Slurs are rhetorically insidious and theoretically interesting because they communicate something above and beyond the truth-conditional predication of group membership, something which typically though not always projects across 'blocking' constructions like negation, conditionals, and indirect quotation, and which is exceptionally resistant to direct challenge. I argue that neither pure expressivism nor straightforward truth-conditionalism can account for the sort of commitment that speakers undertake by using slurs. Instead, I claim, users of slurs endorse a denigrating perspective on the targeted group.

A number of philosophers and logicians have argued for the conclusion that maps are logically tractable modes of representation by analyzing them in propositional terms. But in doing so, they have often left what they mean by "propositional" undefined or unjustified. I argue that propositions are characterized by a structure that is digital, universal, asymmetrical, and recursive. There is little positive evidence that maps exhibit these features. Instead, we can better explain their functional structure by taking seriously the observation that (...) maps arrange their constituent elements in a non-hierarchical, holistic structure. This is compatible with the more basic claim advanced by defenders of a propositional analysis: that (many) maps do have formal semantics and logic. (shrink)

Slurs are incendiary terms so much that many ordinary speakers and theorists deny that sentences containing them can ever be true, and utterances where they occur embedded within normally "quarantining" contexts, like conditionals and indirect reports, are still typically offensive. At the same time, however, many speakers and theorists also find it obvious that sentences containing slurs can be true; and there are clear cases where embedding does inoculate a speaker from the slur's offensiveness. I argue that four standard accounts (...) of the "other" element that differentiates slurs from their more neutral counterparts semantic content, perlocutionary effect, presupposition, and conventional implicature all fail to account for this puzzling mixture of intuitions about truth, and for this mixture of projection and quarantining. Instead, I propose that slurs make two distinct, coordinated contributions to a sentence's conventional communicative role: predication of group membership and endorsement of a derogating perspective on the group. Predication of group membership is "at issue" by default, but different semantic and conversational contexts can alter the relative prominence and scope of the two contributions. (shrink)

The main aim of this paper is to examine the practice of describing intellectual pursuits in aesthetic terms, and to investigate whether this practice can be accounted for in the framework of a standard conception of aesthetic experience. Following a discussion of some historical approaches, the paper proposes a way of conceiving of aesthetic experience as both epistemically motivating and epistemically inventive. It is argued that the aesthetics of intellectual pursuits should be considered as central rather than marginal to our (...) philosophical accounts of aesthetic experience, and that our views about the relation between the aesthetic and cognitive domains should be reconfigured accordingly. (shrink)

Mobsters and others engaged in risky forms of social coordination and coercion often communicate by saying something that is overtly innocuous but transmits another message ‘off record’. In both ordinary conversation and political discourse, insinuation and other forms of indirection, like joking, offer significant protection from liability. However, they do not confer blanket immunity: speakers can be held to account for an ‘off record’ message, if the only reasonable interpreta- tions of their utterance involve a commitment to it. Legal liability (...) for speech in the service of criminal behavior displays a similar profile of significant protection from indirection along with potential liability for reasonable interpretations. Specifically, in both ordinary and legal contexts, liability depends on how a reasonable speaker would expect a reasonable hearer to interpret their utterance in the context of utter- ance, rather than on the actual speaker’s claimed communicative intentions. (shrink)

Recently, cognitivist accounts about art have come under pressure to provide stronger arguments for the view that artworks can yield genuine insight and understanding. In Gregory Currie’s Imagining and Knowing: Learning from Fiction, for example, a convincing case is laid out to the effect that any knowledge gained from engaging with art must “be judged by the very standards that are used in assessing the claim of science to do the same” (Currie 2020: 8) if indeed it is to count (...) as knowledge. Cognitivists must thus rally to provide sturdier grounds for their view. The revived interest in this philosophical discussion targets not only the concept of knowledge at the heart of cognitivist and anti-cognitivist debate, but also highlights a more specific question about how, exactly, some artworks can (arguably) afford cognitive import and change how we think about the world, ourselves and the many events, persons and situations we encounter. This paper seeks to explore some of the ways in which art is capable of altering our epistemic perspectives in ways that might count as knowledge despite circumventing some standards of evidential requirement. In so doing we will contrast two alternative conceptions of how we stand to learn from art. Whereas the former is modelled on the idea that knowledge is something that can be “extracted” from our experience of particular works of art, the latter relies on a notion of such understanding as primarily borne out of a different kind of engagement with art. We shall call this the subtractive conception and cumulative conception respectively. The cumulative conception, we shall argue, better explains why at least some insights and instances of knowledge gained from art seem to elude the evidential standards called for by sceptics of cognitivism. (shrink)

In “Games and the Art of Agency,” Thi Nguyen argues that games both highlight and foster a profound complexity in human motivation, in the form of “purposeful and managed agential disunity.” I agree that human agency is “fluid and fleeting” rather than stable and unified; but I argue that Nguyen’s analysis itself relies on a traditional conception of selves as enduring goal-driven agents which his discussion calls into question. Without this conception, games look more like life, and both look riskier, (...) than we might otherwise hope. (shrink)

The aim of this research is to illuminate (a) how religiosity can be manifest in a coping process associated with parenting a child with Down syndrome and (b) the complexity of this coping process in terms of the interdependence of identity, context, religion and coping. Following methods previously used in qualitative psychology of religious studies on religious people coping with cancer, religiosity is mapped out regarding how it is, and has been, manifest during the life before and after becoming a (...) parent to a child with Down syndrome. An in-depth analysis is conducted on how the various manifestations of religiosity play out, and intervene with identity and context, in the process of coping with various challenges associated with parenting a child with Down syndrome. The results show experiences of personal growth regarding identity as well as experiences of spiritual growth. The most dominant religious manifestation associated to the analysed coping processes is the faith community’s various roles. The results are compared with methodologically, and conceptually, similar studies. In comparison with studies on religious people coping with cancer, the role of the faith community is much more dominant in the presented case. It is argued that this might have to do with the differences in nature between stressors associated with the own health/survival and parenting a child with Down syndrome, and it is suggested that the nature of stressors might play an important role when understanding the varieties of religious manifestations in religious coping. (shrink)

Pantheism, Panpsychism, and secularism? To any historian of ideas still under the die-hard spell of the Enlightenment narrative, this would appear as an unlikely connection.1 If ever the theory of...

This paper defends a ‘noetic’ conception of aesthetic experience whereby such experience is best conceived as a kind of explorative thought process. Although not directly aimed at acquiring knowledge, this process often leads to an enhanced understanding or improved epistemic grasp of the object of appreciation itself and the world. On this conception, aesthetic value acts as an invitation to engage in a series of contemplative and reflective processes during which we rely not only on the perceptual, imaginative, and affective (...) abilities which have occupied such a central role in aesthetic theory, but also on our capacities for sense-making, problem-solving and theory-building. Cases of intelligible beauty or aesthetic value should thus lie at the heart of accounts of aesthetic experience. (shrink)

This important new volume argues that responsibility is a characteristic of fundamental importance for the survival of modern democratic structures. It represents a comprehensive collection of cutting-edge psychological, philosophical, sociological and evolutionary approaches to the topic.

Renaissance magic was an attempt to supply Platonism with a philosophy of nature that could compete with Aristotelian physics. It was expected to heal the increasing breach between science and faith. However, the basic presupposition of every magic worldview, the notion of a living universe, favors immanentism and arguably hastened the rise of secularism. Secularism, it should be noted, was not an identifiable set of theories but a process towards modernity with its correspondent philosophical theology. Three different stages in that (...) development can be shown in the philosophical systems of three famous Renaissance magicians: Henry Cornelius Agrippa, Giordano Bruno, and Tommaso Campanella. (shrink)

Jan WoleĔski Kazimierz Twardowski and the Development of Philosophy of Science in Poland Kazimierz Twardowski studied with Brentano and followed his style of doing philosophy, in particular, the thesis that the method of philosophy is  ...

Krifka (The origin of topic/comment structure, of predication, and of focusation in asymmetric bimanual coordination, 2006, Interdisciplinary Studies on Information Structure (ISIS): Working Papers of SFB 632 08: 61–96, 2007b) suggests that asymmetric bimanual coordination and ultimately the evolution of lateralization in humans may be the cognitive basis of linguistic topic-comment structure and foreground-background structures in general. As asymmetric bimanual constructions abound in sign languages and are also found in their possible precursors, cospeech gesture and homesign, sign languages may serve (...) as a test ground for the hypothesis. Asymmetric bimanual constructions are indeed used for differentiating foreground and background in sign languages, but some of these constructions are derived from indexical gestures, not manipulation, i.e., they draw on visual attention. Signed topics may be marked by nonmanual features derived from signals of visual attention, and the defining feature of signed topics is eye contact with the addressee, needed to establish a communicative common ground. There, thus, seems to be not one embodied origin of topic-comment structures, but several. Finally, signed topic-comment structure demonstrates how attention shifts in the course of the entire structure, thereby explaining how topics can be described alternately as foreground (e.g., Talmy, Attention phenomena, Oxford University Press, 2007: 265) and background (Jacobs, Linguistics 39: 641–681, 2001). (shrink)