Seit Mitte des 19. Jahrhunderts hat die historisch-materialistische Gesellschaftstheorie wichtige Beitrage zur Rolle des Staates geleistet. Insbesondere seit den 1970er Jahren fragte eine Stromung, die sich zum "westlichen Marxismus" zahlte: Warum nimmt politische Herrschaft in burgerlich-kapitalistischen Gesellschaften die spezifische Form des Staates an? Wie transformiert sich der Staat historisch in enger Verbindung mit gesellschaftlichen Veranderungen? Joachim Hirsch ist ein herausragender Vertreter dieses theoretischen Ansatzes, der die Frage nach der Staatsform ins Zentrum gestellt hat. Er hat Begriffe wie "Sicherheitsstaat", "nationaler Wettbewerbsstaat" (...) und "Internationalisierung des Staates" gepragt und die materialistische Staatstheorie mit der Hegemonietheorie Antonio Gramscis und der Regulationstheorie produktiv verknupft. Wichtige politische Kritiken und Perspektiven verdichten sich in Hirschs Konzepten wie "radikaler Reformismus" und "soziale Infrastruktur". (shrink)

The business world is facing a very complicated situation due to the COVID-19 pandemic. Small- and medium-sized companies —both in Spain and at the global level—are seeing their survival jeopardized by a fall in revenues. This scenario is aggravated in the case of micro-SMEs headed by female entrepreneurs. Accordingly, micro-SMEs, particularly those led by female entrepreneurs, need to reinvent themselves to overcome the current adversities that could lead to the destruction of their businesses and hence their jobs. One of the (...) ways to do this is to take advantage of digital transformation. Therefore, the aim of this paper is to analyze which variables influence the financial results of female-led Spanish micro-SMEs when they carry out social marketing actions. For that purpose, an online survey was designed and analyzed using the “PROCESS” macro. Results show that social media marketing actions have significant effects on financial performance. (shrink)

Antonio Gramsci and the Question of Religionprovides a new introduction to the thought of Gramsci through the prisms of religious studies and comparative ethics. Bruce Grelle shows that Gramsci's key ideas - on hegemony, ideology, moral reformation, "traditional" and "organic" intellectuals - were formulated with simultaneous considerations of religion and politics. Identifying Gramsci's particular brand of Marxism, Grelle offers an overview of Gramsci's approach to religion and applies it to contemporary debates over the role of religion and morality in (...) social order and social change. This book is ideal for students and scholars interested in Gramsci, religion, and comparative ethics. (shrink)

In this article we present an advanced version of Dual-PECCS, a cognitively-inspired knowledge representation and reasoning system aimed at extending the capabilities of artificial systems in conceptual categorization tasks. It combines different sorts of common-sense categorization (prototypical and exemplars-based categorization) with standard monotonic categorization procedures. These different types of inferential procedures are reconciled according to the tenets coming from the dual process theory of reasoning. On the other hand, from a representational perspective, the system relies on the hypothesis of conceptual (...) structures represented as heterogeneous proxytypes. Dual-PECCS has been experimentally assessed in a task of conceptual categorization where a target concept illustrated by a simple common-sense linguistic description had to be identified by resorting to a mix of categorization strategies, and its output has been compared to human responses. The obtained results suggest that our approach can be beneficial to improve the representational and reasoning conceptual capabilities of standard cognitive artificial systems, and –in addition– that it may be plausibly applied to different general computational models of cognition. The current version of the system, in fact, extends our previous work, in that Dual-PECCS is now integrated and tested into two cognitive architectures, ACT-R and CLARION, implementing different assumptions on the underlying invariant structures governing human cognition. Such integration allowed us to extend our previous evaluation. (shrink)

An ontology of Leibnizian relationalism, consisting in distance relations among sparse matter points and their change only, is well recognized as a serious option in the context of classical mechanics. In this paper, we investigate how this ontology fares when it comes to general relativistic physics. Using a Humean strategy, we regard the gravitational field as a means to represent the overall change in the distance relations among point particles in a way that achieves the best combination of being simple (...) and being informative. (shrink)

Featuring contributions from the world's most highly esteemed Asian philosophy scholars, this important new encyclopedia covers the complex and increasingly influential field of Chinese thought, from earliest recorded times to the present day. Including coverage on the subject previously unavailable to English speakers, the _Encyclopedia_ sheds light on the extensive range of concepts, movements, philosophical works, and thinkers that populate the field. It includes a thorough survey of the history of Chinese philosophy; entries on all major thinkers from Confucius to (...) Mou Zongsan; essential topics such as aesthetics, moral philosophy, philosophy of government, and philosophy of literature; surveys of Confucianism in all historical periods and in key regions outside China; schools of thought such as Mohism, Legalism, and Chinese Buddhism; trends in contemporary Chinese philosophy, and more. (shrink)

During the last decades, many cognitive architectures (CAs) have been realized adopting different assumptions about the organization and the representation of their knowledge level. Some of them (e.g. SOAR [35]) adopt a classical symbolic approach, some (e.g. LEABRA[ 48]) are based on a purely connectionist model, while others (e.g. CLARION [59]) adopt a hybrid approach combining connectionist and symbolic representational levels. Additionally, some attempts (e.g. biSOAR) trying to extend the representational capacities of CAs by integrating diagrammatical representations and reasoning are (...) also available [34]. In this paper we propose a reflection on the role that Conceptual Spaces, a framework developed by Peter G¨ardenfors [24] more than fifteen years ago, can play in the current development of the Knowledge Level in Cognitive Systems and Architectures. In particular, we claim that Conceptual Spaces offer a lingua franca that allows to unify and generalize many aspects of the symbolic, sub-symbolic and diagrammatic approaches (by overcoming some of their typical problems) and to integrate them on a common ground. In doing so we extend and detail some of the arguments explored by G¨ardenfors [23] for defending the need of a conceptual, intermediate, representation level between the symbolic and the sub-symbolic one. In particular we focus on the advantages offered by Conceptual Spaces (w.r.t. symbolic and sub-symbolic approaches) in dealing with the problem of compositionality of representations based on typicality traits. Additionally, we argue that Conceptual Spaces could offer a unifying framework for interpreting many kinds of diagrammatic and analogical representations. As a consequence, their adoption could also favor the integration of diagrammatical representation and reasoning in CAs. (shrink)

This paper elaborates on relationalism about space and time as motivated by a minimalist ontology of the physical world: there are only matter points that are individuated by the distance relations among them, with these relations changing. We assess two strategies to combine this ontology with physics, using classical mechanics as example: the Humean strategy adopts the standard, non-relationalist physical theories as they stand and interprets their formal apparatus as the means of bookkeeping of the change of the distance relations (...) instead of committing us to additional elements of the ontology. The alternative theory strategy seeks to combine the relationalist ontology with a relationalist physical theory that reproduces the predictions of the standard theory in the domain where these are empirically tested. We show that, as things stand, this strategy cannot be accomplished without compromising a minimalist relationalist ontology. (shrink)

This article serves as an introduction to the collection of papers in this monographic issue on “What the European tradition can teach about Corporate Social Responsibility” and presents the rationale and the main hypotheses of the project. We maintain that corporate social responsibility (CSR) is an ethical concept, that the demands for socially responsible actions have been around since before the Industrial Revolution and that companies have responded to them, especially in Europe, and that the content of CSR has evolved (...) over time, depending on historical, cultural, political, and socio-economic drivers and particular conditions in different countries and also at different points in time. Therefore, there is not – and probably cannot be – a unique, precise definition of CSR: one global standard for CSR is unlikely. (shrink)

We must undoubtedly take advantage of the benefits brought by new technologies, and we must apply them to the human being to the extent that a prolonged and serene reflection tells us that this application brings improvements in a full sense. But that does not mean that we should accept the ideological discourse of transhumanism. This discourse owes much of its power of conviction to certain philosophical assumptions that have not been sufficiently clarified and discussed. This article aims to highlight (...) some of them. (shrink)

We overview the main historical and technological elements characterising the rise, the fall and the recent renaissance of the cognitive approaches to Artificial Intelligence and provide some insights and suggestions about the future directions and challenges that, in our opinion, this discipline needs to face in the next years.

RESUMEN El objetivo de este artículo de reflexión teórica es establecer un dialogo entre las ciencias sociales hoy en crisis y los aportes que encontramos en la cosmovisión me-soamericana para el diseño de una nueva matriz epistémica más ecológica y menos agresiva con la vida. En la primera parte se rastrea epistémicamente la genealogía de la cosificación de la naturaleza y de la vida que ha puesto en crisis el proyecto de la modernidad y las ciencias sociales, a partir de (...) la experiencia de la colonialidad, el ser como identidad y las matemáticas. En un segundo momento se cuestiona el eurocentrismo de las ciencias sociales y se defiende el diálogo con las otras epistemologías silenciadas por la razón occidental. De esta forma se exploran algunos aportes ontológicos de la epistemología mesoamericana para el diseño de nuevas relaciones sociales menos agresivas con la naturaleza y la vida. Finalmente se plantea favorecer los diálogos interpistémicos entre las distintas civilizaciones y culturas del mundo para abrir y repensar las ciencias sociales. ABSTRACT The objective of this article of theoretical reflection is to establish a dialogue between the social sciences, today in crisis, and the contributions found in the Me-soamerican worldview, to design a new epistemic matrix, more ecological, and less aggressive with life. In the first part, the genealogy of the reification of nature and life, that has put the project of modernity and social sciences in crisis, from the experience of coloniality, being as identity, and mathematics, is epistemically traced. In a second moment, the eurocentrism of the social sciences is questioned, and dialogue with other epistemologies, silenced by western reason, is defended. In this way, some ontological contributions of the Mesoamerican cosmovision are explored, to create new social relationships, less aggressive with nature and life. Finally, to favor the inter-epistemic dialogues between the different civilizations and cultures of the world is put forward, as a way to open and rethink social sciences. (shrink)

Trustful and trustworthy behaviors have important externalities for the society. But what exactly drives people to behave in a trustful and trustworthy manner? Building on research suggesting that individuals’ social preferences might be a common factor informing both behaviors, we study the impact of a set of different motives on individuals’ choices in a dual-role Trust Game (TG). We employ data from a large-scale representative experiment ( N = 774), where all subjects played both roles of a binary TG with (...) real monetary incentives. Subjects’ social motives were inferred using their decisions in a Dictator Game and a dual-role Ultimatum Game. Next to self-interest and strategic motives we consider preferences for altruism, spitefulness, egalitarianism, and efficiency. We demonstrate that there exists considerable heterogeneity in motives in the TG. Most importantly, among individuals who choose to trust as trustors, social motives can differ dramatically as there is a non-negligible proportion of them who seem to act out of (strategic) self-interest whereas others are driven more by efficiency considerations. Subjects’ elicited trustworthiness, however, can be used to infer such motivations: while the former are not trustworthy as trustees, the latter are. We discuss that research on trust can benefit from adding the second player’s choice in TG designs. (shrink)

No presente artigo tenho o intento de demonstrar o motivo de Schopenhauer ser um crítico ferrenho da doutrina do direito de Kant, e para tal empreendimento, além das investigações na Metafísica dos costumes, obra capital onde se encontram os conteúdos sobre a doutrina do direito de Kant, restrinjo minhas explicações em relação aos textos de Schopenhauer, principalmente em Sobre o fundamento da moral (para nesse caso, expor a crítica da ética na forma legislativa-imperativa), ao § 62 do primeiro tomo de (...) O mundo como vontade e representação, como também ao Apêndice deste mesmo livro, intitulado de Crítica à filosofia kantiana, (para nesse caso expor a concessão feita por Schopenhauer para compreender o direito como positivo tendo em vista o direito de coação) e por fim, também em Sobre a liberdade da vontade, para expor os conceitos de liberdade física e moral, essenciais para compreender à crítica de Schopenhauer à doutrina do direito kantiana. (shrink)

The research in Human Computer Interaction (HCI) has nowadays extended its attention to the study of persuasive technologies. Following this line of research, in this paper we focus on websites and mobile applications in the e-commerce domain. In particular, we take them as an evident example of persuasive technologies. Starting from the hypothesis that there is a strong connection between logical fallacies, i.e., forms of reasoning which are logically invalid but psychologically persuasive, and some common persuasion strategies adopted within these (...) technological artifacts, we carried out a survey on a sample of 175 websites and 101 mobile applications. This survey was aimed at empirically evaluating the significance of this connection by detecting the use of persuasion techniques, based on logical fallacies, in existing websites and mobile apps. In addition, with the goal of assessing the effectiveness of different fallacy-based persuasion techniques, we performed an empirical evaluation where participants interacted with a persuasive (fallacy-based) and with a non-persuasive version of an e-commerce website. Our results show that fallacy-based persuasion strategies are extensively used in existing digital artifacts, and that they are actually effective in influencing users’ behavior, with strategies based on visual salience manipulation (accent fallacy) being both the most popular and the most effective ones. (shrink)

ABSTRACT Locke’s Letter on Tolerance has been a controversial issue since the seventeenth century: its defense of tolerance compromises restricting atheists and Catholics, which would attain religious freedom, one of the highest values of liberal theory. Taking this issue as its central, the purpose of this article is to think about this tension in Locke’s political thinking. In order to collaborate with this debate, the text is divided in two parts: in the first one, the various meanings of what Locke (...) understands by atheist will be presented in his different political texts; in the second, we will analyze the importance of religion in Lockean political thought. (shrink)

This paper addresses the following problem: to what extent do ontological considerations about musical works affect our evaluation of performances of those works? I argue for the claim that at least some important grounds on which performances are evaluated are specific to them, in that these grounds are either independent from, or related but not fully determined by, the properties of the works they are of. In the first part of the paper, I explore the relations between good-making features of (...) works and of performances of them. The second and third parts develop two kinds of example in favour of the claim above. In the last part, I discuss the significance of those examples in relation to the ways in which performances are assessed, and explore some further ramifications of them. (shrink)

Este artigo aborda as principais teorias sobre a natureza metafísica das obras de arte, cobrindo as propostas eliminativistas, monistas e pluralistas. Entre estas últimas, é dado destaque ao trabalho sobre a ontologia das artes performativas, e em particular, da música. Termina-se com uma referência à recente viragem da discussão para o campo da meta-ontologia e a polémica sobre a plausibilidade do revisionismo ontológico no caso de artefactos ou objectos sociais.

O artigo parte do consenso sobre a facto de que a arte tem valor para a exploração dos vários problemas sobre esse valor cujas soluções dividem os filósofos da arte. O enfoque é especialmente sobre a dimensão mais actual do debate em torno do tema, que se debruça não tanto sobre questões como o realismo quanto aos valores estéticos e a objectividade e justificação dos juízos de valor estético, mas acima de tudo sobre a natureza do valor artístico – que (...) tipo de valor é e em que propriedades da arte (se nalguma) reside. (shrink)

This is the first of a series of papers in which I present a defense of moderate objectivism about the evaluation of performances of musical works in the Western classical tradition.

A lo largo de su evolución toda teoría suele enfrentarse con determinados retos o desafíos que, acreditan su vitalidad. El discurso de los derechos, en cuanto concepción teórica dirigida a su explicación y fundamentación, no se halla exento de la tarea permanente dirigida a responder a esos retos. En este ensayo se analizan los riesgos que se estiman más decisivos y acuciantes para el discurso de los derechos. Para ello, se estudian tres desafíos actuales a la teoría de los derechos (...) y se sugieren correlativamente, tres respuestas a los mismos. Eleatismo, particularismo y posthumanismo, se consideran los principales retos a los que se enfrenta hoy la reflexión sobre los derechos. La respuesta a esas actitudes se halla constituida por el historicismo, el universalismo y el humanismo. (shrink)

Gerda Walther[aut] Walther, Gerda has no developed account of empathyEmpathy; rather, she draws from the writings of early phenomenologists and psychologists on empathy. Generally, for Walther[aut]Walther, Gerda, empathy is an act of mind that permits the understanding of another’s consciousnessConsciousness and experienceExperience. Edith Stein[aut]Edith Stein, in many respects, lays the ground for a phenomenological account of empathy. Stein[aut]Stein, Edith’s treatment of intersubjectivityIntersubjectivity and the nature of intersubjective acts such as empathy draws greatly from Husserl[aut]Husserl, Edmund. There exist three primary sources (...) for Stein[aut]Stein, Edith’s analysis of empathy, all of which were written while Stein[aut]Stein, Edith was still in direct contact with Husserl[aut]Husserl, Edmund either as his student, assistant or as a private researcher attempting to habilitate. The primary and better known source is Stein[aut]Stein, Edith’s doctoral dissertation published originally in 1917, titled On the Problem of Empathy\”On the Problem of Empathy”, by Stein, Edith. The text, which is the only extant portion of her doctoral dissertation, sets the stage for Stein[aut]Stein, Edith’s later work on the subject. Husserl[aut]Husserl, Edmund was pleased by Stein[aut]Stein, Edith’s selection of the topic, but he wanted her to give more of a historical overview, with special reference to Lipps[aut]Lipps, Hans’ work. Hence, the text is replete with discussions of notable philosophers like Scheler[aut]Scheler, Max, Dilthey[aut]Dilthey, Wilhelm, and Lipps[aut]Lipps, Hans. The second major work that addresses empathy is to be found in Stein[aut]Stein, Edith’s Philosophy of Psychology and the Humanities\”Philosophy of Psychology and the Humanities”, by Stein, Edith. This work was published in Volume V of Husserl[aut]Husserl, Edmund’s Jahrbuch and consists of two principal texts: PsychicCausalityCausalityPsychic and Individual and Community. This text comes from Stein[aut]Stein, Edith’s period during and after her assistantship with Husserl[aut]Husserl, Edmund. The text is largely, but not exclusively, based on her work on Husserl[aut]Husserl, Edmund’s Ideen II. The last source is Stein[aut]Stein, Edith’s research manuscript titled, Einführung in die Philosophie. (shrink)

El presente trabajo de investigación se inicia tras el nacimiento de la historieta española en la segunda mitad del XIX, nuevo medio de expresión que surge ligado a la prensa satírica y de humor, creada y realizada expresamente para un público lector adulto. Es ya desde la realidad del nuevo medio como se establecen las bases para el acercamiento a la historieta española durante los años 1900 a 1951, en los que tiene lugar su primer desarrollo, afianzamiento y conversión en (...) un fenómeno de masas. Asimismo se analizan los inicios del tejido industrial que soporta la estructura editorial de la historieta, que se contextualiza respecto del conjunto de la sociedad española, en total dependencia no solo de la economía, sino también de los movimientos políticos y sociales que durante el medio siglo de estudio sacudieron España, en un flujo acelerado de acontecimientos que se concreta en los regímenes políticos que vertebraron el país: monarquía constitucional de Alfonso XIII, dictadura militar de Primo de Rivera, república parlamentaria, guerra civil y, finalmente, la dictadura personal del general Franco. (shrink)

Central conceptual terms, such as ‘culture’, ‘environment’, ‘nature’ and‘landscape’, are far from being neutral scientific objects. They are academic constructions which need to be understood in their emergence across their historic contexts. -/- Moral it is a cultural expression determined by social dominance and historical context, who gives them a sectary character. We need a moral theory that can be universal, trans-temporal and available to light human individual conduct and the human science and their political ideologies, but not considering the (...) man in the zenith of the Life. The Life, with their biodiversity it is in the pinnacle of the complex cosmos evolution but we don’t know if our specie, born in the Earth, is the end of cosmos evolution. For demanding that answer, was born a new ethical perspective, theory built with the meta-ethics principles and applicable to all human activities. -/- Environmental ethics supported by the two principles_ the critical against anthropocentrism and the critical against ethnocentrism, gives a universal answer to the macro moral problems of our era_ environmental, social, economical and political crises, war and mass destructive weapons…and contributes to rebuilt the human activities in all domains of individual and social life; that’s is the cultural landscape, for instance. (shrink)

Esse texto é um escrito que, ao final, é um termo médio entre um Artigo e um Ensaio. O objetivo é expor nossa compreensão sobre o sentido d“o material” e as implicações onto(epistemo)lógicas desta concepção no pensamento de Karl Marx. Em plano geral, primeiramente, nosso texto discorre sobre o que nomeamos de “a questão primeira”, qual seja: o que é “o material” no interior e no contexto dos escritos de Marx? Para cumprir essa tarefa procedemos com leituras de textos marxianos (...) visando identificar, neles, passagens importantes aonde o conceito de “material” é pressuposto, citado ou implicado. No segundo momento do texto, afirmamos que os resultados das análises do sentido d“o material” nos possibilitam induzir e/ou deduzir que o materialismo de Marx é dialético. Por fim, apresentamos algumas conclusões que decorrem do aceite da validade e veracidade da tese de que Marx pensa dialeticamente, de que seu materialismo é dialético. (shrink)

This paper introduces a formal concept of ideology and ideological system. The formalization takes ideologies and ideological systems to be situated in agent societies. An ideological system is defined as a system of operations able to create, maintain, and extinguish the ideologies adopted by the social groups of agent societies. The concepts of group ideology, ideological contradiction, ideological dominance, and dominant ideology of an agent society, are defined. An ideology-based concept of social group is introduced. Relations between the proposed formal (...) concept of ideology and the classical concepts of ideology elaborated in social sciences are examined. A computational notation is presented, to support the realization of ideological systems in computationally implemented agent societies. The adequacy of the approach for the formal modeling and analysis of ideological issues is illustrated through three case studies. (shrink)

The paper addresses the issue of ethical obligations in the performance of musical works in the Western classical tradition, arguing that there are indeed such obligations, although they are not categorical. -/- PT: Na tradição clássica ocidental, as obras de arte musicais, teatrais e, até certo ponto, as coreografias, são criadas por artistas-autores, mas necessitam de ser executadas por intérpretes (instrumentistas, cantores e maestros, actores e encenadores, bailarinos, etc.). Estes são assim chamados porque existe sempre uma dose de descricionariedade, não (...) só nas suas decisões sobre o que as instruções inscritas na notação por parte do autor querem "realmente" dizer, como ainda acerca dos muitos aspectos necessária ou voluntariamente deixados em aberto por ele. Limitando-nos aos casos em que é evidente ou relativamente claro que o autor favorece, directamente ou por via das convenções artísticas por si tacitamente aceites, uma forma de interpretação da sua obra entre outras, debruço-me sobre a questão de saber se, para além das considerações estéticas integrantes da decisão de respeitar total ou parcialmente essa forma, há também considerações especificamente morais que sejam relevantes para tal decisão. Os tratamentos filosóficos desta questão tiveram alguma expressão nos anos 80 e 90, sobretudo a propósito do movimento da interpretação musical historicamente correcta ou informada de obras de épocas com as quais se estava a recuperar o contacto perdido em termos de modos de execução e instrumentos específicos dessas épocas. Curiosamente, contrastando com o debate entre a crítica de arte, o debate filosófico é muito menos vivo numa actualidade marcada pelo ecletismo pós-moderno que, sobretudo no teatro e na ópera, trata mesmo os aspectos mais estruturantes das obras como completamente opcionais, ou as obras elas as próprias como materiais para fusão, reconstrução ou improvisação. Revisitando os argumentos em torno do tópico, defenderei a prevalência da posição segundo a qual há uma dimensão moral nas artes performativas, mas que as obrigações daí resultantes não são todas categóricas, tendo diferentes graus de força, e devem ser entendidas como uma variável que tem de ser, em cada caso, ponderada lado a lado com as considerações estéticas. (shrink)

I say: “Oh, what a beautiful surrealist picture!” With quite precise awareness: this páthos, these emotions of mine do not stem from our common sense. An aesthetic judgment is founded on an immediate subjective intuition: an emotion or a free feeling of a single subject towards an object. A universal sense, possibly. Some judgments of ours in ethics and in law are no different from our perceptions in front of art. It would be the same for a hypothetical sentence of (...) the judge that concluded with these words: “I acquit Arsenio Lupin because of his magnificent handlebar moustache like that of Guy de Maupassant”. Everyone would think intuitively that it is an unfair sentence. Is there aesthetics of terror? The case that the article intends to examine is that of the famous kidnapping and murder of the Italian statesman Aldo Moro by the “Brigate Rosse” [Red Brigades] (1978). The method used here consists in studying the image of the kidnapping as iconic documentation of reality, and, above all, as an ethical-legal judgment about the terrorist crime. Moro was photographed during his kidnapping. There are at least two pictures. Both constitute an extraordinary source for a judgment on the basis of an image. In both of them, Aldo Moro is pictured in front of a Red Brigades banner during the captivity. In what sense do these pictures document an aesthetic judgment concerning the “case Moro”? The answer can be found in a remarkable iconic coincidence of these pictures with a masterpiece by Georges Rouault (Paris 1871-1958) devoted to the theme of the “Ecce Homo”. The Gospel in the “Ecce Homo” scene (John: 19, 4-5) narrates how Pontius Pilate wanted to arouse the compassion of the people with a scourging and the exposure of Jesus to the crowd. The plate under consideration is entitled “Qui ne se grime pas?” [Who does not have a painted face?] and is a key work in Rouault’s suite of prints Miserere, dated for 1923. (shrink)

I examine Spinoza's claim in the Metaphysical Thoughts that the attributes of God are only distinguished by a distinction of reason. I contend that for Spinoza essential attributes, such as Thought or Extension, cannot be distinguished by Francisco Suarez's distinction of reasoning reason, as Martin Lin suggests, nor can he be using Suárez’ distinction of reasoned reason for this purpose, as Yitzhak Melamed believes. Since reasoning reason and the distinction of reasoned reason are the only two kinds of rational distinction (...) available to Spinoza, it follows that for him the distinction between God's essential attributes in the CM cannot be a distinction of reason. But I show that Spinoza is not mistakenly using Suarez's distinction in the CM. Rather, I argue, Spinoza consistently follows Suárez and uses reasoned reason to distinguish between God's necessary properties and not between God's essential attributes. (shrink)

Jürgen Habermas is not often thought of as a philosopher of technology. After presenting his early critique of technocratic consciousness, I will contend that the main problem of Habermas’ conception of technology lies in the conflation of “technology” with “technical rationality”. Feenberg criticizes Habermas’ position for implicitly depoliticizing technology. By developing a distinction between “technology” and “technique”, I will argue that Habermas’ position does not exclude a critical theory of technology. The emergent picture will combine Habermas’ emphasis that technology is (...) more than a historical project with Feenberg’s optimism on the possibility of an emancipatory reorientation of technology. (shrink)

I propose a new interpretation of Spinoza’s obscure but important concept of ‘expression’. Any account of Spinozistic expression must be able to fulfil two principal requirements. First, it must be...

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I (...) show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual. (shrink)