According to some scholars, universalist semantics of the future are incompatible with classical ascriptions of probability. This alleged fact is used as an argument for the linearist semantics of the future. In this paper, we show that, on the contrary, universalist semantics of the future are in harmony with the theory of probability, while the advocates of linearist semantics have to pay high theoretical costs to maintain the coherence with the classical theory of probability.

Universalism vs. Communitarianism focuses on the question, raised by recent work in normative philosophy, of whether ethical norms are best derived and justified on the basis of universal or communitarian standards. It is unique in representing both Continental and American points of view and both the older and a younger generation of scholars. The essays introduce the key issues involved in universalism vs. communitarianism and take up ethics in historical perspective, practical reason and ethical responsibility, justification, application and (...) history, and communitarian alternatives. Based on a special issue of the Journal Philosophy and Social Criticism, the book includes two additional essays by Chantal Mouffe and by Hubert and Stuart Dreyfus. David Rasmussen is Professor of Philosophy at Boston College and editor of Philosophy and Social Criticism. Contents: introduction, David, Rasmussen. Universalisms: Procedural, Contextualist, and Prudential, Alessandro Ferrara. Beyond Liberalism and Communitarianism: Toward a Critical Theory of Social Justice, Gerald Doppelt. The Liberal/Communitarian Controversy and Communicative Ethics, Kenneth Baynes. Discourse Ethics and Civil Society, Jean Cohen. Equality, Political Order and Ethics: Hobbes and the Systematics of Democratic Rationality, Rolf Zimmermann. Atomism and Ethical Life: On Hegel's Critique of the French Revolution, Axel Honneth. The Gadamer-Habermas Debate Revisited: The Question of Ethics, Michael Kelly. What Is and What Is Not Practical Reason? Agnes Heller. Adorno, Heidegger, and Postmodernity, Hauke Brunkhorst. Impartial Application of Moral and Legal Norms: A Contribution to Discourse Ethics, Klaus Günther. An Ethics, Politics, and History, Jürgen Habermas in an interview conducted by Jean-Marc Ferry. Rawls: Political Philosophy without Politics, Chantal Mouffe. What Is Morality: A Phenomenological Account of the Development of Ethical Expertise, Hubert L Dreyfus, Stuart E. Dreyfus. Universalism and Communitarianism: A Bibliography, Michael Zilles. (shrink)

Is it Eurocentric on the part of western philosophers (Habermas, Derrida) or of researchers in human sciences to set out from a specific locality (Europe) to formulate ethico-political ideals with universal aspirations? In this article, I critique the ‘universalism vs. particularism’ framework within which the charge of Eurocentrism is deployed and I redefine the notion of Eurocentrism outside the drastic choice between universalism and particularism and in light of an ‘ec-centric’ reflection on the entanglement of the ‘We’ and (...) the ‘others’. I illustrate my position by discussing the Habermasian–Derridean plea for the determination of new European political responsibilities beyond any Eurocentrism. I grant that the two philosophers go indeed beyond Eurocentrism as the latter is usually understood, i.e. along the axis ‘universal–particular’. Yet, without minimizing their political contribution, I detect subtler Eurocentrisms that pervade several assumptions of Habermas’s and Derrida’s collaborative efforts. I argue that a hasty enlisting of possibilities for a politically and morally pertinent European intervention in world affairs fails to account for other, more necessary steps in the direction of reforming the western consciousness and of going beyond less easily discernible Eurocentrisms such as those theorized within the proposed, reformulated notion. (shrink)

The discourse on freedom that Kant unfolds in his writings on the history of philosophy, especially in his essay Idea for a Universal History with Cosmopolitan Intent (1784), is a constitutive component of the moral perspective whose key concept is the notion of freedom. This is why critical philosophy, as Kant says, has its own “chiliastic expectation”, and the critical philosopher is a prophet who himself “occasions und produces the events he predicts”. Questions concerning the proper use of freedom – (...) how does freedom position itself in the individual ethics of each person when he/she wants to act morally, how does it position the community in legal ethics when it merges in a liberal state through the peacemaking function of the law, or how does the community of states position itself in international law when, with cosmopolitan intent, freedom devotes itself to a utopian peace mission – these are always questions concerning the concept of freedom which has emerged from a critical process of arbitration. (shrink)

Has moral relativism run its course? The threat of 9/11, terrorism, reproductive technology, and globalization has forced us to ask anew whether there are universal moral truths upon which to base ethical and political judgments. In this timely edited collection, distinguished scholars present and test the best answers to this question. These insightful responses temper the strong antithesis between universalism and relativism and retain sensitivity to how language and history shape the context of our moral decisions. This important and (...) relevant work of contemporary political and social thought is ideal for use in the classroom across many disciplines, including political science, philosophy, ethics, law, and theology. (shrink)

Has moral relativism run its course? The threat of 9/11, terrorism, reproductive technology, and globalization has forced us to ask anew whether there are universal moral truths upon which to base ethical and political judgments. In this timely edited collection, distinguished scholars present and test the best answers to this question. These insightful responses temper the strong antithesis between universalism and relativism and retain sensitivity to how language and history shape the context of our moral decisions. This important and (...) relevant work of contemporary political and social thought is ideal for use in the classroom across many disciplines, including political science, philosophy, ethics, law, and theology. (shrink)

In the context of medical ethics, how can the concept of informed consent be effectively implemented in a traditional society such as Japan? If the need for more openness and transparency is not felt in the practice of medicine and welfare, the clients must remain under the spell of paternalistic data. Patients and health-care professionals other than doctors are taken to be "responsible for what they do but not to be accountable for their conduct" because they do not participate in (...) a decision-making process. I explore the possibility of the concept's full implementation against the particularists' and communitarian ethicists' effort to reject the universal nature of the concept. (shrink)

In this paper, I distinguish two possible families of semantics of the open future: Linearism, according to which future tense sentences are evaluated with respect to a unique possible future history, and Universalism, according to which future tense sentences are evaluated universally quantifying on the histories passing through the moment of evaluation. An argument in favour of Linearism is based on the fact future tense does not exhibit scope interactions with negation. Todd (2020, 2021) defends Universalism (...) against this argument proposing an error theory, according to which the speakers engaged in non-philosophical conversations implicitly assume a linearist semantics of the future. In this paper, I show that an error theory is not needed for defending Universalism and that the scopelessness of negation can have another explanation. The absence of a wide-scope reading of negation characterises many other linguistic constructions: counterfactuals, vague predicates, generics and plural definite descriptions. My main thesis is that, their considerable differences aside, these constructions have something in common: they are true when the predicate applies to the members of a set, false when the predicate does not apply to the members of the set and indeterminate in the intermediate cases. When negation interacts with such constructions tends to take the narrow scope reading only. I review two types of explanations for this behaviour, one semantic and the other pragmatic. Since this explanation for the scopelessness of negation is at least as good as that of Linearism, I conclude that the argument against Universalism is ineffective. (shrink)

continent. 2.1 (2012): 29–35. Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. "Politieke Poëzie: Enige aantekeningen, Poëtica bij N30 (versie 2006)." In Weerstandbeleid: Nieuwe kritiek . Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. L’égalité veut d’autres lois . —Eugène Pottier The modern poem does not have form but consistency (that is sensed), no content but a problem (that is developed). Consistency + problem = composition. The problem of modern poetry is capitalism. Capitalism—which has no (...) image: the unrepresentable Idea of “everything.” The problem is that a poem cannot be justified. There is no excuse for it. Political poetry— pure poetry—has to be problematic, though not in a mannerist way. Yes, its problem is first its own problem—poetry’s existence in the same world as the newspaper—but therefore also always everybody’s problem (the problem of any world at all). The cult of the sublime points at a suspect desire for transcendence, nostalgia for paradise lost (the womb?). Melancholia of the post-. But a problem neither sorrows nor mourns, it is alive, and the fact that it is alive is the problem—the problem for death (rigidity, the status quo). Our symbols and ideologies do not hide any god: symbolic = state; imaginary = human; real = money. Problem: the possibility of communal speech (poetry) in the absence of a “we.” Or: what is a “we” that is not a collective subject (or in any case is not a volonté générale )? What is a universal history that is not a History? This work was started in the shade of the anti-globalization protests at the end of November 1999. I considered N30 to be the closure of the nineties, of my adolescence, and of the a seemingly total extinction of social desire. From the beginning I was skeptical about the alterglobalization movement as the avant-garde of a new politics, but something was happening . Maybe this event did not show that, as the slogan would have it, “another world” is possible, but for me it indicated that such possibility was at least still possible. That naked possibility is carrying forward. And if the fundamental tone of this work sounds more desperate than utopian, this is not caused by the catastrophic sequence that since 1999 has plunged us ever deeper into the right-wing nightmare—a nightmare that this work also gives an account for—but because my hope as yet remains empty. Composition . Composition is no design, but the production of an autonomous block of affects (i.e. a POEM), rhythmically subtracted from the language of a community. A poem does something. Is something. New Sentence . Choosing the non sequitur as compositional unit has the advantage that an abstract composition is subjected to the stress of concrete, social references. Where there is a sentence, there is always a world. (This does not hold necessarily for words on their own.) And where sentences collide, something akin to a textual civil war takes place. It is not about “undermining” whatever, or de-scribing the raging global civil war, but about writing social (or even: ontological) antagonism -- including all its catastrophic and utopian possibilities. Minor resistance. Why would poetry be the no protest zone par excellence? It is nothing but protest, not simply qua “content,” but in its most fundamental essence: rhythm. Rhythm is resistance against language, time, and space, and the basis of (what we will continue to call) autonomy. Rhythm starts with the anti-rhythmic caesura as Hölderlin remarked about Sophocles, a disruption of the quotidian drone. The destruction of everything that is dead inside of us. The noise of the avant-garde has never been the representation of the noise of (post)modernity (from the television or shopping mall), but the sober noise of the systematic exchange of an unbearable worldview. The poet does not describe, but looks for a way out: There is a Grain of Sand in Lambeth that Satan cannot find Nor can his Watch Fiends find it, tis translucent & has many Angles But he who finds it will find Oothoons palace, for within Opening into Beulah every angle is a lovely heaven William Blake was not mad. And there has always been only one poetry: the poetry of paradise. The principle is that there is something in art (the essentially creative element) that is disgusted by that which, unlike art, does not aim for the supreme. Wonder is not supreme, tranquility is not supreme, beauty is not supreme. Even amusement is not supreme! The supreme is supremely open, “das Einfache,/ Das Schwer zu machen ist” 1 : paradise. That is abstract. Literally. For me it is not about a concrete imagination, an idyll or utopia. There is no doubt a need for that, but it is not so much the supposed lack of imagination or ideals (human rights are ideals), but a fundamental lack of desire (human rights are no desires) that we suffer from, and from which we do not need to remove Nietzsche’s label of “nihilism.” “We.” George Oppen: “ Of Being Numerous asks the question whether or not we can deal with humanity as something which actually exists.” What is less actual than humanity? Nowadays it appears as a lifeless ideology of cynical power politics. Or as what makes one think. It is a shame to be human. The event is the caesura that defines rhythm. Writing toward the event is not the description of the event, but marking an abstract and intense space in which the event may unfold and keep itself. It is a task. “Remember that thou blesseth the day on which I seized thee, because such is thy obligation.” The event is a contraction (or a series of contractions) with its own rhythm and unique qualities. It is more than an explosion or demonstration. But at the same time less. The endless repetition of images and stories in the media points to a fear for the indeterminate and indeterminable void of the event. In the end there is nothing to see. We do not live in disaster’s shade or miracle’s light, but rather in the rhythm, which is contracted time, having little to do with omnipresent representations. For this book I did not intend a rhythm of evental representations (a narrative rhythm), but a rhythm which would be an event itself , because it draws the border between artwork and history. My desire for a direct engagement with the “extra-textual reality” has nothing to do with the representation of “rumor in the streets.” (What has less street cred than representation?) Naturally, a poem is no historical event and does not change anything. But a poem is a part of history that wants to be repeated forever, constructed in such a way that it is worthy of repetition. It is a part of desire (composition) made consistent (durable). The “historical event” flares up and burns down, and has to burn down to be effective. The leftovers are images and stories (representations), History—no event. The artwork—that is the ambition— remains event (though monumental and inefficient/inoperable). (No wonder that a historical singularity, a revolution, reminds us of a work of art; the resurrection yearns for a judgment, an affirmation; everything depends on it.) Hence the title does not summarize the book, let alone contract its “content” into a quasi-transcendental signifier. The title is juxtaposed to the book, like everything else inside the book, and in that relation it precisely forms a part of it. The ideal work is an open whole, lacking nothing but to which everything may be added. I have been interested in this “everything,” the world, or as I said above: capitalism. “Everything” is not the space for “wonder”—a code word, a shibboleth for petty bourgeois imagination (I recognize myself in the strangest things, a speaking dog, a canal, a pond standing straight—oh my god). No. The world is a social world, not YOUR world, poet. Power is number one. I will call “Dutch,” or “shitty,” whatever denies this power. That hurts, but this pain is an expression of the desire in the world to write another world, or as Blanchot says, “the other of all worlds” 2 : the world. Not as what “is there,” but rather as that which urges for an escape from what “is.” This is a testament of how radical reality has become, for me—or rather, a writing body—in a having-been-written. I am not interested in the problem of “meaning” as misunderstood by literary scholarsi: “order” in “chaos,” “symbolization.” Bullshit. What is there, hop, hope, now: the meaning of the taste in my mouth. Bullshit. I am not interested in the frustration of interpretation; I am writing for readers who do not want to interpret. I do not know how many “professional readers” will hear the music of a paragraph like: Sun. Sushi. Volvo. I hope more than I would think. There is a suggestion (or rather, an actual production) of speed and infinitive owing to the absence of plosives, i.e. articulations such as /k/, /t/, or /p/. Can you hear the slick suaveness? Driving car dark, vocal chiaroscuro of the word “sushi.” The unstressed /i/ stands in the middle of dark vowels and thus acquires its own special out of focus , like a momentary flash or brilliance—an obscure light. It is not about recognizing a story, but about avoiding any story whatsoever: the car disappears in the glow, cars and raw fish have nothing in common except their articulation in a language that brings them together, blurring them. A world appears in its disappearance. For a moment, light is a metaphor for language, though it cannot be reduced to tenor. It is not necessary to be a linguist or philosopher to hear this—a “difficult” poem all too often becomes an allegory of its own impenetrable being-language. The only demand: leave your hermeneutical fetish at home. This was no interpretation. Most shit has been stolen etcetera. That is no longer interesting. You cannot shoot the body with information and let your lawyers reclaim the bullets. So every sentence has been stolen. Also the ones “out” “of” “my” “head.” Why would I be allowed to steal from myself and not from others? Man takes what he needs to move forward. Whatever he encounters, finds in front of him, “occurs” to him. The writer as text editor, or singing pirate. Nothing new here. Important difference with for example Sybren Polet’s 4 montage technique: anti-thematicism. Most of the time ferocious citation from whatever I was reading, listening to, ended up in, and so on. I wrote chapter 12 on my laptop while watching CNN. On the air instead of en plein air . I often employed search engines to generate material. Chapter 20 offers the purest example of this. Often I stop recognizing a particular citation after some time. It is not uncommon for a stolen sentence to conform itself to the paragraph in which it finds itself. Sometimes I nearly arbitrarily replace words. Arbitrariness as a guarantee for absolute democracy. It is a poetics of the non sequitur : a conclusion that does not follow from the premises, the strange element in the discourse. A discourse of strangers. No logical, narrative, thematic unity. There is unity in speed/flight. It has to be read linearly, but not necessarily (not preferably) from beginning to end. The shortest distance between two points is a straight line, but this line precedes every point. The middle, the acceleration, comes first. A point occurs where two lines cross. It has been written from up close, at the level of the tension between sentences. Nothing to be seen from a distance: no form except the exchange of form, no geometrical or mythical meaning. You have to get in, “groping toward a continuous present, a using everything a beginning again and again” (Stein). 5 In Dutch, experimental poetry has been mainly dense: a small rectangular form filled with a maximum amount of poetic possibility. But at the moment the poem starts to relax, the anecdotical content seems to increase. This is what is called “epic”: long, narrative. I believe that an epic is more than that, in fact something completely different. An epic is “a poem including history,” 6 a long poem tied up with the life of community, that as a whole does not need to be narrative. The American poets of the twentieth century (Pound, Williams, Zukofsky, Oppen, Olson, Silliman) have put the epic back on the map by interpreting the poem itself as a map, and writing it as navigation. They have invented the experimental epic, a genre that has generated little original following in “our” poetry. N30 is the middle part—“always start in the middle”—of a trilogy, the contours of which remain as of yet unclear, although each episode investigates one of the three “ecstasies of time”—past, present, future—concerning society X. N30 concerns itself with the PRESENT: not with the description of actual facts but of the rhythm and the intense depth in which facts appear to us. Where are we? We are camping in the desert. Sometimes we are looking at the stars. As opposed to maximum density and minimal tension (a characteristic of most (post-)experimental lyricism), I have sought a minimal density and maximum tension in this book, considered as a long non-narrative prose poem. On the one hand, the minimal density is obtained by the inherent formlessness of prose, on the other hand by the conscious refusal of any active (formal, non-rhythmic) synthesis: the poem tells nothing, shows nothing, has no theme. I did not seek maximum tension either by loading the quotidian with epiphanic radioactivity (“wonder,” confirmation from above), or by means of the intensity of the linguistic structure. I want an abstract tension, but social in its abstraction, in other words, not neutralized by and subjected to Form. Instead of form (transcendent): composition (immanent). The concept is series. Ideal: every unit is necessary for the efficacy of the others and the whole, their relation is purely linear, i.e. non-hierarchic, non-syllogistic, non-discursive, non-narrative. Sentence related to sentence like paragraph to paragraph and chapter to chapter; the whole means nothing and represents nothing. Inside the sentence: syntax (Chomsky’s tree, a type of parallel circuit), outside: parataxis (coordination, an asyntactic line through language and world). I consider duration—the energy of duration (rhythm)—to be the fundament of a poem, the temporal inclination to delimit a “space.” Being as consistency, its consistency. A spatial part of time is not merely a metaphor for an inevitable trajectory, an inescapable time, something like “our time.” Not merely—because rhythm comes from language and is not projected onto it; the poem derives from the world like a scent and a color and a life from a flower. A series, a sequence: nothing potential, but truly infinite—the movement of an infinitude. The infinite series = everything minus totality. That means that there is no container—no Form, no Self, no Image, no Structure, not even a Fragment—just “the prose of the world.” No representation, but also no staging of the impossibility of representation (the postmodern sublime). These are no fragments, no image of a fragmented world or personality, no cautious incantations around the Void. It does not exist. It is a movement. Buying bread, a flock of birds, a bomb falling—they do not depict or represent anything, not literally, not metaphorically. There is an Idea, which is however nothing more than a rhythm, in the same way that capitalism is nothing more than a pure function. Parataxis: the white space between two sentences stresses, which is nevertheless always there, also between words, even between letters: the out of focus of idle talk, the gutter, the irreducible Mallarméan mist which renders even the seemingly most transparent text legible. The white space suggests a neutral medium for free signification, a substance of language. A non sequitur is an element from a foreign discourse, which stresses the white space as space, and problematizes freedom for supra-sentential signification. I start by withdrawing material, leaving the initiative to the sentences. In general a word presupposes less often a discourse than a sentence. What discourse is presupposed by “dog”? We could think of several, but why would we? It is more probable that, when faced with the naked word, we think of its naked (dictionary) meaning, of its denotative signified. By means of two simple interventions we may also write the word as sentence: Dog. In no way this suggests the discourse from which this sentence originates, but in any case we’re presupposing one. This is shown by questions like: “Whose dog? Who’s a dog? What kind of dog?” Etc. (Sentences are question marks.) A sentence implies/is a microcosm—a subject, a verb, an object, and so on. Even an incomplete or ungrammatical sentence does so. My main fascination while writing this book is the worldly and social aspect of language, an aspect that often becomes invisible, or rather, transparent in narrativity—the stretching of sentences into stories. Narrativity organizes a new discourse and a new world, and places a sometimes all too dispersing relation of transparence in between. The conventional novel is the brothel of being. I do not intend to prohibit brothels, and I have certainly not intended to write an anti-novel (THIS IS A POEM), but I do consider narrativity (in general, in poetry, in the news, in daily life) to be ontologically secondary with regard to an immediate being in the world through sentences, also if the latter have been withdrawn from a narrative or otherwise externally structured discourse (which in that case would therefore be chronologically primary ). Naturally, two or more sentences are always in danger of telling stories or arguing, just like the world is always in danger of becoming an objective representation, facing us, strangers. That is why need to wage war—against representation and against the interface, against interaction. AGAINST THE “READER.” To the extent that a sentence is worldly, writing is a condensed global war, and in so far as there is ultimately only one world and one open continuum of languages, it is a global civil war. Nice subject for an epic. The elaboration of a singular problem—prose as the outside of poetry, the form of the novel as purely prosodic composition scheme—“expresses” the universal problem: capitalism as Idea of the world vs. poetry as language of an (im)possible community. The paragraphs are blocks of rhythmically contracted social material. By choosing the sentence as the basic compositional component, an abstract whole may contain social sounds, without telling a story or showing an image. Composition is subrepresentative —a rhythmic, passive synthesis, or rather: a synthesis of syntheses. I never write large blocks of prose in one sitting, because there is no obvious organizational vector —plot, theme, conscience—outside the inherent qualities of the material itself. Usually I write down one sentence, sometimes two, but rarely more than three. Those sentences are usually placed in the text which I am editing at the time. In fact, there is no original composition, new chapters split off from chapters which became too long during the editing process. (Revision mainly consists of adding and inserting, displacing and dividing; only during the last phase, when the text has gained enough consistency, there may be subtraction to tighten the composition; each chapter requires a season of daily revision). This constant revision, accompanied by a continuous influx of collective background noise (to speak with Van Bastelaere), 7 makes every chapter a block condensed (“historical” and “personal”) time. The block itself is a-personal and a-historic; it is ontologically autonomous. If there is such a thing as a spirit of the times, I do not try to offer an image of it, but rather to cancel something of it by erecting a monument of its own excrement within its own boundaries. Tuning and dis-tuning , “in de taal der neerslachtigen een eigen geluid doen klinken,” 8 in other words, desiring in an Elysian way. In this sense I have intended to be able to write a political poetry. The ultimate political poem is the epic, “the tale of the tribe.” I consider N30 to be a prolegomenon to a future epic (of which it in the end will form a part a structural moment, as introduction-in-the-middle), an extended pile on top of an epic as narrative, a question of the tribe and question of its history. I was burdened by too much satire, too much bullshit. But: satire willy-nilly = the only justifiable satire. Against the abstract universalism of the market (“globalism”): concrete disgust, a positive way of saying “No.” Moreover, disgust is a specifically total attitude, which ultimately concerns the world as a whole. I hate this or that, but I am disgusted by EVERYTHING (when I am disgusted), and so it appears that satire is in fact related to the epic, in so far as it concerns society, the cosmos, history. Maybe it is no coincidence that the Dutch literary canon knows no great poet of disgust; what could be more fearful to us than society, the cosmos, and history? The T-tendency (T from Tollens 9 ) clearly points into the direction of the small, friendly, ironic, melancholic, acquiescent, wondrous, and so on. The anti-political, anti-cosmic, anti-historical. (Why am I so philosophical? To scare away the Dutchies.) And most of all: the “poetical” (the pseudo-mysticism from the backyard). Yes, the N in N30 also stands for the Netherlands (just like 30 indicates the number of chapters). I was not in Seattle, I do not live in Iraq. But is not the whole world bleeding to death on Dutch paving stones? Let’s hope that we mowed away something with this total satire, also “in myself.” The arrogant stupidity that definitely thinks to know the essence of freedom (the free development of esthetic needs inside the void), that cannot take anything serious, only believes in the disciplined bestiality of the individual (“norms and values”) and the mere functioning of a social factory which finds no justification whatsoever outside its functioning (“get to work”)… Who knows. A certain aimed destruction leaves grooves and craters, mapping out a next adventure. Pound’s periplum : sailing while mapping the coasts. Immanent orientation. The terrain changes with the map, history changes with the poem. Maps never merely organize the chaos, transcendent schemes imposed on a formless Ding-an-sich . They organize from within, surfing. But they are most of all routes back into the chaos or forward to paradise (final identity of chaos and paradise; Schlegel: “ Nur diejenige Verworrenheit ist ein Chaos aus der eine Welt entspringen kann ”10). A poem is not only a piece of history, it is also a flight from history. Maps give chaos to the form of reality , open escape routes, break through representations, make us shivery and dazed. Paradise is immanent to a fleeting desire. History is the history of labor—this is Adam’s curse—and the poet works too: For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, school masters, and clergymen The martyrs call the world 11 But: the poet works in paradise. The paradox of the artwork, the work that is no work, the piece of history that cannot be reduced to History—this is explained by The Space of Literature , a virtual space, an autonomous rhythm, not outside, but in the midst of the noise, a piece of paradise in hell, a postcard from the vale of tears addressed to paradise, to X. Political poetry means: a poetry that dares to think about itself, about its language and about its world and about the problematic relation between both, which is this relation as problem. A poetry that thinks at all, articulates its problem. It has nothing to do with journalism or morality or debate, let alone the law or the state. It has nothing to do with “criticism” if this means the replacement of incorrect representations by other, more correct representations. It has something to do with ethics in the sense of learning to live. It has something to do with the community and the language of the community (whichever that may be) and the role of the poet regarding the community. It concerns justice without judgement or measure. In the end the just word is just a word , to paraphrase Godard: it is from a future that is unimaginable. It Is no rational engagement, but an aversion against everything that obstructs life, and love for everything what is worthy of having been loved. The world is engaged with me, not the other way round. First Exodus, then Sinai. A desire does not start with an agenda. To answer the question whether I am really so naive as to want to change the world: “We only want the world.” Justice is the world appealing to us to liberate it from all possible chains, from each organization and inequality, to be it, smooth, equal, under a clear sky—a desert and a people in a desert. That moment between Egypt and the Law. It is not a revolution, but the sky above the revolution. Poetry = the science of escape. There is no art that we already know. The weakness of modernistic epic poetry seems to me to be the unwillingness to completely abandon narrative as a structural principle, in favor of a composition “around” or from an event. The China Cantos and Adams Cantos are the low point, and the Pisan Cantos the high point of Pound’s poetry. Two types of research: archival representation of the past vs. ontology of the present (which virtually presupposes the entire history). Presupposing an event means that it is impossible for the poet to stage his own absence, but in no way makes the work personal. An event is the unknown, the new invading into the business as usual, so also the personal. The question heading this research is not: “Who am I?” but “What is happening?” The book is as little illegible as Mondrian’s work is invisible. Form is of interest only to the extent that it empowers liberation. Ron Silliman So no formalism, but what it means to live in this world and to have a future in it. I want something that holds together that’s not smooth. Bruce Andrews The past above, the future below and the present pouring down: the roar, the roar of the present, a speech— William Carlos Williams If my confreres wanted to write a work with all history in its maw, I wished, from the beginning to start all over again, attempting to know nothing but a will to create, and matter at hand. Ronald Johnson NOTES 1) “The easy thing/ that is difficult to make.” Bertold Brecht, Lob des Kommunismus . (All footnotes are the translator’s) 2) Maurice Blanchot, The Space of Literature , trans. Ann Smock. Lincoln/London: University of Nebraska Press (1989), 75. 3) Mettes uses the word “Neerlandicus,” which refers to scholars of Dutch language and literature. 4) Dutch poet. 5) Gertrude Stein. “Composition as Explanation.” A Stein Reader . Ed. Ulla E. Dydo. Evanston, IL: Northwestern University Press (1993), 495-503. 6) Ezra Pound. 7) Flemish poet. 8) “Resounding an original sound in the language of the despondent.” A. Roland Holst, De afspraak . 9) Dutch poet. 10) “Only such a confusion is a chaos which can give rise to a world.” 11) W.B. Yeats, “Adam’s Curse.&rdquo. (shrink)

A review of the literature indicates that linear models are frequently used in situations in which decisions are made on the basis of multiple codable inputs. These models are sometimes used normatively to aid the decision maker, as a contrast with the decision maker in the clinical vs statistical controversy, to represent the decision maker "paramorphically" and to "bootstrap" the decision maker by replacing him with his representation. Examination of the contexts in which linear models have been successfully employed indicates (...) that the contexts have the following structural characteristics in common: each input variable has a conditionally monotone relationship with the output; there is error of measurement; and deviations from optimal weighting do not make much practical difference. These characteristics ensure the success of linear models, which are so appropriate in such contexts that random linear models may perform quite well. 4 examples involving the prediction of such codable output variables as GPA and psychiatric diagnosis are analyzed in detail. In all 4 examples, random linear models yield predictions that are superior to those of human judges. (shrink)

Developing a plausible theory of political obligation is crucial for understanding our current political lives or constructing new ones. However, it proved to be hard to arrive at a theory that is universalistic and logically consistent. Without adherence to certain universalistic principles, such as freedom and equality, one might be tempted to justify individuals’ allegiance to authoritarian regimes based on particularistic reasons. Also, one may argue that if a general theory of political obligation cannot be devised, we are justified to (...) resort to anarchism. Despite such high political stakes involved, a contention arose that universalistic approaches to political obligation are logically inconsistent because they run afoul of a particularity requirement. The latter is a demand that any plausible theory of individuals’ obligations toward a political entity should account for the reasons why they should obey the rules and orders of a specific authority. In this article, drawing on Ernesto Laclau and Chantal Mouffe’s post-structuralist theory, I demonstrate that the dichotomy of universalism vs. particularism need not have destructive effects for a successful theory of political obligation. Indeed, it is possible to accept a particularity requirement but at the same time, argue that political obligations have a universalistic thrust. (shrink)

Proper linear models are those in which predictor variables are given weights such that the resulting linear composite optimally predicts some criterion of interest; examples of proper linear models are standard regression analysis, discriminant function analysis, and ridge regression analysis. Research summarized in P. Meehl's book on clinical vs statistical prediction and research stimulated in part by that book indicate that when a numerical criterion variable is to be predicted from numerical predictor variables, proper linear models outperform clinical intuition. Improper (...) linear models are those in which the weights of the predictor variables are obtained by some nonoptimal method. The present article presents evidence that even such improper linear models are superior to clinical intuition when predicting a numerical criterion from numerical predictors. In fact, unit weighting is quite robust for making such predictions. The application of unit weights to decide what bullet the Denver Police Department should use is described; some technical, psychological, and ethical resistances to using linear models in making social decisions are considered; and arguments that could weaken these resistances are presented. (shrink)

Self-efficacy is an important predictor of learning and achievement. By definition, self-efficacy requires a task-specific assessment, in which students are asked to evaluate whether they can solve concrete tasks. An underlying assumption in previous research into such assessments was that self-efficacy is a one-dimensional construct. However, empirical evidence for this assumption is lacking, and research on students’ performance suggests that it depends on various task characteristics. The present study explores the potential multi-dimensionality of self-efficacy in the topic of linear functions. (...) More specifically, we investigate how three task characteristics – the representational format, embedding in a real-life context, or the required operation – are related to students’ self-efficacy. We asked 8th and 9th graders to evaluate their self-efficacy on specific linear function tasks which systematically varied along the three dimensions of task characteristics. Using confirmatory factor analysis, we found that a two-dimensional model which includes the task characteristic of real-life context fitted the data better than other two-dimensional models or a one-dimensional model. These results suggest that self-efficacy with linear functions is empirically separable with respect to tasks with vs. without a real-life context. This means that in their self-evaluation of linear function tasks students particularly rely on whether or not the linear function task is embedded in a real-life context. This study highlights the fact that even within a specific content domain students’ self-efficacy can be considered a multi-dimensional construct. (shrink)

The SRL vs. ERL theory has shown that the combination of levels of student self-regulation and regulation from the teaching context produces linear effects on achievement emotions and coping strategies. However, a similar effect on stress factors and symptoms of university students has not yet been demonstrated. The aim of this study was to test this prediction. It was hypothesized that the level of student self-regulation (low/medium/high), in interaction with the level of external regulation from teaching (low/medium/high), would also produce (...) a linear effect on stress factors and symptoms of university students. A total of 527 undergraduate students completed validated questionnaires about self-regulation, regulatory teaching, stress factors and symptoms. Using an ex post facto design by selection, ANOVAs and MANOVAs (3 x 3; 5 x 1; 5 x 2) were carried out. The results confirmed that the level of self-regulation and the level of regulatory teaching jointly determined the level of stress factors and symptoms of university students. Once again, a five-level heuristic of possible combinations was configured to jointly determined university students’ level of academic stress. We concluded that the combination of different levels of student regulation levels and regulation from teaching process jointly determines university students’ level of academic stress. The implications for university students’ emotional health, stress prevention and well-being are established. (shrink)

A critical re-examination of the history of the concepts of space (including spacetime of general relativity and relativistic quantum field theory) reveals a basic ontological elusiveness of spatial extension, while, at the same time, highlighting the fact that its epistemic primacy seems to be unavoidably imposed on us (as stated by A.Einstein “giving up the extensional continuum … is like to breathe in airless space”). On the other hand, Planck’s discovery of the atomization of action leads to the fundamental recognition (...) of an ontology of non-spatial, abstract entities (Quine) for the quantum level of reality (QT), as distinguished from the necessarily spatio-temporal, experimental revelations (measurements). The elementary quantum act (measured by Planck’s constant) has neither duration nor extension, and any genuinely quantum process literally does not belong in the Raum and time of our experience. As Heisenberg stresses: “Während also die klassische Physik ein objectives Geschehen in Raum and Zeit zum Gegenstand hat, für dessen Existenz seine Beobachtung völlig irrelevant war, behandelt die Quantentheorie Vorgänge, die sozusagen nur in den Momenten der Beobachtung als raumzeitliche Phänomene aufleuchten, und über die in der zwischenzeit anschaulische physikalische Aussagen sinloss sind”. An admittedly speculative, hazardous conjecture is then advanced concerning the relation of such quantum ontology with the role of the pre-phenomenal continuum (Husserl) in the perception of macroscopically distinguishable objects in the Raum and time of our experience. Although rather venturesome, it brings together important philosophical issues. Coherently with recent general results in works on the foundations of QT, it is assumed that the linearity of quantum dynamical evolution does not apply to the central nervous system of living beings at a certain level of the evolutionary ramification and at the pre-conscious stage of subjectivity. Accordingly, corresponding to the onset of a non-linear dynamic evolution, a ‘primary spatial’ reduction is ‘continually’ taking place, thereby constituting the neural precondition for the experience of distinguishable macroscopic objects in the continuous spatial extension. While preventing the theoretically possible quantum superpositions of macroscopic objects from being perceivable by living beings, the ‘primary reduction’ has no effect on the standard processes concerning quantum level entities involved in laboratory man-made experiments. In this connection, an experimental check which might falsify the conjecture is briefly discussed. The approach suggested here, if sound, leads to a naturalization of that part of Kant’s Transcendental Aesthetics than can survive the Euclidean catastrophe. According to such naturalized transcendentalism, “space can well be transcendental without the axioms being so”, in agreement with a well-known statement by Boltzman. Finally, as far as QT is concerned, the conjecture entails that a scheme for quantum measurement of the von Neumann type cannot even ‘leave the ground’, vindicating Bohr’s viewpoint. A quantum theory of measurement, in a proper sense, turns out to be unnecessary and in fact impossible. (shrink)

The Distributional Compositional Categorical model is a mathematical framework that provides compositional semantics for meanings of natural language sentences. It consists of a computational procedure for constructing meanings of sentences, given their grammatical structure in terms of compositional type-logic, and given the empirically derived meanings of their words. For the particular case that the meaning of words is modelled within a distributional vector space model, its experimental predictions, derived from real large scale data, have outperformed other empirically validated methods that (...) could build vectors for a full sentence. This success can be attributed to a conceptually motivated mathematical underpinning, something which the other methods lack, by integrating qualitative compositional type-logic and quantitative modelling of meaning within a category-theoretic mathematical framework. The type-logic used in the DisCoCat model is Lambekʼs pregroup grammar. Pregroup types form a posetal compact closed category, which can be passed, in a functorial manner, on to the compact closed structure of vector spaces, linear maps and tensor product. The diagrammatic versions of the equational reasoning in compact closed categories can be interpreted as the flow of word meanings within sentences. Pregroups simplify Lambekʼs previous type-logic, the Lambek calculus. The latter and its extensions have been extensively used to formalise and reason about various linguistic phenomena. Hence, the apparent reliance of the DisCoCat on pregroups has been seen as a shortcoming. This paper addresses this concern, by pointing out that one may as well realise a functorial passage from the original type-logic of Lambek, a monoidal bi-closed category, to vector spaces, or to any other model of meaning organised within a monoidal bi-closed category. The corresponding string diagram calculus, due to Baez and Stay, now depicts the flow of word meanings, and also reflects the structure of the parse trees of the Lambek calculus. (shrink)

Heidegger’s first period in Freiburg (1919-23), where he taught as an assistant of Edmund Husserl, is characterized by a long, intense confrontation with the philosophy of Aristotle, manifested not only in the titles of his university lectures, but also in his explicit intention to write a book on Aristotle. This undertaking will recede in 1924 in Marburg, in view of the decision to write a treatise on time. This treatise will finally be composed in 1926 and will be published in (...) 1927 under the title Being and Time. The shadow of Aristotle, however, still influences his philosophical work after 1924, and particularly in BT. The relevance of Heidegger’s Aristotle-interpretations can be determined in a twofold way: first, by tracing ‘tacit’ elements of Aristotelian thought, as they may emerge through Heidegger’s interpretations, and, secondly, by expounding the way in which the thought of Heidegger himself develops and takes shape in a dialogue with Aristotelian philosophy. Scholars agree that Heidegger’s confrontation with Aristotle does not amount to a passive adoption of Aristotelian positions, distinctions and evaluations, but is a kind of productive adaptation and reinterpretation of the Aristotelian heritage: appropriation, reappropriation, originelle Aneignung, “reinterprets and transforms”– these are the terms in which this relation has been described. But what precisely is the content and nature of this appropriation? A certain confusion is produced by an assumption implicitly shared by the vast majority of scholars, the conviction that Heidegger’s philosophy constitutes a unique corpus and that his thought evolves linearly and uniformly. Τhe paper attempts to challenge this assumption. (shrink)

The aim of this research was to determine the degree to which undergraduate students’ learning approach, academic achievement and satisfaction were determined by the combination of an intrapersonal factor (self-regulation) and a interpersonal factor (contextual or regulatory teaching). The hypothesis proposed that greater combined regulation (internal and external) would be accompanied by more of a deep approach to learning, more satisfaction and higher achievement, while a lower level of combined regulation would determine a surface approach, less satisfaction and lower achievement. (...) Within an ex post facto design by selection, 1036 university students completed validated questionnaires using an online tool. Several multivariate analyses were conducted. Results showed that the combination of self-regulation and external regulation can be ordered as levels along a five-point scale or heuristic. These levels linearly determine type of learning approach, academic achievement and satisfaction. Implications are established for quality and improvement of the teaching and learning process at university. (shrink)

Recent work in cognitive modelling has found that most of the data that has been cited as evidence for the dual-process theory (DPT) of reasoning is best explained by non-linear, “monotonic” one-process models (Stephens et al., 2018, 2019). In this paper, I consider an important caveat of this research: it uses models that are committed to unrealistic assumptions about how effectively task conditions can isolate Type-1 and Type-2 reasoning. To avoid this caveat, I develop a coordinated theoretical, experimental, and modelling (...) strategy to better test DPT. First, I propose that Type-1 and Type-2 reasoning are defined as reasoning that precedes and follows metacognitive control, respectively. Second, I argue that reasoning that precedes and follows metacognitive control can be effectively isolated using debiasing paradigms that manipulate metacognitive heuristics (e.g., processing fluency) to prevent or trigger metacognitive control, respectively. Third, I argue that monotonic modelling can allow us to decisively test DPT only when we use them to analyse data from this particular kind of debiasing paradigm. (shrink)

How to interpret and elucidate from a phenomenological perspective the requirement that philosophical theorizing ought to consider the legitimacy or universal validity of ethical principles as well as the diversity of life forms? What could phenomenology say about the distance between the theoretical foundations of ethics and the practical application of its principles? To elucidate these questions, first, we take the characteristics of Habermas’s discourse ethics as reference point to show what Scheler’s material ethics of values consists in and in (...) what sense it rejects both universalism and relativism. Secondly, we present the concepts that articulate the phenomenological foundations of this ethics in order to indicate in what sense “the universal” and “the individual” are taken as complementary. Starting from some questions concerning the problem of the distance between theory and practice raised by this conception, we sketch finally some thematic lines to indicate to what extent it is possible to expect from the material ethics of values to shorten that distance. (shrink)

The aim of this research was to establish linear relations (association and prediction) and inferential relations between three constructs at different levels of psychological research –executive dysfunction(microanalysis),self-regulation(molecular level), andself-vs.external regulation(molar level), in the prediction of emotion regulation difficulties. We hypothesized that personal and contextual regulatory factors would be negatively related to levels of executive dysfunction and emotion regulation difficulties; by way of complement, non-regulatory and dysregulatory personal, and contextual factors would be positively related to these same difficulties. To establish relationships, (...) we used a retrospective,ex postfacto design, where 298 university students voluntarily participated by completing standardized self-reports. Linear and structural correlational, predictive analyses were performed, as well as inferential analyses. Results were consistent and validated the proposed hypotheses, for both association and prediction. The most important result refers to the discriminant value of the five-level combination heuristic for predicting Executive Function and External (contextual) Dys-Regulation. In conclusion: (1) both personal and contextual regulation factors must be analyzed in order to better understand the variation in executive functions and emotion regulation difficulties; (2) it is important to continue connecting the different levels of the constructs referring to self-regulation, given their complementary role in the behavioral analysis of regulation difficulties. (shrink)

As far as logic is concerned, the conclusion of Michael Dummett's manifestability argument is that intuitionistic logic, as first developed by Heyting, satisfies the semantic requirements of antirealism. The argument may be roughly sketched as follows: since we cannot manifest a grasp of possibly justification-transcendent truth conditions, we must countenance conditions which are such that, at least in principle and by the very nature of the case, we are able to recognize that they are satisfied whenever they are. Intuitionistic logic (...) satisfies the semantic requirement that we should either eschew the notion of truth altogether and replace it by provability in principle, or constrain it by provability in principle (Dummett [1973] 1978). (Handout: 1-5). Some philosophers have argued that the traditional antirealist desideratum of decidability in principle is too weak, so that semantic antirealism properly construed must be committed to effective decidability. As such, it either leads to strict finitism (Wright [1982] 1993) [Handout: 6] or to a much stronger kind of logical revisionism than the one considered by intuitionists (whether or not they accept the manifestability argument): substructural logics, and in particular linear logics, rather than intuitionistic logic, satisfy the semantic requirements of strict antirealism (Dubucs and Marion 2004) [Handout: 8-9]. I shall develop two different kinds of replies. The first is concerned with the notion of meaning per se and looks to strict finitism directly, although not on the ground that it would provide a correct way of dealing with Soritic-type paradoxes (the original and primary focus of discussion in Wright [1982] 1993). The second is concerned with the justification of structural and logical rules in a natural deduction system à la Gentzen. It will deal in particular with the criticism of the structural rules of Weakening and Contraction [Handout: 10 and 11]. The first kind of reply, which Dummett has partially taken into consideration, is that if we jettison the effectively vs. in principle distinction, as applied to manifestability-type arguments, we end up with an unsatisfactory explanation of how the meaning of statements covering the practically unsurveyable or pro tempora undecided cases is fixed. The idea is that if we have a method which may be used over some small range, we have determined a way of applying the method everywhere in principle and that this is enough as far as fixing meaning is concerned. Decidability in principle is just what we need with respect to manifestation of grasp of meaning. In this perspective, antirealism shouldn't be strict and manifestability-type arguments need not be applied as far as the strict finitist would want to [Handout: 7]. It follows that there is no reason to think that practical feasibility should be built in assertibility conditions and proofs be construed dynamically as acts in the strict antirealist's acception of that term [Handout: 8]. I shall then look at one radical antirealist principle disqualifying structural rules, namely Token Preservation, arguing against Bonnay and Cozic's criticisms of Dubucs and Marion (Bonnay and Cozic 3 2007) that some conceptual support may be provided for Token Preservation, which doesn't rely on a causal misreading of the turnstile [Handout: 13, 14]. I shall then assess the merits and limits of radical antirealism and the logic of feasible proofs with respect to the original Dummettian argument in favour of semantic antirealism (provided it has indeed revisionist implications for logic), whether the radical antirealist merely stipulates what human feasibility amounts to, or dispenses with structural rules in order to argue in favour of a curb on the epistemic idealizations they unwarrantedly embed. It will be noted here that there is a great difference, conceptually speaking, between the rejection of classical logic via the curbing of the epistemic idealizations embedded in structural rules, and the rejection of classical logic via the criticism of the introduction and elimination rules which fix the meaning of the classical constants. The kind of logical revisionism envisaged by intuitionists from Heyting on is in many respects stronger than the one envisaged by advocates of linear logic, should they ground their arguments on an endorsement of strict antirealism. The crucial case of excluded middle is telling. Because of the splitting of the constants in linear logic (Handout: 12], two distinct laws of excluded middle may be formulated (Handout: 15), but the traditional arguments of Brouwer and Heyting against the classical law yield a stronger revision than the substructural revision with its admission of these two (very) weak versions of the law. (Project: a clearer conception is needed of how the introduction and elimination rules for the logical connectives in the intuitionistic calculus depend on the structural rules which the radical antirealist wishes to reject.). (shrink)

Background: Heart rate variability (HRV) has been considered as a measure of heart-brain interaction and autonomic modulation, and it is modified by cognitive and attentional tasks. In cognitive tasks, HRV was reduced in participants who achieved worse results. This could indicate the possibility of HRV predicting cognitive performance, but this association is still unclear in a high cognitive load sport such as chess Objective: To analyse modifications on HRV and subjective perception of stress, difficulty and complexity in different chess problem (...) tasks. Design: HRV was assessed at baseline. During the chess problems, HRV was also monitored, and immediately after chess problems the subjective stress, difficulty and complexity were also registered. Method: A total of 16 male chess players, age: 35.19 (13.44) and ELO: 1927.69 (167.78) were analysed while six chess problem solving tasks with different level of difficulty were conducted (two low level, two medium level and two high level chess problems). Participants were classified according to their results into two groups: high performance or low performance. Results: Friedman test showed a significant effect of tasks in HRV indexes and perceived difficulty, stress and complexity in both high and low performance groups. A decrease in HRV was observed in both groups when chess problems difficulty increased. In addition, HRV was significantly higher in the high performance group than in the low performance group during chess problems. Conclusions: An increase in autonomic modulation was observed to meet the cognitive demands of the problems, being higher while the difficulty of the tasks increased. Non-linear HRV indexes seem to be more reactive to tasks difficulty, being an interesting and useful tool in chess training. (shrink)

We show that no formula of first order logic using linear ordering and the logical relation y = 2x can define the property that the size of a finite model is divisible by 3. This answers a long-standing question which may be of relevance to certain open problems in circuit complexity.

The paper inculcates the path of modern education by implementing cum ensuing the form and content of moral education from the stances of prescriptivist R. M Hare and existentialist Sartre. In the first part of the paper, Hare’s tune for language-centric moral concepts and its prescriptive plus universalistic application for society enhance an outlook for moral education where learners should be taught to apply morality from a prescriptive sense, not by memorizing it in a descriptive manner. Besides, Sartre’s existentialist appeal (...) delineates moral education as a free choice of a learner where any institutional hegemony becomes trivial. The second part of the paper focuses on the content of moral education. What sort of moral laws make the content of moral education justifiable? Here Russell’s approach takes a pertinent role. We should secure modern education from the social and state’s anarchism. A way out that I depict in the last section of the paper stresses on moral education that evades itself from the repression of the pedagogue or rigid principles. Modern education should quest for why and liberal neutrality not by following the rigid rules obediently. Moral education teaches children about their own rights and the rights of the other in a beneficial manner. (shrink)

This chapter contains section titled: Our Philosophy The Problem of Latino Philosophy Historiographical Characterizations of Philosophy Latino Conceptions of Latino Philosophy Latino Philosophy as Ethnic Philosophy Latino Philosophy and “Scientific” Philosophy Universalism, Culturalism, and Critical Philosophy Revisited American Philosophy Latino and American Philosophy.

John Gray's recent critique of liberalism, and his case for an apparently relativistic ?post?Pyrrhonian?; political philosophy, are shown to be wanting. Weaknesses in Gray's critique are identified and discussed: the characterization of liberalism as universally prescriptive, confusion about whether liberalism is a genuine tradition, and misunderstanding of the relation between conduct and the value of freedom. A formulation of liberalism that is not universalist ("temperate?; liberalism) is offered, and it is shown that one of liberalism's vital concerns?controlling political power in (...) order to protect freedom ? is a hiatus in Gray's theory. (shrink)

Pro-social basic human values and civic involvement. The moderating role of survival vs self-expression cultural context The present study investigated a hypothesis that the pro-social values differentiated by S. Schwartz's model of basic human values - universalism and benevolence - would positively predict civic involvement. Most importantly, authors expected that the type of pro-social value that would play a dominant motivational role would depend on moderating role of the level of self-expression and benevolence - cultural value dimension developed by (...) R. Inglehart. Based on discriminant function analyses performed on the data gathered in 17 European countries through the European Social Survey conducted in 2002, authors found that universalism predicts civic involvement only in self-expression countries, whereas the role of benevolence is rather neglectable and independent of the cultural context. The results are discussed with reference to cross-cultural differences in Europe. (shrink)

Human Rights -- Universalism vs. Relativism -- Why States? -- Global Distributive Justice -- Environmental Justice -- Immigration -- Fairness in Trade.

The changes in the subject matter of philosophical aesthetics are accompanied today by changes in evaluation, degradation of the traditional notion of beauty and also rejection of the old rigid division between beauty and ugliness, causing the dissolution of the category divides—in the process anti-value often becomes a value understood as a formal criteria. In the artistic critique the rejection of absolutism in favor of pluralism and diversity is accompanied by the functioning of the old categories in their new meanings. (...) One form of such anti-values is represented by the phenomenon of camp. As a specific kind of a paradox-figure, camp unveils the relation between aesthetization and anaesthetization.The new aesthetics is a dual figure, demanding examination of its two contrary aspects: aesthetical and anaesthetical. Camp’s rejection of the existing hierarchy of values, its admiration of what is not obviously ugly rather than of what is definitely not beautiful, brings this phenomenon close to Wolfgang Welch’s trend of anaesthetics. In many ways camp appears to be a theoretical model of modern identity as well as a specific type of a sophisticated aesthetic game. (shrink)

Fractal patterns offer one way to represent the rough complexity of the natural world. Whilst they dominate many of our visual experiences in nature, little large-scale perceptual research has been done to explore how we respond aesthetically to these patterns. Previous research (Taylor et al., 2011) suggests that the fractal patterns with mid-range fractal dimensions have universal aesthetic appeal. Perceptual and aesthetic responses to visual complexity have been more varied with findings suggesting both linear (Forsythe et al., 2011) and curvilinear (...) (Berlyne, 1970) relationships. Individual differences have been found to account for many of the differences we see in aesthetic responses but some, such as culture, have received little attention within the fractal and complexity research fields. This 2-study paper aims to test preference responses to fractal dimension and visual complexity, using a large cohort (N=443) of participants from around the world to allow universality claims to be tested. It explores the extent to which age, culture and gender can predict our preferences for fractally complex patterns. Following exploratory analysis that found strong correlations between fractal dimension and visual complexity, a series of linear mixed-effect models were implemented to explore if each of the individual variables could predict preference. The first tested a linear complexity model (likelihood of selecting the more complex image from the pair of images) and the second a mid-range fractal dimension model (likelihood of selecting an image within mid-range). Results show that individual differences can reliably predict preferences for complexity across culture, gender and age. However, in fitting with current findings the mid-range models show greater consistency in preference not mediated by gender, age or culture. This paper supports the established theory that the mid-range fractal patterns appear to be a universal construct underlying preference but also highlights the fragility of universal claims by demonstrating individual differences in preference for the interrelated concept of visual complexity. This highlights a current stalemate in the field of empirical aesthetics. (shrink)

Axel Honneth se pregunta si el concepto del reconocimiento puede hacerse cargo de la función que Jürgen Habermas había atribuido al concepto de la comunicación. Con ello se coloca en posición crítica frente a la tradición de pensamiento en la que él mismo se inscribe, la teoría crítica. Cuestiona ante todo el carácter abstracto o formal de la teoría moral que se da en la Ética del Discurso, que remite finalmente a Habermas a Kant. Honneth, por su lado, se apoya (...) en el joven y casi materialista Hegel de Jena y en el behaviorista G. H. Mead, para proponer una teoría de la sociedad, no ajena a lo empírico, que contenga sustancia normativa , equidistante del formalismo de la ética comunicativa y de la materialidad del comunitarismo, superando así las dos tendencias, la universalista y la relativista, con el fin de mediarlas.Axel Honneth asks himself if the concept of recognition can assume the function that Jürgen Habermas had attributed to the concept of communication. Thus he places himself in a critical position regarding the thinking tradition he belonged to-the critic theory. He questions the abstract or formal character of the moral theory of the Ethics of Discourse, which ultimately leads to Habermas and Kant. Honneth, on his side, seeks support in the young and almost materialist Hegel of Jena and in the behaviorist G. H. Mead to propose a theory of society, not altogether unempirical, somehow normative , equidistant from the formalism of communicative ethics and from the materiality of "communitarism", and going beyond both universalism and relativism. (shrink)

The aim of this article is to depict as accurately as possible the ideological conflict between liberal democracy and an insidious present-day version of communism, namely cultural socialism. Obviously, it is not easy to describe the essential relationships between two complex phenomena that evolve nonlinearly within a hypercomplex environment. The ideological systems of liberal democracy and cultural socialism involve both objective and subjective facts, material and immaterial components, neutral and emotion-laden aspects, deliberate and unintentional behaviors, linear and nonlinear effects, and (...) planner-dependent and observer-dependent events. They affect each other and also fall under the influence of different non-political factors that characterize the Euro-Atlantic societies. In order to cope with the complexity of this research object we adopt the methodological dualism and a praxeological approach. The system of discursive liberal democracy can be seen – from a praxeological perspective – as a spontaneous order generated and maintained by three classes of attractors: the attractors of democracy (inclusion, political equality, high level of political participation, and majority rule), the attractors of liberalism (rule-governed political agency and the right to reasonable self-determination), and the attractors of public rationality (publicness, objectivity, verifiability, and revisability). Liberal democracy subsists in any society only if a sufficient number of its members reproduce the corresponding attractors in their political (and non-political) conduct. It is important to note that it is much easier to reproduce the attractors of democracy than the attractors of liberalism and rationality. Maybe because of that the socialists strive to undermine the system of liberal democracy by perverting – in the first instance – the standards of (public) rationality. One of the most important ingredient of cultural socialism is so-called "political correctness", by means of which people are prevented from expressing genuinely and politely certain beliefs or doubts in the public sphere even if they profess the standards of objectivity, verifiability, and revisability. Under the pressure of political correctness the attractors of public rationality tend to wither, the liberal dimension of the political system disappears too, and democracy becomes a sheer tyranny. Choosing a form of political organization is not a scientific, but a socio-political matter. It is not the job of social scientists to recommend or impose political goals in general and a specific political system in particular. However, inasmuch as some goals are set, social scientists can indicate the most appropriate means of meeting them. If the Euro-Atlantic societies still value liberal democracy and want to preserve it, it is important to teach them how to reproduce its attractors and to counteract the pernicious effects of cultural socialism. (shrink)

During the first decades of the 20th century, many anthropologists who had previously adhered to a linear view of human evolution, from an ape via Pithecanthropus erectus and Neanderthal to modern humans, began to change their outlook. A shift towards a branching model of human evolution began to take hold. Among the scientific factors motivating this trend was the insight that mammalian evolution in general was best represented by a branching tree, rather than by a straight line, and that several (...) new fossil hominids were discovered that differed significantly in their morphology but seemed to date from about the same period. The ideological and practical implications of imperialism and WWI have also been identified as formative of the new evolutionary scenarios in which racial conflict played a crucial role. The paper will illustrate this general shift in anthropological theory for one particular scientist, William Sollas. Sollas achieved a synthesis of human morphological and cultural evolution in what I will refer to as an imperialist model. In this theoretical framework, migration, conflict, and replacement became the main mechanisms for progress spurred by 'nature's tyrant,' natural selection. (shrink)

_Purpose:_ This study examined the relationship between the near dissociated phoria and disparity vergence eye movements. Convergence insufficiency (CI) patients before vergence therapy were compared to: (1) the same patients after vergence therapy; and (2) binocularly normal controls (BNC). _Methods:_ Sixteen subjects were studied—twelve BNC and four with CI. Measurements from the CI subjects were obtained before and after 18 h of vergence eye movement therapy. The near dissociated phoria was measured using the flashed Maddox rod technique. Vergence responses were (...) stimulated from 4° symmetrical disparity vergence step stimuli. The peak velocity of the vergence response and the magnitude of the fusion initiating component (FIC) from an independent component analysis (ICA) were calculated. A linear regression analysis was conducted studying the vergence peak velocity as a function of the near dissociated phoria where the Pearson correlation coefficient was computed. _Results:_ Before vergence therapy, the average with one standard deviation FIC magnitude of convergence responses from CI subjects was 0.29° ± 0.82 and significantly less than the FIC magnitude of 1.85° ± 0.84 for BNC ( p t -test reported that the FIC and near dissociated phoria before vergence therapy for CI subjects significantly increased to 1.49° ± 0.57 ( p p r = 0.87; p _Conclusion:_ The results have clinical translational impact in understanding the mechanism by which vergence therapy may be changing the vergence system leading to a sustained reduction in visual symptoms. (shrink)

Advanced old age has been characterized as a biologically highly vulnerable life phase. Biological, morbidity-, and cognitive impairment-related factors play an important role as mortality predictors among very old adults. However, it is largely unknown whether previous findings confirming the role of different wellbeing domains for mortality translate to survival among the oldest-old individuals. Moreover, the distinction established in the wellbeing literature between hedonic and eudaimonic wellbeing as well as the consideration of within-person variability of potentially relevant mortality predictors has (...) not sufficiently been addressed in prior mortality research. In this study, we examined a broad set of hedonic and eudaimonic wellbeing indicators, including their levels, their changes, as well as their within-person variability, as predictors of all-cause mortality in a sample of very old individuals. We used data from the LateLine study, a 7-year longitudinal study based on a sample of n = 124 individuals who were living alone and who were aged 87–97 years at baseline. Study participants provided up to 16 measurement occasions between 2009 and 2016. Dates of death were available for 118 individuals who had deceased between 2009 and 2021. We ran longitudinal multilevel structural equation models and specified between-person level differences, within-person long-term linear change trends, as well as the “detrended” within-person variability in three indicators of hedonic and four indicators of eudaimonic wellbeing as all-cause mortality predictors. Controlling for age, gender, education, and physical condition and testing our sets of hedonic and eudaimonic indictors separately in terms of their mortality impact, solely one eudaimonic wellbeing indicator, namely, autonomy, showed significant effects on survival. Surprisingly, autonomy appeared “paradoxically” related with mortality, with high individual levels and intraindividual highly stable perceptions of autonomy being associated with a shorter residual lifetime. Thus, it seems plausible that accepting dependency and changing perceptions of autonomy over time in accordance with objectively remaining capabilities might become adaptive for survival in very old age. (shrink)

ABSTRACT: With this article, I advance a historicist and relativist feminist philosophy of disability. I argue that Foucault’s insights offer the most astute tools with which to engage in this intellectual enterprise. Genealogy, the technique of investigation that Friedrich Nietzsche famously introduced and that Foucault took up and adapted in his own work, demonstrates that Foucault’s historicist approach has greater explanatory power and transgressive potential for analyses of disability than his critics in disability studies have thus far recognized. I show (...) how a feminist philosophy of disability that employs Foucault’s technique of genealogy avoids ahistorical, teleological, and transcultural assumptions that beleaguer much work in disability studies. The article also situates feminist philosophical work on disability squarely in age-old debates in (Eurocentric) Western philosophy about universalism vs. relativism, materialism vs. idealism, realism vs. nominalism, and freewill vs. determinism, as well as contributes to ongoing discussions in (Western) feminist philosophy and theory about (among other things) essentialism vs. constructivism, identity, race, sexuality, agency, and experience. (shrink)

ABSTRACTI will sketch an evolutionary map of the four versions of Chineseness and explore the corresponding changes in the ideologies of the Chinese culture. A focal point is to diagram the shifting currents of moral realism vs. nihilism, cultural universalism vs. particularism and to explain how political legitimacy becomes entangled with personal identity and, as an example, how chaste widows can constitute a potent political rhetoric.

Recent restrictions of movement during the pandemic have forced people worldwide, even neo-luddites, to turn to communicating online. The virtualization of social processes that we are witnessing today, suggests constant rethinking of the role of the Internet for humanity so that we could optimize conditions of our existence that seem to be irreversibly transformed by technology, and integrate every individual with a unique set of features in the life of society. The author deals with the notions of cyberinclusion, virtual ghetto, (...) isolation and alienation to come to the conclusion that virtual communication allows one to form communities based not on segregation criteria of socio-demographics, but on unifying grounds of shared interest. Cyber inclusion already exists, along with virtual ghettoization; for the former to prevail, people must be ready to communicate beyond borders, regardless of their socio-demographical characteristics, state of health, or immediate benefit. (shrink)

During the last 20 years, philosophers from different quarters and with very different approaches have begun to theorize human rights in an outpouring of authored and edited books and journal articles. In addition, among policy makers and in the legal arena—the so called workings fields of human rights—there have been noteworthy investigations of human rights that tackle philosophical issues. In this book, Anat Biletzki brings a systematic approach to the multitudinous philosophical analyses of human rights, offering a cohesive overview and (...) analysis of this diverse but now very active field. She explores both the conceptual and historical treatments of human rights and the roots of its practice and examines its derivation from classical theories of rights all the way to existing uses. The book is "contemporary" in two senses: it investigates the most current human rights issues and it addresses emerging criticism of human rights, now arising in various sectors. A long introduction provides background information on the history of human rights, a synopsis of modern-day documents, and an articulation of basic questions. This is followed by a section on the philosophical groundings of human rights, proceeding from a philosophy of rights, to specific theories of human rights, to the questions of universalism vs. relativism. The third sections focuses on specific philosophical issues in human rights, including cultural relativity, economic rights, women’s rights, group, indigenous, and minority rights, security, and sovereignty and humanitarian intervention. And a final section on critiques of human rights has separate chapters on postmodernism, anti-foundationalism, and human rights discourse and practice. (shrink)