The Haunting, Directed by Robert Wise MGM/Argyle, 1963.

Examines the theme of haunting in recent U.S. and postcolonial literature as a response to the dynamics of transnational literary circulation.

Haunting history -- Presence in absentia -- Chladenius, Droysen, Dilthey : back to where we've never been -- The analog ceiling -- The past that is.

This article examines the temporality of organ transplantation with a focus on memoirs where the recipient has received an organ from a deceased donor. I argue that death constitutes life. That is, this absent presence – that the organ is materially present but the person is dead and therefore absent – is the foundation for rethinking relationality as constituted through the haunting presence of those who remain central to the continuity of life but who are not alive in any (...) strict definition of the term. This article is therefore attentive to the various meanings of haunting, drawing on queer theory to show how narratives of haunting are derealised experiences and thus a struggle for epistemological authority over specifically transplantation and relationality more broadly. It draws out how these epistemological challenges reimagine ontology as a haunted experience, and thus an intimate tie between the living and the unknown – and somewhat present – dead. (shrink)

While the initial reception of Alfred Hitchcock's Vertigo was unspectacular, it made its presence felt in a host of other films – from Chris Marker's Sans Soleil, to Brian De Palma's Obsession, and David Lynch's Mulholland Dr.. What seemed to have eluded the critics at the time is that Vertigo is a film about being haunted: by illusive images, turbulent emotions, motion and memory, the sound and feeling of falling into the past, into a nightmare. But it is also a (...) shrewdly reflexive film that haunts filmmakers, critics, and artists alike, raising fundamental questions about the ontology of moving images and the regime of fascination that churns them out. Douglas Gordon's Feature Film, D.N. Rodowick's The Wanderers, and Lynn Hershman's VertiGhost are contemporary examples of how the appropriation and contemplation of some the film's most iconic motifs, themes and strategies ask us to rethink the relation of fetishism to fabulation, and supplementarity to dissimulation and social engineering. Feature Film, The Wanderers, and VertiGhost are supplementary works, but like the original film they are about duplicity, doppelgänger, and dissimulation. What interests us is how they challenge the authority over, or even proximity to, that which returns in the form of the supplement. And ultimately, attaching themselves to the chain of forgers and forgeries, these supplementary works take their place in the vertiginous sequence of substitutions the film established: a neat allegory for a reign of the digital ghosting that Hitchcock could never have anticipated. (shrink)

Sarah Kamens invites readers to consider ways that psychiatry is colonizing, drawing on the concepts of ghostwriting and voice-hearing as mirrored points of haunting in medical regimes. Her article is provocative and engaging, and she is spot on about some of the more concerning aspects of psychiatry. I suggest some ways that Kamens can expand on this work, but my emphasis is on ghostly and emergent voices of service users.I find myself wishing that Kamens would dig deeper into some (...) of the core concepts she employs. Take post-colonialism. Setting aside the fanciful thinking signified by use of the suffix “post”—a term that is used to indicate that we have moved past the practice itself, as in “post-racial society”... (shrink)

The concept of humanity has taken on new meanings in the era of posthumanist debate. Engaging both prehumanist and posthumanist perspectives, Liliana Sikorska strips away layers of cognitive mappings performed over hundreds of years in Western culture to expose in her recent essay the mechanisms that have exacerbated the East–West divide. While the majority of discussed texts come from medieval and Victorian literature and culture, it becomes obvious to the reader of her book that the issues she explores are still (...) haunting the lives of people and nations worldwide today. (shrink)

In The Shadow of God, Michael Rosen argues that modern moral philosophy in the tradition of German Idealism is profoundly shaped by religious views these thinkers could not overcome. However, a closer look at Rosen’s critique of Kant’s and Kantian conceptions of morality raises the possibility that Rosen’s view may itself be haunted by the shadow of God. In particular, Rosen appears to believe that a moral imperative of respect for human dignity necessarily requires a religious-transcendent grounding, such that there (...) is no purely moral answer to the question of why such respect is owed. In relegating morality to an impersonal realm that alienates us from our personal understandings of the good, Rosen fails to recognize not only that Kantian morality is meant to alienate us from certain ends (e.g., racist or sexist), but that it is also meant to overcome alienation. This is because Kantian morality is not so much impersonal, as it is interpersonal: it recognizes us as belonging to a community of free and equal persons, who are autonomous when we morally reflect on, or even reject, certain ends. (shrink)

It is a pleasure to respond to these thought-provoking commentaries by Laurence J. Kirmayer and Nancy Nyquist Potter. Rather than addressing their comments one-by-one—and rather than entering into the same meditative attitude that produced my original essay, an unusual and exploratory text—I will take the liberty of responding to a theme that appears in both commentaries: the potential epistemic violence done by interpretation. It is perhaps no mistake that interpretative violence is thematized in commentaries on the topic of haunting—the (...) haunting of texts and of experience. In responding to this theme, I will offer some reflections on the role of psychotherapy in producing interpretations.Kirmayer’s commentary... (shrink)

In this article, I explore what I call the persecutory trope – which underscores the alterity of the phantom and its relentless haunting and spectral oppression of the protagonists – in recent American ghost films, connecting it to the ethical thought of the continental philosophers, Emmanuel Levinas and Jacques Derrida. Films like The Ring, The Grudge, It Follows, and Sinister depict terrifying spectral antagonists whose relentless persecution of the protagonists often defies comprehension and narrative closure. I suggest that these (...) films comprise a specific supernatural subgenre due to the particular way in which their specters haunt the victims. The relentlessness of the spectral assailant, and the foreclosure of actions by which the specter is either expelled from or reintegrated into symbolic understanding of its victim, can be construed in terms of the ethical relationship between the other and the self in the work of Levinas and Derrida. Their focus on the moral agent's responsibility to an other, an obligation that the agent does not undertake voluntarily, entails the spectralization of ethical responsibility insofar as it does not rest on solid, evidential grounds. This article shows how the spectralization of the ethical resonates in recent American ghost films through the disruptive effects of the specter's haunting and responsive mourning enacted by protagonists. (shrink)

ABSTRACTThe basis of my argument is that the cultural trauma now identified as the Holocaust occupied a latency period of around thirty years, or one generation, before surfacing in the late 1970s and early 1980s. Alongside theorists such as Ron Eyerman and Jeffrey Alexander I argue that cultural trauma, the trauma experienced by a social group, functions in a similar way to individual trauma. In this article I examine a number of texts that exhibit expressions of the trauma of the (...) Holocaust before that trauma was identified and narrativised. These texts include the television series Hogan’s Heroes, the film The Producers, and the musical Fiddler on the Roof. My approach to the texts has been through the idea of haunting as developed by Jacques Derrida. I argue that during the period of latency texts are haunted in various ways by the traumatic events that were later integrated as the Holocaust. (shrink)

Coined by Jonathan Shay, a clinician who works with combat veterans, the term ‘moral injury’ refers to an injury that occurs when one’s moral beliefs are betrayed. Shay developed the term to capture the shame and guilt of veterans he saw in his clinical practice. Since then, debates about moral injury have centered around the ‘what’ and the ‘who’ of moral injury. Clinicians universally acknowledge the challenge of treating moral injuries. I will argue that this is in part because there (...) is an essential piece of the theoretical construct that has been left behind. Namely, when veterans are morally injured, they are not only haunted by what they have done but also by the specter of a world without morals. (shrink)

Sometimes it is possible in quantum theory for a system to interact with another system in such a way that the information contained in the wave function becomes very scrambled and apparently incoherent. We produce an example which is exactly calculable, in which a macroscopic change is induced in the environment, and all phase information for the system is apparently lost, so that a measurement has seemingly been made. But actually, although the wave function has been badly scrambled, all the (...) original information is still present. We call this situation one of “latent order.”Subsequently, the system interacts again with the environment, wiping out the macroscopic change, and the wave function once again becomes manifestly coherent. Thus the apparent measurement has been undone, and leaves no aftereffect. Thus, our “measurement” has disappeared without a trace. We call such a measurement a “haunted measurement,” and we believe that until the measurement process is rigorously understood, the concept of measurement is ambiguous. It is just not good enough to say that an amplification stage occurs “somewhere” in the process.We also point out the connection between the haunted measurement and delayed-choice experiments and discuss a haunted version of the “Schrödinger's Cat” experiment and of the Einstein-Podolsky-Rosen experiment. (shrink)

We are all haunted by things we fear, repress, and those things of which we have no conscious knowledge. We are thus haunted by a variety of "ghosts" in our lives so that, at times, we might notice those things we have ignored, and so too allow the repressed elements of our world a chance to speak more directly to us. Being honest with ourselves means listening better to what haunts us, and to wrestle with our own ghosts, as humans (...) have often claimed throughout history to wrestle with God. Recognizing how we are ceaselessly haunted by that which threatens to undo our representations of ourselves is what draws together a series of reflections in this book on how we will never be able to rid ourselves of such hauntings. By examining a series of "hauntings," this study looks at what continues to haunt the field of continental philosophy, the various things that haunt our sovereign construction of ourselves, the church, our words and language in general, and even how our texts are endlessly haunted by the autobiographical "I" we are often taught to exclude from our writings. (shrink)

Intrigued by the so-called “rebellion of the poor,” this paper traces back the current South African concern with popular protest to its reconfiguration during the last years of the apartheid order. Focusing on the discourse around grassroots resistance in the mid- to late-1980s, I begin by showing how, in juxtaposition to an ideal notion of civil society, popular mobilization had been largely delegitimized and the emancipatory politics of ungovernability recast as antidemocratic by the first few years of the post-apartheid regime. (...) In deploying particular notions of violence and culture, this discursive shift, I suggest, fed into reconstructing the ungovernable subject as the racial other of the new South Africa’s citizenry. The second part of the paper mobilizes Foucault’s genealogy of liberalism to draw parallels between this process and the liberal effort to resolve the potentially conflicting principles of governing the economic subject and the subject of rights within the realm of civil society. Finally, via the postcolonial critique of liberal notions of civility and their rootedness in racial thinking, I suggest that civil society secures the governability of the population through rendering the potentially disruptive freedom of the people as the excess freedom of the racialized other. (shrink)

How Non-being Haunts Being explores the many different modes of absence and non-being that pervade life, language, thought, and culture. A highly readable book of great interest to a wide audience, it ensures that readers will never think of life, death, or themselves, the same way again.

When Dylann Roof massacred nine people at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, in June of 2015, he re-ignited a long-running debate over the appropriateness of having the flag of the American Confederacy fly over South Carolina’s state house. To many people of all races, it seems inconceivable why anyone would defend flying the Confederate flag over the state house. The flag obviously represents the Confederate States of America; it obviously highlights one of the most painful memories (...) in our nation’s history; furthermore, it obviously has a strong association with slavery and racism. If the flying of the flag celebrates dissent within the union, the death of Americans at each... (shrink)

A virtual particle is an elementary particle in a quantum field theory that serves to symbolise the interaction of its counterparts, the so called real particles. In the last 20 years, philosophers of physics have put forth several arguments for and against an interpretation of virtual particles as being like ordinary objects in space and time. In this article, I will attempt to systematise the major arguments and argue that no pro-argument is ultimately satisfactory, and that only one contra-argument—that of (...) superposition—is sufficient to deny the realistic interpretation of virtual particles. The secondary aim of this paper is to argue that even the philosophical considerations of virtual particles overestimate their role in that these entities are merely pictorial descriptions of a mathematical approximation method. This description, while helpful, is not necessary to understand particle interactions. In the end, quantum field theory is not the place to explain what actually happens in the very centre of an individual particle interaction. (shrink)

My poetized culture is one which has given up the attempt to unite one’s private ways of dealing with finitude and one’s sense of obligation to other human beings.Richard Rorty repudiated W. B. Yeats’s aspiration “to hold justice and reality in a single vision,” and he did so with relish.2 Thrilling though it is, Rorty would say, there is no need to weave into a single, coherent narrative our commitment to the end of cruelty (justice) and our idiosyncratic aesthetic tastes (...) (reality). We can affirm both principles individually—justice and reality—without concocting a “philosophy of life” (or finding a “philosophical slop-shop”3) that will draw straight lines from aesthetic obsession to justice work. Allowing .. (shrink)

_The Child That Haunts Us_ focuses on the symbolic use of the child archetype through the exploration of miniature characters from the realms of children’s literature. Jung argued that the child archetype should never be mistaken for the ‘real’ child. In this book Susan Hancock considers how the child is portrayed in literature and fairytale and explores the suggestion from Jung and Bachelard that the symbolic resonance of the miniature is inversely proportionate to its size. We encounter many instances where (...) the miniature characters are a visibly vulnerable ‘other’, yet often these occur in association with images of the supernatural, as the desired or feared object of adult imagination. In _The Child That Haunts Us_ it is emphasised that the treatment by any society, past or present, of its smallest and most vulnerable members is truly revealing of the values it really holds. This original and sensitive exploration will be of particular interest to undergraduate and postgraduate students as well as academics engaged in Jungian studies, children’s literature, childhood studies and those with an interest in socio-cultural constructions of childhood. (shrink)

This paper is concerned with tracing how the notion of place circulates and is understood in literature from the 1980s and 1990s on computer-mediated information and communications technologies. It provides a brief account of at least two ways that the notion of place circulates in the discourse of the virtual. The first is that these technologies enable 'new' spaces that are claimed to be separate from conventional spaces and places. The second, contradictorily, is that the metaphor of place is crucial (...) as a setting for online social interaction. The paper also explores how we might understand the 'place' of place in the discourse of the virtual. It does this by drawing parallels from Jacques Derrida's critique of spatial metaphor in the text of philosophy with the use of place-based metaphors in the discourse of the virtual. This examination reveals that the reduction of place to metaphor in writing on virtual technologies belies the persistent and subtle force that is exerted by metaphor in general. Furthermore, the prevalence of place-based metaphors in the discourse of the virtual points to the ongoing importance of place as a wider concept. In particular, the notion of place is in fact fundamental to how virtual technologies are framed and understood. The paper concludes by sketching some of the possibilities and potential implications that emerge from this argument. (shrink)

Saggar recalled a patient who … asked, “Doctor, do you really think I have COVID?” At that point, Saggar wasn’t sure. He told him they were being “extra cautious.” About 10 days later, the patient was dead. “That still haunts me,” Saggar said.Infectious disease specialist Dr. Suraj Saggar says he is “haunted”. We cannot tell precisely what haunts him: the death of his patient, or his in-ability, 10 days earlier, to say for certain whether the patient was infected with the (...) new coronavirus. Probably the two merge, so that for him the sadness and horror we all feel when a person we know suddenly dies is inseparable from the particular guilty grief he feels as a doctor, not simply for being unable to save a... (shrink)

In this paper, we examine how polycystic ovary syndrome is racialized in biomedical research. Drawing from Star’s seminal concept of triangulation, we analyze how the diagnostic criteria for PCOS combine two different biomarkers: body hair and testosterone. Hair and hormones are both haunted by their use in eugenic research, and as clinical measures, they can carry forward powerful narratives of biological difference. PCOS researchers circulate strong claims about racial difference in hirsutism as if they were established knowledge, sometimes calling for (...) race-specific diagnostic thresholds. Tracing the links between race and hirsutism, hirsutism and testosterone, and testosterone and race, we find that these connections are all conceptualized in ambiguous and inconsistent ways. Through triangulation, the uncertainty clouding each link is mitigated by the apparent strength of the chain as a whole. The logic linking race to disease is attenuated, allowing race to persist as a ghost variable. As PCOS is increasingly reframed as a risk factor for other conditions, racial stratification is submerged, implicit but actionable, at every stage of the life course cascade of risk. (shrink)

From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South (...) African Apartheid, the practice of torture after 9/11, and the "disappearances" that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's _Still Alive_ and Marguerite Duras's _La Douleur_; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's _W_, Art Spiegelman's _Maus_, and Philippe Grimbert's _Secret_; and second-generation recollections by Germans, such as W. G. Sebald's _Austerlitz_, Sabine Reichel's _What Did You Do in the War, Daddy?_, and Ursula Duba's _Tales from a Child of the Enemy_. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide. (shrink)

Julian Wolfreys starts with loss. All memory is the memory of loss... All that we are, all we experience, all we remember, all that we forget but which leaves nevertheless a trace on us, in us, a trace that countersigns and writes us as who we are (in effect the constellated matrix of Being's becoming): this is a process of loss. This just is loss. Loss is who we are. Loss is authentically the necessary and inescapable inessential essence of Being. (...) Loss names the ghosts, the revenants of Being, Being's others. Neither there nor not there, loss persists as the always already becoming of the thinking of Being. There is more than one loss. There is no one loss. Loss never arrives for a first time. All loss is the return of what is lost to Being's being in the world. From that starting point, the author explores the nature of being and dwelling... of memory and the nature of the traces of the past... of apparition and appearance and perception... of touch and being touched... of the material and the (a)material. In a book that draws in multiple threads from 19th- and 20th-century European literature, he references extensively Heidegger, Derrida, Lacan, Cixous, Celan, Husserl, Woolf, Joyce, Hegel, Badiou, Rilke, Merleau-Ponty, Winterson, Stockhausen and True Detective in an impressive and eclectic tour of the being-becoming-loss.". (shrink)

The evidence-based turn in education reveals renewed consensus on empiricism and shared trust in science as if it were the allegedly value-free basis for decision-making: good, justifiable governance should be a non-discretional corollary of scientific knowledge. The article focuses on some risks implied in pursuing the de-moralization of educational decision-making, namely the realistic, the reductionist, and the perspective fallacies, as well as the minimization of individual responsibility in favor of the third-person perspective implied in following protocols and guidelines. In the (...) discussion I address some possible reasons for the appeal of the evidence-based turn despite these risks: the contemporary pressure for “accountability” and the need to justify social policies and practices with consensual criteria. In the conclusion, I claim that educational decision-making should deploy rather than conceal its moral bases despite their being potentially highly divisive. Consequently, I make a case for “moral accountability”: making publicly inspectable what evidence-based education tries to conceal, i.e. the unavoidable value-ladeness of educational policies and practices. (shrink)

This article argues that contrary to its humanitarian semblance, state-controlled refugee protection is a project of substantial violence, and that the violence of refugee protection is continuously disseminated through and across a wide range of unlikely actors and institutions. Drawing on Avery Gordon and Franz Fanon, I show that the violence of refugee protection makes itself known in its haunting effects on those who come in contact with it in various capacities: those who carry through the work of refugee (...) protection, such as refugee claim decision makers, lawyers and support workers, are plagued by psychological ailments that manifest in periodical burnouts, anxiety, melancholy, alcohol abuse, and unrelenting moral and emotional dilemmas. These ailments reveal the violence of refugee protection not just in relation to refugees, who are often construed as the exclusive subjects of violence, but also towards non-refugees who come into contact with “protection” work. (shrink)