"Ann Plato was the first black to publish a collection of essays, in 1841."--Newsweek.

This book explores five Platonic dialogues: Lysis, Charmides, Protagoras, Euthydemus, and the Republic. This book uses Socrates’ narrative commentary as its primary interpretive framework. No one has engaged in a sustained attempt to explore the Platonic dialogues from this angle. As a result, it offers a unique contribution to Plato scholarship. The portrait of Socrates that emerges challenges the traditional view of Socrates as an intellectualist and offers a holistic vision of philosophical practice.

Anne-Marie Schultz explores Plato’s presentation of Socrates as a philosopher who tells narratives about himself in the Theaetetus, Symposium, Apology, and Phaedo. She argues that scholars should regard Socrates as a public philosopher, while examining Socratic self-disclosive practices in the works of bell hooks, Kathy Khang, and Ta-Neishi Coates.

This collection presents stimulating and diverse essays by scholars from several different fields; the contributors have made important contributions to the ...

Here is the question: what constitutes a good explanation of phenomena?

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.2 (2002) 293-297 [Access article in PDF] Angela Hobbs. Plato and the Hero: Courage, Manliness, and the Impersonal Good. Cambridge: Cambridge University Press, 2000. xviii + 280 pp. Cloth, $59.95. Hobbs directs this stimulating but rather unfocused study to a question of considerable interest and centrality in Platonic studies: the engagement of Platonic texts with the traditional Greek ethic of heroic endeavor. As she (...) is able to show, the Platonic texts appropriate much of the traditional language and ideology familiar from archaic literature to a new paradigm in which the eccentric [End Page 293] figure of Socrates is the exemplar. Hobbs emphasizes the rhetorical value of this approach, in that it could help to make the image of philosophy accessible and appealing to the young men whom Plato wished to attract as students and colleagues at the Academy. She points to the difficulties of this appropriation, however; and more can be said about the problems that it poses for Platonic rhetoric.The most cogent and interesting analysis in the book is dedicated to the Republic. Hobbs is able to show the connection between traditional concepts of andreia and the function of the soldier class of the ideal city, the thumoeideis. She traces to a common source the apparently various aspects of Plato's thumos and its corresponding social class—readiness to anger, concern for social status, an intense sense of shame, and indignation at unfairness. Platonic thumos represents "the need to form an ideal image of the self in accordance with one's conception of the fine and noble [kalon]." When the image is threatened, "anger, self-disgust and shame are likely to be the result. This ideal of oneself also needs to be confirmed by social recognition: others must treat one in accordance with one's self-image" (30).Hobbs demonstrates that the susceptibility of the thumos element to the kalon is key to the training of the guardian class from childhood, when intellectual understanding is less developed. She has interesting things to say about the role of the kalon in the value schemes of the Republic and Symposium (222-31), arguing that, as a Form, it must ultimately be identical with the Good (agathon), but that the kalon, because of its greater accessibility to an undeveloped intellect, is an easier way to begin the ascent toward the ideal. She effectively connects the concept of the thymoeidic personality to the description of the timocratic man in Republic 8.549c-550b, and, in the middle chapters of the book, to Callicles in the Gorgias, whose motivation, she argues, is primarily thymoeidic or timocratic, since he values sensual indulgence primarily as a token of the power and autonomy desired by the lover of prestige.While Hobbs is certainly right to use Achilles as the exemplar of the traditional ethic that Plato confronts, she is less successful in arguing that Achilles is a central figure in the Republic. In fact, as she points out, he disappears altogether from the myth of Er, where he is replaced by Aias. Achilles cannot be connected with the Platonic concept of thumos in its positive aspects once it has been argued that he is depicted as greedy and impious (390e, 391c). A number of Hobbs's other claims, that Platonic texts identify Socrates with Odysseus, or that Achilles performs his heroic acts through fear of death, are not supported by an adequate textual analysis. Hobbs tends to push a single allusion out of its context to reach extreme speculative conclusions. That Socrates in the Protagoras (315b9 and c8) quotes Odysseus' words ("And then I noted him," "And I also saw Tantalus") as he lists famous figures in Hades does not necessarily mean that Socrates becomes an Odysseus figure: such an identification would require more than these passing allusions, which function quite sufficiently as an ironic comment on the viewing of celebrities. That Homer's Achilles refers to the bleakness [End Page 294] of life in the underworld or emphasizes what he loses by his heroic choice does not mean that... (shrink)

Plato's Republic covers a very wide range of philosophical topics, many of them also addressed in other Platonic dialogues. The papers in this volume, arising from the Institute of Classical Studies research seminar in ancient philosophy in 2007-2008, illustrate the range and diversity of responses to the Republic in antiquity. These responses show, for example, how in criticizing the doctrine of the tripartite soul Aristotle is as much concerned with the Timaeus as with the Republic, how Cicero regarded the (...) Republic and the Laws as complementing one another, and how Proclus treated the discussion of music in the Republic alongside the account of cosmic music in the Timaeus. Other papers examine the interpretations of the myth of Er offered by the Middle Platonist Alcinous and by Porphyry, and Proclus' place in the ancient reception of the Republic. (shrink)

Le style de Platon est généralement prisé. Pourtant Nietzsche, dans Crépuscule des Idoles, le décrète « ennuyeux ». Il convient de prendre pleinement la mesure du fait que la critique stylistique de Nietzsche s’inscrit dans la problématique de la volonté de puissance, ce qu’on éclaire notablement avec les cours de philologie qu’il a donnés à Bâle. On revient tout particulièrement sur le phénomène du rythme dans la prose d’art. Tous les écrivains et théoriciens antiques eurent une haute conscience de la (...) puissance propre à la dimension « musicale » de la prose (Gorgias, Thrasymaque, Isocrate, Platon, Aristote, Cicéron, Denys d’Halicarnasse…). Le style n’est pas une affaire secondaire, mais ouvre de nouvelles potentialités pour le logos, au-delà de la logique et de la réfutabilité. (shrink)

This paper draws attention to the Symposium's concern with epideictic rhetoric. It argues that in the Symposium, as in the Gorgias and the Phaedrus, a contrast is drawn between true and false rhetoric. The paper also discusses the dialogue's relationship to drama. Whereas both epideictic rhetoric and drama were directed to a mass audience, the speeches in the Symposium are delivered to a small, select group. The discussion focuses on the style of the speeches delivered by Aristophanes, Agathon, Socrates and (...) Alcibiades. Aristophanes speaks in the simple style of comedy, fable and folktale, also used by Protagoras in Plato's Protagoras. Agathon speaks in the high-flown style of Gorgias. Socrates' speech is a miniature Platonic dialogue, and both Alcibiades' speech and Socrates' speech may be compared to satyr play. The paper concludes with a suggestion that the claim at 223D, that the same person should be able to write both comedy and tragedy, refers to style as well as subject-matter. (shrink)

This chapter contains sections titled: Education as Gardening: An Image of Natural Growth Do We All Possess Fertile Souls? The Gardener: What is His Contribution to the Growth of the Seeds? Gardening: Labor and Reward Plato as Gardener Dialogue Between Text and Reader: Cultivating the Seeds Teaching Us to Become Gardeners of Our Souls Plato's Literary Garden: A Corpus of Works Gardeners of Souls Notes.

Platonic dialogues are self-concealing, presenting ideas by indirection or in riddling form, often exploring a difficulty or aporia without arriving at a solution. Since philosophers have begun to see Plato's work as imbued with irony, double meaning, and ambiguity, literary techniques that accommodate such layered meanings become a necessary adjunct to interpretation. The dialogue Politicus explores through an aporetic process a central Platonic concern, the relation between ideal and real. Close analysis of the important section dealing with law and (...) constitutions reveals some of the complexity. By his wayward conduct of the argument, the Eleatic stranger repeatedly forces reevaluation of earlier arguments or conclusions. At the close of the cosmic myth , the Stranger warned against confusing the divine monarch, a true shepherd, with his mortal counterpart, the best ruler, whose discovery is the aim of the dialogue. The distinction that was made then is simple in context, but complex in view of the conclusion at 303b8-c5 that the participants in all governments except the ideal monarchy are supreme wizards and fakers. The truly real statesman thus recedes into a distance remote from the world of practical politics, while the familiar regimes are marked as irretrievably flawed and inauthentic. The ability of the fake statesmen to deceive by impersonating the true king also means that it may be impossible to make the crucial distinction between king and tyrant, since either may disregard the laws. The strange fable of legalism run wild confirms the ludicrous and destructive results of rigid obedience to law, but concludes that rigidity is necessary to the false regimes. The corollary is that seekers after truth, like Socrates or even the Stranger himself, must always be rejected by law-based societies. (shrink)

This paper begins with a brief examination of the contemporary American political landscape. I describe three recent events that illustrate how attempts to control the narrative about events that transpired threaten to undermine our shared reality. I then turn to Book I of Plato’s Republic to explore the potentially tyrannizing effect of Socrates’s narrative voice. I focus on his descriptions of Glaucon, Polemarchus and his slave, and Thrasymachus to show how Plato presents Socrates’s narrative activity as a process (...) that controls how the auditor understands the events that follow. I then turn to an alternate understanding of Socratic narrative which extols its philosophically and politically liberatory possibilities. I use my own previous work on Socratic narrative, Jill Frank’s Poetic Justice, and Rebecca’s LeMoine’s Plato’s Cave as three examples that emphasize the more positive dimensions of Socratic narrative. Finally, I end with a brief exploration of Cornel West’s Democracy Matters, and bell hooks’ works on pedagogy to argue for the possibility a Socratically-informed public space for political discourse. (shrink)

In this essay, I will sketch how from specializing in Greek philosophy, and Plato in particular, I came to learn Arabic and to know more about Islamic Studies. The focus will be on how philosophy can transcend linguistic, cultural, and religious differences, while still taking into account the linguistic, cultural, and religious particularities, as this leads to a richer philosophical approach.

In the contemporary virtue ethics literature, eudaimonia is discussed far more often than it is defined or fully articulated. It was introduced into the contemporary virtue ethics literature by philosophers who work in ancient philosophy, and who are familiar with the work of ancient eudaimonists (where the ancient eudaimonists are typically thought to include Plato, the Stoics, and (especially) Aristotle). Yet, predictably, among philosophers who study ancient philosophy, there is not consensus, but rather lively debate, about what eudaimonia is: (...) how the various ancient eudaimonists understood it, the role it played in their theories, and so on.2 In this chapter, I will discuss the role of eudaimonia in contemporary virtue ethics, and especially contemporary eudaimonist virtue ethics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Talking Greeks: Speech, Animals, and the Other in Homer, Aeschylus, and PlatoJo-Ann SheltonJohn Heath. The Talking Greeks: Speech, Animals, and the Other in Homer, Aeschylus, and Plato. Cambridge: Cambridge University Press, 2005. viii + 392 pp. Cloth, $90.In The Talking Greeks, John Heath has produced a provocative exploration of the significance of language capacity in ancient Greek society. In his Introduction, he investigates how the Greeks (...) came to associate speech—the word he uses to denote language capacity—with rationality and how, correspondingly, logos came to mean not simply the articulation of a thought, but the thought itself. Heath presents three major theses about the Greeks and speech. First, the Greeks believed that the most important difference between themselves and other animals was that humans were capable of speech and animals were not. They thus considered speech to be a defining characteristic of humanity. The dichotomy of the talking man and the speechless animal was established early on and persisted in Greek thought of all periods. Heath contends that the speechless animal Other also became the primary metaphor for Other humans—women, slaves, and non-Greeks, for example—who, though capable of speaking, were considered to be incapable of the effective use of speech. In turn, the seeming inability of these Others to be "fully human" (a phrase that Heath uses frequently) provided Greek men with the justification to relegate them to subordinate positions and, in effect, to silence them. Heath maintains that language capacity was central to all judgments about status, and that the Greeks granted authority to their leaders on the basis of mastery of speech.Second, the Greeks believed that speech enabled humans to create culture and thus evolve away from the bestial. Speech was fundamental to the development of systems of justice and morality and therefore to the rise of the polis.Third, because men in Greece, and in Athens in particular, attached such great value to the mastery of speech, they were keen to engage in debates. Heath asserts that one of the most important legacies of the ancient Greek world is its emphasis on open inquiry about political, social, and cultural traditions. He chides scholars who focus negatively on the Greek construction of dichotomies and hierarchies and therefore fail to acknowledge that the Greeks continually challenged these very constructions. Heath insists that we have inherited from them a pattern of public self-criticism, and that this pattern has brought about progress in the modern western world in improving the status of the "muted" members of the community.These three propositions underlie Heath's discussions throughout the book as he examines the ways in which Homer, Aeschylus, and Plato used the [End Page 603] metaphorical framework of the talking human and the speechless animal to explore the definition of humanity. Heath recognizes that the terms "mastery of speech" and "fully human" resist easy definition, and he devotes the book to illustrating how the Greeks variously employed these terms. Throughout, as Heath develops his own arguments, he draws on and provides extensive discussions of the work of many other scholars in a wide range of disciplines. His arguments are also reinforced by his close philological analyses of the Greek texts.In chapter 1, Heath begins his investigations of speech and human status in Homer. He notes that, in the many animal similes in the Iliad and the Odyssey, Homer attributes to the animals the same motivations for actions as the humans with whom they are being compared. The animals, however, are not capable of communicating their thoughts through speech. Within the human community, it is control over speech that characterizes humans with authority and distinguishes them from men of lower status and from non-Greeks, women, and slaves. The Trojans, when engaged in attack, for example, are depicted as bleating like sheep. And, according to Heath, Helen is portrayed as speaking impetuously and inappropriately. The voices of even royal Greek women carry no authority in public matters. In Homer, a hero is a person who is accomplished both at speaking words and at doing deeds, and only a man has the potential to combine these skills.Heath maintains in chapter... (shrink)

The Forum and the Tower tackles a fascinating and perennial topic: the relationship between the academy and the world of politics. The accomplished Harvard law professor Mary Ann Glendon traces this crucial relationship from Classical Greece taking readers through the Roman Empire, Renaissance Italy, the English revolution, the Federalist era in the US, the French Revolution, the Napoleonic wars, the Concert of Europe, the progressive era, and the New Deal/World War II era.

Although it may seem from its formalism that game theory must have sprung from the mind of John von Neumann as a corollary of his work on computers or theoretical physics, it should come as no real surprise to philosophers that game theory is the articulation of a historically developing philosophical conception of rationality in thought and action. The history of ideas about rationality is deeply contradictory at many turns. While there are theories of rationality that claim it is fundamentally (...) social and aims at understanding and molding all facets of human psychological life, game theory takes rationality to be essentially located in individuals and to concern only the means to achieve predetermined ends. Thus, there are some thinkers who have made important contributions to this history who do not appear in the story of game theory at all, among them, Plato, Kant, and Hegel. There is, however, a clear trail to follow linking theories of instrumental rationality from Aristotle to the nineteenth-century marginalist economists and ultimately to von Neumann and Morgenstern and contemporary game theorists, that historically grounds game theory as a model of rational interaction. (shrink)

In this article I discuss Plato’s use of method in the Republic in light of the Socratic method. I show that in Book 4 this method is a key moment in the conversion from a political way of life (wh...

In lieu of an abstract, here is a brief excerpt of the content:MATERNAL COMPASSION IN THE THOUGHT OF RENÉ GIRARD, EMIL FACKENHEIM, AND EMMANUEL LÉVINAS Ann W. Astell Purdue University l;ike empathy, compassion is a word that seldom occurs in the /writings of René Girard,' who prefers to answer to Martin Heidegger's "anxiety" [Die Sorge] before death by speaking instead of a "concern for victims" [le souci des victims].2 Maternal corn-passion does enter Girardian analysis directly, however, in his discussion ofthe (...) biblical good harlot, a compassionate mother whom Girard calls "the most perfect figura Christi that can be imagined" (1978, 241). In this paper I focus on the neglected theme of maternal compassion in the writings of Girard, letting them enter into conversation, first, with Emil Fackenheim's reflections on the plight and actions of Jewish mothers during the Holocaust and, second, with themes sounded in the philosophy of Emmanuel Lévinas. I argue that maternal compassion is actually central to Girard's understanding of the unveiling of the victimage mechanism, because it sees goodness in the very life of every potential victim, regardless ofwhat that person has done or is capable ofdoing, simply because he or she exists, has a face. The "innocence" of every victim is reducible to the innocence of the infant, because an infant within a sacrificial system can substitute for every other possible victim. The infant and, even more, the unborn bring us back to the very origins of life, to the Creator. There 1 On empathy and Girard, see my "Saintly Mimesis, Contagion, and Empathy." " See James William's comment on this topic in René Girard, ISee Satan Fall Like Lightning (177, note 4). The locus classicus for Martin Heidegger's "anxiety" is his Being and Time, sections 39-42. 16Ann W. Astell is, as Plato asserts and Lévinas reminds us, a "Good beyond being" that, on a transcendent plane, constitutes the "innocence" ofevery human being that lives, protesting against any one's murder. To illustrate the triangulation of desire, the rivalry of doubles, the mimetic crisis, and its possible outcome in victimage, René Girard turns to the famous biblical story ofthe judgment of Solomon in 3 Kings 3:16-28. In that story two women, two harlots, approach the king, each claiming to be the mother ofa single, living infant, over whom they are fighting. "The symmetry is obvious," Girard writes, "and it represents the very essence of human conflict" (1978, 238). Unable to determine the truth ofthe case on the basis of their conflicting testimonies, the wise king tests them by proposinga sacrificial solution that parodies distributivejustice. He decides to cut the baby in half, giving each woman an equal share, the symmetrical division ofthe victim mirroring the symmetry between the litigants. "The Latin word decidere," Girard notes, "mean etymologicalIy to divide by the sacrificial knife, to cut the throat of a victim" (1978, 238). The proposed sacrifice is averted because its horrific promise of an equal apportionment of parts of the baby's body—a sameness that would confirm the two as doubles—reveals a significant difference between the two women. According to the usual reading of the passage, one of the mothers, having (either deliberately or accidentally) killed her own baby by smothering him, lacks any genuine love for the other woman's infant. As Girard explains, "The only thing that counts for her ispossessing what the other onepossesses. In the last resort, she is ready to accept being deprived ofthe child as long as her opponent is deprived of it in the same way.... All that counts is her fascination with her hated model and rival" (1978, 239). The other woman, however, filled with yearning for the life ofthe child to whom she has given birth, reveals herself to be its true mother by renouncing her maternal rights in a passionate plea: "I beseech thee, my lord, give her the child alive, and do not kill it" (3 Kings 3:26). Commenting on the passage, Girard characterizes the values of the false mother as sacrificial, those ofthe good mother as anti-sacrificial. With reference to the child whose fate hangs in the balance, the distinction is clear enough. The true mother begs for the baby... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Socrates Plays the Buffoon:Cautionary Protreptic in EuthydemusAnn N. MicheliniPlato's Euthydemus is somewhat uninteresting to traditional philosophers, who tend to treat the dialogues from the aspect of their theoretical content.1 The arguments repeatedly presented by Socrates' opponents are below Platonic standards,2 while Socrates carries on only a single, somewhat truncated logos of his own. The dialogue's primary interest lies elsewhere, in the odd use it makes of protreptic or conversionary (...) philosophical rhetoric and in its highly ambivalent examination of Socratic tactics. Socrates' adversaries are a pair of ludicrous charlatans, caricatures of the other fifth-century "Sophists"3 whom Plato satirized; but the tactics of the two brothers, Euthydemus and Dionysodorus, are also awkwardly close to those of Socrates himself. No other Platonic dialogue features interlocutors who make a habit of practicing the Socratic question-and-answer mode, and in no other dialogue does Socrates allow anyone but himself to assume the dominant role of interrogator. 4 The "sandwich" format, in which two Socratic discussions [End Page 509] are flanked by three series of arguments by the brothers, both contrasts Socrates and his opponents and points up their similarity.The encounter is marked by its concern for protreptic, the exhortation, pervasive in later philosophical writing, as it is in the fourth-century texts of Isocrates and Xenophon, to leave conventional ways of life and care for wisdom and moral virtue.5 At the beginning of the discussion (274d7-e5), Socrates asks Dionysodorus whether his wisdom can be transmitted to even one person not yet persuaded of its efficacy. Socrates rather tendentiously concludes from Dionysodorus' positive response that the brothers would therefore be best at exhortation to virtue, and throughout the discussion he persists in pushing them to demonstrate their protreptic.6 This desire in turn motivates his self-abasing relation to Euthydemus and Dionysodorus, whom Socrates continually begs, on behalf of his young friend Clinias, to reveal their priceless wisdom and save the boy from bad influences. Not only does Socrates set up the brothers as masters of protreptic but he even offers his own version, showing that wisdom is the key to happiness and concluding that it is "necessary to philosophize" (282d1) in order to be happy. The fact that protreptic language is so little in evidence in Plato's other work implies an exceptional status for Euthydemus, the only dialogue that both employs the terminology of protreptic and focuses on the problems of philosophic exhortation and conversion.The phrase "exhort to philosophy and virtue" is conventional: it appears very frequently in both Xenophon and Isocrates.7 But, while Socrates in Apology describes his vocation in terms of an open protreptic of rebuke and exhortation, his use of the elenchus in the dialogues [End Page 510] is more subtle and tactful.8 More important, the trope of exhortation to virtue is notable for its absence from almost all Platonic texts9 except Euthydemus and the eccentric Clitophon.10 The thematic importance of the phrase in Euthydemus is emphasized by repetition and by overlap between the reported dialogue and its setting, in which Socrates exhorts Crito to join him as a student of the brothers' wisdom, and in which Crito expresses his concerns about the education of his son (, 307a2). In his important work on protreptic, Konrad Gaiser attempted to derive later protreptic from speeches by fifth-century "Sophistic" teachers that were designed to win pupils for training in rhetoric and politics. But, while admonitory or moralizing discourses were composed by figures such as Prodicus and Hippias, as they were by others from Hesiod onward, it does not seem likely that the specifically conversionary protreptic that appears in fourth-century writers derives from thinkers who were primarily concerned with demonstrations of skill. The real source for protreptic is likely to have been the Socratics themselves, writers who used the unconventional Socratic persona both to rebuke immorality and to show the inadequacy of traditional moral concepts. This Socratic protreptic demanded nothing less than a change of life.11Whether the dialogue Clitophon is by Plato or not, it affords a valuable proof that protreptic was associated with Socratic technique: Clitophon, an associate of Thrasymachus in Republic... (shrink)

Death and the Disinterested Spectator examines the nature of philosophy in light of philosophy's claim to be a preparation for death.

This essay proposes that Socrates practiced various spiritual exercises, including meditation, and that this Socratic practice of meditation was habitual, aimed at cultivating emotional self-control and existential preparedness. Contemporary research in neurobiology supports the view that intentional mental actions, including meditation, have a profound impact on brain activity, neuroplasticity, and help engender emotional self-control. This impact on brain activity is confirmed via technological developments, a prime example of how technology benefits humanity. Socrates attains the balanced emotional self-control that Alcibiades describes (...) in the Symposium because of the sustained mental effort he exerts that directly impacts his brain and his emotional and philosophical life. The essay concludes that Socratic meditative practices aimed at manifesting true dignity as human beings within the complexities of a technological world offer a promising model of self-care worthy of embracing today. (shrink)

Aristotle (384-322 BC) was an ancient Greek philosopher, pupil of Plato, and tutor of Alexander the Great. His works span the topics of biology, metaphysics, mind, logic, language, science, epistemology, ethics, and politics. Aristotle held that there are many divine beings, but a supremely divine being is the first cause of the universe and the goodness of all other beings. This divine being plays a fundamental explanatory role in Aristotle’s thought.

This paper addresses the notorious logic and semantic difficulties encountered by Lévinas in articulating his ethics of alterity. Tracing the philosophical genesis of this question in Descartes and Heidegger, it recognises Lévinas's claim that there can be no ontological foundation for ethics because ontology would reduce ethics to a form of mathematical ratio. Lévinas is unwilling to deny his phenomenological experience of a desire for goodness and unable to deny his despair at his ontological alienation from the good and so (...) he is driven to seek an irrational link between the human being and a metaphysical ‘good beyond being’. Retrieving an ancient gnostic neo-Platonist working of the same problem from the work of Hans Jonas, the paper reconsiders Lévinas's reading of Plato, specifically his understanding of Socrates’ exposition of erosin the Phaedo, in order to illustrate how his ethics of alterity may allow the human being to refer irrationally to the good beyond being. (shrink)

On the evidence of Plato’s Theaetetus and Phaedo the author claims that Protagoras argued against changement. The paper develops in four steps. First, the paradox of the dices is taken into account. Then four parallels to this argument are recovered in Socrates’ autobiography in Plato’ Phaedo. Third, the four parallels are identified with the wise causes of the antilogies. Finally, the author addresses the objection that both Theaetetus in the Theaetetus and Socrates in the Phaedo show serious wondering (...) and dismiss such arguments as merely sophisms by focusing on how the notion of wondering is used in the Euthydemus. (shrink)

Socrates and Plato are one in species, but diverse in number. What accounts for their diversity in this sense? This question lies at the center of a longstanding controversy over what has been called the principle of individuation. Though multiple questions have been investigated using the terminology of individuation, the author’s focus here is on the question of what, for Aristotle, explains the numerical diversification of cospecific organisms, along with the two mainstream answers to this question: that their diversity (...) derives from the diversity of their matter, or that it derives from the diversity of their forms. She argues that if we take Aristotle’s metaontology as our starting point for investigating this question, both of the mainstream views falter for the same reason. Aristotle’s analyses of the concepts of unity and diversity support the conclusion that the diversity of cospecific organisms is underived. (shrink)

ABSTRACTIn the Apology, Plato’s Socrates tells the Athenian jurors that he has spent his life trying to persuade his fellow citizens “not to care for any of his belongings before caring that he him...

This book covers the issue of tyranny and freedom. Included are selections from Hobbes, Rousseau, Jefferson, Machiavelli, Sophocles, Aristotle, Locke, Montesquieu, Madison, Calhoun, Plato, Milton, Mill, Tocqueville, Douglass, Chief Joseph, Thoreau, King, Arendt, and Holocaust documents. Co-published with Lynchburg College.

This paper incorporates the work that Jeffrey Gold, Jim Robinson, and Jonathan Schonsheck have done into an innovative method for teaching Plato’s Allegory of the Cave. The method involves breaking students into small groups and asking them to draw three images that depict the plot of the Allegory of the Cave. In addition to giving a description of this activity and detailing the pedagogical benefits, the paper considers possible objections to this exercise and suggests that this method provides a (...) model that can be used to teach other highly descriptive images that are found in philosophical texts. (shrink)