While individuals presented in central texts of the period are indeed often alone or separated from others, Yousef regards this isolation as a problem the texts attempt to illuminate, rather than a condition they construct as normative or ...

Isolation in the back-country: George Chamier, G.B. Lancaster, Katherine Mansfield, John Mulgan, and Graham Billing -- Outsiders and misfits in fragmented social milieux: William Satchell, Vincent Pyke, John A. Lee, Robin Hyde, Frank Sargeson, and others -- The lonely and the alone in the fiction of Janet Frame -- Maurice Gee and postmodern isolation -- Women, isolation, and history: Fiona Kidman, Noel Hilliard, and Patricia Grace -- Cultural deracination and isolation : Witi Ihimaera, Keri Hulme, and (...) Alan Duff. (shrink)

The remarks which follow arise from the daily and simultaneous consulting of two literatures and, in a larger sense, of two cultures, Portuguese and Brazilian, both expressed in the same language, Portuguese. They also arise from an attempt to describe and define by categories which are “internal” to literature the differences which exist between the two bodies of writing under discussion. But they are equally inspired by a desire to isolate in the corpus of the texts which conventionally constitute (...) a national literature those thematic and stylistic recurrences which may serve as starting points for an attempt at formalization. (shrink)

Within the last decade, epistemic injustice has been a valuable framework for those working on exposing oppressive practices within the healthcare system. As this work has evolved, new terminology has been added to the epistemic injustice literature to bring to light previously obscured epistemic harms in healthcare practices. This paper aims to explore an important concept that has not received the attention it deserves: epistemic isolation. By developing Ian Kidd and Havi Carel’s concept of epistemic isolation, a (...) new range of epistemic harms are brought to the fore, as some of the most marginalised in our society are forced to operate from positions of ignorance. In the words of Kidd and Carel, epistemic isolation occurs in ‘situations where a person or group lacks the knowledge of, or means of access to, particular information; for instance, if they live within a politically repressive society which forbids access to the necessary sources of information in order to protect the government’s hegemony’ (183–184). This paper will demonstrate that such epistemic isolation is uniquely devastating for those with psychiatric illness, exacerbating their already challenging circumstances. (shrink)

Source: Author: Mohammed Hussein Oroskhan, Esmaeil Zohdi From its beginning in the academic studies during the later nineteenth century, Romanticism has provoked ongoing debates over the nature of its definition. Nonetheless Morse Peckham has satisfactorily settled this matter by indicating that romanticism has dramatically altered the way of thinking therefore it should be distinctively met. For this purpose, he proposed that dealing with the concept of romanticism necessitate dividing it into two concepts of negative and positive romanticism in which a (...) transition is occurred from negative romanticism to positive romanticism however in some cases this transition may not become completed and is lead to the obscure origin of the sense of isolation among various romantic poets. To clearly illustrate Peckham's notion of negative romanticism, it is tried to explore Nima Yushij's Afsaneh who is known to be the most romantic poet of Persian literature. Based upon Peckham's notion of negative romanticism, Nima's sense of despair and isolation in Afsaneh is fully justified and it is highly suggested that Peckham's new perspective toward romanticism can eventually settle the conflicting views on the subject of Romanticism. ]]>. (shrink)

Although researchers have investigated the impact of social isolation on well-being, the recent quarantines due to COVID-19 resulted in a social isolation environment that was unique to any examined in the past. Because sleep is one of the endogenous drives that impacts short and long-term health and well-being, it is important to consider how social isolation during the COVID-19 government-mandated quarantines affected sleep and sleep habits. A number of researchers have addressed this question during the last 2 (...) years by examining several concepts related to possible changes in sleep during the quarantines. To best understand these recent results, the current mini review provides a background on the pre-pandemic literature on the effects of social isolation and loneliness with a focus on sleep and then summarizes the recent literature on sleep and sleep habits. In general, sleep was negatively impacted for many people during the pandemics but not all. One group that seemed to benefit from the pandemic in terms of sleep patterns, were younger people who could more easily adapt their sleep times to match their internal chronobiology. Given the potential broad impact of sleep on health and well-being, better understanding how social isolation impacts sleep is an important consideration for individuals, work organizations, and governments. (shrink)

Plato’s Republic and More’s Utopia served as models for most of the literary utopias written between the seventeenth and nineteenth centuries. Towards the end of the nineteenth century, dystopian novels began to displace their positive counterparts. Five dystopian fictions published between 1891 and 1949—Jerome’s “The New Utopia”, Wells’s The Sleeper Awakes, Zamyatin’s We, Huxley’s Brave New World, and Orwell’s Nineteen Eighty-Four—exhibit many common themes, such as isolation, totalitarianism, technology in service of the state, rigid social organization, uniformity and social (...) control. In the twenty-first century, some of these characteristics of fictional dystopian societies have become realities in the form of unseen technological surveillance and control. Nevertheless, utopia lives on as an ideal, for instance in philosophical transhumanism. (shrink)

I soon discovered that I was quite isolated in my attempts to pursue the sociology of literature. In any case, one searched almost in vain for allies if one wanted to approach a literary text from the perspective of a critical theory of society. To be sure, there were Franz Mehring’s articles which I read with interest and profit; but despite the admirable decency and the uncompromising political radicalism of the author, his writings hardly went beyond the limits of (...) a socialist journalist who wrote in essentially the same style about literature as about political and the economy. George Lukács had not yet published his impressive series of essays on Marxist aesthetics and interpretation of literature. Of course, I was deeply touched and influenced by his fine little book, The Theory of the Novel , which I practically learned by heart. Besides Levin Schücking’s small volume on the sociology of literary taste, the only other major influence I can recall was George Brandes’ monumental work on the literary currents of the nineteenth century.Nonetheless, I had the courage, not to say hubris, to plan an ambitious, socially critical series on French, English, Spanish, and German literature, the beginning of which was to be formed by the above-mentioned studies. My attention was especially focused on the writes and literary schools which the German literary establishment either punished by total silence or raised up into the clouds of idealistic babble or relegated to quasi-folkloric anthropology .In these studies, I limited myself to the narrative forms of literature; for reasons which I hold to be sociologically and artistically valid, I believe that novels and stories represent the most significant aspect of German literature in the nineteenth century. While I in no way feel ashamed of these documents of my youth, I am conscious of their weaknesses. If I were to write them over again, I would certainly be less sure of some of the direct connections I drew between literature and writers on the one hand, and the social infrastructure on the other. In later publications I attempted to analyze with greater circumspection the mediation between substructure and superstructure, between social currents and ideologies; but my views on the social world and the necessity to combine social theory and literary analysis have not changed in any essential way. In the last decades the sociology of literature has become progressively more fashionable. The writings of my contemporaries have often amazed me because some—frequently in unnecessarily complicated and esoteric language—are so concerned with “mediation” that the connections between social being and social consciousness became almost obscured. Leo Lowenthal is professor emeritus of sociology at the University of California, Berkeley. He is also professor emeritus at the University of Frankfurt in West Germany. His collected works have been published in five volumes in German and in a parallel English edition. Lowenthal’s autobiographical writings, edited by Martin jay, will appear in the fall of 1987 under the title An Unmastered Past. Lowenthal’s present studies deal with German postmodernism. Ted. R. Weeks is a graduate student at the University of California, Berkeley, specializing in imperial Russian history. (shrink)

This article focuses on the ways in which narrative accounts of loneliness in literature problematize current definitions of this important and yet underexplored determinant of health. I argue that the prevailing conceptualization of loneliness in health research, with a general emphasis on social prescribing, obscures other dimensions of loneliness beyond social connectedness that also need to be accounted for in its definition. Drawing on narrative approaches to health and care and taking as a case study Santiago Lorenzo’s Spanish novel (...) _Los asquerosos_ (2018), the article gestures toward a more political—rather than exclusively subjective and relational—reading of loneliness. It shows how the novel’s exploration of loneliness as an ambivalent experience of tranquility and disaffection questions whether there is any direct causation between loneliness and aloneness or social isolation, presenting loneliness not so much as a problem or a social pain in need of curing, but as a symptom of a larger structural crisis. The article also reflects on the ability of literary narratives to illuminate, discuss, and ultimately challenge the underlying dynamics of loneliness, raising questions about how we understand these narratives and the type of agency we attribute to them. (shrink)

There is an important debate in the philosophy of mind that has roots in the phenomenological tradition, namely: what are the primitive forms of consciousness, that is, what are the fundamental ingredients or aspects of consciousness. This paper wants to contribute to partially answering this general question by providing an answer to a required sub-question within this question: is emotional phenomenology fundamental? I will answer in the affirmative and will offer an argument focused on contemplative emotions elicited by fiction. Another (...) type of contemplative emotions, namely, esthetic emotions, have been invoked in the literature but I will argue that the phenomenology of emotions elicited by fiction, given their continuity and sameness in kind with the phenomenology of garden variety emotions, are more dialectically efficient vis-à-vis the debate on the irreducibility of emotional phenomenology. (shrink)

The goal is to isolate points of philosophical interest in the preceding articles on narrative medical ethics in order to focus subsequent dialogue between the two disciplines. Ethics is an enterprise that has over the centuries developed a somewhat malleable structure, comprising characteristics, methods, lines of reasoning, rules, principles, assumptions, and arguments. This structure provides the framework within which many disciplines contribute to ethics through the exercise of their particular interests, skills, and methods. Challenging or changing the structural components requires (...) arguments of a traditional sort appropriate to the discipline of ethics. Three tenets are proposed as comprising the “received view” or credo of the literature and ethics movement. Each is examined. Then the individual articles in this issue are explored to the end of ferreting out points that would be fruitful points of discussion between philosophy and literature folks pursuing their mutual interest in ethics. (shrink)

Given the increasing complexity of living in a global village, countries and regions that are parts of larger political entities frequently have considered the option of separating or seceding an ideal solution to their problems with a larger center of power. Isolation, a form of “freedom from,” has the potential of offering them free rein or “freedom to” manage their affairs for their own sake. Francophone playwrights and filmmakers have found the dialectical interplay between “freedom from” and “freedom to” (...) fertile dramatic soil for plays and films. Some of them work in both of these and other genres. These works seem to ask the same question: Is it desirable or possible to achieve both, even in ideal isolation, without suffering cultural stagnation or repeating the abuse of power on the part of the political center that led to the separation? This article explores the answers to this question given in the plays of Aimée Césaire, Anne Hébert, and Wajdi Mouawad within the greater context for this issue found in J. M. Coetzee’s Waiting for the Barbarians and Azouz Begag’s Un Mouton dans la baignoire and in francophone films by Raoul Peck, Bertrand Tavernier, Claire Denis, Rachid Bouchareb, Ousmane Sembène, Michael Haneke, and Mathieu Kasovitz. (shrink)

Hans-Georg Gadamer, the major proponent of philosophical hermeneutics, reveals himself here as a highly sensitive reader and critic of the German literary tradition. This is not the work of a specialist as narrowly defined in the typical literary study. Although he is a master of the techniques of criticism, Gadamer always sees the study of literature as a fundamentally human activity where human beings, generation after generation, pose their questions to an encroaching darkness that threatens to rob them of (...) their confidence in the meaning of life and death. Never pedantic or antiquarian, these studies show such literary giants of the German past as Goethe and Hölderlin as our contemporaries. Gadamer demonstrates his ability to achieve the creative interplay of literature and philosophy which, in isolation, easily degenerate into sterile academic games. Typical of this dialogue are essays on Rainer Maria Rilke, including an examination of a problem of punctuation in one of his poems. What would be, in less capable hands, one more solution to a literary problem, turns out to be one of Gadamer's creative approaches to the mystery of man's relation to time and death. (shrink)

In [14] J. Hirschfeld established the close connection of models of the true AE sentences of Peano Arithmetic and homomorphic images of the semiring of recursive functions. This fragment of Arithmetic includes most of the familiar results of classical number theory. There are two nice ways that such models appear in the isols. One way was introduced by A. Nerode in [20] and is referred to in the literature as Nerode Semirings. The other way is called a tame model. (...) It is very similar to a Nerode Semiring and was introduced in [6]. The model theoretic properties of Nerode Semirings and tame models have been widely studied by T. G. McLaughlin ([16], [17], and [18]). In this paper we introduce a new variety of tame model called a torre model. It has as a generator an infinite regressive isol with a nice structural property relative to recursively enumerable sets and their extensions to the isols. What is then obtained is a nonstandard model in the isols of the Π0 2 fragment of Peano Arithmetic with the following property: Let T be a torre model. Let f be any recursive function, and let fΛ be its extension to the isols. If there is an isol A with fΛ(A)∈ T, then there is also an isol B∈ T with fΛ(B) = fΛ(A). (shrink)

One of the primary and most consequential properties of consciousness is that it is absolutely isolated. One’s consciousness cannot be shared by anyone else. Self- consciousness about this condition can give rise to a debilitating sense of loneliness. One important task of culture is to manage this sense of loneliness, to defer and diminish it. Religion supplies ideas that function in this way. Literature supplies imaginative experiences to the same ends. After introducing the general topic through a literary example, (...) the paper takes up the problem of other minds and solipsism, considering aspects of the issue treated by Wittgenstein, Moore, Heidegger and Descartes. The possibility of solipsism both demonstrates and results from the unbridgeable isolation of consciousness. The second section turns to the mind/body relation. It argues that intentionality is irreducible to a purely physical explanatory account. This is not because the mind is a brain-like entity that interacts with the body. Rather, it is because any physical explanatory account presupposes an observer or speaker outside the system being observed or described. The irreducibility of that observer is, so to speak, the flip side of solipsism. The unobserved observer is, precisely, each one of us. Each of us is removed in just this way from the world he/she is perceiving and addressing hence, our isolation. The third section turns to the varieties of loneliness here called ‘longing’, ‘grief’ and ‘despair’ relating these to the inevitability of death, primarily the death of others. The fourth part takes up the feeling that makes loneliness intense, love. It goes on to consider the thematization of loneliness in the most common narrative structure cross- culturally, romantic tragi-comedy. The concluding sections examine the ways in which religion and literature serve not only to represent loneliness, but, what is more important, to inhibit or manage it. (shrink)

Hans-Georg Gadamer, the major proponent of philosophical hermeneutics, reveals himself here as a highly sensitive reader and critic of the German literary tradition. This is not the work of a specialist as narrowly defined in the typical literary study. Although he is a master of the techniques of criticism, Gadamer always sees the study of literature as a fundamentally human activity where human beings, generation after generation, pose their questions to an encroaching darkness that threatens to rob them of (...) their confidence in the meaning of life and death. Never pedantic or antiquarian, these studies show such literary giants of the German past as Goethe and Hölderlin as our contemporaries. Gadamer demonstrates his ability to achieve the creative interplay of literature and philosophy which, in isolation, easily degenerate into sterile academic games. Typical of this dialogue are essays on Rainer Maria Rilke, including an examination of a problem of punctuation in one of his poems. What would be, in less capable hands, one more solution to a literary problem, turns out to be one of Gadamer’s creative approaches to the mystery of man’s relation to time and death. (shrink)

Social technology can improve the quality of older adults' social lives and mitigate negative mental and physical health outcomes associated with loneliness, but it should be designed collaboratively with this population. In this paper, we used participatory design methods to investigate how robots might be used as social facilitators for middle-aged and older adults in both the US and Japan. We conducted PD workshops in the US and Japan because both countries are concerned about the social isolation of these (...) older adults due to their rapidly aging populations. We developed a novel approach to participatory design of future technologies that spends 2/3 of the PD session asking participants about their own life experiences as a foundation. This grounds the conversation in reality, creates rapport among the participants, and engages them in creative critical thinking. Then, we build upon this foundation, pose an abstract topic, and ask participants to brainstorm on the topic based on their previous discussion. In both countries, participants were eager to actively discuss design ideas for socially facilitative robots and imagine how they might improve their social lives. US participants suggested design ideas for telepresence robots, social distancing robots, and social skills artificial intelligence programs, while Japanese participants suggested ideas for pet robots, robots for sharing experiences, and easy-to-operate instructor robots. Comparing these two countries, we found that US participants saw robots as tools to help facilitate their social connections, while Japanese participants envisioned robots to function as surrogate companions for their parents and distract them from loneliness when they were unavailable. With this paper, we contribute to the literature in two main ways, presenting: A novel approach to participatory design of future technologies that grounds participants in their everyday experience, and Results of the study indicating how middle-aged and older adults from the US and Japan wanted technologies to improve their social lives. Although we conducted the workshops during the COVID-19 pandemic, many findings generalized to other situations related to social isolation, such as older adults living alone. (shrink)

The practice of solitary confinement (SC) is established within the literature as a common occurrence of torture within the prison system, and many international and national human rights organizations have called for its abolition. A somewhat more contentious topic in the literature is the practice of force feeding (FF) of hunger-striking prisoners. The paper aims to make a case against FF by establishing a parity argument that states the following: If SC is considered an immoral practice (and indeed (...) it should be), it should follow that FF is morally impermissible as well. In conclusion, this paper will argue that FF of hunger-striking prisoners is a violation of their fundamental moral rights and constitutes cruel and inhumane treatment and, therefore, should be abolished. (shrink)

The highly contagious 2019 novel coronavirus disease (COVID-19) outbreak has not only impacted health systems, economies, and governments, it has also rapidly grown into a global health crisis, which is now threatening the lives of millions of people globally. While, on one hand, medical institutions are critically attempting to find a cure, on the other hand, governments have introduced striking measures and policies to curtail the rapid spread of the disease. Although COVID-19 has achieved pandemic status and is predominantly viewed (...) as a biomedical issue, it is argued that it should also be treated as a psychological crisis. This paper also reviews the literature to examine and comment on the detrimental effects of isolation, which has been enforced as one of the primary preventative measures to manage the spread of COVID-19. This paper further outlines key recommendations that should be addressed across different levels to buffer against the known adverse effects of isolation, which is especially relevant for the current COVID-19 situation, where a large proportion of the global population is isolated, confined, and/or quarantined. (shrink)

Acoustic experiences of nature represent a growing area in restorative environments research and are explored in this narrative literature review. First, the work surveyed indicates that nature is broadly characterized by the sounds of birdsong, wind, and water, and these sounds can enhance positive perceptions of natural environments presented through visual means. Second, isolated from other sensory modalities these sounds are often, although not always, positively affectively appraised and perceived as restorative. Third, after stress and/or fatigue nature sounds and (...) soundscapes can lead to subjectively and objectively improved mood and cognitive performance, as well as reductions in arousal, although some inconsistencies in findings are observed. Fourth, theoretical frameworks of restorative environments would benefit from inclusion of acoustic environmental properties such as sound intensity or frequency. Fifth, findings regarding positive, learned semantic associations with nature have arisen as a result of recent work on sounds and restoration. This represents another important area of potential theoretical development for broader restorative environments research. (shrink)

Starting symbolically from a place of transit and mobility such as the Galleria in Naples, I look at the pace of immigration movements to Italy from both ex-colonial territories and other countries. Precarity characterizes the migrant condition in Italy: entrance and stay permits; work and housing, which are difficult to obtain and always temporary; bureaucratic control is severe and the right to citizenship is distant. The collective amnesia of the colonial enterprise obscures the fact that at least some of the (...) guests of today were the hosts of yesterday. I analyse these, and other aspects, in the literature of migration that in recent decades has emerged in Italy, focusing on women's writing and confronting the problem of how long it will take for this literature to receive recognition in the Italian literary canon. In women's narratives, precarity emerges in the journey of emigration, described as a real odyssey; in tensions over identity and language; in contrasting cultures of departure and cultures of destination; in the problematic concept of ‘home’. Racial and gender differences subsumed in the colour of skin are a recurrent motif. For women, hardships may be more deeply felt: isolation and loneliness is augmented by the distance from children and family; the relationship between past and present more troublesome as it often leads to a double oppression. independence is more fiercely fought for in the affirmation of identity. Finally, I show that, alongside conditions of isolation and despair, strength and hope in the new life emerge from these writings, touching on the importance of writing in Italian and on the motives leading to this choice. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Self-Reference:Theory and Didactics between Language and LiteratureSvend Erik Larsen (bio)Semiotics of Self-ReferenceLiterary metafiction constitutes the extreme case of self-referential texts. Therefore we can either discard it as generally irrelevant for the understanding of the cultural functions of texts, or use it as a point of departure for the formulation of both general and basic aspects of such functions. The position taken in this essay will opt for the last (...) possibility, although I know full well that already the term "metafiction" itself inevitably triggers a variety of skeptical reactions. Does it not just refer to some author's self-centered ruminations in the ivory tower? Or a topic for the nerds of literary studies with a taste for theoretical acrobatics? If so, in both cases following metafictional inclinations results in complete isolation from both the context of literature and its readers.However, one may also adopt the opposite position. The metafictional features of literature constitute one of the means by which literature reaches out to its context and also engages its readers. And critical endeavors are not necessarily devoid of anything but their own concepts. They may instead pave the way for methodological and didactic considerations that ultimately make difficult literature more accessible as a cultural phenomenon. Rather than dwelling upon subtle theoretical differences in the definition of what metafiction is, I will therefore engage in a methodological approach: what kind of questions can we put to the texts, and what kind of answers can we reasonably come up with when using metafiction in a methodological and didactic framework?I shall begin by proposing a set of definitions broader than metafiction that will allow me to zoom in on it as a relevant methodological concept that opens for didactic reflections. The notion of metalevel will constitute my starting point. In its broadest sense, a metalevel indicates a position outside a given field of objects or meanings and in relation to it. But rather than relating [End Page 13] to the content of the field in question, the metalevel is supposed to serve as a platform enabling us to observe and evaluate basic principles and function of the field. This is the role of, for example, the theory of science or of epistemology in relation to the particular knowledge of various sciences. We may call it an epistemological metalevel.In a more restricted sense, a metalevel comprises a level in relation to a given sign system — rather than to a given field of objects — from which we can observe and evaluate the basic principles defining the function, range and validity of the sign system. This is the role of, for example, musicology in relationto the acoustic arts, art criticism in relation to the visual arts, medicine in relation to bodily symptoms. We may call it an inter-semiotic metalevel.Finally, in its most restricted sense, a metalevel points toward a level inside a given sign system from which we can refer to this sign system itself,but not in relation to a given field of objects or in relation to another sign system. We may call this level an intra-semiotic metalevel. In this context, language is a unique system, which in this capacity shapes literature as a particular linguistic phenomenon. Only inside the semiotic system of language can the intra-semiotic metalevel have two different functions:The first function is as a science of language, linguistics, which is itself a verbal sign system. In verbal scientific descriptions and arguments we may scrutinize the natural or everyday language as a medium, that is, its basic linguistic structures and principles, without taking into consideration its content, which it may share with other media. Texts and pictures may refer to the same phenomenon even if such references do not overlap completely. All other sciences differ from linguistics in this respect, because they cannot deal scientifically with their non-verbal objects through the same non-verbal medium as that which makes up the object, but need the support of a linguistic metalevel or at least of signs that are linguistically anchored. Even mathematics or other strictly formal sign systems are based on natural languages. We may refer to... (shrink)

Augustine and Proust—the passion for God and the passion for creation.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 645-648 [Access article in PDF] Thomas N. Habinek. The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome. Princeton: Princeton University Press, 1998. x + 234 pp. Cloth, $39.50. This is an important book, one that has in its brief life (a paperback edition appeared in 2001) spawned many scholarly debates in both written and spoken form. Many have disagreed—and (...) will disagree—with Habinek's ideas, and I certainly have many questions about his methodology, his use of sources and evidence, and his sometimes conflicting claims. Nonetheless, he takes on one of the most serious issues in Classics: how we read classical texts, what the reader's involvement with the text should be, and what part ideology plays (and did play) in both the formation and the reception of a text.Habinek's task, as he states it, is to study literature as a representation of society and an intervention in it (3). His overall aim is to assess the social function of Latin literature, a literature that was produced within a traditional aristocratic empire "by and for an elite that sought to maintain and expand its dominance over other sectors of the population through reference to an authorizing past" (3). As his title indicates (with "Politics" coming before "Literature"), he sets out to "politicize and historicize the reading of texts of classical Latin literature that are still too frequently regarded in purely formalistic and aesthetic terms" (4-5) by examining, chapter by chapter, a series of test cases or scenarios that embed Roman literature in its social, economic, and cultural context. This book is meant to offer the reader, then, a "historically engaged mode of reading" (5) by looking at intertexts of many sorts.Such an approach to literature belongs to the school of cultural-materialist studies, those critics who read and analyze literature as "ideological discourse and social institution" (5), and it draws from many schools of thought and disciplines, including Marxism, feminist theory, anthropology, political science, deconstruction, literary criticism, New Historicism, and Foucauldian theory. The genesis of Habinek's book was the close philological study of the "meaning and usage of specific Latin words and phrases in specific discursive contexts" (6). Thus he began with a close examination of the political basis of words but then broadened his lens to analyze textual systems and the construction of political identity. Habinek distinguishes himself from the semioticians and the formalists in his focus on the "interestedness" of textual utterances and the historical and political dynamics of the text. The particular kind of interestedness that Habinek zeroes in on is the Roman aristocratic elite and its anxieties about strategies for sustaining a moral and political hegemony.Habinek enters into a fray that has long simmered in the discipline of Classics but that boiled up into a full-scale battle with the publication of Martin Bernal's Black Athena. Habinek contends that Classical scholars' idealizing view of the ancient world (more Greece than Rome) and their isolation of Latin literature from Roman culture has allowed them to ignore "the social implications of their own practice" (10), a comfortable, ahistoricized position that militates [End Page 645] against reading Latin literature in a sociopolitical framework. If, for example, we read Ovid's exile poetry without acknowledging Ovid's contribution to Roman colonialism and his authorly assistance in constructing and disseminating an imperial discourse of domination, we risk imitating some famous scholarly forebears who "avoided the historical reality of Rome in order to actualize their own fantasies of the apolitical innocence of literature and literary studies" (14). Thus, Habinek sympathizes with Bernal's idea that "scholarship... is influenced by the scholar's sociopolitical background" (173, n. 2), and he urges us to follow Giambattista Vico, who privileged Roman literature and culture (over Greek), saw society and culture as something changing not fixed, and regarded language and cultural institutions as social constructs. Habinek contrasts Vico with figures like Basil Lanneau Gildersleeve, who, in the German Romantic tradition, idealized Greece and firmly separated... (shrink)

Until recently, psychologists have conceptualised and studied trust in God (TIG) largely in isolation from contemporary work in theology, philosophy, history, and biblical studies that has examined the topic with increasing clarity. In this article, we first review the primary ways that psychologists have conceptualised and measured TIG. Then, we draw on conceptualizations of TIG outside the psychology of religion to provide a conceptual map for how TIG might be related to theorised predictors and outcomes. Finally, we provide a (...) research agenda for future empirical work in this area, as well as practical applications for counsellors and religious leaders. (shrink)

This article contributes a systematically approached, up-to-date synthesis of the current literature on ethics and carbon pricing. This is the first study on this topic performed using PRISMA methodology. We identify 210 sources discussing the ethical arguments for and against a variety of carbon pricing instruments. By analysing the primary arguments within the debate, we offer insights for policymakers regarding the selection and design of emissions abatement policy instruments. The review indicates that carbon pricing remains divisive in the debate (...) about ethical policy choices to reduce greenhouse gas (GHG) emissions. However, for most price instruments, many ethical objections can be resolved with careful attention to the instrument design. Also, although careful policy design may not fully resolve all justice concerns raised, this is not necessarily a strong argument against carbon pricing as alternative mitigation instruments may leave some justice-relate concerns unresolved. The key exception is offsets, for which the literature does not offer a solid ethical defense. This result has two main implications. First, research on the ethics of carbon pricing speaks against relying on offsets to close the gap between the developing countries' needs and current climate finance flows. Instead, less controversial forms of carbon pricing — such as a carefully designed international carbon tax — may provide new and innovative sources of climate finance. Second, while many critiques of carbon pricing are focussed on the shortcomings of carbon pricing as a policy used in isolation from other tools, we call for further research on how to incorporate both pricing and non-pricing instruments into a more comprehensive climate policy. (shrink)

The objective of this paper is to describe the organization and modality of provision of clinical psychology services for those patients who had to be hospitalized due to COVID-19 during the pandemic in Northern Italy. The IRCCS Policlinico San Donato hospital in Milan was converted into a COVID-19 center in March 2020, and all the staff, including the Clinical Psychology Service Team, were diverted to assist these patients. A description is given of how the service was organized and the modalities (...) which were utilized to assist the patients. Following the pertinent ministerial decrees, guidelines, and relevant literature, the patients were followed up through telehealth. A COVID-19 rehabilitation unit was later opened in April 2020, where all patients were seen and followed up by the Clinical Psychology team, the last patient being discharged at the end of June. Details are given about the type of services provided during the hospitalization at the different points in time. At admittance and subsequent isolation, patients indicated by the medical and nursing staff, and those who specifically requested it, were given psychological support. Patients transferred to the COVID-19 rehabilitation unit were all evaluated for anxiety, depression, posttraumatic stress disorder, and sleep disorders both on admission and at discharge when possible. (shrink)

The Coronavirus Disease 2019 pandemic, now a global health crisis, has surprised health authorities around the world. Recent studies suggest that the measures taken to curb the spread of the COVID-19 outbreak have generated issues throughout the population. Thus, it is necessary to establish and identify the possible risk factors related to the psychosocial and psychophysiological strain during the COVID-19 outbreak. The present extensive literature review assesses the social, psychological, and physiological consequences of COVID-19, reviewing the impact of quarantine (...) measures, isolation, vast human loss, social and financial consequences in the family’s economies, and its impact on the psychological health of the population. We also discussed the effect of psychophysiological factors, considering the impact of physical inactivity and modifications in nutritional habits, at psychological and physiological levels. The present review includes an actualized to date bibliography, articles for which were methodologically analyzed to verify they met the standards of quality and scientific accuracy. Authors understand the pandemic as a multifactorial event for which only a profound and extensive analysis would lead to better compression and efficient intervention in the near future. (shrink)

In seventeenth-century Germany art and reality stood in a contradictory relationship to one another, and this contradiction was a fruitful one: it contained, in an undeveloped and indistinct form, the paths that art was to take in the centuries that followed. From the point of view of the history of culture, it is important to feel the basic contradiction of this period, the pledge of the developments of the future, even though the period itself perhaps suffered from this contradiction. We (...) ourselves will be helped in this direction—that is, towards the elucidation of the central contradiction of seventeenth-century art—by a few isolated comments and observations on the literary texts of the time. (shrink)

From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In Untwisting the Serpent, Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media--Igor Stravinsky's The Rite of Spring is a ballet, Gertrude Stein's Four Saints in Three Acts is (...) an opera, and Pablo Picasso turned his cubist paintings into costumes for Parade. Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's Les Mamelles de Tiresias ) or figures of consonance that try to lose themselves in some total effect (e.g. Arnold Schoenberg's Erwartung ). In so doing he offers a fresh picture of Modernism, and provides a compelling model for the analysis of all artistic collaborations. Untwisting the Serpent is the recipient of the 2001 Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship of the Center for Humanities Research at Texas A&M University. (shrink)

The COVID-19 pandemic has led governments worldwide to make ethically controversial decisions. As a result, healthcare professionals are facing several ethical dilemmas, especially in terms of healthcare services provided to senior citizens. Thus, the aim of this review is to identify and categorize ethical dilemmas as well as propose solutions regarding health care services for elderly individuals. A qualitative systematic review of the literature was undertaken in the first tier of the pandemic. All identified scientific and editorial articles published (...) in English or French between December 2019 and October 2021 were included. An article was excluded if it was commercial, did not address an issue in the care of the elderly or present any qualitative data. Article eligibility was determined through a process of triangulation among three independent reviewers. Initially, 69 articles met our inclusion criteria and were selected for this review. These studies can be divided into 2 distinct categories: scientific articles (17 studies) and expert opinion articles (52 articles). However, due to the large quantity of qualitative data that was extracted, only the results from the scientific literature are presented here. The analysis of the data of 17 studies has allowed the emergence of 2 main themes of ethical dilemmas: 1) access to care (3 subthemes: A) triage decisions for admission, B) access to the intensive care unit and C) vaccine allocation) and 2) infection control decisions (2 subthemes: (D) isolation and E) autonomy). Our results also revealed 4 categories of potential solutions to the encountered ethical dilemmas, namely, optimal protocols, enhanced communication, caregiver support and technological assistance (virtual team-based, AI). The ethical dilemmas that emerged from our results highlight the interest of a serious international discussion around the phenomena of ageism and its potential ethical implications for health care workers (be it under normal circumstances or exceptional circumstances such as those of a pandemic). We highly recommend that future research be undertaken to test the efficacy of the proposed solutions in providing age-friendly, dilemma-free health care and environments. (shrink)

In recent years, the study of women entrepreneurship has experienced great growth, gaining a broad consensus among academics and contributing above all to understanding all those factors that explain the difficulty of women in undertaking an entrepreneurial career. This document tries to contribute to the field of study, thanks to a systematic analysis through the publications present in the topic. For this purpose, 2,848 peer-reviewed articles were analyzed, published between 1950 and 2019, using the Scopus database (SCImago Research Group). Through (...) the use of a series of bibliometric indicators it was possible to define the current state of research on the international scene. The analysis revealed that it is a multidisciplinary field of study and that has started to expand further since 2006, culminating in 2019, which makes it become a current and valid object of study. The analysis of the clusters allowed to isolate 6 different lines of research in which emerged, on the one hand, the importance of entrepreneurial education, social entrepreneurship and the socio-cultural context of reference (e.g. culture, family and institutional support) as tools to overcome the gender gap, on the other, the importance that women entrepreneurship assumes in the economic growth of the country (especially in developing economies), promoting social inclusion and combating poverty and discrimination. The study presents an important contribution to reflect on current policies and to outline future lines of investigation. (shrink)

Usually thoughts are not in isolation but in varing degrees have interrelations with each other. With regard to this historical fact as a classist want to explore the reception of a few medieval Arabic texts and writers of Socrates available teachings about politics.

Data from published case and group studies bear on the trace deletion hypothesis. The deficit-lesion correlational literature does not support Grodzinsky's claim that lesions in and around Broca's area inevitably lead to comprehension deficits specifically related to coindexation of traces or his claim that other lesions spare this function.

CONNOR MJ and WALTON JA. Nursing Inquiry 2011; 18: 2–11 Demoralization and remoralization: a review of these constructs in the healthcare literatureDevelopment of the constructs of demoralization and remoralization began in the psychiatric literature in the 1970s when a psychiatrist in the USA observed a pattern of characteristics in people referred to him for depression, which he believed, was not depression. These characteristics included hopelessness, helplessness, isolation, low self-esteem and despair. Such characteristics are often termed existential distress. Distinguishing (...) between depression and the existential distress of demoralization is still central in the literature. This is important as successful responses to each condition differ. Research into these constructs has broadened and contributions now come from many different countries and multiple health disciplines, including nursing. This study presents a review and exploration of these constructs in the healthcare literature in an attempt to bring them to the attention of greater numbers of nurses. Facilitating remoralization requires time and sensitivity to people’s personal narratives. Difficulty in achieving such a response in the present efficiency climate of many health institutions can lead to moral distress. (shrink)

Legal theorist Desmond Manderson and Shakespearean Paul Yachnin develop parallel arguments that seek to restore a public dimension of responsibility to literary studies and a private dimension of responsibility to law. Their arguments issue from their work as the creators of the Shakespeare Moot Court at McGill University, a course in which graduate English students team up with senior Law students to argue cases in the “Court of Shakespeare,” where the sole Institutes, Codex, and Digest are comprised by the plays (...) of Shakespeare. Yachnin argues that modern literary studies suffers from impermanence and isolation from real-world concerns and that it can redress these limitations—developing attributes of corrigibility, temporality, judgment, and publicity—by learning from law. Manderson finds that modern legal judgment is bereft of affective engagement with the subjects of law and wedded to an ideal of objectivity, regulation, and impersonality. Literature can restore to legal judgment the elements of narrative, character, context, and self-reflection. Together, the essays argue that the question of judgment, so integral to the disciplines of law and of literature, needs the renewal that an interdisciplinary engagement provides. (shrink)

Is it possible to be both modern and tragic? Kierkegaard’s modern Antigone, the figure he creates as an exemplar of the modern tragic, is generally taken to be an endorsement of the tragic as an aesthetic ideal, but this overlooks the cautionary elements in Kierkegaard’s essay, “The Tragic,” in Either/Or. Tracing the limits he imposes, I argue that Kierkegaard is acutely aware that his Antigone, the heroine he puts forward, is trapped precisely by her desire to be a tragic figure, (...) which in turn forces a sacrifice of who she is. (shrink)

As in literature poetry precedes prose, so in poetry a special and ‘heightened’ diction seems to precede everyday language. Mr.T.S.Eliot has put it thus: ‘Every revolution in poetry is apt to be, and sometimes to announce itself as, a return to common speech.’ How does this apply to Greek and Latin ? There are objections to considering words in isolation from this point of view, since neutral ones are apt to go now grey, now purple, according to their (...) company; but if we do not do so, we deny ourselves the only considerable method of investigation that is still open to us. Again, we must recognize that most poems are composed largely of ordinary words, though these are often used in a way that is not ordinary. (shrink)

Portraits of Integrity depicts more than 20 historical, fictional and contemporary figures whose character or life raises questions about what integrity is and how it is perceived. Integrity might be culturally bound, but this diverse set of portraits demonstrates that it is not the special preserve of any one culture. Portraits of Socrates, Mencius, Rama and Job, alongside the aspirational 16th-century couple John and Dorothy Kaye, civil rights activist Ella Baker and an anonymous banker, highlight the persisting – sometimes conflicting (...) – features of a life lived with integrity. An introduction identifies and discusses the key questions and themes raised by the case studies, encouraging the reader to determine for themselves the weight and significance of the recurring topics integrity brings up - truth, awkwardness, goodness, and charisma. For anyone looking to learn more about this elusive virtue, Portraits of Integrity is an essential collection. It uncovers the manifold aspects of integrity, illustrates the various possibilities for its expression in a life and asks whether living a life of integrity means living a life of isolation and hardship, or if it is possible to live with integrity without jeopardising all else. (shrink)

We often consider semantic-pragmatic properties of language independently of each other. In actual texts, however, the properties frequently interact. For this reason a robust theory should allow us to account not only for semantic-pragmatic properties in isolation, but also for the ways in which they are combined. This is especially important for the understanding of literary texts because the exploitation of semantic-pragmatic properties is characteristic of literary language. This article argues that it is possible to account systematically for the (...) occurrence of metaphorical \literal poetic ambiguity in terms of the interaction of such properties. Using the notion of conceptual domains and subdomains, the article proposes two necessary conditions and shows how the interaction of these conditions allows for a simple account of metaphorical/literal ambiguity. The article concludes by suggesting that examining the ways in which basic semantic-pragmatic principles of language are used in literature to create poetic effects offers us another path in understanding the poetic, one which neither equates poetic effects with a distinct poetic language, as do many formalists, nor reduces the exploration of the poetic to the properties of everyday language, as cognitivists often have. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Henry James—Aristotle's Ally, An Exclusive Pact?Jane SingletonIMany claims are advanced for the importance of narrative art works in philosophy. This paper will concentrate on one specific thesis put forward by Martha Nussbaum about the relationship between certain works of literature and moral philosophy. Although Nussbaum explores many roles for narrative artworks in philosophy,1 I shall concentrate on those works where she argues for a close connection between the (...) novels of Henry James and Aristotle's ethics. These are Love's Knowledge,2 where other authors other than James are also considered, and "Exactly and Responsibly: A Defense of Ethical Criticism," an article that formed part of a debate with Richard Posner and Wayne Booth in 1997 and 1998 in Philosophy and Literature.3 It is this latter work that provides the central thesis to be considered.I argue that there are least four possible attributes or combinations of them that Nussbaum might be suggesting are present in James's novels when she claims that James is an ally of Aristotle. My claim will be that James can only be regarded as an ally of Aristotle with respect to some of these attributes. It is a second question to determine precisely how the legitimate attributes isolated in James's novels are to be used to provide an ally for Aristotle's ethics. I shall claim that in any sense in which it is legitimate to regard James as an ally of Aristotle, he could also be regarded as an ally of a generalist theory. This is an important point to emphasise since Nussbaum explicitly enlists James as an ally of Aristotle because of the normative primacy that he gives to the particular. I shall use Kant's theory as an example of a generalist theory. Henry [End Page 61] James, I argue, can be an ally of both Aristotle and Kant but both can adopt an isolationist policy.IIThe specific thesis put forward by Nussbaum in 1998 is as follows:My claim is that in order to investigate this Aristotelian ethical view fully and fairly, we need to turn to texts in which the case for that sort of rationality is made out in a powerful and convincing way—and this cannot be done if we confine ourselves to works written in the abstract style characteristic of most contemporary theory... Aristotle's conception is much more dependent on "allies" who will make out the force of such obscure claims as the claim that "the discernment rests with perception," and that correct action "lies in a mean." Because Aristotle's conception leaves so much to particularized contextual judgment, one cannot well assess the conception without studying complex examples of such particularized judgment; and of course Aristotle's text does not supply such material. I claim that Henry James is a powerful ally of Aristotle, and one whom Aristotle badly needs if he is to convince us of his claims.("ER," pp. 347–48)It is the clarification and discussion of this that provides my point of departure. I shall then consider the four possible characteristics of James's novels that I have isolated. These are: exemplars of good choice, illustrations of the direction of thought to follow for the discernment of the particular, vehicles for developing imagination and sources that enable us to develop an understanding of and engagement of emotions. In each case I shall consider how, if at all, these characteristics enable James to be an ally of either Aristotle or Kant.IIINussbaum's thesis is limited to the late novels of James. "I assert that there is a distinctive type of ethical view... that requires literary works of a very specific type, primarily exemplified by the late novels of James, for its complete investigation" ("ER," p. 348). These include The Wings of the Dove (1902), The Ambassadors (1903), and The Golden Bowl (1904). I shall use examples from each of these although, as Posner notes, The Wings of The Dove, is one book that Nussbaum does not discuss in the article.4 [End Page 62]What attributes or characteristics do these late novels of James possess? They all have in common... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Literary Common GroundLee Rust BrownLet me make note of a few things that have occurred to me during this conference. Some of these will be observations; some will be practical inferences. One of them, though, involves the crossing of an expectation, or maybe a fear, I had brought with me to Minneapolis. Since this has to do with the whole tone of the conference, we might as well (...) begin with it.It, of course, was the question of the polemical nature of this gathering. Would this conference be diagnostic and denunciatory in nature, or would it seek to start something truly new? Certainly we all feel the need of something new—not new, either, in the sense that movements or ideological positions claim to be new, but in the sense of a fresh gathering of common attention in the place where literature is, the place where each of us who loves literature already goes alone. This would be a possibility for something original rather than just another novelty—which makes the question of polemics all the more urgent. An association that founded itself in complaint would be only one more identity-group making a virtue out of its grudge. And the grudge, in that case, would have been a sad reflex of feeling superseded and powerless.But where have the polemics against current orthodoxies been? I am delighted not to have heard them in any strenuous capacity. Even their relative absence hasn’t commanded any extended attention, and that may be an even more telling point. I take this to be partly the result of foresight and good sense. But the clean air here has been more than a reward for our mutual constraint. Instead, it seems evidence of the fact [End Page 193] that, when literature occupies our attention, there is no need for self-defense. Justice, or justification, happens by itself when we “do our own work,” as Socrates recommended.What is our own work, then? This association has made a point, it seems, of declining to prescribe what it should be. The only thing we are absolutely sure of is that its subject is literature, and that its standards and rewards should be of a literary nature. From there the field opens up—and this conference has succeeded in keeping it open in some very concrete ways.Let’s think briefly about the two panels we attended yesterday. The morning panel on “Intellectual Craftsmanship” seemed unified in its concern with the disciplined ways by which we commit ourselves to literary experience. Literature itself, as well as what we do with it, teaches us this discipline, which is “aesthetic” in every sense of that word. Roger Shattuck set the tone when he described the discipline of reading as an issue of preparation and assimilation on the one hand, and as a kind of complete perceptual openness on the other. Such openness, in our normal experience, allows us to be surprised, to see actual things, perhaps, instead of their institutional categories. But literature also requires that we craft our receptivity. The surprises we prepare ourselves to undergo are achieved breakthroughs, which makes them no less unpredictable but all the more deeply affecting.Criticism cultivates such surprising experience. (I think experience is the crucial word, by the way, since everyone on that first panel seemed to be devoted to a kind of free empiricism.) The spectacular moments of visionary power that Robert Alter isolated in Dickens are places that startle and disturb us—and we track our own surprise, and intensify it, when we look closely at how those dark places of power emerge from Dickens’s refiguring of a world where darkness otherwise tends toward an entirely unredeemable opacity. We have to read “synesthetically,” as Shattuck says, “with both eyes open,” to let ourselves be for a moment blinded by such literary places.Once again, the discipline of reading—devotedly and resistantly—frees us for the achieved experience. Slowing down, in Sven Birkerts’s sense of “retardation and deceleration,” is precisely a matter of stepping into a field of experience shaped (or, in an auditory sense, fostered and conserved) by the special demands of literature. It... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ovid’s Literary Loves: Influence and Innovation in the AmoresBetty Rose NagleBarbara Weiden Boyd. Ovid’s Literary Loves: Influence and Innovation in the Amores. Ann Arbor: University of Michigan Press, 1997. xii 1 252 pp. Cloth, $39.50.The “literary love affair” (130) in the Amores is as much (or more) an affair conducted with literature as it is one represented in literature. Although Barbara Boyd never puts it that (...) way, this is the essence of her argument. In her reading, this three-book collection of amatory elegies is the narrative of Ovid’s early career as a poet. This novel use of the genre—for literary autobiography—is one of the ways in which Ovid expands its boundaries. In Ovid’s Literary Loves Boyd intends to help readers appreciate the originality of the Amores, in part by showing in it the beginnings of that interest in redefining generic boundaries which in the past decade we have come to recognize, through the work of Stephen Hinds and others, as a hallmark of Ovid’s whole corpus.In her introduction, “The Isolation of Ovid’s Amores,” Boyd digests and assesses the current opinion about Ovid’s collection. Its “literary isolation” has resulted from the combined effects of the “generic fallacy” and what she calls the “progressive fallacy.” The latter (her own coinage) is the critical position which holds either that “what comes first is worst” or that “what comes last is worst” (5); accordingly, the Amores are early Ovid and hence inferior, and Ovid is the last of the elegists and hence inferior. As an antidote to the “generic fallacy” Boyd proposes James Zetzel’s “challenge of generic freedom,” itself the latest variation of Kroll’s “Kreuzung der Gattungen.” [End Page 468]Chapter 1, “Reused Language: Genre and Influence in the Interpretation of the Amores,” takes its point of departure from a comparison of the two propemptica Am. 2.11 and Propertius 1.8a. Boyd sets out “both to simplify and to clarify a method for reading imitation in the Amores” (19), and in doing so she makes a substantial contribution to the typology of imitation in Latin literature as a whole. She does this by bringing together two unlikely bedfellows, integrating G. P. Goold’s ideas about Ovid’s “formulae” and “instinctive” versification with G. B. Conte’s concepts of “poetic memory” and poetic language as “reused language.” She also employs Conte’s distinction between “exemplary model” (verbatim imitation) and “code model” (the system of generic rules familiar beforehand) and Richard Thomas’s preference for the term “reference” instead of “imitation.” For her purposes she distinguishes (30–31) between a “parallel,” which may “simply be a common topos” (30) rather than an actual imitation; a “formula,” which may be “a very precise mark of a poetic tradition” (30) without making a specific reference; and a “reference,” which is likely to engage with a whole tradition rather than simply allude to a single source. Finally, she distinguishes (47) “external allusion” (to another poet) from “self-imitation,” which in turn is differentiated into “’internal reference’ proper” (to an earlier poem in the same collection) and “self-imitation” (“reference across works”). These latter may well be, as she claims, “two different, though related, phenomena” (47), but “self-imitation” is not relevant to Boyd’s own discussion until her last chapter. In posing the question “How do we recognize ‘imitation’?” she distinguishes between imitation of “form and theme” (33) and imitation of “content” (34), using the latter term rather idiosyncratically to include “precise features, such as style, diction, and metrical character” (34).Chapter 2, “Literary Means and Ends: Ovid’s Ludus Poeticus,” continues the treatment of imitation in considering Ovid’s practice of “multiple allusion” (67, 89), according to Boyd “an aspect of his style that is far too little recognized and understood” (67). The goal is to clarify how Ovid views his literary past and what meaning his sources have for his use of them—in brief, as she neatly summarizes, “to move beyond equating Ovid’s inspiration and purpose with Propertius and parody, respectively” (50). She shows how in creating Sulmo as a literary landscape (Am. 2.16... (shrink)

This paper explores the experiences of infertile women who occupy a liminal space in society, and argues that the fertility clinic served as a space to tolerate women's experiences of liminality. It provided not only rituals aimed at transition to pregnancy, but also a space where women's liminal experiences, which are caused by the existential chaos of infertility, could be tolerated. The British experience seemed to differ from the American one identified in the literature, where self‐management and peer group (...) support are described as strategies used by infertile women to manage infertility. The British women in this study did not appear to draw so much on self‐management or peer group support to deal with their experiences of infertility. They appeared to be isolated in their experience. The clinic thus provided a space in which recognition was given to their intensely private experiences of difference from those in the outside fertile world and allowed them to manage these socially unacceptable, culturally taboo and invisible experiences. However, because of its very limited success rate in enabling women to become pregnant, rather than facilitating the transition of status from infertile to fertile woman, the clinic also served to reinforce the liminal experiences of those women who remained infertile. Inadvertently, the clinic offered a way of being in limbo while at the same time reinforcing the liminal experiences of women. (shrink)

Illness and injury are often accompanied by experiences of bodily objectification. Medical treatments intended to restore the structure or function of the body may amplify these experiences of objectification by recasting the patient’s body as a biomedical object—something to be examined, measured, and manipulated. In this article, we contribute to the phenomenology of embodiment in illness and medicine by reexamining the results of a qualitative study of the experiences of nurses and patients isolated in an intensive care unit during the (...) first wave of COVID-19. Drawing upon the phenomenological concept of embodiment—as developed in the work of Edmund Husserl, Maurice Merleau-Ponty, Jean-Paul Sartre, and Emmanuel Levinas—we reconsider how bodily objectification manifests in complex clinical encounters. We show that, in these settings, objectification is not simply the unilateral act of a clinician objectifying a patient. Rather, both clinicians and patients reported a variety of objectifying experiences influenced by their interactions, the immediate context of the intensive care milieu, and the broader atmosphere of a global pandemic. In light of these findings, we argue that bodily objectification in illness and medicine can often be more complicated than typically presented in the phenomenological literature. (shrink)

Remote work, understood here as a working environment different from the traditional office working space, is a phenomenon that has existed for many years. In the past, workers voluntarily opted, when they were allowed to, to work remotely rather than commuting to their traditional work environment. However, with the emergence of the global pandemic (corona virus-COVID-19), people were forced to work remotely to mitigate the spread of the virus. Consequently, researchers have identified some benefits and adverse effects of remote work, (...) especially in the age of COVID-19, ranging from flexible time and environment to technostress and isolation. In this paper, using a phenomenological approach, specifically, the sub-Saharan African experiences, I contend that remote work in the age of advanced technologies has obscured the value of relationality due to the problem of isolation in sub-Saharan African workplaces. For sub-Saharan Africans, relationality is a prerequisite moral value to becoming a person. In addition, relationality contributes to meaningfulness in the workspace. Obscuring the value of relationality in the aforementioned locale leads to meaninglessness in the workspace. Furthermore, this paper contributes to the existing literature on meaningful work by critically showing the importance of the value of relationality as a key element that adds meaning to work in sub-Saharan Africa. (shrink)