Who bears responsibility for the actions of a city or state? Is it the entity that we sometimes call a nation? Or the individual members of the nation? Shakespeare’s Henry V includes a brief interchange the night before the battle at Agincourt that addresses this question. A disguised king and the common soldiers of his army debate who is responsible for the deaths that will occur during the forthcoming battle if the war they are fighting is unjust: the king or (...) his soldiers? Who will be punished on Judgment Day? The interchange opens up reflections on the challenge of deciding who acts when a state acts. Henry V is a play that emphasizes the role of the imagination as central to both stagecraft and the politics of creating a nation. Engaging with the medieval theory of the “king’s two bodies,” the Henry of Shakespeare’s play is caught between the desire to be the embodiment of the imagined nation and yet be his own “natural person” when questions of responsibility for the actions of the nation emerge. Dependent on the imagination to build a unified nation of diverse peoples, Henry desires to escape responsibility for the potentially unjust actions of the nation by focusing on the private actions of his individual subjects. The play thereby brings questions of responsibility for the actions of collective bodies founded by the imagination to the fore and forces us to explore who is responsible when states or nations act. (shrink)

The relation between two systems of attitude ascription that capture all the empirically significant aspects of an agents thought and speech may be analogous to that between two systems of magnitude ascription that are equivalent relative to a transformation of scale. If so, just as an objects weighing eight pounds doesnt relate that object to the number eight (for a different but equally good scale would use a different number), similarly an agents believing that P need not relate (...) her to P (for a different but equally adequate interpretive scheme could use a different proposition). In either case the only reality picked out by any system of ascription is what is common to all equivalent rivals. By emphasizing some contrasts between decision theory and belief-desire psychology, it is argued that if attitude ascription is appropriately analogous to measurement then not only is being related to a proposition an artifact of the system of representation chosen, so are belief and desire. (shrink)

This article reassesses Weber's position on the influence of Confucianism on China's failure to develop the modern form of capitalism by focusing on the conception of wealth among the merchants in the Ming and Qing dynasties. It starts with a review of the criticisms directed towards Weber's theses, including his claim about an affinity between Calvinism and the spirit of capitalism, and his assertion about the lack of moral tensions in Confucianism. We argue that despite the flaws in his (...) analyses, Weber's position that ideas matter is still relevant. The main shortcoming of his argument about the link between the Confucian value system and the failure of China to develop a modern form of capitalism is that he overlooked a critical element in this value system. This was the idea, widely shared among the merchants in late imperial China, of the desirability of disposing of one's wealth. This had the effect of discouraging the accumulation of capital in a period of incipent capitalism. While this idea was intrinsic to the Confucian intellectual tradition, it was also reinforced by the vulnerable position of the merchants under the omnipotent structure of state political power during the Ming dynasty. This shows that while ideas were crucial in preventing China from developing modern capitalism, they did not operate in isolation from the socio-political context as a historical force. (shrink)

First, there are some striking similarities in the history of reception of Fleck’s and Neurath’s ideas. Due to the style of their writings they were not or often not well welcome in their national philosophical communities, i.e., the Vienna Circle and the Lvov-Warsaw School. This is especially true in the case of Fleck. On the other hand, some prominent logical positivists, like Hempel, are to some extent guilty of making of Neurath a clumsy thinker whose ideas needed to be clear (...) by a more mature philosopher, i.e. Carnap. So their work was often considered as non-scientific. With a lack of response their theories were forgotten for many years, and even if not forgotten they were habitually ridiculed by critics. After a long period of seven thin years they have their renaissance. They are even quite popular. In the last 20 years a number of excellent books and papers on Neurath and Fleck have apperared. But one can hardly find a line of comparison. One might say that this is not surprising at all, as there is nothing to compare there. Neurath was a radical positivist while Fleck’s writing were aimed only against neopositivism. Accordingly, these are poles, and all we can say is that they are completely different. But even if Neurath was a follower of radical neopositivism that Fleck was fighting with, there are some common points in their programmes and I will try to show that even if they are in opposition, their paths intersected at certain points. (shrink)

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language (...) and criticism, and truth and desire.The associations between madness and language--and madness and silence--preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud's literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing--particularly La Nouvelle Justine and Juliette--he devotes a full two-part lecture series focusing on notions of literary self-consciousness.Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault's thought and intellectual development. (shrink)

This article illuminates Henry Irving’s production of Shakespeare’s Cymbeline (1896) as a major contribution to fin-de-siècle Gothic culture. Cymbeline (1896) was one of the most popular Victorian Shakespeare productions, running to wild acclaim for more than seventy-two performances. In Cymbeline’s sexually-charged bedroom scene, Imogen, played by beloved Victorian actress Ellen Terry, was preyed upon by Henry Irving’s villainous Iachimo. Terry and Irving were at the zenith of a twenty-year partnership at London’s Lyceum theatre, and Victorian Britain’s greatest star actors. Ellen (...) Terry’s Imogen became an ideally desirable heroine for both audiences and critics of Victorian Shakespeare. Simultaneously, Cymbeline, and the acclaimed performances of Terry and Irving, became a source for literature’s most famous Gothic vampire novel: Dracula, published by Bram Stoker in 1897. Bram Stoker was Henry Irving’s business manager, and intimately involved with Irving and Terry’s professional lives at the Lyceum theatre. This article reveals the relationship between Shakespeare and Dracula, especially Ellen Terry’s Imogen as an inspiration for Lucy Westenra. Textual evidence includes Terry’s correspondence and unpublished promptbooks, as well as Stoker’s biography of Henry Irving, and facsimile notes on Dracula. Examining Cymbeline (1896) and Dracula (1897) offers a new reading of Dracula, given Cymbeline’s obsession with liminal states and female vulnerability. Moreover, Victorian responses to Ellen Terry’s Imogen in the bedchamber scene highlight fin-de-siècle eroticisations of the sleeping woman, and Victorian fantasies of sexual access to the actress. Examining Terry’s reception illuminates the disjunction between performed female passivity as Imogen, and the professional, creative activity that underlined Terry’s stage practice and agency as a Victorian actress. (shrink)

Although fair trade has grown exponentially in the U.S. in recent years, we do not have a clear understanding of why small U.S. firms choose to participate in it. To answer this question, we use a qualitative case study approach and grounded theory analysis to explore the motivations of 35 small fair trade businesses. We find that shared values and the desire to help others, often triggered by a critical incident, lead social entrepreneurs to found and sustain (...) fair trade businesses. The relationship between shared values and engagement in fair trade and the relationship between altruism and engagement in fair trade are strengthened by four motivating factors: direct relationships with producers, support for social causes, the desire for the preservation of craftsmanship, and the desire to share aesthetic products. These links are strengthened by four facilitating factors : the acquisition of business knowledge, family member involvement in the firm, assistance from faith communities, and assistance from the fair trade community. Additional analysis reveals three types of fair trade social entrepreneurs: “ethics first” entrepreneurs, primarily motivated by human rights and social justice concerns; “faith first” fair traders, motivated primarily by their religious faith; and “business first” businesspeople, motivated by what they perceive to be an opportunity to build a successful business while simultaneously doing “good” and helping others. (shrink)

This paper situates itself in Reiner Schürmann's theory that the metaphysical representations have hegemonically governed epochs of western history. It argues that the contemporary alertness about the acute loss of affinity between rhetoric and philosophy reports the end of metaphysics. Specifically, the paper discusses that the phenomenon of globalization of scientific rationalism, with its homogenizing effects requires an anarchic mode of thinking and acting and a certain political life that refuses ultimate representations. As such, the proper epochal response (...) to the rift between rhetoric and philosophy is an anarchic one. The ease with which a whole age continues to graze, in spite of exterminations still alive in our memories and planetary asphyxiations already in our throats, gives ground for perplexity (Reiner Schürmann, Broken Hegemonies). (shrink)

Background: Lack of compassion is claimed to result in poor and sometimes harmful nursing care. Developing strategies to encourage compassionate caring behaviours are important because there is evidence to suggest a connection between having a moral orientation such as compassion and resulting caring behaviour in practice. Objective: This study aimed to articulate a clearer understanding of compassionate caring via nurse educators’ selection and use of published texts and film. Methodology: This study employed discourse analysis. Participants and research context: A (...) total of 41 nurse educators working in universities in the United Kingdom (n = 3), Ireland (n = 1) and Canada (n = 1) completed questionnaires on the narratives that shaped their understanding of care and compassion. Findings: The desire to understand others and how to care compassionately characterised educators’ choices. Most narratives were examples of kindness and compassion. A total of 17 emphasised the importance of connecting with others as a central component of compassionate caring, 10 identified the burden of caring, 24 identified themes of abandonment and of failure to see the suffering person and 15 narratives showed a discourse of only showing compassion to those ‘deserving’ often understood as the suffering person doing enough to help themselves. Discussion: These findings are mostly consistent with work in moral philosophy emphasising the particular or context and perception or vision as well as the necessity of emotions. The narratives themselves are used by nurse educators to help explicate examples of caring and compassion (or its lack). Conclusion: To feel cared about people need to feel ‘visible’ as though they matter. Nurses need to be alert to problems that may arise if their ‘moral vision’ is influenced by ideas of desert and how much the patient is doing to help himself or herself. (shrink)

Shakespeare's Four Folios were published between 1623 and 1685. Although 'folio' refers to the large size of the books, it is also a reflection of the standing in which the plays and their author were held. Up until the publication of the First Folio , works of literature had never before been produced in such large and luxurious a format. In each of the folios, the 26 plays are arranged in genres of Comedies, Histories and Tragedies and include (...) introductory notes by the editors, Heming and Condell. Routledge/Thoemmes Press have re-published the Four Folios in their original size and format, as they would have appeared in the 17th Century. (shrink)

The purpose of this paper is to describe some parallels and theoretical affinities between biosemiotics and biolinguistics. In particular, this paper examines the importance of Uexküll's Umwelt and Peircean abduction as foundational concepts for Sebeok's biosemiotics and Chomsky's biolinguistic program. Other affinities touched upon in this paper include references to concepts articulated by Immanuel Kant, Konrad Lorenz, Marcel Florkin, François Jacob, C.H. Waddington, D'Arcy Thomson and Ernst Haeckel. While both programs share theoretical influences and historiographical parallels in (...) their mid-century origins continuing throughout the late twentieth century, recent articulations of biosemiotics and biolinguistics privilege different intellectual styles and methods of inquiry that define their future objectives as intellectual movements. The goal of this paper is to show that, in spite of the different scholarly agendas of biosemiotics and biolinguistics, both movements share a theoretical and philosophical core in Peirce and Uexküll. (shrink)

"Safe sex" discourse attempts to protect women from dangers assumed inherent in erotic life, such as domination, submissiveness, and loss of freedom and self-control. However, Beauvoir's and Merleau-Ponty's revision of Sartre's ontology suggests that erotic life involves a kind of generosity that transforms existence; sex neither liberates personal existence nor poses a necessary threat to women's freedom. I also reconsider the conditions under which sex is assumed to involve a violation of being.

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XX, Number 1, April 1994, pp. 73-84 Beattie's Lost Letter to the London Review JAMES FIESER The most well known written attack on Hume's philosophy during his life was James Beattie's Essay on the nature and immutability of truth (1770). Beattie's target was Hume's Treatise and its skeptical discussions of personal identity, the origin of ideas, causality, and virtue. His Essay was highly praised and resulted (...) in a yearly pension from King George III. Hume is reported to have reacted with anger to the publication of the Essay,1 and Hume's advocates retaliated by charging Beattie with unjustly abusing Hume. One such advocate was the London Review. The last issue of the London Review contains an editorial response to a letter they received from James Beattie. The context of the London Review response indicates that Beattie's letter was to have been printed in that journal. Strangely, however, the letter never appeared. Enough detail is provided in the London Review's response to reconstruct the thrust of Beattie's letter: Beattie contends that, contrary to the London Review's accusations, he did not abuse Hume in the Essay, and that Hume's criticisms of Beattie's poetic writings were based on prejudice. The letter is important since it represents Beattie's only attempt at a public defense of his treatment of Hume, and an explanation of Hume's unfavorable reaction to his poetical writings. After presenting the London Review's "Answer," I will discuss the nature of the conflict between Beattie and the London Review, and reconstruct the key James Fieser is at the Department of Philosophy, University of Tennessee at Martin, Martin, TN 38238 USA. e-mail: [email protected] 74 James Fieser points in Beattie's letter. It will be helpful to begin with background on the London Review itself. The London review of English and foreign literature was founded in January 1775 by William Kenrick as a monthly book review journal styled after, and in competition with, the Monthly Review and Critical Review. The review lasted for twelve Volumes with its final issue in December 1780. Kenrick, born in 1725, reviewed for the Monthly Review for seven years and was himself the author of books and articles on a range of subjects. As early as 1759 Kenrick voices his praise for Hume in an article for the Monthly Review, referring to him as a "masterly writer."2 Kenrick had a reputation for maliciously and deceptively provoking disputes with other writers, including Johnson, Garrick, and Goldsmith. Unlike the Monthly Review and Critical Review, which zealously preserved the anonymity of their reviewers,3 the London Review hinted at the authorship of their reviews by providing a single initial at the close of each article. The initial "W" refers to Kenrick himself. Kenrick's son, William Shakespeare Kenrick, assumed editorship of the journal when Kenrick was taken ill in the Spring of 1779 and after his death in June 1779. The Response to Beattie's Letter The reply to Beattie's letter appeared as the final item in the July 1780 issue of the London Review under the heading "Correspondences," and under the subheading "Answer to an Extract from a Letter from Dr. Beattie." The complete reply is as follows: Having, we apprehend, done Dr. Beattie ample justice by publishing his defence, let us now be equally just to the memory of a man who can no longer defend himself. Dr. Beattie's defence charges Mr. Hume with the meanness of contradicting himself in a fit of disgust, and of being swayed by passion in pronouncing sentence upon his poetical works. Till he produces his evidence, this attack upon the established character of Mr. Hume will have but little weight with the public, who have been long apprised of his exemplary probity, and strict honour. Why should Dr. Beattie suppose that we should be misinformed by a disinterested person, and desire us to disbelieve his testimony, when he would have us believe himself, who is not disinterested? Does he wish to prove that "we believe in all unbelief?" The Dr. says, "I never had any personal pique at Mr. Hume... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Like a Virgin”Levinas’s Anti-Platonic Understanding of Love and DesireBrigitta Keintzel (bio)Translated by Brigitta Keintzel, Benjamin McQuade, and Sophie UitzMy article is divided into three parts. First, I outline transformations in the understanding of love through philosophical tradition from Plato to Levinas, exploring Levinas’s anti-Platonic understanding of love via the relationship between knowledge and love. This relationship is asymmetrical: knowledge functions in the name of love, but love does (...) not function in the name of knowledge. Love is not knowledge but instead entails knowledge. As love of wisdom, knowledge serves in the name of love. The open question here is: how can Platonic love of wisdom or Levinasian ethical desire have the ability to respond to social, political, and cultural challenges — a question I will come back to in the last section.In the second section, I discuss the relationship between love and desire. As opposed to desire, which is explicitly bound to the Desired, along with some ideal position vis-à-vis that person, love possesses a plethora of connotations that often render it vague. Love is bound not only to the self but to other persons — as well as to objects, facts, attitudes, situations, ideas, institutions, cultures, and even governments. Desire, on the other hand, is a stronger term than the timeworn and [End Page 21] much-abused word “love.” It entails a stronger orientation toward the Other with a temporal, prospective connotation: in the horizon of desire, the Other is “not yet,” the Other is future in the present. For Levinas, the delineation of “not-yet”-ness is a central feature for describing alterity and virginity.My central question in the third section is on how sensual love and ethical desire relate to Levinas’s description of the relationship between “intimate” and “real” society. I will show that it is particularly Levinas’s introduction of the figure of the Third that makes it possible to finally overcome the Platonic dualism between individuality and generality. In both erotic love and in ethical desire, the figure of the Third is decisive for exploring Levinas’s understanding of justice. The figure of the Third is not only a witness of the truth between the subject and a desiring Other but also a precondition for establishing this truth. Therefore, it is not necessary to see but to hear the claims of the Third, as well the claims of the Desired.The Wisdom of LoveIn Plato’s interpretation, love is seen as a progression from the discrete, individual, erotic love to the general and comprehensive. The lover feels in him/herself a deficiency and strives to compensate this deficiency — accomplished through various activities of consciousness, involving desire, suffering, thought, perception, the striving toward the good and the beautiful. These are not considered equal in quality but rather form a progression from the particular to the general. Eros remains dutiful to the idea of the good. Renunciation of corporal love is seen as a precondition for attaining love of the good and the beautiful, this being equated with the attainment of immortality. This renunciation, as it has been argued in the dialogue between Alcibiades and Socrates, implies that spiritual, intellectual love is of higher value than corporal love. As opposed to spiritual love, corporal love is fraught with a deficiency that can never be completely assuaged. [End Page 22]This model is based on the myth — related in the Symposium — of the spherical human being, comprised originally of two people in one body, with four hands, four legs, two genders, and two faces. Only the splitting of this single human into two people with two faces and two genders created the longing for a lost unity, expressed in erotic desire for the other gender or the other face. In this narrative, erotic desire is brought into semantic proximity with lost unity and with suffering. Unisexuality is seen as a deficiency, to receive a “truer and more perfect” assuagement only on a spiritual level. The implied antagonism between spiritual (“Platonic”) and corporal love constitutes a narrative motive that — in various forms — particularly marked post-Enlightenment literature of the eighteenth and nineteenth centuries. In examples... (shrink)

This essay poses a critical response to Strauss’ political philosophy that takes as its primary object Strauss’ philosophy of Law. It does this by drawing on recent theoretical work in psychoanalytic theory, conceived after Jacques Lacan as another, avowedly non-historicist theory of Law and its relation to eros. The paper has four parts. Part I, ‘The Philosopher’s Desire: Making an Exception, or “The Thing Is...’’’, recounts Strauss’ central account of the complex relationship between philosophy and ‘the city’. Strauss’ (...) Platonic conception of philosophy as the highest species of eros is stressed, which is that aspect of his work which brings it into striking proximity with the Lacanian-psychoanalytic account of the dialectic of desire and the Law. Part II, ‘Of Prophecy and Law’, examines Strauss’ analysis of Law as first presented in his 1935 book, Philosophy and Law, and central to his later ‘rebirth of classical political philosophy’. Part III, ‘Primordial Repression and Primitive Platonism’, is the central part of the paper. Lacan’s psychoanalytic understanding of Law is brought critically to bear upon Strauss’ philosophy of Law. The stake of the position is ultimately how, for Lacanian psychoanalysis, the Law is transcendental to subjectivity, and has a founding symbolic force, which mitigates against speaking of it solely or primarily in terms of more or less inequitable ‘rules of thumb’, as Plato did. Part IV, ‘Is the Law the Thing?’ then asks the question of what eros might underlie Strauss’ paradoxical defense of esoteric writing in the age of ‘permissive’ modern liberalism – that is, outside of the ‘closed’ social conditions which he, above all, alerts us to as the decisive justification for this ancient practice. (shrink)

War and Nature is an important, cogent, and timely book about the double‐edged nature of technology. Edmund Russell, through meticulous research, establishes a key nexus between the increased use of chemicals in war and peace during several key decades of the twentieth century and the generalized backlash against technology and its unintended consequences that occurred beginning in the mid‐1960s. He clearly places pesticides, rodenticides, herbicides, and chemical warfare agents alongside atomic energy, electronics, massive water harnessing and diversion projects, and (...) other prime examples of America's romance with progress. Thus, he joins his work with a significant body of research examining the United States's headlong plunge to embrace technology, along with sometimes belated efforts to grapple with its effects.The idea of progress has always been a distinctive factor in American identity. However, the fascination with progress was perhaps never so intense, so unreserved, and so naive as in the fifty years from 1914 to the early 1960s. During these years, as Russell points out, the pace of change was accelerated by two world wars that spawned the growth of powerful government agencies as well as commercial companies whose new products benefited richly from government‐funded research. Wartime imperatives hastened development of “miracle chemicals” that preserved the health of American soldiers, as when DDT was widely employed in the Pacific theater of war to kill malaria‐bearing mosquitoes. The result was what President Dwight D. Eisenhower, as he left office, termed the “military‐industrial complex.”Russell uses well‐chosen examples from the archives of chemical manufacturers to illustrate how defense contractors supplying electronics, atomic expertise, and other forms of technological expertise useful in warfare softened their public images by touting beneficent peacetime applications of their products. “Better Living Through Chemistry” along with “Progress Is Our Most Important Product” and other slogans familiar to citizens of the 1950s appealed not just to America's love of convenience and gadgetry. They also appealed to a fundamental U.S. belief that “modern science” would solve age‐old problems, erase perennial blights, and free people to live on a higher plane than any previously experienced by humankind.However, because defoliants, flame‐throwers, poison gases, and other chemical weapons that aided the war effort almost always conjured up negative images in the public mind, manufacturers used analogies of “victory” in war to victory over man's environment to retain a reputable and lucrative place in peacetime society.Perhaps most striking are the parallels between chemicals and atomic energy during the 1940s, 1950s, and early 1960s in the United States. Both chemicals and atomic energy proved their awesome power in hastening victory in World War II, and both needed softer images after the war ended. The promises of disease‐free fields and enormously increased crop yields appealed to the American public, just as did the hope of electricity “too cheap to meter” and nuclear medicine that might cure cancers.When chemicals began to poison birds, fish, and other species recognized as valuable and desirable to man, when fields lost their productivity, and when illnesses arose in certain occupations that could be linked to chemical exposure, the downsides of progress became evident. America recoiled and reevaluated. Russell weaves congressional testimony together with advertisements, popular cartoons, and other ephemera to bring to life this uniquely American story. He compels the reader to ask striking questions about a nation maturing and itself asking complex questions about one of its most cherished ideals.The final irony of Russell's book may lie in the fact that it was written before the World Trade Center attack on 11 September 2001 but published just afterward, in the midst of America's anthrax episodes in the fall of the same year. The world focus on chemical and biological warfare should now provide a whole set of additional readers for this valuable book. (shrink)

This paper aims to question the traditional definition of lying. I do not present my definition of this phenomenon. Instead, I try to show that the traditional definition – to lie one must utter a false claim – is inadequate. To do that, in the first part of the paper, I present Herbert Paul Grice’s theory of conversational implicatures, which are explicitly excluded from the traditional definition. Next, relying on the theory of default meanings, I reject the widespread idea that (...) the speaker can always distance themselves from a pragmatically conveyed message. Then I present the traditional definition of lying and the role that the intention of the speaker and the responsibility of the hearer play in it. In the second part, I apply the insights gathered by that point to Shakespeare’s tragedy Othello. After a brief presentation of the relation between Othello and Iago, I present three examples of dialogues from the play that I consider to be the cases of lying accomplished with conversational implicatures. This kind of analysis has a dual role. The first one is to show the inadequacy of the traditional definition of lying. Even though Iago does not utter a single false claim, he is lying. The second one to point to the limited scope of the possibility of denying a pragmatically conveyed message. Iago’s pragmatic messages are so strong that he cannot distance himself from them, even when he tries to. (shrink)

continent. 2.3 (2012): 218–223 Vijay Prashad. Arab Spring, Libyan Winter . Oakland: AK Press. 2012. 271pp, pbk. $14.95 ISBN-13: 978-1849351126. Nearly a decade ago, I sat in a class entitled, quite simply, “Corporations,” taught by Vijay Prashad at Trinity College. Over the course of the semester, I was amazed at the extent of Prashad’s knowledge, and the complexity and erudition of his style. He has since authored a number of classic books that have gained recognition throughout the world. The Darker (...) Nations , a peoples’ history of the Third World, sent defibrillating shockwaves through an academic world that had almost forgotten the epic scope and historic dignity of the non-aligned movement and post-colonial struggles. In his recent, award-winning work, Arab Spring, Libyan Winter , Prashad delves into his capacious knowledge of the Third World to excavate the discourses and narratives surrounding the upheavals of 2011. “Revolutions have no specific timetable,” states Prashad in the opening line of this exciting and provocative look at contemporary events. Instantly, an atmosphere of suspense emerges. The reader is alerted to the problem of history. Does the making of history then involve a suspension of historical time, or is it a continuous narrative structure into which events must eventually be integrated? Arab Spring, Libyan Winter shows that the answer to the question, “How is history made?” lies just as easily in the asking. The first half of the book works through the events that transpired to bring about the explosive popular uprisings of Arab Spring: Tunisia and Egypt, Yemen and Bahrain. But the events are not put together in a cohesive, chronological fashion. Using an uncommonly gripping style more akin to the folk-story motif of the djeli than to traditionally Orientalist academia, Prashad suspends a given situation, points out its components, and traces back the characters and genealogies that define each link before resuming a narrative. Every moment is an end to itself, and an origin of something different. Thus, the making of history becomes the suspension of its own progress, it’s catastrophic 'stability,' in a process of differentiation through inclusion. Empirically, one might suggest that history is a condition of time, and by extension, of the subject, but history is also an eminent producer of the Subject and her concept of time through memory and narrative. Hence, history is often overdetermined by a dominant narrative of the sovereign. The apparently chaotic composition of Prashad’s historicity is, then, an interstitial morphology of resistance. It illustrates that the time to act for the revolutionary lies in the gaps within the dominant historical realities. It points out the sorties of signifiers constituting nothing in the obliterated ruins of history. Through such illuminations, Arab Spring, Libyan Winter breaks through “the surface of history” to elaborate revolution’s snapping synapses, exploding interruptions and breaches, connecting flows. Messianic Politics It is tempting to think, 'History is either singular, or it is diffuse. It is either one coherent factual narrative, or it is comprised of the aletheia of the multitude.' Yet the reader finds Prashad examining the structure of history on multiple levels. For Prashad, world history is shaped by geographically defined political movements, such as communism or national liberation, with historical agents like the working class for the former and the nationalist militant for the latter. Religion, however, is another matter: “Religion has an unshakable eschatology which a post-utopian secular politics lacks.” Within the telos of religion, there appears on the horizon the image of Benjamin’s thoughts on messianic time—time as “a small fissure in the continuous catastrophe,” a break with history, may contain an ultimate redemption of the human beyond the political power struggle. Succoring the split between geo-political and utopian-religious (messianic) time in the context of Arab Spring, Prashad indicates that the base of “the deep desire and commitment to some form of democracy” is forged by the affinity between eschatological Islamist politics with the People. To think about the Subject of messianic time in the context of the lack of a “coherent timetable” for emancipatory politics, it is perhaps best to return to the modern tradition of Martin Luther King, Jr., whose prefigurative blending of liberation theology and emancipatory politics became most important during his works of 1963, the climactic year of “The Letter from a Birmingham Jail,” the March on Washington, and the bombing of the 16th Street Baptist Church. In “The Letter,” King states the point bluntly: Frankly, I have yet to engage in a direct-action campaign that was “well timed” in view of those who have not suffered unduly from the disease of segregation. For years now I have heard the word “wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant ‘Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” The timing of rebellious action must not be a part of history. It must change history. The kairos appears spontaneous and untimely in its convulsive, shocking presence, yet it is, deeper still, a path, a longue durée , forged through diligent and rigorous praxis. King put a finer point on the path of historic liberation in his declaration in his 1963 speech at Western Michigan University: “[T]ime is neutral.... Somewhere along the way we must see that time will never solve the problem alone but that we must help time. Somewhere we must see that human progress never rolls in on the wheels on inevitability. It comes through the tireless efforts and the persistent work of dedicated individuals who are willing to be co-workers with God. Without this hard work, time itself becomes an ally of the insurgent and primitive forces of irrational emotionalism and social stagnation. We must always help time and realize that the time is always right to do right.” Time, then, exists in “the neutral,” while action must turn to the kairos , not only of taking time, but taking the right time. By turning our relation to time into kairos , we move time from its context within history to a duration between histories—the longue dure?e of Messianic time. The implementation of neutrality in this context suggests a broad space of time to extend through the valley of positive and negative. In Roland Barthes’s lectures from 1978, the neutral takes place in this minimal distance of non-conflict that exists outside of two extremes. It is, in the words of Maurice Blanchot, “the non-general, the non-generic, as well as the non-specific.” For Blanchot, the neutrality of time permeates life as death, impassive and beyond control; such is the neutrality of messianic time, which permeates the charge of history, changing the "I" into the "one." The neutrality of time therefore implicates history in a case against extremism, showing that the work of the radical is not to tend to any particular side, but to have the time to navigate through the terrible terrain of history by altering its course, its patterns and rhythms of movement, connection, sociality. Hence, one does not simply “make history,” one alters the course of history in accordance to “the right time.” The historical path toward emerging power is transmitted as a gesture to the outside of history, against history; a gesture as simple as reaching out. Thus a counterhistory, to use Foucault’s term, is brought forward as the guide of time past a point of no return, a Rubicon, the point where the normal path of history falls to the past. The subject, who must be the only true agent of history, facilitates time through helpfulness, and both the Subject and her history become decentered in relation to one another. Yet history negates the neutrality of time. As Barthes discloses, although the neutral is the “thought and practice of the nonconflictual, it is nevertheless bound to assertion, to conflict, in order to make itself heard.” Engaged with history, time is charged with a destiny, and becomes an opposition. As Prashad insists, “For Arab lands, the events of early 2011 were not the inauguration of a new history, but the continuation of an unfinished struggle that is a hundred years old.” The emergence of the Subject during Arab Spring did not conceive of a new history, but changed the path of history toward a different destiny. “Historical grievances combined with inflationary pressures now met with the subjective sense that victory might be at hand—this was not simply a protest to scream into the wind, but a protest to actually remove autocrats from their positions of authority. The facts of resistance had given way to the expectation of revolutionary change.” The negativity of this charge toward “revolutionary destiny” rendered control, as a positive force, seriously lacking. The lack of control lies in the problem that the Subject is not totally detemporalized or timeless, but untimely in her presence. The Subject is untimely, because her work is visionary, and it is only through such visionary work that the Rubicon can be crossed. Still, the crossing of this border is haunted by anxiety over an impending disaster that lays in wait. It is only through the form of what Benjamin calls divine violence, captivated not with the justice of the means, but the ends—the transformation of history—that a revelation of history’s traumatic foundations can be liberated, and patterns and rhythms of time developed throughout obscured traditions awakened. In this situation, the Subject appears to be outside of right, but setting the state to rights. Because her position is correct, in-so-far as the rebelling subject rebels due to a lack of recognition, her representation appears outside of the norm, which is mistaken as right. Therefore, such visionary work must be carried out through obscured traditions, underground, away from the surveillance of empire. Explaining his method from the start along the lines of Marx’s metaphor of the mole, Prashad insists, “It is the burrowing that is essential, not simply the emergence onto the surface of history.” Arab Spring, Libyan Winter is a book on uncharted networks of time, spread out over the 252 pages like an elaborate spider’s web of passages intertwining with and overwhelming the machinery of the state. Although untimely, Arab Spring was not a flash in the pan, or a Facebook or Twitter revolution. Prashad notes that the government’s suspension of these tools led to further radicalism by furthering communications through face-to-face encounters. In existential terms, Arab Spring might be thought of as a revolution of Being over techne , an uprising of the unchartable, infinite potential of the Other. The name of this Other is found in Chance. The faith of the revolution lies in the proper decentering of the subject, its giving to the Other of time, for only with respect to time does history actually appear on the horizon of the subject, rather than as an imposition. This time of historical agency appears as a moment when anything can happen—a revolutionary truth event where everything comes into question while being realized in its Otherness as a community of the people begins anew in the streets amidst discourse, friendship, reconfigurations of hegemony, and a becoming of a constituent power. Throwing a wrench into the gears of the “cobwebbed tradition” of Orientalism, the decentering of history in Arab Spring, Libyan Winter is a defining quality of its impassioned revolutionary cry. But perhaps the most paradigmatic points of the book emerge from the unexpected voices. To make the connection between the particular manifestations of revolutionary demands to the general historic terms of revolution, Prashad quotes an anonymous young Egyptian in Tahrir Square, who reminds us, “[T]he French Revolution took a very long time so the people could eventually get their rights.” Far from timelessness, the historicization of Arab Spring must exist precisely within the most uncanny appearance of time, as something that does not appear to come from the natural state of time as we know it, but in arriving has completely transformed the way that we understand time. Strange Monsters Revolution is never as simple as a revolt from below against a rusting structure of elites trying to remain in power. As with the French Revolution, Arab Spring consisted of complex familial ties, outside interests, and religious factions fighting alongside, often in awkward juxtaposition to, liberals, working class parties, farmers, and students. It is perhaps because of this historically difficult and incongruous composition that the Arabic word for revolution is thawra , referring to the image of the bull, or thawr , which has religious significance as a pagan deity for the Ancient Semitic tribes and Cartheginians. If Daniel Guérin was correct in saying, “Anarchism and Marxism drink from the same spring,” then it is quite a different oasis that drove the thirsty beast of revolution through what Prashad calls, “the Libyan labyrinth.” Recalling Bataille’s Acéphale, the intestinal labyrinth gains significance as the mode of metabolism and rumination in which, “(the Acephale) has lost himself, loses me with him, and in which I discover myself as him, in other words, as a monster.” Unraveling the discourse of the revolution, the flows of power and hegemony—from Qaddafi’s nationalist coup in 1969 to the wars with Chad from 1978 to 1987, the neoliberal reforms of the 1990s to, finally, the War on Terror—we find that the metabolic process of Libyan Winter ends in the production of oil. In a process of what Prashad calls “involution,” Qaddafi’s bellicose policies, along with his attempts to nationalize Islam together with oil, mutated the source of his power, turning his house against itself. Already a divided nation, with its two major cities on opposite geographic sides of the country, Libya became split between two opposed political powers—liberal reformists and staunch nationalists—as Qaddafi’s political disengagement manifested through what can only be described in psychoanalytic terms as a recursive passage a l’act (mysteriously calling Wikipedia “Kleenex,” declaring that opponents drank hallucinogens with their instant coffee, and so on). Prashad declares, “The mercurial style that Qaddafi adopted was not about his personality alone, but also a leader’s natural response to a system that relied upon power brokers whose own loyalty… did not have any ideological commitment to the system.” As in the case of other nations during Arab Spring, the true expression of revolt was an outward exposition of what had inwardly been happening in microcosmic societies throughout the realm—from indigenous tribes to political parties, for a century, the people, partly motivated by (and in resistance to) economic impositions of development, had been changing the traditional social compositions and participating in what Ruth Wilson Gilmore calls, “the relative autonomy of the movement from the leaders.” It was this empowerment of political reconfigurations taking place under the context of new democratic assemblages that shocked the elites and evoked such a powerful response. Unlike Qaddafi’s awkward policy choices and rants, real acts of power from the West were clear and decisive. Prashad sets the stages of war and diplomacy, far removed from the deserts, mountains, and cities that forged the backdrop of popular politics. Taking place under the now-classic architecture of the “four pillars” of US interests—oil, the War on Terror, Israel, and the circumvention of Iranian hegemony—we find elites rubbing elbows in “Heliopolist cocktail parties and hushed conferences in Kasr al-Ittihadiya” as well as the Concorde-Lafayette hotel in Paris, which provides the setting for a meeting of anti-Qaddafi figures consolidating their power. These scenes are buttressed with the careful portraiture of key historical actors. As Prashad brings the stage of history to life, we find the diplomats and liberals like Frank Wisner, whose career has brought him from Enron in the late 1990s to the Obama Administration, under the aegis of which he was meeting with Mubarak about military support during Arab Spring. We spy the provocateurs, for instance, gauche cavalier , Bernard Henri-Levy, who telephones Sarkozy from Benghazi about the need for more NATO air strikes. We follow the rebel military establishment as it suffers mysterious deaths and even more mysterious assents (like that of apparent CIA cohort, Khalifa Hifter). In each of these intriguing characters, we find different representations of the security state biopolitique: an oil-injected reification that drives Arab Spring from the resentment of rising food prices to the brink of implosion in Libyan Winter. Reminiscent of the scenes of Cold War soirées represented in old Bond films, the aristocratic fight for oil against democracy that was Libyan Winter presents a harsh truth that the new global crisis is simply the continuation of the old history: the global exploitation of capitalism waged against the imagination of the people. As Benjamin laments, “The labyrinth is the right path for the person who always arrives early enough at his destination. This destination is the marketplace.” Yet, “(t)he labyrinth is the habitat of… a humanity (a class) which does not want to know where its destiny is taking it.” Thus, the labyrinth leads, like the desert, only further into itself. As Blanchot explains, “The desert is even less certain than the world; it is never anything but the approach to the desert.” Only the visionary can take time out of the involution toward oblivion. It is here, in this approach to and escape from history, that we find ourselves within Benjamin’s Golgotha, Blanchot’s desert: A space of indeterminate uncertainty where we become familiar only with our own exile. Blanchot writes, “For the moderated and moderate man, the room, the desert, and the world are strictly determined places. For the man of the desert and the labyrinth, devoted to the error of a journey necessarily a little longer than his life, the same space will be truly infinite, even if he knows that it is not, all the more so since he knows it.” The desert, as allegory, provides an eschatology, a mortality in the destiny of Arab Spring. But any allegory of nature might lead to a labyrinthine eschatology (for example, in Bachelard, the forest presents "a limitless world"); the prescience of the untimely is always an uncanny acceptance of the infinite within the finite—the outside of what is understood. Transgenerational and occupied with the image of the future, the untimely makes otherness its home as it proceeds toward liberation. In the work of helping time navigate this dangerous passage of history, Prashad illustrates that the more violent break with history may have occurred in the peaceable struggles of Tahrir Square, and not in the military clashes of Qaddafi with his former Generals who defected to the CIA and NATO countries. It might be possible to suggest, then, that in the case of Tunisia and Egypt, the historical subject of the people was drawn together in a Dionysian dance of different rhythms in the marvelous realm of the ancients, while we fear that the case of Libya suggests an Apollonian future where time, itself, may lay dying under the machinic hand of history. The properly Nietzschean inversion would follow: time is dead, for history has killed it. Yet, if time is dead, struck down in Golgotha, exposed in the desert, mauled by the thawra , it is only in the present sense that it is rendered impossible outside of the context into which the untimely has thrown us. Thus, if history becomes an art of revolution, life as being-towards-death (death as the provocation of the neutrality of time) becomes what Benjamin calls “the allegory of resurrection” through the glorious ruins of history. Prashad ends his work with a rousing finale: “The time of the impossible has presented itself. In Egypt, where the appetite for the possibilities of the future are greatest, the people continue to assert themselves into Tahrir Square and other places, pushing to reinvigorate a Revolution that must not die… For them the slogan is simple: Down with the Present. Long live the Future. May it be so.&rdquo. (shrink)

The bulk of Bastiat’s scientific work is contained in Economic Harmonies, a work generally overlooked or underestimated. Thsi paper would contribute to its comprehensive rehabilitation by re-examining and reappraising Bastiat’s theory of value.Bastiat defined value as “the relationship existing between two services that have been exchanged.” He respected the principle of objective or intrinsic value, of materiality or durability, utility, scarcity. “Products” have no value if not traded, and the exchange is not between two products but two services (...) mutually produced, traded and subjectively compared by two persons. The origin of the value is the “effort”, which transforms the gifts of nature, and consists in providing services to others in return for services desired.Bastiat’s criticism of Smith and Say anticipated recent developments in contemporary economics. By stressing the importance of services rather that of products, he laid the groundwork for a new approach to consumer theory. By abandoning the reference to production and concentrating on exchange, he has been joined by some Austrian Economists.However, Bastiat in his eagerness to blunt the socialist criticism of private property, was on a wrong fast in making the prediction that the area of property and value will decrease with the progress in civilization, since the efforts will be smaller and smaller, and the action of Nature will play a larger and larger role. Errare humanum Le talent scientifique de Bastiat s’exprime et s’apprécie dans Les Harmonjes Economiques, oeuvre posthume et injustement méconnue.En 1850, sa théorie de la valeur est d’avant garde. Bastiat réfute les conceptions courantes à l’époque qui rattachent la valeur aux caractéristiques d’un produit, qu’elles soient le travail requis, ou l’utilité ou la rareté. Pour lui la valeur naît de la comparaison subjective entre services échangés par deux individus. “Les services s’échangent contre des services”. L’échange est luimême le résultat d’un “effort”, c’est-àdire d’une action humaine tendant à rapprocher besoins à satisfaire et moyens de les satisfaire. Ainsi Bastiat annonce-t-il à la fois les nouvelles approches de la rationalité du consommateur et la théorie de la création entrepreneuriale et de la subjectivité des Autrichiens.Bastiat a été moins heureux dans sa prospective : pour répondre aux socialistes révoltés par la propriété privée, il diagnostique que le progrès de la civilisation, grâce au génie de l’homme, nous conduira vers moins d’efforts et d’échanges, donc moins de propriété, et plus de dons gratuits offerts par la nature, plus de communauté. Il se jugeait lui-même : Errare humanum... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Worst Case of Knowing the Other?Stanley Cavell and Troilus and CressidaDavid HillmanStanley Cavell's luminous and influential writings about Shakespeare's works include extended essays on seven of the plays, and, scattered throughout his writings, more casual passages on many of the others. He takes these works to be significantly engaged in the conditions of skepticism as he apprehends it. These plays, according to Cavell, wrestle profoundly with questions (...) about the origins of, and the possibilities of living with, skeptical ways of thinking.Troilus and Cressida is Shakespeare's most self-consciously philosophical play, and the place in the Shakespearean corpus where the relations between philosophy and literature are most openly and directly addressed. It is often referred to as a "skeptical satire," and considered to be a kind of prelude to the great tragedies of the first decade of the seventeenth century. As I intend to show, in practically all of its salient features the play exhibits precise and—to my mind—unmistakable versions of many of the most significant features of skepticism as illuminated by the work of Cavell.Heinrich Heine, rather astonishingly, declared that Troilus and Cressida was "Shakespeare's most characteristic creation"; "for a detailed judgement," he added, "we should need the help of that new aesthetics which has not yet been written."1 I suggest that Cavell's aesthetics might go some way to remedying the absence Heine identifies. To my knowledge, though, there is not a single reference to the play—and certainly no extended discussion—throughout the writings of Cavell, and this strikes me as something of a mystery; for Troilus and Cressida appears to present opportunities to exemplify with particular clarity the lineaments of skepticism Cavell finds elsewhere writ large in the [End Page 74] Shakespearean corpus. And I think the play also offers possibilities for extending these investigations in unexplored directions, perhaps towards the origins of Shakespeare's engrossment with skeptical problems, perhaps towards the delicate question of the borderline between skepticism and cynicism, or the relation between, say, Montaignean skepticism (which Cavell describes as asking "how to conduct oneself best in an uncertain world") and Cartesian skepticism ("how to live at all in a groundless world")2—questions I intend to open rather than trying to answer here. In a word, if one is going to write about the claims of reason in Shakespeare, overlooking the play where the word "reason" appears significantly more often than in any other play (21 times according to the Harvard Shakespeare Concordance) seems like a peculiar thing to do. It is of course possible that the play has simply, as it were, not found an opportunity to impress itself upon the attention of Cavell, more or less by happenstance; if so, one aim of this paper is, quite simply, to remedy that oversight. More impertinently, but also more interestingly—and, perhaps, in a more Cavellian manner—I will be prompted to contemplate towards the end of this paper the possibility that there may perhaps be some knowledge being disowned in the occlusion of this play from Cavell's writing.I begin, by way of prologue, with a short rumination about my title, which has had a tendency to oscillate in my mind between "the worst case of the other" and "the worst case of knowing the other"; this uncertainty has something to do with, precisely, the question of the relation between cynicism and the attempt to deny skepticism—that is, between assuming the worst about another, and assuming one knows anything at all about the other—as if to say, if that's (epistemologically) the worst I can do, well, at least I know something, however unsavory or reductive it may be; perhaps the play's best-known phrase, "One touch of nature makes the whole world kin" (3.3.175), reveals just how disturbing its vision is.3 For the phrase has often been taken out of context and made to mean something rather idealizing, as if it refers to the natural affinity or humanity of us all; its actual meaning, made clear by the following line ("That all with one consent praise new-born gauds"), is far... (shrink)

Our point of departing consists of two concepts, pleasure and desire, pointed out by Gilles Deleuze in his analysis and critique of Foucault’s work. Foucault responded and hastened to show that his concept of pleasure has nothing in common with either the ordinary understanding of pleasure or with the conception attributed to him by Deleuze. In the essay the question of what Foucault’s own conception of pleasure consists of is further elaborated. It turns out, finally, that Foucault in fact (...) appears to be near Deleuze, condemning the idea of pleasure in the Deleuzian vein as a rotten idea, trying to maintain positivity, etc. However, precisely here, where he appears closest to Deleuze, he is also at the same time the farthest from him. Deleuzian desire is namely something “out-of-joint”, something which can be properly considered only by departing from the break of Modernity. In other words, Foucault’s own theoretical project is in crisis, as diagnosed by Deleuze, precisely because it does not have and it does not want to have a concept of crisis as such. (shrink)

Population axiology includes two major arguments. The first is the repugnant conclusion, which was originally formulated by Derek Parfit to criticize total utilitarianism. The second is the sadistic conclusion. In this study, I demonstrate that no additively separable principle can avoid both repugnant and sadistic conclusions if individual moral values have no upper bound. This impossibility holds not only for utilitarian principles but also for any population principles that guarantee the separability of people’s well-being. I emphasize the importance of examining (...) non-separable principles in population ethics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:DESIRED POSSESSIONS: KARL POLANYI, RENÉ GIRARD, AND THE CRITIQUE OF THE MARKET ECONOMY Mark R. Anspach CREA, Paris! f '""phe most radical critique of liberal capitalism ever:" that is how JL Louis Dumont describes 7Ae Great Transformation, Karl Polanyi's classic work on the rise of the market system. But the French anthropologist goes on to observe that, when one confronts this same critique with the ethnography of tribal societies, (...) "one may ask whether Polanyi did not in fact come up short; having criticized the economy as an idea, he thought he could retain it as a thing..." (Dumont xiv, xvi). Is the economy indeed a "thing" that has always existed in some form everywhere, and if so, what manner of thing is it? In a word, what is an economyfor? Is there a particular aim that any economy must serve? A specific motive that it necessarily brings into play? We will begin by looking at Polanyi's answer to this question. "No human motive is per se economic," Polanyi tells us. "There is no such thing as a sui generis economic experience in the sense in which man may have a religious, aesthetic, or sexual experience." It is market society, with its dependence on a disembedded economic system, which fosters the illusion that the "economic" motives of hunger and gain necessarily underlie every economic system (1968, 63-4). In reality, however, "human beings will labor for a large variety of reasons as long as things are arranged accordingly." For example, "Monks traded for religious reasons... The KuIa trade ofthe Trobriand islanders... is mainly an aesthetic pursuit. Feudal economy was run on customary lines. With the Kwakiutl," industry appears to have been "a point of honor," and 1 82Mark R. Anspach so on (1968, 68). The trick, it seems, is to "arrange things accordingly." An economic system can be "run on noneconomic motives," Polanyi explains, without linking the process of production or distribution "to specific economic interests attached to the possession of goods," as long as "every single step in that process is geared to a number of social interests which eventually ensure that the required step be taken" (2001, 48). Now, there is a danger in this presentation. It could lead a reader to conclude that other societies arrange things cunningly so that all these social interests are harnessed to ensure the performance of the steps necessary to economic processes in a kind ofelaborate ruse—a ruse which the out-in-the-open operation ofthe economy in our society gives us the ability to see through. Very well, such a reader might acknowledge, the economy is an "instituted process," and, yes, the act of instituting it "shifts the place ofthe process in society" (Polanyi 1968, 148), but ifyou track it down to its hiding place and strip away the social contrivances in which it has been embedded, what you will find is still the economy as we know it—indeed, the economy which market society alone lays bare. In this reading, or rather misreading, the "real" economic aims that market society achieves directly are elsewhere accomplished only in the most cumbersomely indirect fashion. This kind of erroneous conclusion will likely be difficult to counter as long as one posits an opposition between multiple, variable and diffuse social interests, on the one hand, and the apparently straightforward individual interest in the possession of goods, on the other. Wherever the economy is submerged in social relationships, Polanyi says, a man "does not act so as to safeguard his individual interest in the possession ofmaterial goods; he acts so as to safeguard his social standing, his social claims, his social assets" (2001, 48). The problem with such an opposition between individual and social is that a market-minded theorist can overcome it simply by broadening the individual interest in the possession ofgoods to include the possession ofreified social goods. Once social interests are conceptualized as "social assets," to use Polanyi's own expression—or as "symbolic capital," to cite a more recent formulation—they lend themselves to "economizing" even in the formal sense, and Polanyi's carefully constructed distinction between the substantive and the formal collapses, apparently confirmingthe universality of the market... (shrink)

This article aims to compare the heuristic potentials of two different theories of desire, with reference to Shakespeare’s Julius Caesar. The first theory is that of mimetic desire, proposed by René Girard; the second theory is the one elaborated by Freud and Lacan, a theory of which we emphasize the conception of identity in terms of identification and the distinction between the Imaginary and Symbolic registers. The crisis of the Degree together with the unleashing of rivalry represent (...) a war between “doubles”, whose only solution would be the killing of Caesar, accomplished with purity of hearts ; the failure of the sacrificial rite would be due to the prevalence of envious violence. In line with a Lacanian perspective, and by way of a less scholastic conception of the Symbolic – understood here in term of dimension of intellectual complexity, and therefore of political art – this article intends to suggest a different interpretation: the main nucleus of the work falls on the duel between Brutus and Anthony, where the triumph of Anthony expresses the primacy of intelligence. (shrink)

Based on the proven maxim that "money makes the world go round", this study, drawing from Shakespeare's texts, presents a lexicon of common words as well as a variety of familiar familial and cultural sitations in an economic context. Making constant recourse to well-known material from Shakespeare's plays, Turner demonstrates that terms of money and value permeate our minds and lives even in our most mundane moments. His book offers a new, humane, evolutionary economics that fully expresses the (...) moral, spiritual, and aesthetic relationships among persons, and between humans and nature. Playful and incisive, Turner's book offers a way to engage the wisdom of Shakespeare in everyday life in a trenchant prose that is accessible to scholars and to the general reader. (shrink)

This article explores the distinctions among European peoples’ character established in Kant’s anthropology and their connection with his politics. These aspects are neglected relative to the analysis of race between Europeans and non-Europeans, but Kant’s anthropological works portray the people of Mediterranean Europe as not capable of civilization because of the dominance of passion in their faculty of desire, which he ties to ‘Oriental’ influences in blood or government. Kant then superimposes this racialized anthropology over the historical geopolitics (...) of Europe, obscuring the indebtedness of Northern European trade dominance to Mediterranean historical tactics and financial wealth. By relegating the Mediterranean to the margins and dismissing contentious commercial exchange in the region as mere violence spearheaded by North African corsairs, Kant gives us an elitist cosmopolitanism unable to cope with hierarchy and inequality, diminishing its potential for egalitarian global projects today. (shrink)

Shakespeare between Machiavelli and Hobbes explores Shakespeare’s political outlook by comparing some of the playwright’s best-known works to the works of Italian political theorist Niccolò Machiavelli and English social contract theorist Thomas Hobbes. This ultimately reveals the materialist principles that underpin Shakespeare’s imaginary states.

Shakespeare's romantic comedies, interpreted in the light of doctrinal material familiar to Shakespeare and his contemporaries, reveal Shakespeare's close and consistent affinity with St. Paul.

In the so-called “erotic dialogues”, especially the Symposium and the Phaedrus, Plato explained why erotic desire can play an epistemic function, establishing a strong connection between erotic desire and beauty, “the most clearly visible and the most loved” among the Ideas. Taking the erotic dialogues as a background, in this paper I elucidate Plato’s explanation in another context, the one of the Phaedo, for discussing the epistemic function of erotic desire in relation to the deficiency argument (...) and the affinity argument. My claim is that the erotic desire of the philosopher is activated by the recognition of traces of the Ideas as something that the material world lacks and that, nevertheless, his soul is familiar with. This desire for the Ideas triggers the process of recollection, and thus erotic desire acquires a decisive role in the acquisition of knowledge in the Phaedo. In the final section of the paper, I highlight the contemporary relevance of Plato’s epistemology of erotic desire. (shrink)

Kelly Sorensen defends a model of the relationship between effort and moral worth in which the effort exerted in performing a morally desirable action contributes positively to the action’s moral worth, but the effort required to perform the action detracts from its moral worth. I argue that Sorensen’s model, though on the right track, is mistaken in three ways. First, it fails to capture the relevance of counterfactual effort to moral worth. Second, it wrongly implies that exerting unnecessary effort (...) confers moral worth on an action. Third, it fails to adequately distinguish between cases in which effort is required because of defects of moral character and those in which effort is required because of barriers external to moral character, such as social pressures or non-moral cognitive deficits. I suggest three amendments to Sorensen’s model that correct these three defects. (shrink)

Research on privacy practices in digital environments has oftentimes discovered a paradoxical relationship between users’ discursive appraisal of privacy and their actual practices: the “privacy paradox.” The emergence of this paradox prompts us to conduct ethnography of a health and fitness platform in order to flesh out the structural mechanisms generating this paradox. We provide an ethnographic analysis of surveillance capitalism in action that relates front-end practices empirically to the data economy’s back-end operations to show how this material-semiotic setup (...) elicits users’ desire to become self-determined subjects in a way that makes them amenable as objects of behavioral engineering. We combine different ethnographic methods and materials to specify how different types of values are produced and translated on the investigated platform. The latter offers users the values of self-mastery and social visibility. However, the data generated in this process serve to translate these values into the value of economic amenability and thereupon ultimately into economic profit. What gets lost in translation, though, is the front-end promise of self-mastery. It is these structural mechanisms that generate the privacy paradox in the first place. (shrink)

The majority of the contemporary literature on Schelling and Heidegger focuses on the direct connection between the two philosophers – Heidegger’s engagement with Schelling’s Freedom essay. This paper, however, explores an implicit link between them on the topic of creation by reading Schelling’s Ages of the World alongside Heidegger’s ‘The Origin of the Work of Art’. It brings God’s creation in Schelling together with artistic creation in Heidegger and argues that the two have similarities in their structures, sources, (...) and aims: both creations are dependent on a two-fold struggle, the sources are either the absolute (in Schelling) or being (in Heidegger), and the aims are to reveal the divine principle (in Schelling) or the truth of being (in Heidegger) in the world. In making these comparisons, I argue that, in spite of Heidegger’s esoteric neologisms, his account of artistic creation is not as radically new as he himself claims. It can be read and better comprehended in the light of a Schellingian metaphysics of creation and, more broadly, in the light of the history of philosophy in general. Eventually, Heidegger’s philosophy remains committed to the tradition of philosophical theology, despite his own attempt to move beyond this tradition. (shrink)

Philosophos Agonistes: Imagery and Moral Psychology in Plato's Republic RICHARD PATTERSON THE COMPETITIVE IMPULSE in its simplest, first and best expression -- be best and first in everything, as Peleus advised Achilles -- seems foreign to the spirit of philosophy for a number of reasons. The most important of these finds metaphorical expression in a "Pythagorean" gnome of uncertain provenance: "Life, said [Pythagoras], is like a festival; just as some come to the festival to compete, some to ply their (...) class='Hi'>trade, but the best people come as spectators, so in life the slavish go hunting for fame or gain, the philosophers for the truth" . Plato's celebrated tripartite soul of the Republic provides a psychological underpinning for these observations about the festival crowd, and in particu- lar the distinction between the agonistes -- the competitor hunting victory and fame -- and the philosophical seeker after truth. Bk. IV distinguishes a reason- ing, a spirited, and an appetitive part or aspect of the soul, each having its own proper function and the three together providing a basis for Socrates' discus- sion of the virtues of wisdom, courage, sophrosyne, and justice. Bk. IX is explicit about all three parts having their own particular and natural pleasures and desires: the two lower parts, "spirit" and "appetite," appear respectively as lovers of victory and glory, on the one hand, and money, food, drink, and sex, on the other;.. (shrink)

The paper discusses erotic desire and the motif of going on pilgrimage in the opening of Geoffrey Chaucer’s General Prologue to The Canterbury Tales and in William Shakespeare’s sonnets. What connects most of the texts chosen for consideration in the paper is their diptych-like composition, corresponding to the dual theme of eros and pilgrimage. At the outset, I read the first eighteen lines of Chaucer’s Prologue and demonstrate how the passage attempts to balance and reconcile the eroticism underlying the (...) description of nature at springtime with Christian devotion and the spirit of compunction. I support the view that the passage is the first wing of a diptych-like construction opening the General Prologue. The second part of the paper focuses on the motif of pilgrimage, particularly erotic pilgrimage, in Shakespeare’s sonnets. I observe that most of the sonnets that exploit the conceit of travel to the beloved form lyrical diptychs. Shakespeare reverses the medieval hierarchy of pilgrimage and desire espoused by Chaucer. Both poets explore and use to their own ends the tensions inherent in the juxtaposition of sacred and profane love. Their compositions encode deeper emotional patterns of desire: Chaucer’s narrator channels sexual drives into the route of communal national penance, whereas the Shakespearean persona employs religious sentiments in the service of private erotic infatuations. (shrink)

In a letter to his friend Drury, Wittgenstein claims to have been working on the same problems that Plato was working on in the Theaetetus. In this paper I try to say what that problem might have been. In the alternative reading of the dialogue that I construct here, attention is drawn to Socrates' frequent appeal in the course of discussion to the ordinary ways of speaking that he, and Theaetetus, and everyone else in Athens at the time engaged in. (...) The more abstruse theories of Heraclitus and Protagoras which Socrates and Theaetetus are discussing are found to do violence to these ordinary ways of talking, and found seriously wanting as a result. A case is made that the conventions and presuppositions of ordinary conversational speech are inherently normative, and constitute a valid standard against which philosophical theories may be measured. Lines of affinity are drawn between these claims advanced by Plato and the recent work of contemporary neo-pragmatists, and Robert Brandom's work in particular. (shrink)

In this paper, I examine a variety of agents that appear in Kantian ethics in order to determine which would be necessary to make a robot a genuine moral agent. However, building such an agent would require that we structure into a robot’s behavioral repertoire the possibility for immoral behavior, for only then can the moral law, according to Kant, manifest itself as an ought, a prerequisite for being able to hold an agent morally accountable for its actions. Since building (...) a moral robot requires the possibility of immoral behavior, I go on to argue that we cannot morally want robots to be genuine moral agents, but only beings that simulate moral behavior. Finally, I raise but do not answer the question that if morality requires us to want robots that are not genuine moral agents, why should we want something different in the case of human beings. (shrink)

In this essay, I attempt to consider a difficult issue: the triangular relationship between the subject, the object and the visual representations of masculinity in the context of male homosexual desire. I outline contemporary circumstances of society’s interaction with popular culture in which gay men form two images of an idealized masculine body: a concept of their own body and a concept of the body they feel sexually attracted to. My concern is to theorize these two kinds of (...) desire and position them in the chaotic landscape of contesting masculinities that increasingly often besiege men via visual media. I differentiate between “straight” and “gay” masculinities as historically they have been represented and negotiated independently. What I want to reflect on is in what ways these masculinities can impact on gay men’s desires—to be a man, and to have a man. Approaching this task produces a rather puzzling picture as interpreting contemporary visual culture poses more questions than it gives answers. I argue that some of these questions are worth pursuing as an empirical inquiry. My objective is to provide a theoretical background such work could be based on. I locate elements of this theory that I find problematic or out-of-date and mention certain aspects of the problem that I believe could be addressed further. (shrink)

What capitalist economics call business or trade cycles with their recessions and depressions, and Marxists, in terms of surplus value and exploitation, call crises are fundamental misunderstandings of what Bernard Lonergan conceives as the true intelligibility of the rhythms of production and monetary circulation of the advanced exchange economy. In his circulation analysis he expresses the intelligibility of macroeconomic dynamics in terms of a pure cycle that involves the anti-egalitarian flows proper to new surplus or productive goods expansion and (...) the egalitarian flows proper to basic or consumer goods expansion, which Marxists correctly complain are not fully carried out. Crucial to the smooth expansion are (1) the crossover payments between surplus and basic monetary circuits in harmony with the phases of economic development, (2) the re-understanding of profit not as a criterion of economic activity but as involving a group interest that does not strictly 'belong' to capitalist entrepreneurs, and yet cannot be negotiated by a socialist bureaucracy. The issue is not greed on the part of either capitalists or workers but ignorance, which this analysis tries to correct. /// O presente artigo mostra de que modo aquilo que na economia capitalista é considerado como um ciclo de negócio ou de comércio com as suas respectivas reces-sões e depressões, e os Marxistas, interpretando o fenómeno em termos de mais-valia e de exploração, chamam de crises, é concebido por Bernard Lonergan nos termos de uma verdadeira inteligibilidade dos ritmos de produção e da circulação monetária próprios à economia de mercado avançada. Lonergan exprime na sua análise da circulação económica a inteligibilidade da dinâmica macroeconómica em termos de um puro ciclo que envolve as cadências anti-igualitárias próprias a novos excedentes comerciais ou expansão dos bens produtivos e as cadências igualitárias próprias à expansão dos bens básicos ou de consumo, o qual os Marxistas, com justiça, consideram que no capitalismo não são completamente cumpridas. Lonergan mostra, assim, que crucial para uma expansão equilibrada é necessário (1) o cruzamento de pagamentos entre excedentes e circuitos monetários básicos em harmonia com as fases do desenvolvimento económico, (2) uma nova compreensão do lucro não como critério da actividade económica, mas como envolvente do interesse grupal que não pertence estritamente a empresários capitalistas, e contudo não pode ser negociada por uma burocracia socialista. Deste modo, mostra-se que o problema fundamental da economia não é o egoísmo da parte dos capitalistas ou dos trabalhadores, mas sim a ignorância, problema este que Lonergan, mediante a sua análise, tenta corrigir. (shrink)

It is the metaphoric doubling of past into present that gave Renaissance ekphrastic representations its techniques of self-understanding. In effect, in the ekphrastic doubling of the past in the present, we notice that historicity becomes an inalienable part of its contemporary credibility. The reduction of distance between life and art, as evident in contemporary obsession with selfies and photographs, thus begins to become the central project of early modern ekphrasis, enhanced in the Renaissance. In sum, art becomes equivalent to (...) legal tender, and ekphrasis, a principle of exchange and substitution, through which objects and artefacts seem to be in danger of losing their particularities and gaining new generic human values. When Shakespeare wrote The Rape of Lucrece, it was ekphrasis that allowed Shakespeare to speak about the ills of his own times through a Greco-Roman subject. The metaphorical implications that his story has for the issues of good government and private and public securit... (shrink)

In the current crisis of liberal democracy, Confucianism has been cited as offering superior alternative models of government. With the resources from Dewey’s Pragmatism, this paper defends democracy, which should not be equated to de facto liberal democracies, as desirable for Confucian societies. It examines the affinities between Confucian and Dewey’s conception of the person and community and argues for an understanding of democratic values that brings together Dewey’s democratic values and Confucian ideals of personal cultivation and virtuous (...) governance. (shrink)

Publication date: 30 November 2016 Source: Author: Mahshid Mirmasoomi King Lear is one of the political tragedies of Shakespeare in which the playwright censures Lear's hamartia wrecking havoc not only upon people's lives but bringing devastation on his own kindred. Shakespeare castigates Lear's wrath, sense of superiority, and misjudgments which lead to catastrophic consequences. In Death of Yazdgerd, an anti-authoritarian play, Bahram Beyzayie, the well-known Persiaian tragedian, also depicts the hamartia of King Yazdgerd III whose pride and unjust treatment of (...) people end in devastation. By demonstrating such defective and reprehensible tragic heroes, both playwrights set at providing audience with an anti-heroic representation of the kings and also shattering the common god-like heroism attributed to hero kings. Bearing in mind the political instability of England after the succession of James I, Shakespeare avails himself of such anti-heroic representation to forewarn those monarchs incapable of maintaining a balance between their judgments and the society's need for a genuine authority. In a similar fashion, Beyzayie narrates the true historical event of a Persian king whose improper exercise of authority, withdrawal from battle, and an ultimate escape leave people helpless against the invasion of Arabs. The article initially aims to discuss the concept of hamartia within the tragedies based on Aristotle's definition of hamartia and golden mean; by defining the nature of the kings' unforgivable errors and their extremely imbalanced temperament, the paper demonstrates how such ignoble failure relegates the hero kings to anti-heroes whose punishment equals their mistakes. Contrary to Aristotle’s idea, the article also elucidates how Shakespeare and Beyzaie have caused the audiences’ catharsis of emotion not through fear and pity but through the creation of a sense of justice by portraying characters who deserve their ultimate downfall. (shrink)

This article examines Gilles Deleuze’s 1986 letter to French film critic Serge Daney about cinema, television, and images in control societies through a Benjaminian lens. While neither Deleuze nor Daney deeply engage with Walter Benjamin’s thought, I argue that the ideas or dialectical images constructed by the German thinker are crucial to better understand Deleuze’s and Daney’s thoughts regarding the threatened death of modern cinema in the 1980s because of the predominance of television as a control apparatus. In the first (...) part of the article, I analyze the aesthetical and political meaning of the concept of history as/of perception. I also show affinities between Benjamin’s and Deleuze’s works through their connection to art historian Aloïs Riegl. In the sec- ond part, I demonstrate how Deleuze’s and Daney’s reflections about mannerism as a weapon against the rise of clichés and the ideology of the visible in control societies must be supplemented by Benjamin’s concept of “construction”. In conclusion, I draw on Benjamin’s discussion of politics as a body space to advocate for desiring mannerisms to fight control apparatuses and the reign of clichés. (shrink)

Cyberspace, the internet and vituality are widely understood in terms of poststructuralist or antiessentialist expectations that when identity is separated from physical bodies it is experienced as self-evidently performative: we might therefore expect that new kinds of identities will be enacted on-line, and that participants will frame these identities as performances rather than judging them in terms of their truth or authenticity. This article uses a long-term ethnographic engagement with one internet social setting - the `sexpics' trade on Internet (...) Relay Chat (IRC) - to argue that neither of these expectations is met there. First, the sexual act and identities performed tend to be conventional in relation to off-line heterosexual norms and (pornographic) representations. Second, authenticity is a fundamental criterion by which participants understand and manage their on-line experiences: they veer between complete cynicism (their inability to authenticate the other meant according the relationship and the other no weight or commitment) and a desire for involvement that depended on pursuing startegies for authenticating the other, for being able to treat the other's performances as real rather than merely realistic. Significantly, these strategies of authentication were attempts to fix the other in a body or body-like presence, one which persists over time and is locatable in space, and which is therefore ethically accountable and trustworthy. (shrink)

A discussion of the connection between activism and academia in bioethics, highlighting the author’s own trajectory, exploring the extent to which academics have an obliation to be ‘judges’ rather than ‘barristers’ (as explored by Jonathan Haidt) and asking questions about the relationship of disability to positions in bioethics.

This paper describes the relationship between technics and desire in light of Bernard Stiegler’s new critique of political economy. The starting point for the analysis is Stiegler’s critique of the reinterpretation of Freud’s legacy by Herbert Marcuse in Eros and Civilization. The context of the analysis is the ongoing mutation of consumer capitalism into computational capitalism—one in which automated calculation systems are used to control all forms of mental and affective human activity. Digital automatization, I argue, encourages a (...) different view of what Marcuse called “the automatization of the superego.” It also requires us to rethink to what extent desire is conditioned techno-logically beyond the limits of Marcuse’s critique of Freud, capitalism and technology. The article pays special attention to Stiegler’s reinterpretation of the theory of sublimation in relation to contemporary capitalism and its technological infrastructure (from television to digital platforms). It is also an attempt to include the question concerning technology in psychoanalytic thinking. (shrink)

_This study examines the proposition that exports cause growth in gross domestic product GDP in the economy of Pakistan from 1973 to 2022. The study intends to analyze the export promotion strategy that was adopted by Pakistan's economy in the 1990s. Cointegration test reveals there is a long-run relationship between these two variables. However, causality is proved in both short and long-run from GDP to exports. The Trade openness and export growth both are prolonged association but in case (...) of Pakistan persistent depreciation of PKR could not achieve desired level of export earning which implies that J-Curve theory does not exist in Pakistan. This implies that growth in the domestic production base is vital to expansion in exports. The government or policymakers should give importance to and incentivize various production sectors of an economy so that they can contribute to the expansion of export markets._. (shrink)

This paper examines the implications of the General Agreement on Trade in Services (GATS), the World Trade Organization’s agreement governing trade in health-related services, for health policy and healthcare reform in the United States. The paper describes the nature and scope of US obligations under the GATS, the ways in which the trade agreement intersects with domestic health policy, and the institutional factors that mediate trade-offs between health and trade policy. The analysis suggests (...) that the GATS provisions on market access, national treatment and domestic regulation, which are designed to eliminate ‘regulatory barriers’ to global trade in health services, limit the range of options that state and federal regulators and legislative bodies can employ to regulate the health sector and implement healthcare reforms. As such, the paper identifies the broader social and ethical implications of free trade policy. (shrink)

A psychoanalyst looks at the portrayal of love in poems from Homer to Shakespeare, discusses Freud's writings on love, and examines the relationship between narcissism and love.