This collection presents the English-language reader for the first time with essays that are representative of Bernstein's much-neglected revisionist period, 1901-1921. Bernstein himself suggested that this later work included significant new elements, indicating further progress in his liberal-socialist theory. Bernstein's later work acquires additional significance in light of the events of 1989, which have discredited not only Marxism-Leninism, but revolutionary Marxist theory in general, thus making the reevaluation of Bernstein's revisionism a worthwhile experience.

Zum ersten Mal wird in dieser Publikation die Fotomontage im Faschismus als Propagandamittel von offizieller, aber auch von privater und kommerzieller Seite erforscht. Das bislang höchstens marginal erwähnte Thema wird anhand von zahlreichen, auch bislang unbekannten Beispielen aus den 1930er Jahren behandelt, die in den Zusammenhang kultureller und politischer Ereignisse in Italien gestellt werden. Die analysierten Fotomontagen werden damit in ihrer historischen Bedingtheit erfasst, die Lektüre der Bilder erfolgt in der Verbindung der politischen Ikonografie mit der Ikonologie als historisch-hermeneutischer Methode (...) sowie der Rezeptionsästhetik. Die Publikation erschließt für die Leserschaft den Sinn zahlreicher Fotomontagen in Ausstellungen, in der Architektur, in Zeitschriften und in der Werbung. Darüberhinaus erlaubt die Publikation Erkenntnisse über Themata und Mechanismen der faschistischen Propaganda. (shrink)

This chapter contains sections titled: Mobile Art Gallery The State of Aesthetic Theory The Female Fleshy Canvas: Body Art from a Feminist Perspective Gadamer's Hermeneutics and Tattoos: Play, Festival, and Symbol Art Cannot Change the World, but it Can Influence Those Who Will.

Fifteen philosophers look at the deeper issues raised in the highly popular TV drama, including common morality, legal correctness and legal ethics, discussing the gray areas of legal battles and maneuvering.

In this paper, we first investigate a bit of feminist and hermeneutical aesthetics. Building upon these theories, we expand the discussion of art to include the fleshy canvas.We argue that a feminist philosophy of art suggests a sound theoretical framework by which one can maintain that skin art is just that – art. In its contemporary practice, tattooing has become a new form of art, and feminist theory provides context for interpretation. The tattooed body may agitate conventional conceptions of fine (...) art – but art evolves, and history makes this much clear. Definitions of art tend to develop, as does artistic practice. Artistic innovations subvert what is old and stale within the institutional art world, while art theory empowers that subversion and provides a context for the appreciation of art. (shrink)

"Allerdings, das ist eine grosse Frage, der ich zu sehr ausgewichen bin, die Evidenz des Ich als ein Identisches, das also doch nicht in dem Bündel bestehen kann." (Husserl, 1907) Bekanntlich verwirft Husserl in den Logischen Untersuchungen die Auffassung, "dass die Beziehung auf das Ich etwas zum we sentlichen Bestande des intentionalen Erlebnisses selbst Gehöriges sei'',! und bildet um 1907, nach Einführung der phänomenolo gischen Reduktion, "die Beziehung auf das Ich zu unterlassen, oder von ihr zu abstrahieren" geradezu die Bedingung, (...) ein "reines Phänomen im Sinne der Phänomenologie" 2 zu gewinnen. Und bekanntlich heisst es demgegenüber in den Ideen von 1913: "Unter den allgemeinen Wesenseigentümlichkeiten des tran szendental gereinigten Erlebnisgebietes gebührt eigentlich die erste Stelle der Beziehung auf das,reine' Ich",3 und revidiert Husserl in der zweiten Auflage der Logischen Untersuchungen von 4 1913 seine Stellungnahme zur Frage des reinen Ich. Weniger bekannt ist bisher, wie Husserl auf seinem Denkweg von der einen zur anderen Stellungnahme zum Problem des Ich gekommen ist. Was bewegte ihn, das "Ich" in die phänomeno logische Problematik einzubeziehen? Zu vermuten war, dem Wandel in der Stellung zum Problem des Ich liege ein Wandel im Verständnis der Phänomenologie selbst zugrunde. Welche Phänomene motivierten, auf dem phänomenologischen Boden selbst, die Einbeziehung des Ich? Vor allem dieser Frage gehen wir, unter Berücksichtigung des Nachlassmaterials des Husserl Archivs (Leuven), in unserer Studie nach. (shrink)

Adolf Reinach began his education in phenomenology with the teachings of Theodor Lipps before encountering Edmund Husserl’s Logical Investigations in 1902. What attracted Reinach to the Logical Investigations was the philosophical realism he saw accompanying Husserl’s criticism of psychologism and discussions of the formal structures of meaning therein. However, shortly after Reinach and a number of the Munich Circle members began studying with him in Göttingen, it became clear that the position Husserl espoused was shifting into transcendental idealism. Reinach maintained (...) a theoretical independence from Husserl while embarking on the richest kind of dialogue with his revolutionary texts and teachings. By bringing out the strengths of some of Husserl’s ideas and finding ways to repair the weaknesses of others, Reinach discovered new applications for the realism he found so attractive and significant in the Logical Investigations. I argue that this was how Reinach’s response to Husserl took shape and grew, and set the foundation for the version of phenomenology that Reinach would continue to build upon with his own students until he left for the battlefield of World War I. This article sets forth and explores Reinach’s realist response to Husserl by focusing on his expansion of the a priori, and his ontological work on essence and states of affairs – including his original contributions to jurisprudence. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy, 'confusing an explanation for an excuse'. This fallacy occurs when there is an uncritical assumption that an explanation given for an action or event is an attempt to justify it. Sometimes this fallacy comes about when there is general confusion about the difference between an explanation and an excuse. Other times, we see this fallacy committed intentionally when someone is attempting to use an explanation of facts as some (...) kind of justification or proof for an action. One of the best ways to avoid this fallacy is simply to ask someone if he/she is stating facts or justifying some event or action rather than assuming. Another way to avoid committing this fallacy is to listen carefully to what someone is saying, especially when the argument is rather emotionally charged. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy called 'euphemism'. Euphemisms create emotional distance and thus provide a level of comfort and ease when discussing a topic that is sensitive, difficult, or disturbing. In some instances, euphemisms are intentionally used to sway people's opinions or emotions to a particular side, as in the example of politicians' referring to the anti‐abortion position as “pro‐life”, torture techniques as “enhanced interrogation”, or the non‐combatants civilians who die during armed conflict (...) as “collateral damage”. Euphemisms are fallacious because they are intentionally used to conceal the truth and obscure any real meaning; they are soft language used to mask or downplay warranted emotional force. Being ambiguous or vague in meaning brands euphemisms as a type of weasel word. Using honest, direct language and making sure the neutrality deployed is accurate is the best way to avoid euphemisms and weasel wording. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy called 'homunculus fallacy' (HmF). The HmF was coined by Anthony Kenny in 1971, in his essay by the same name. Following Ludwig Wittgenstein, Kenny describes the fallacy as occurring when we ascribe to the brain attributes that can be ascribed only to the animal as a whole. Historically this fallacy is connected to the theory of vision or what is sometimes called the Cartesian theater. Someone might explain human (...) vision by saying that when we look around at objects in the world, the light forms an image on the retinas of eyes and something or some little person (where the term homunculus comes from) in the brain looks at these as if they were images on a movie screen. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy, “unwarranted assumption”. Unwarranted assumptions are claims or beliefs that possess little to no supporting evidence, things we might take for granted as true, or just completely false ideas we inherited without reflection. When we reason using implicit assumptions or further propositions whose truth is uncertain or implausible, we commit the fallacy of unwarranted assumption and the truth of our conclusions is grossly affected. Prejudices and stereotypes are some common (...) ways in which we make unwarranted assumptions. The key to preventing this fallacy is evidence: warranted assumptions have evidence and ways of demonstrating their truth with certainty. It is best to not hold something as true or applicable without proof that it is true and applicable. This implies that we need to assess our ways of thinking and belief formation critically. (shrink)

Contemporary scholars have generally labelled Adolf Reinach, a founding member of early phenomenology’s Göttingen Circle, a Platonist. Because Reinach conceives of states of affairs as neither real nor ideal, as involved with timeless essences and necessary logical laws, many have hastily concluded that states of affairs are Platonic entities. In this essay, I analyse Barry Smith’s argument that Reinach is a Platonist. Smith’s widely accepted argument often becomes utilised to show that Reinach and other phenomenologists, including Husserl, are Platonic realists (...) (or, simply, Platonists). A closer look at Reinach’s text indicates, however, that he is notcommitted to Platonic realism. (shrink)

The book makes a direct contribution to the connection between phenomenology and cognitive science.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Was passiert, wenn jemand zeigt, dass die Dreifaltigkeit der Ausgangspunkt der Freiheitsgeschichte der Menschheit ist? Dass in ihr das Risiko grundgelegt ist, das in jeder Begegnung eingeschlossen ist? Dass sie das Netz ist, das jede menschliche Liebe unterfangt? Und dass sie schliesslich die ausserste Spannung auszieht, von der Fulle des Seins zum Nichts und zum Tod? Plotzlich ruckt dann die Dreifaltigkeit mitten ins Zentrum des Verstehens von Menschheitsentwicklung und Kultur, von Gottinnigkeit ebenso wie von Gottesferne. Nichts Geringeres unternimmt die vorliegende (...) Arbeit des Franziskaners P. Eduard Prenga. Den wesentlichen Bezugspunkt bildet dabei der italienische Theologe Piero Coda, der an der Papstlichen Lateran-Universitat sein Lehrer war. Der Mensch in seiner Geschichtlichkeit ist das Ziel der sich schenkenden Liebe Gottes, so wie sie im Neuen Testament bezeichnet wird: agape. Deshalb offenbart dieser sich selbst. Diese Offenbarung stellt die Theologie vor die Frage: Wie kann die Dreieinigkeit gedacht und ins Menschliche "uber-setzt" werden? Die vorliegende Studie unternimmt den Versuch einer Antwort, indem sie vom trinitatstheologischen Denken des italienischen Theologen Piero Coda ausgeht und zu Edmund Husserls Phanomenologie der Intersubjektivitat und Interpersonalitat gelangt. Dabei ist sie sowohl trinitarische Ontologie als auch trinitarische Phanomenologie. (shrink)