a blind spot into a visual field.Lawlor (...) charts here a post-phenomenological French philosophy. What lies beyond phenomenologyis “life-ism,” the positive working out of the effects of the “minuscule hiatus” in a thinking that takes place on a “plane of immanence,” whose implications cannot be predicted. Life-ism means thinking life and death together, thinking death as dispersed throughout life. In carefully argued and extensively documented chapters, Lawlor sets out the surpassing of phenomenology and the advent of life-ism in Merleau-Ponty, Derrida, and Foucault, with careful attention to the writings by Husserl and Heidegger to which these thinkers refer.A philosophy of life has direct implications for present-day political and medical issues. The book takes its point of departure from the current genocide in Darfur and provides conceptual tools for intervening in such issues as the AIDS epidemic and life-support for the infirm. Indeed, the investigations contained in The Implications of Immanence are designed to help us emerge once and for all out of the epoch of bio-power.“Lawlor’s novel way of treating the concept of life is stimulating, original, and necessary for the social well being of our time.”—Fred Evans, Duquesne University“The Implications of Immanence continues the most promising, rigorous, and fruitful ongoing research project among scholars of twentieth-century philosophy. . . .A wonderful new book.”—John Protevi, Louisiana State University. (shrink)

This paper endeavors to argue that Derrida’s deconstructionist ethics can be construed as an embodiment of immanent ethics. To achieve this goal, it commences with Friedrich Nietzsche’s articulation of immanent ethics, drawing a contrast with formalist and conformist accounts of morality, exemplified in Kant. Following that, the paper explores the ethical thoughts of Michel Foucault and Gilles Deleuze to establish a connection between immanent ethics and the problem of life. In this context, we observe how immanent (...) ethics redirects ethical concerns from human consciousness to the domain of life, modes of existence, the unconscious desire and its exteriority. Within this framework, the paper characterizes Derrida’s ethics of deconstruction as a convergence of the immanence of deconstruction and deconstruction as a creative mode of life. As a result, Derrida’s formulation of ethical challenges within the context of aporias, impossibility, and responsibility can be understood as a call for resistance against conformity to established forms of life. This imbues deconstruction with an intrinsic ethical-political character. (shrink)

Critical theories often express scepticism towards the idea that social critique should draw on general normative principles, seeing such principles as bound to dominant conceptual frameworks. However, even the models of immanent critique developed in the Frankfurt School tradition seem to privilege principles over particular moral experiences. Discussing the place that particular moral experience has in the models of Honneth, Ferrara and Adorno, the article argues that experience can play an important negative role even for a critical theory that (...) is committed to the necessity of conceptual mediation, as moral experiences can undermine our confidence in the appropriateness of our moral concepts. Building on McDowell’s account of moral perception and Brandom’s interpretation of Hegel’s theory of experience, one can reconstruct Adorno as providing a “radically negativist” approach to immanent critique that takes particular moral experience seriously. (shrink)

More women are currently incarcerated than at any other time in US history. Though the United States has begun to acknowledge mass incarceration as an international embarrassment, the discourse has centered on men of color, and the experiences and consequences of US mass incarceration for women of color have been largely ignored. This is the case in spite of a now strong mainstream, institutionalized movement to end violence against women, and a growing prison reform movement ostensibly meant to help vulnerable (...) women. This paper uses the method of immanent critique to explain why women of color have been left behind by reform strategies, and to make a normative argument for abolitionist strategies. I use Beth E. Richie’s analysis of the failure of the feminist anti-violence movement to protect poor women of color, to expose the contradictory circumstance that turns “public safety” and “anti-violence” against the women they claim to protect, and to argue that reform is not enough. (shrink)

One of the terminological constants in the philosophical work of Gilles Deleuze is the word 'immanence', and it has therefore become a foothold for those wishing to understand exactly what 'Deleuzian philosophy' is. Deleuze's philosophy of immanence is held to be fundamentally characterised by its opposition to all philosophies of 'transcendence'. On that basis, it is widely believed that Deleuze's project is premised on a return to a materialist metaphysics. Christian Kerslake argues that such an interpretation is fundamentally misconceived, and (...) has led to misunderstandings of Deleuze's philosophy, which is rather one of the latest heirs to the post-Kantian tradition of thought about immanence. This will be the first book to assess Deleuze's relationship to Kantian epistemology and post-Kantian philosophy, and will attempt to make Deleuze's philosophy intelligible to students working within that tradition. But it also attempts to reconstruct our image of the post-Kantian tradition, isolating a lineage that takes shape in the work of Schelling and Wronski, and which is developed in the twentieth century by Bergson, Warrain and Deleuze. (shrink)

Christian Gilliam argues that a philosophy of 'pure' immanence is integral to the development of an alternative understanding of 'the political'; one that re-orients our understanding of the self toward the concept of an unconscious or 'micropolitical' life of desire. He argues that here, in this 'life', is where the power relations integral to the continuation of post-industrial capitalism are most present and most at stake. Through proving its philosophical context, lineage and political import, Gilliam ultimately comes to outline and (...) justify the conceptual importance and necessity of immanence in understanding politics and resistance, thereby challenging the claim that ontologies of 'pure' immanence are either apolitical and/or politically incoherent. (shrink)

ABSTRACT There are two traditions of immanent social critique. One of them, prominent in contemporary Frankfurt school critical theory, regards the immanence of critique as a quality of the standard employed. Such a conception of immanent critique needs to show, prior to the concrete practice of critique, how the standard is immanent in the object of critique. Showing this is the task of a “model of immanent critique.” The other tradition, going back to Hegel's Phenomenology of (...) Spirit and practiced in particular by Dewey in his later works, regards the immanence of critique as the form of critical practice itself. Because such a conception of immanent critique does not, at the outset, ask how the standard is immanent to its object, it also does not need a model licensing critical practice. Indeed, it must be inherently hostile to any attempt at modeling immanent critique because the immanence lies in the power of critical practice to transform any models it applies. (shrink)

Immanence is a key concept in Gilles Deleuze's thought. It emerges in 1968, in the book Expressionism in Philosophy: Spinoza and it is a focus until his last text. Immanence is a concept steeped in theological resonances, which disturbs Western metaphysics and politics. But, according to Deleuze, immanence is not really a concept, rather it is a ‘plan’. ‘The plan of immanence’ is the ‘prephilosophical’ working plan of philosophy. The point is that, according to Deleuze, philosophy cannot be understood only (...) conceptually, although it begins with the creation of concepts. Here, rather, what is at stake is a prephilosophical origin of philosophy itself. This relationship between the plane of immanence and philosophy is the most important aspect that some of best-known exponents of contemporary Italian philosophy have inherited from Deleuze. The focus of this essay is on three expressions of the plane of immanence in the sense of Deleuze that have been developed in contemporary Italian Thought: the ‘constituent power’ of politics in Antonio Negri; the ‘impersonal’ in Roberto Esposito; and the ‘potentiality’ in Giorgio Agamben. (shrink)

American Immanence begins with the following premise: as the Earth becomes increasingly a product of human existence, we are faced with a radical unsettling of our traditional modes of self-understanding, both in relation to each other and to the broader environment. As Hogue succinctly observes, “By making the Earth homo imago, by terraforming our own self-image into the Earth, we have discovered ourselves as earth creatures, terra bēstiae”. The anthropogenic shifts that have beset our ecological, religious, and political climates, he (...) insists, require us to reconceive many of our basic anthropological, ethical, and theological assumptions. These shifts signify the paradoxicality of the Anthropocene as, at... (shrink)

This article develops, illustrates, and defends a conception of immanent critique. Immanent critique is construed as a form of hermeneutical practice and second-order political and normative criticism. The common charge that immanent critique is a form of philosophical conventionalism necessarily committed to value relativism and to the rejection of transcultural and cosmopolitan norms is denied. But immanent critique insists that meaningful and potentially efficacious criticism must be connected to relevant criteria and understandings internal to the culture (...) or social order at which the criticism is directed. The complaint that this demand will likely limit political and moral criticism is also denied, and the ability of immanent critique to develop from convention unconventional thinking is defended and demonstrated. (shrink)

Le socle philosophique de l'oeuvre multiforme d'Alain Badiou (théâtre, romans, essais esthétiques ou politiques, éloges, polémiques...) est déposé dans trois grands livres, qui constituent une sorte de saga métaphysique : L'être et l'événement (1988), Logiques des mondes (2006) et enfin L'Immanence des vérités, auquel il travaille depuis une quinzaine d'années. Apres avoir étudié vérités et sujets du point de vue de la théorie de l'être, après avoir rendu raison de ce que cette universalité des vérités et de leurs sujets peut (...) se plier aux règles de l'apparaître dans un monde particulier, ce troisième volume aborde une question redoutable : d'où peut se soutenir que les vérités sont absolues, c'est-à-dire non seulement opposées à toute interprétation empiriste, mais encore garanties contre toute construction transcendantale? Qu'en est-il des vérités et des sujets, saisis, au-delà des formes structurales de leur être et des formes historico-existentielles de leur apparaître, dans l'irréversible absoluité de leur action et dans l'infini destin de leur oeuvre finie? Et que faut-il entendre par l'absoluité du vrai, puisque les dieux sont morts? Il s'est agi, au fond, d'un bout à l'autre, de construire pour notre temps une pensée complète, tirée, comme le firent Platon, Descartes ou Hegel, de matériaux rationnels contemporains, mathématiques, poétiques, amoureux et politiques. Il s'est agi de la vraie vie : nous sommes capables, dans la forme d'une oeuvre, individuelle ou collective, dans les quatre registres que fréquente l'animal humain survolté, de processus créateurs où se conjuguent dialectiquement la singularité, l'universalité et l'absoluité. Depuis sa naissance, la tâche de la philosophie ne tient qu'à ceci : créer, dans les conditions de son temps, le savoir de la possibilité existentielle du vrai. (shrink)

SummaryMetatheory may be pursued immanently, i.e., within the object language, or transcendently in metalanguages. Immanently, the hierarchy of metalanguages gives way to a hierarchy of predicates. The immanent approach accentuates the symmetry between Russell's paradox and Cantor's theorem: class shortage versus predicate shortage. Appeal to metatheoretic models, in defining logical truth, gives way to appeal to substitutions of expressions of the object language. Can this be said also of set‐theoretic truth, despite predicate shortage? Equivalently: is substitutional quantification unscathed by (...) predicate shortage? Anyway substitutional quantification balks at impredicative cases. (shrink)

Starting from the famous statement by Deleuze and Guattari in What Is Philosophy? that ‘[i]mmanence can be said to be the burning issue of all philosophy’, this article explores their claim of an ontology of immanence and/as relational ontology in quantum terms. The theme of this special issue allows for a rereading of the terminology of different/ciation, which Deleuze developed in ‘The Method of Dramatization’ and Difference and Repetition, and I here relate it to the question of consistency of the (...) plane of immanence, such as it is emphasised in the later work of Deleuze and Guattari. The article exemplifies the significance that the early issue of ‘dramatization’ as different/ciating passage has on an adequate understanding of both ‘immanence’ and ‘becoming’, and it shows their in/seperability for a relational ontology as onto-ethology. By making the Deleuze-Guattarian immanence resonate with Barad's agential realism, the article zooms in on the specific quality of the ‘passage’ in order to do justice to the claim of a ‘mature’ philosophy that thinks immanence as immanent only to itself. (shrink)

This book guides the readers through Brentano's life and works, investigating into the inherent complexity of both his view of mental life and the related methodology.

In this paper, I develop a theory on which each of a thing’s abundant properties is immanent in that thing. On the version of the theory I will propose, universals are abundant, each instantiated universal is immanent, and each uninstantiated universal is such that it could have been instantiated, in which case it would have been immanent. After setting out the theory, I will defend it from David Lewis’s argument that such a combination of immanence and abundance (...) is absurd. I will then advocate the theory on the grounds that it accomplishes all of Lewis’s “new work” while providing a gain in parsimony and a new account of fine-grained content. I will close with a discussion of how the theory also affords a new reply to two objections to uninstantiated universals: Armstrong’s charge that they are inconsistent with naturalism, and a Benacerraf-Field-style objection about epistemic access. (shrink)

The following article compares the notion of the absolute in the work of Georg Cantor and in Alain Badiou’s third volume of Being and Event: The Immanence of Truths and proposes an interpretation of mathematical concepts used in the book. By describing the absolute as a universe or a place in line with the mathematical theory of large cardinals, Badiou avoided some of the paradoxes related to Cantor’s notion of the “absolutely infinite” or the set of all that is thinkable (...) in mathematics W: namely the idea that W would be a potential infinity. The article provides an elucidation of the putative criticism of the statement “mathematics is ontology” which Badiou presented at the conference Thinking the Infinite in Prague. It emphasizes the role that philosophical decision plays in the construction of Badiou’s system of mathematical ontology and portrays the relationship between philosophy and mathematics on the basis of an inductive not deductive reasoning. (shrink)

This chapter considers the ‘hosting question’ of how immanent universals, in contrast to transcendent universals, are ‘brought down to earth’ from ‘Plato’s heaven’. It explores the thesis that the hosting amounts to their being constituents of the states of affairs that result from their instantiations. These states of affairs are concrete complexes consisting of particulars and universals, and perhaps something that links them together. The traditional view that immanent universals are concrete is briefly defended against a recent prominent (...) objection. On relationalism, states of affairs are unified by a relation of some sort; on non-relationalism they are unified non-relationally. Roughly, these two conceptions of states of affairs are equivalent to Armstrong’s relational and non-relational versions of immanent realism, respectively. Armstrong mostly criticises the former and defends the latter. It is argued, however, that relationalism, at least potentially, answers the hosting question, whereas non-relationalism realism does not. (shrink)

Salomon Maïmon argues that the formal determination of experience in Kant’s first Kritik insufficiently answers the question ‘quid juris?’. As an alternative to Kant’s theory, he develops a genetic transcendentalism in which experience is completely determined a priori. Discussing this genetic approach, I focus on how the spatiotemporal determinations of conscious experience are traced back to pure ideal relations. Relying on Leibniz and his theory of space and time, I explain how the extensive magnitudes of consciousness are founded in intensive (...) magnitudes of what Maïmon calls ‘pure thought’. As the latter is the transcendental ground for both sensibility and the understanding, Maïmon’s theory contains a radical form of immanence, much like the philosophy of Spinoza and Gilles Deleuze. (shrink)

_The Immanent Word_ establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont (...) and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy’s uncritical championing of Schlegel’s ideological position. (shrink)

Since the late 1960s there has been a resurgence of interest in Spinozism in France: Gilles Deleuze was among the first who gave life to a ‘new Spinoza’ with his seminal book Expressionism in Philosophy: Spinoza. While Deleuze was primarily interested in Spinoza’s ontology and ethics, the contemporary French philosopher Étienne Balibar focuses on the political writings. Despite their common fascination for Spinoza’s relational definition of the individual, both thinkers have drawn very different consequences from the Spinozist inspiration regarding the (...) relevance of his philosophy for a contemporary ethical and political thought. Deleuze draws from Spinoza an ethics of the encounter, an ‘ethology’ that is concerned with the composition of bodies on a plane of immanence. Balibar, on the contrary, deals with the modes of communication that we institute between one another and that are always effectuations on two levels at once: the real and the imaginary. Whereas Deleuze emphasizes the conception of a... (shrink)

A commonplace in traditional historiography is the claim that an important aspect of the demise of Aristotelianism during the Scientific Revolution was a change in the concept of causality, a change which eliminated final causes from science. Projecting twentieth-century metaphysical presuppositions onto the ostensibly revolutionary thought of early modern natural philosophers, E. A. Burtt declared.

The current discussion of the place of ethics in human life and of the prospectives of French ethical thinking has been given a new impulse by the tradition rooted in immanence. In this tradition the philosophy of B. Spinoza is taken as its explicit model. The paper focuses on the shift from dominating ontological problematic to ethics and on Misrahi's argumentation, which enables him to render Spinoza's ethics as subversive to the whole tradition of moral philosophy, based on the canon (...) of fear and obedience. Spinozian ethics should be grounded in the examination of human passions and desires; it should be an instrument for understanding people's actions and their highest visions. The author's question is, what consequences this interpretation might have for the contemporary understanding of morals and ethics. (shrink)

I explicate the crucial role played by efficient cause in Robert Rosen’s characterization of life, by elaborating on the topic of Aristotelian causality, and exploring the many alternate descriptions of causal and inferential entailments. In particular, I discuss the concepts of functional entailment and immanent causation, and examine how they fit into Robert Rosen’s relational-biology universe of living, anticipatory, and complex systems.

Conceptualization should not be founded on a theory of the object—the conceptualized object is not the single criterion of a good conceptualization. We have to know the historical conditions which motivate our conceptualization. We need a historical awareness of our present circumstance.The materialist doctrine focusing upon transformation in circumstances and thus in education forgets that circumstances are changed by men and that the educator must himself be educated. (translation modified)If we take Raymie McKerrow’s seminal essay “Critical Rhetoric: Theory and Praxis” (...) (1989) as the locus classicus of the attempt to establish a selfconsciously critical standpoint for rhetoric, it would be fair to say that this .. (shrink)

Band 1. Mit Deleuze auf den Spuren von Spinoza und Leibniz --.

In the past fifteen years or so there has been a lot of attention paid to theories of “sparse” universals, particularly because of the work of D. M. Armstrong. These theories are of particular interest to those of us concerned with the distinction between natural and non-natural properties, since, as David Lewis has observed, it seems possible to analyze naturalness in terms of sparse universals. Moreover, Armstrong claims that we should conceive of universals as being “immanent” as opposed to (...) “transcendent”, and if universals are immanent then, as we will see, there is pressure to admit they are sparse as well. But I will argue that neither of these alleged reasons to accept a sparse conception of universals succeeds: the outlook for a fully general analysis of naturalness in terms of universals is not good, and the apparent advantages of immanence over transcendence are illusory. (shrink)

When Brentano introduces the notion of immanent objectivity or the intentional inexistence of objects in Psychology from an Empirical Standpoint, he cites Scholastic theories of intentionality and suggests that his own view is continuous with medieval and ancient theories of objective being. Very few philosophers of the middle ages used the terminology of esse objectivuum and those that did, such as Peter Aureol, do not appear to be among the primary Scholastic sources for Brentano’s theory of immanence. To a (...) modern ear moreover talk of things existing in the mind objectively is confusing. But the contrast which is important for understanding Brentano’s theory of intentionality is not that between objectivity and subjectivity as commonly understood nowadays, as if having something objectively in mind excluded its being a subjective phenomenon, but something like Descartes’s opposition between that which objectively exists and that which formally exists. Hence for Descartes, whose characterization of immanent objectivity Brentano often cited approvingly in his lectures, any two thoughts, for example, a thought about God and a thought about a horse, will have exactly the same formal reality but may differ enormously in their degree of objective being. (shrink)