Diese Festgabe zum 60. Geburtstag Seiner Exzellenz Bischof Dr. Alois Schwarz ist Zeichen dankbarer Ruckschau, wachsamen Innehaltens in der Gegenwart und fundierte Reflexion uber die brennenden Erfordernisse der Zukunft. Die Zusammenstellung der Beitrage spiegelt die Themen der unter anderem ausgehend vom Bildungshaus Stift St. Georgen am Langsee in den letzten zehn Jahren gesetzten Initiativen wider. Im Zentrum steht die Auseinandersetzung mit den Rahmenbedingungen fur ethisches Wirtschaften, eine wertorientierte Unternehmensfuhrung und eine der Realwirtschaft dienende Finanzwirtschaft. Die von software-systems.at Finanzdatenservice und (...) SEFO initiierten Congressreihen Finance & Ethics und Finance & Science wurden vom Jubilar von Beginn an mitgetragen. Der Auftrag fur die Zukunft liegt in der Entwicklung adaquater Bildungsmoglichkeiten. Mit dem vorliegenden Band beginnt eine neue Forschungsreihe, die 2010 mit der Buchreihe Finance & Ethics begonnen wurde.". (shrink)

Steven Vogel and Albert Borgmann have much in common. Both thinkers agree we collectively and materially build our environment. Both also believe communal discussion is essential for constructing better environments. Yet Borgmann does not hesitate to speak of “eloquent things,” while Vogel insists on nature’s silence. This essay examines that disagreement, arguing Vogel’s position is made stronger by the inclusion of what Borgmann calls “deictic discourse.” Such discourse testifies to the goodness of things, but without being either straightforward first-person speech, (...) or the kind of ventriloquism that worries Vogel. Deictic discourse does not eschew responsibility; it accepts a deep responsibility not only for the practices it advocates, but for the wellbeing of its subject. The essay concludes by arguing deictic discourse plays a crucial and ineliminable role in the type of transparent conversations about practice Vogel promotes. (shrink)

Das Husserlbild der Gegenwart ist noch weitgehend gepragt von den erkenntnistheoretischen "Logischen Untersuchungen", durch die Husserl in weitem MaBe als Begriinder einer neuen objektiven Logik gilt. Mitunter wird er sogar als einseitig orien tierter Rationalist und Aufklarer des 20. J ahrhunderts, als der "Cartesius unserer Tage" 1 angesehen. Dieses Bild Husserls kann wohl jederzeit durch seine Veroffent lichungen gerechtfertigt werden. Dennoch ist es einseitig und recht vordergriindig, da dabei voll und ganz iibersehen wird, daB auch der Bereich des Emotionalen flir (...) HusserI ein entscheiden gut wie nichts des Interessengebiet darstellt, wovon bislang so veroffentlicht worden ist. Wohl werden in seinen Schriften gclegentlich Fragen der Wertlehre, der Asthetik und Ethik angeschnitten 2, aber eine eingehende Auseinandersetzung mit derartigen Fragen liegt in keinem der veroffentlichten Werke vor. In Wirklichkeit aber war ihm die Begriindung einer echten wissenschaftlichen Ethik immer ein ernstes philosophisches An liegen. Bereits vor den "Logischen Untersuchungen" beschaf tigte sich Husserl mit ethischen Grundproblemen 3. Welche 1 Vgl. Briick, Maria, Dr. phil, Ubey das Verhiiltnis Hllsserls zu Franz Brentano, vor nehmlich mit Rucksicht auf Brentanos Psychologie, 1933, S. 7. Husserl selbst hat die Phiinomenologie in den "Cartesianischen Meditationen" (Husscrliana, Bd. I, 1950, S. (shrink)

Keine ausführliche Beschreibung für "Kulturphilosophie" verfügbar.

The paper describes the philosopher Ludwig Wittgenstein’s writing of text alternatives as it manifests itself in his manuscripts. Decided, undecided and cancelled alternatives are distinguished. Moreover, Wittgensteinian types of marking his text alternatives are described: this includes marking by writing the alternative phrase in parallel above line; marking change of order; separation markers; explicit comment; marking the alternative phrase by putting it between brackets or, most famously, double slashes. Finally, the phenomenon of bound text alternatives in Wittgenstein’s writings is discussed.

Name der Zeitschrift: Nordic Wittgenstein Review Jahrgang: 2 Heft: 1 Seiten: 5-6.

What have Plato's, Hume's and Wittgenstein's dialogues in common? And what can we learn from this question for our understanding of Wittgenstein? – This paper is a transcript of a lecture given in Bergen on May 4th, 2001.

This wide-ranging collection of essays contains eighteen original articles by authors representing some of the most important recent work on Wittgenstein. It deals with questions pertaining to both the interpretation and application of Wittgenstein s thought and the editing of his works. Regarding the latter, it also addresses issues concerning scholarly electronic publishing. The collection is accompanied by a comprehensive introduction which lays out the content and arguments of each contribution. Contributors: Knut Erik Tranoy, Lars Hertzberg, Georg Henrik von Wright, (...) Marie McGinn, Cora Diamond, James Conant, David G. Stern, Eike von Savigny, P.M.S. Hacker, Hans-Johann Glock, Allan Janik, Kristof Nyiri, Antonia Soulez, Brian McGuinness, Anthony Kenny, Joachim Schulte, Herbert Hrachovec, Cameron McEwen.". (shrink)

Inhalt Danksaung 1 Einleitung 2 Methodische Fragen 3 "... So ist also dieses Buch eigentlich nur ein Album." 4 Das Buch 5 Das Album 6 Stilfragen Appendizes Bibliographie Legende Nachlassregister Namenregister.

Vol. 1. Geschichte und Methode des philosophischen Kriticismus.- Vol. 2. Pt. 1. Die sinnlichen und logischen Grundlagen der Erkenntniss; Pt. 2. Zur Wissenschaftstheorie und Metaphysik; 26.

Our linguistic communication often takes the form of creating texts. In this paper, we propose that creating texts or ‘texting’ is a form of joint action. We examine the nature and evolution of this joint action. We argue that creating texts ushers in a special type of joint action, which, while lacking some central features of normal, everyday joint actions such as spatio-temporal collocation of agency and embodiment, nonetheless results in an authentic, strong, and unique type of joint action agency. (...) This special type of agency is already present in creating texts in general and is further augmented in creating texts through digital media. We propose that such a unique type of joint action agency has a transformative effect on the experience of our sense of agency and subjectivity. We conclude with the implications of the proposal for social cognition and social agency. The paper combines research in philosophy of mind with the emerging fields of digital humanities and text technology. (shrink)

Posthumanism has come to synthesize philosophical, literary, and artistic responses to the pressures of technology, globalization, and mass extinction in the Anthropocene. It asks what it can mean to be human in an increasingly more-than-human world that has lost faith in the ideal of humanism, the autonomous, rational subject, and it models generative alternatives cognizant of the demands of social and ecological justice. Posthumanism in Art and Science is an anthology of indispensable statements and artworks that provide an unprecedented mapping (...) of this intellectual and aesthetic shift in a global context. It extends across a broad range of fields such as art theory, media studies, continental philosophy, natural science, literary studies, aesthetics, psychoanalysis, environmental humanities, social and political theory, and animal studies. The reader features a diverse sampling of major thinkers including Donna Haraway, Rosi Braidotti, Michael Marder, Karen Barad, Alexander Weheliye, Jay Prosser, Anna Tsing, Graham Harman, Timothy Morton, N. Katherine Hayles, Jane Bennett, Bruno Latour, Francesca Ferrando, and Cary Wolfe, as well as innovative, acclaimed artists and curators such as Yvonne Rainer, Chus Martínez, William Wegman, Nandipha Mntambo, Cassils, Pauline Oliveros, Doo-sung Yoo, and Gavin Steingo. Their provocative and compelling works, including previously unpublished interviews and essays, speak to the ongoing conceptual and political challenge of posthuman theories in a time of unprecedented cultural and environmental crises. An essential primer and reference for educators, students, artists, and art enthusiasts, this volume offers a powerful framework for rethinking anthropocentric certitudes and reenvisioning equitable and sustainable futures. (shrink)

A reader of previously published and new material (interviews with artists and theorists) devoted to the new and growing field of critical plant studies, and a reader that practices what it covers by arranging and intertwining its contents through a non-hierarchical and articulated manner that allow for different, alternate reading pathways.

_Why Look at Plants?_ proposes a thought-provoking look into the emerging cultural politics of plant-presence in contemporary art through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work.

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.