Significantly, Berkeley, in his Essay Towards a New Theory of Vision, leveled a sustained attack on just this geometrical theory of distance perception. At first glance it may seem, as it did to Berkeley, that Descartes’ geometrical theory is produced by a simple error: namely, by the idea that a physiological optics provides an adequate description of the psychological processes of judging distances. In truth, this is the weakest of Berkeley’s objections to Descartes’ theory. Obviously we do not see (...) the angles and lines of convergence when we focus on a distant object, nor are we aware of having used any geometrical rules in judging distance. And Descartes never claimed this. (shrink)

We propose an analogy between optical holography and neural behavior as a hypothesis about the physical mechanisms of neural reuse. Specifically, parameters in optical holography (frequency, amplitude, and phase of the reference beam) may provide useful analogues for understanding the role of different parameters in determining the behavior of neurons (e.g., frequency, amplitude, and phase of spiking behavior).

Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on and trespassing the boundaries between natural and artificial, orderly and disorderly, this optical (...) paradox is a Baroque phenomenon; and it is the origin of Descartes’ celebrated doubt---whether we know anything at all. (shrink)

Leonardo's drawings of optical machinery have been used as evidence for the claim that Leonardo built machines to make concave mirrors with which he could project images. This paper argues that Leonardo's drawings cannot be used as evidence for this claim. It will be shown that Leonardo used the drawings to communicate with his patrons and craftsmen, to experiment on paper, to record trials with models, and to think about 'theoretical' problems in optics. At both the theoretical and the (...) practical level, Leonardo was only concerned with the burning properties of concave mirrors, not with their imaging properties. The paper will conclude that the drawings of optical machinery allowed Leonardo to differentiate himself from the ordinary mirror-makers in his workshop. The same drawings, however, also forced him to remain within the conceptual framework of perspectivist optics. (shrink)

_ Source: _Volume 29, Issue 1, pp 39 - 65 Since Euclid, optics has been considered a geometrical science, which Aristotle defines as a “mixed” mathematical science. Hobbes follows this tradition and clearly places optics among physical sciences. However, modern scholars point to a confusion between geometry and physics and do not seem to agree about the way Hobbes mixes both sciences. In this paper, I return to this alleged confusion and intend to emphasize the peculiarity of Hobbes’s (...) geometrical optics. This paper suggests that Hobbes’s conception of geometrical optics, as a mixed mathematical science, greatly differs from Descartes’s one, mainly because they do not share the same “mechanical conception of nature.” I will argue that Hobbes and Descartes also have in common the quest for a different kind of geometry for their optics, different from that of the Ancients. I will show that this departure is not recent since Hobbes’s approach is already evident in 1636, when he judges the demonstrations of his contemporary friends, Claude Mydorge and Walter Warner. Finally the paper broadly suggests what is noteworthy in Hobbes’s optics, that is, the importance of the idea of force in his mechanics, although he was not able to conceptualize it in other terms than “quickness.”. (shrink)

Minkowski geometry is axiomatized in terms of the asymmetric binary relation of optical connectibility, using ten first-order axioms and the second-order continuity axiom. An axiom system in terms of the symmetric binary optical connection relation is also presented. The present development is much simpler than the corresponding work of Robb, upon which it is modeled.

This volume contains essays that examine the optical works of Giambattista Della Porta, an Italian natural philosopher during the Scientific Revolution. Coverage also explores the science and technology of early modern optics. Della Porta's groundbreaking book, Magia Naturalis, includes a prototype of the camera. Yet, because of his obsession with magic, Della Porta's scientific achievements are often forgotten. As the contributors argue, his work inspired such great minds as Johanes Kepler and Francis Bacon. After reading this book, researchers, historians, (...) and students will have a better appreciation of this influential scientist. They will also gain a greater understanding of an important period in the history of optics. Readers will learn about Della Porta's experimental method, a process governed by the protocols, aims, and theoretical assumptions of natural magic. Coverage also discusses the material properties and limitations of optical technology in the early 17th century, based on a recently discovered Dutch spyglass. It also demonstrates how diagrams were instrumental in the discovery of the sine law of refraction. In addition, the book includes an in-depth analysis of previously untranslated Latin sources. This makes the material useful to historians of optics unfamiliar with the language. More than 70 illustrations complement the text. (shrink)

This book explores the interrelationships between optics, vision and perspective before the Classical Age, examining binocularity in particular. The author shows how binocular vision was one of the key juncture points between the three concepts and readers will see how important it is to understand the approach that scholars once took. In the Middle Ages and the Renaissance, the concept of Perspectiva – the Latin word for optics – encompassed many areas of enquiry that had been viewed since (...) antiquity as interconnected, but which a erwards were separated: optics was incorporated into the field of physics (i.e., physical and geometrical optics), vision came to be regarded as the sum of various psycho-physiological mechanisms involved in the way the eye operates (i.e., physiological optics and psychology of vision) and the word ‘perspective’ was reserved for the mathematical representation of the external world (i.e., linear perspective). The author shows how this division, which emerged as a result of the spread of the sciences in classical Europe, turns out to be an anachronism if we confront certain facts from the immediately preceding periods. It is essential to take into account the way medieval scholars posed the problem – which included all facets of the Latin word perspectiva – when exploring the events of this period. (shrink)

I argue that quantum optical experiments that purport to refute Bohr’s principle of complementarity fail in their aim. Some of these experiments try to refute complementarity by refuting the so called particle–wave duality relations, which evolved from the Wootters–Zurek reformulation of BPC. I therefore consider it important for my forgoing arguments to first recall the essential tenets of BPC, and to clearly separate BPC from WZPC, which I will argue is a direct contradiction of BPC. This leads to a need (...) to consider the meaning of particle–wave duality relations and to question their fundamental status. I further argue that particle and wave complementary concepts are on a different footing than other pairs of complementary concepts. (shrink)

The screen is not a pre established object: it becomes a screen—and that screen—when it interacts with a group of elements and relates to a set of practices that produce it as a screen. In this process of becoming screen, a crucial step is played by the space in which the screen is located and where spectators gather. The confluence of screen and space changes our perception of both: the screen displays the situatedness of its action, and the space its (...) nature of medium. The landscape becomes a screenscape, in which individuals access images through which they negotiate with reality and others. Eventually, the insistence on becoming screen highlights the role of contingency and conjuncture in the process of mediation: screenscapes emerge according opportunities, conflicts, and potentialities. Hence a media archeology that, far from being linear and teleological, follows unpredicted paths and creates surprising links—a rhizomatic media archeology. (shrink)

Underwater object detection plays an important role in research and practice, as it provides condensed and informative content that represents underwater objects. However, detecting objects from underwater images is challenging because underwater environments significantly degenerate image quality and distort the contrast between the object and background. To address this problem, this paper proposes an optical prior-based underwater object detection approach that takes advantage of optical principles to identify optical collimation over underwater images, providing valuable guidance for extracting object features. Unlike (...) data-driven knowledge, the prior in our method is independent of training samples. The fundamental novelty of our approach lies in the integration of an image prior and the object detection task. This novelty is fundamental to the satisfying performance of our approach in underwater environments, which is demonstrated through comparisons with state-of-the-art object detection methods. (shrink)

_ Source: _Volume 29, Issue 1, pp 86 - 102 The aim of this paper is to give an overview of the place that Hobbes assigns to optics in the context of his classification of sciences and disciplinary boundaries. To do this, I will begin with an account of Hobbes’s conception of philosophy or science, and particularly his distinction between true and hypothetical knowledge. I will also show that in his demarcation between mathematics or geometry and natural philosophy Hobbes (...) was influenced by Galileo’s _Dialogue_. I then analyse the consequences of this distinction for optics, and conclude by clarifying its status among the scientific disciplines. (shrink)

Ever since Big Data became a mot du jour across social fields, optical metaphors such as the microscope began to surface in popular discourse to describe and qualify its epistemological impact. While the persistence of optics seems to be at odds with the datafication of vision, this article suggests that the optical metaphor offers an opportunity to reflect about the material consequences of the modes of seeing and knowing that currently shape datafied worlds. Drawing on feminist new materialism, the (...) article investigates the optical metaphor as a material-discursive practice that actively constitutes the world, as metaphors imply modes of thinking, knowing and doing that have material enactions. Expanding visual culture theories, the notion of ‘optical unconscious’ is taken up to discuss the tensions between displacement and persistence of optics within datafied worlds, that is, how optical vision is displaced but also mobilised and repurposed by data-driven knowledge. In dialogue with feminist science and technology studies and speculative ethics, I suggest that the datafication of vision offers a chance to reconceptualize the sense of sight towards a sensorial engagement with Big Data premised on responsibility, care, and an ethics of unknowability. Within this framework, vision may be conceived differently, perhaps not only as enhancement and control, but as generator of new possibilities. Ultimately, the article proposes that the visual theories after which Big Data is being imagined matter not only for our understanding of Big Data's epistemic potential, but also for the possibility of shaping emerging data worlds. (shrink)

The relativistic optics of the nondispersive media endowed with the metric gij(x) [Eq. (1.6)] and with a nonlinear connection [Eq. (1.2)] is studied. The d-connection [Eqs. (3.3)– (3.4)] relates the conformal and projective properties of the space- time. A post-Newtonian estimation for the metric gij(x) is also given. It is shown that the solar system tests impose a constraint [Eq. (4.20)] on a combination of the post- Newtonian parameters describing the model.

This book is a long-term history of optics, from early Greek theories of vision to the nineteenth-century victory of the wave theory of light. It is a clear and richly illustrated synthesis of a large amount of literature, and a reliable and efficient guide for anyone who wishes to enter this domain.

Typically developing 3-day-old newborns take significantly more forward steps on a moving treadmill belt than on a static belt. The current experiment examined whether projecting optic flows that specified forward motion onto the moving treadmill surface would further enhance forward stepping. Twenty newborns were supported on a moving treadmill without optic flow, with optic flow matching the treadmill’s direction and speed, with optic flow in the same direction but at a faster speed, and in a control condition with an incoherent (...) optic flow moving at the same speed as in the Congruent condition but in random directions. The results revealed no significant differences in the number or coordination of forward treadmill steps taken in each condition. However, the Faster condition generated significantly fewer leg pumping movements than the Random control condition. When highly aroused, newborns made significantly fewer single steps and significantly more parallel steps and pumping movements. We speculate the null findings may be a function of the high friction material that covered the treadmill surface. (shrink)

Using the Q representation, we study the disagreement between quantum optical formalism and local realism and we show that the phenomenon of enhancement, first revealed by the local realist analysis, could receive a simple explanation if we use this particular version of the quantum formalism. Nevertheless, some fundamental difficulties remain.

A method is presented to compute the electron-optical phase shift for a magnetized polyhedral nanoparticle, with either a uniform magnetization or a closure domain . The method relies on an analytical expression for the shape amplitude, combined with a reciprocal-space description of the magnetic vector potential. The model is used to construct two building blocks from which more complex structures can be generated. Phase computations are also presented for the five Platonic and 13 Archimedean solids. Fresnel and Foucault imaging mode (...) simulations are presented for a range of particle shapes and microscope imaging conditions. (shrink)

Quantum optics does not give a local explanation of the coincidence counts in spatially separated photodetectors. This is the case for a wide variety of phenomena, including the anticorrelated counting rates in the two channels of a beam splitter, the coincident counting rates of the two “photons” in an atomic cascade, and the “antibunching” observed in resonance fluorescence.We propose a local realist theory that explains all of these data in a consistent manner. The theory uses a completely classical description (...) of the electromagnetic field, but with boundary conditions of the far field that are equivalent to assuming a real fluctuating, zero-point field. It is related to stochastic electrodynamics similarly to the way classical optics is related to classical electromagnetic theory.The quantitative aspects of the theory are developed sufficiently to show that there is agreement with all experiments performed till now. (shrink)

There has been much recent debate about the nature of the omnivoyant image that introduces Nicholas of Cusa’s De visione Dei. In this paper, I argue that Cusa’s concept of contraction and his ‘radical perspectivism’ lead us toward stretching the concept of omnivoyance beyond a simple dichotomy between a phenomenology of the image and a phenomenology of the icon. Instead of putting such emphasis on what is seen by the omnivoyant, we should think an omnivoyant optics starting from the (...) material milieu from which it sees. To this end, I define the concept of omnivoyance through the concept of the elemental. Using both the concept of an element derived from Presocratic Ionian philosophy and recent French and American continental philosophy, I put these discourses into conversation with Cusa in several ways: the way omnivoyance functions as a substratum of contracted seeing rather than as a transcendence, its operation as a pure frontality without objectifiable aspects, and the way in which omnivoyance implies not only a gaze that sees ‘all and each’ but also a plurality of modes of vision. To help us understand this enlarged concept of omnivoyance, I use the example of animal vision, particularly the gaze of the whale. With respect to cetacean vision, I deploy Melville’s metaphysical speculations in Moby Dick as our primary guide. (shrink)

A special interest in optics among various seventeenth-century painters living in the Dutch city of Delft has intrigued historians, including art historians, for a long time. Equally, the impressive career of the Delft microscopist Antoni van Leeuwenhoek has been studied by many historians of science. However, it has never been investigated who, at that time, had access to the mathematical and optical knowledge necessary for the impressive achievements of these Delft practitioners. We have tried to gain insight into Delft (...) as a ‘node’ of optical knowledge by following the careers of three minor local figures in early seventeenth-century Delft. We argue that through their work, products, discussions in the vernacular and exchange of skills, rather than via learned publications, these practitioners constituted a foundation on which the later scientific and artistic achievements of other Delft citizens were built. Our Delft case demonstrates that these practitioners were not simple and isolated craftsmen; rather they were crucial components in a network of scholars, savants, painters and rich virtuosi. Decades before Vermeer made his masterworks, or Van Leeuwenhoek started his famous microscopic investigations, the intellectual atmosphere and artisanal knowledge in this city centred on optical topics. (shrink)

The Dioptrique, often translated as the Optics or, more literally, as the Dioptrics is one of Descartes’ earliest works. Likely begun in the mid to late 1620’s, Descartes refers to it by name in a letter to Mersenne of 25 November 1630 III, 29). Its subject matter partially overlaps with Descartes’ more foundational project The World or Treatise on Light in which he offers a general mechanistic account of the universe including the formation, transmission, and reception of light. Although (...) Galileo’s condemnation by the Church prompted Descartes to abandon, in 1633, his plans for publishing The World, he continued in the ensuing years to vigorously pursue a number of scientific projects, including projects related to his work in optics. He was eventually persuaded to publish three essays highlighting some of his discoveries together with an introductory essay concerning “the method for rightly directing one’s reason and searching for truth in the sciences” . As one of those essays, Descartes’ Dioptrics finally appeared in print together with the Discourse on Method, the Meteorology and the Geometry in the summer of 1637 in a French language edition. It was republished in a Latin edition in 1644. The subject matter of the Dioptrics may be thought of as covering three main topics and is formally divided by Descartes into ten chapters or “discourses”. The first main topic concerns the nature of light and the laws of optics. In the first discourse, Descartes invites his readers to. (shrink)

Descartes’ work on optics spanned his entire career and represents a fascinating area of inquiry from both the perspectives of the history of science and his systematic natural philosophy. The first of these entries offers a brief account of Descartes' seminal work in optics, the Dioptrique, often translated as the Optics or, more literally, as the Dioptrics. The second entry overview of Descartes’ understanding of light, his derivations of the two central laws of geometrical optics, and (...) a sampling of the optical phenomena he sought to explain. (shrink)

The electron-optical phase shift induced in the electron beam due to the interaction with the electromagnetic field of magnetized nanoparticles of defined shape and arbitrary dimensions is calculated, presented and discussed. Together with the computable knowledge of vector potential and magnetic induction, including the demagnetizing field, and with the extension to more realistic geometries which will be presented in part II, this theoretical framework can be employed for the interpretation of transmission electron microscopy experiments on magnetic particles on the nanometre (...) scale. (shrink)

The article situates Kittler’s view on the question of visual technology within his general media theory and critically examines Kittler’s optical paradigm with regard to questions of (visual) technology, discourse, strategy and style. Focus is given to the link between visual technology and the Renaissance period.

This chapter discusses Thomas Hobbes's statements about the structure of philosophy and suggests that a focus on these reflections has led some scholars to understand Hobbes as an armchair speculative philosopher, both in his own natural‐philosophy endeavors and his well‐known criticisms of Robert Boyle and other experimental philosophers. Beyond Hobbes's statements about natural philosophy, it argues that a more complete understanding of his natural philosophy must also consider his practice of explaining in natural philosophy and optics. Hobbes divides all (...) human knowledge into two parts: scientia, and cognition. These two parts provide different levels of certainty to knowers. The chapter shows that explanations in optics and natural philosophy are ideally a mixture of appeals to everyday sense experience and Hobbes's own a priori geometry by providing two case studies: a case study from Hobbes's optics in De homine II and a case study of Hobbes's explanation of sense in De corpora XXV. (shrink)

Socrates, in the Republic , uses the symbol of a divided line to illustrate the distinction between the Visible and Intelligible Worlds, and between the kinds of perception appropriate to each. This paper will present a new hypothesis: that the proportions of the line are derived from optical theory. The construction of the Divided Line is described as follows: Socrates asks his interlocutors to represent the Visible and Intelligible Worlds by a line divided into two unequal segments. The ratio in (...) which the division is to be made is not specified, and it seems that any ratio is acceptable provided that one segment is longer than the other. Socrates then tells them to cut each part again according to the same ratio as the original division. After describing the division of the line thus into four parts, Socrates goes on to explain the philosophical significance of each part. For the purposes of this paper the following brief identification of each segment of the line will suffice. (shrink)