Machine awareness is a disputed research topic, in some circles considered a crucial step in realising Artificial General Intelligence. Understanding what that is, under which conditions such feature could arise and how it can be controlled is still a matter of speculation. A more concrete object of theoretical analysis is algorithmic iteration for computational intelligence, intended as the theoretical and practical ability of algorithms to design other algorithms for actions aimed at solving well-specified tasks. We know this ability is already (...) shown by current AIs, and understanding its limits is an essential step in qualifying claims about machine awareness and Super-AI. We propose a formal translation of algorithmic iteration in a fragment of modal logic, formulate principles of transparency and faithfulness across human and machine intelligence, and consider the relevance to theoretical research on -AI as well as the practical import of our results. (shrink)

The moving spotlight account (MS) is a view that combines an eternalist ontology and an A-theoretic metaphysics. The intuition underlying MS is that the present time is somehow privileged and experientially vivid, as if it were illuminated by a moving spotlight. According to MS-theorists, a key reason to prefer MS to B-theoretic eternalism is that our experience of time supports it. We argue that this is false. To this end, we formulate a new family of positions in the philosophy of (...) time, which differ from MS in that, intuitively, they admit a plurality of moving spotlights. We argue that these ‘deviant’ variants of MS cannot be dismissed as conceptually incoherent, and that they are as well-supported by our experience as is MS. One of these variants, however, is consistent with the B-theory. Thus, if our experience of time supports MS, then it supports the B-theory as well. (shrink)

This article considers the function and value of the mythos in Plato's Statesman. As first, I recall the context of the story and its function within the framework of diairetic inquiry about the definition of the real politician. Secondly, I point out that the formulation of the myth is based on a series of traditional stories to which a historical-reconstructive method is applied. I then highlight the ways of reasoning used by the characters in order to reconstruct a rational and (...) plausible account from the mythical tradition. Finally, I try to show that the story, even though it cannot reach the truth of the most stable objects of knowledge, displays a certain degree of plausibility, based on the internal coherence, on the respect of a series of principles admitted as true and, eventually, on its correspondence with the mythical tradition. (shrink)

L’essai analyse la structure de la philosophie politique de Fichte en l’inscrivant dans le contexte formé par les concepts politiques mis en place par la doctrine du droit naturel. De cette science, qui a pour éléments principaux les droits des individus, la souveraineté et la représentation, Fichte découvre la logique, qu’il poursuit jusqu’à son aporie constitutive. Dans la période de maturité de sa pensée, le philosophe paraît dépasser l’autosuffisance du droit naturel en direction d’une philosophie de la pratique, ce qui (...) semble conforme à l’évolution de la Doctrine de la Science.Duso’s essay focuses on Fichte’s political philosophy stressing its relation to the context of modern political concepts and their origin within the modern science of natural right. Fichte analyses its elements and thinks back over its logic, showing its aporetical core. In the years of his maturity Fichte seems to go beyond the self-sufficiency of natural rights theories towards a philosophy of practice more consonant with the developments of his Doctrine of the Science. (shrink)

Notwithstanding the recent prominence of the term “problem” in the humanities, few scholars have analysed its history. This essay tries to partially fill that lack, principally covering the period from late modernity through to the 1960s, in order to understand the role that the term plays in “Continental” philosophy, with special emphasis on the writings of Gilles Deleuze. This analysis focuses on the strategies employed by different agents to define “philosophical” problems, or “philosophical” ways of posing problems. The term, originally (...) used in antiquity by knowledge-producers located in an autonomous position, implied an idea of cognition oscillating between production and reproduction. Once the term escaped the context of geometry, it was involved in symbolic struggles that radicalized during modernity. The Kantians placed “philosophy” in a supposedly neutral position of science treating “the problem of all the problems” and invented a new genre, the “history of philosophy,” focusing on the analysis of “philosophical problems.” This approach had great institutional success in the German and French universities and clashed, during the twentieth century, with another usage of philosophy as a practice of “dissolution of problems,” developed in the United Kingdom and the Austro-Habsburg Empire. (shrink)

This book provides a general survey of the main concepts, questions and results that have been developed in the recent interactions between quantum information, quantum computation and logic. Divided into 10 chapters, the books starts with an introduction of the main concepts of the quantum-theoretic formalism used in quantum information. It then gives a synthetic presentation of the main “mathematical characters” of the quantum computational game: qubits, quregisters, mixtures of quregisters, quantum logical gates. Next, the book investigates the puzzling entanglement-phenomena (...) and logically analyses the Einstein–Podolsky–Rosen paradox and introduces the reader to quantum computational logics, and new forms of quantum logic. The middle chapters investigate the possibility of a quantum computational semantics for a language that can express sentences like “Alice knows that everybody knows that she is pretty”, explore the mathematical concept of quantum Turing machine, and illustrate some characteristic examples that arise in the framework of musical languages. The book concludes with an analysis of recent discussions, and contains a Mathematical Appendix which is a survey of the definitions of all main mathematical concepts used in the book. (shrink)

_The Intimate Room _provides an original exploration of psychoanalytic thought, showing how contemporary psychoanalysis seeks to answer the challenges raised by today’s post-modern culture. Offering a deeply personal and insightful reading of Bion, this book acts as a stimulating guide to the development of the theory of the analytic field and both its technical and clinical implications. As such topics of discussion include: the concept of the internal setting the rhetoric of interpretation the 'subversive' notion of Nachträglichkeit the role played (...) by characters in analytic discourse the bi-personal field as virtual reality new concepts of transference. Allowing the reader to engage with the inner space of analysis, _The Intimate Room_ will be of interest to psychoanalysts, psychotherapists and all those with an interest in the field of psychoanalysis. It will also be a useful tool in psychoanalytic and psychotherapeutic work on a day-to-day basis. (shrink)

We present a review of Raymond Turner’s Book Computational Artifacts – Towards a Philosophy of Computer Science, focusing on three main topics: Design, Malfunction, and Validity.

Zalamea’s book is as original as it is belated. It is indeed surprising, if we give it a moment’s thought, just how greatly behind schedule philosophical reflection on contemporary mathematics lags, especially considering the momentous changes that took place in the second half of the twentieth century. Zalamea compares this situation with that of the philosophy of physics: he mentions D’Espagnat’s work on quantum mechanics, but we could add several others who, in the last few decades, have elaborated an extremely (...) timely philosophy of contemporary physics (see for example Bitbol 2000; Bitbol et al. 2009). As was the case in biology, philosophy – since Kant’s crucial observations in the Critique of Judgment, at least – has often “run ahead” of life sciences, exploring and opening up a space for reflections that are not derived from or integrated with its contemporary scientific practice. Some of these reflections are still very much auspicious today. And indeed, some philosophers today are saying something truly new about biology... (shrink)

¿Es hoy aún posible pensar la creatividad sin el método, la invención sin la regla? La historia nos enseña que el arte es siempre inevitablemente tanto fantasía como disciplina, tanto creatividad como técnica, tanto genialidad como orden, y allí donde prevalece sólo uno de los dos momentos la creación artística corre siempre el riesgo de degenerar o en un mero delirio creativo sin resultados concretos o en un exasperante formalismo sin inspiración. De las reflexiones barrocas de Baltasar Gracián y de (...) Giambattista Vico nos viene la invitación a concebir la creatividad como ingenio, por lo tanto, a entender la creatividad como la capacidad de captar relaciones inéditas entre las cosas, las ideas o las palabras, o de formular intuiciones imprevisibles e imprevistas para los esquemas de pensamiento habituales o tradicionales, aunque reelaborando y conectando originalmente materiales ya dados. Este diverso modelo de creatividad, un modelo especialmente barroco, trata así de evitar el doble peligro de la exasperación fantástica, por un lado, y de la mortificación creativa, por el otro. Descubrir y profundizar la relación entre creatividad e ingenio, así como fue elaborado por Gracián y por Vico, puede entonces contribuir a arrojar nueva luz sobre la noción misma de creatividad, enriqueciéndola siempre con nuevos y más amplios significados.Palabras clave: creatividad, ingenio, Gracián, Vico. Is it still possible to think about creativity without method, or invention without rule? We can learn from history that art is always, unavoidably, a matter of fantasy as well as of discipline, of creativity as well as of technique, of geniality as well as of order; and that wherever only one of those moments prevails, artistic creation runs the risk of degenerating into mere creative delirium, with no concrete results, or in exasperating formalism, deprived of any inspiration. Baroque reflections of Baltasar Gracian and Giambattista Vico invite us to understand creativity as inventiveness, namely the capacity to grasp unprecedented links between things, ideas or words, or to formulate intuitions that were unpredictable and unpredicted for the traditional schemes of convencional or traditional thought, even if re-elaborated, and connecting well known materials in an original way. It is the aim of this particularly baroque model of creativity to avoid the double danger of fantastic exasperation, on the one hand, and creative mortification, on the other. Discovering and considering the relationship between creativity and inventiveness, as Gracian and Vico devised them, could therefore throw some light on the very notion of creativity, enriching it with new and broader meanings.Keywords: creativity, inventiveness, Gracian, Vico. (shrink)

This edited volume presents papers on this alternative philosophy of biology that could be called “continental philosophy of biology,” and the variety of positions and solutions that it has spawned. In doing so, it contributes to debates in the history and philosophy of science and the history of philosophy of science, as well as to the craving for ‘history’ and/or ‘theory’ in the theoretical biological disciplines. In addition, however, it also provides inspiration for a broader image of philosophy of biology, (...) in which these traditional issues may have a place. The volume devotes specific attention to the work of Georges Canguilhem, which is central to this alternative tradition of “continental philosophy of biology”. This is the first collection on Georges Canguilhem and the Continental tradition in philosophy of biology. The book should be of interest to philosophers of biology, continental philosophers, historians of biology and those interested in broader traditions in philosophy of science. (shrink)

Linguaggio e descrizione del mondo nel Tractatus -- La natura feleice del colore -- Il gioco dei volti -- Kein Mensch ist Ganz Rein -- Due Cercatori di verità -- La comunità felice.