This is a collection of the late Heda Segvic's papers in ancient moral philosophy. At the time of her death at age forty-five in 2003, Segvic had already established herself as an important figure in ancient philosophy, making bold new arguments about the nature of Socratic intellectualism and the intellectual influences that shaped Aristotle's ideas. Segvic had been working for some time on a monograph on practical knowledge that would interpret Aristotle's ethical theory as a response to Protagoras. The essays (...) collected here are those on which her reputation rests, including some that were intended to form the backbone of her projected monograph. The papers range from a literary study of Homer's influence on Plato's Protagoras to analytic studies of Aristotle's metaphysics and his ideas about deliberation. Most of the papers reflect directly or indirectly Segvic's idea that both Socrates' and Aristotle's universalism and objectivism in ethics could be traced back to their opposition to Protagorean relativism. The book represents the considerable achievements of one of the most talented scholars of ancient philosophy of her generation. (shrink)

This is a collection of the late Heda Segvic's papers in ancient moral philosophy. At the time of her death at age forty-five in 2003, Segvic had already established herself as an important figure in ancient philosophy, making bold new arguments about the nature of Socratic intellectualism and the intellectual influences that shaped Aristotle's ideas. Segvic had been working for some time on a monograph on practical knowledge that would interpret Aristotle's ethical theory as a response to Protagoras. The essays (...) collected here are those on which her reputation rests, including some that were intended to form the backbone of her projected monograph. The papers range from a literary study of Homer's influence on Plato's Protagoras to analytic studies of Aristotle's metaphysics and his ideas about deliberation. Most of the papers reflect directly or indirectly Segvic's idea that both Socrates' and Aristotle's universalism and objectivism in ethics could be traced back to their opposition to Protagorean relativism. The book represents the considerable achievements of one of the most talented scholars of ancient philosophy of her generation. (shrink)

The aim of this paper is to understand some meaningful aspects of the Socratic use of Iliad x 224 in Plato’s Protagoras and Symposium. In these dialogues the Homeric reference appears in different contexts, but Plato’s Socrates applies it in the same way and seems to indicate it as a relevant step for the implementation of the dialectic method. Socrates is not only provoking his interlocutor, but rather making a comparison between the dialogue’s scene and the context involving Diomedes and (...) Odysseus’ in Iliad x. Ultimately, the use of this reference shows that a dialogical interplay to achieve a common purpose is a precondition for the Socratic dialectic. This previous cooperation between Homeric characters is emphasized by Plato’s Socrates and is derived from a specific soul’s manifestation. (shrink)

The Protagoras is one of Plato's most entertaining dialogues. It represents Socrates at a gathering of the most celebrated and highest-earning intellectuals of the day, among them the sophist Protagoras. In flamboyant displays of both rhetoric and dialectic, Socrates and Protagoras try to out-argue one another. Their arguments range widely, from political theory to literary criticism, from education to the nature of cowardice; but in view throughout this literary and philosophical masterpiece are the questions of what part knowledge plays in (...) a successful life, and how we may acquire the knowledge that makes for success. This edition contains the first commentary in English on the Greek text for almost a hundred years. The commentary provides the assistance with linguistic, literary and philosophical detail that will enable students and scholars to savour to the full the pleasures of the Protagoras. (shrink)

Each of us is a measure. The project of advocates of change in Plato’s Theaetetus as compared with sophistic thought -/- Summary -/- One of the most intriguing motives in Plato’s Theaetetus is its historical-based division of philosophy, which revolves around the concepts of rest (represented by Parmenides and his disciples) and change (represented by Protagoras, Homer, Empedocles, and Epicharmus). This unique approach gives an opportunity to reconstruct the views of marginalized trend of early Greek philosophy - so called „the (...) sophistic movement”. Paradoxically, previous research shows little interest in sophistic thought as a source of the standpoint of advocates of change („the secret doctrine”). The roots of „the secret doctrine” were investigated in the works of Heraclitus, Aristippus, and Antisthenes or those related to “neoheracliteanism”. However, researchers did not make any significant attempt to confront this concept with the contemporary research on the sophistic movement. The conviction that sophistry was primarily humanistically oriented was one of the main reasons why researches were opposed to the fact that „the secret doctrine” could represent a true expression of Protagoras’ views. This is why J. Burnet and F. M. Cornford in their seminal works assumed that “the secret doctrine” should be attributed to Plato, who simply combined a series of loose statements into one single project. In this work, we argue that the thesis which questions the parallels between the sophists’ interests and the philosophers of nature requires a significant revision. There is ample evidence to suggest that the philosophy of nature was a part of sophists’ research. This is supported by two main arguments. First, the tutors of sophists were philosophers of nature. Second, there are numerous sources that explicitly show sophists’ interest in the physical issues. These sources include anecdotal evidence about the fact that sophists wrote works On nature. There is also information confirming that they deliberated on detailed physical issues. The analogies between the concepts attributed to the advocates of change and our knowledge about sophists from other sources is very wide and contains most elements, which are included in the project of “changeable reality” presented in Theaetetus. The deliberations on the mechanism of perception, which are close to those of flux theory of perception in Theaetetus, are present in the sources referring to Gorgias of Leontinoi, the famous sophist and rhetorician. Also, the second element of “the secret doctrine” that is the metaphysics of flux matches up with what we know about the sophists’ views from other sources. On this basis, one can deduce that – contrary to the tradition which marginalized the role of sophistic considerations on the issue of being and non-being – it was one of the major subjects of sophistic research. Its main point was the criticism of the Eleatic conception of a single and unchangeable being, which also plays a key role in the doctrine of flux in Theaetetus. The epistemological theses which are presented in Theaetetus are borne out in sophistic sources. They include the definition of knowledge as perception, the „Man-measure” formula and a number of principles, which result from these foundational theses. Sophists’ empirical preferences resonate with the theses of the advocates of change in Theaetetus. Special attention that is given to the issues of differences among people, and even to cognitive differences in one person depending on the changeable states to which a person is subject, goes well together with what we know about reciprocal influence between the sophistry and medicine. The consequences of the epistemological conception present in Theaetetus have their equivalents in sophists’ works and other testimonies. An example of these consequences may be the abolition of truth and falsehood or the abolition of contradiction, which finds its expression in the thesis ouk estin antilegein. The analogies also concern reflections on the language itself. The project of the “new language” uses categories, which were developed by sophists. These include the antithesis of nomos and physis. The general intentions of this project reflect Protagoras’ ideas, at least to the extent to which they are known from the sources reporting his thoughts on language. Plato’s Theaetetus can thus be considered a veritable treasury of sophistic motifs. Even though the problem remains unsolved and one is still not able to unambiguously decide about the author of “the secret doctrine”, one can come to a certain conclusion – even if Plato synthesized various doctrines, he must have relied in his project mostly on the elements that he borrowed from sophists. Moreover, the value of reconstructing the project of the advocates of change in Theaetetus does not consist of mere enumeration of sophistic motifs. The dialogue is key to understanding the sophistic movement, whose separate doctrines – for the lack of sources and as a result of centuries-old disregard – are usually treated as rhetorical formulae that are interpreted in many ways and have no philosophical foundations. If it is really the case that the theses attributed to Protagoras in Theaetetus were actually a part or a derivative of Protagoras’ thought, or – speaking more conservatively – if they constitute a synthesis of sophistic thought done by Plato, they could represent philosophical foundations for the most important sophistic theses: the “Man-measure” formula, the ouk estin antilegein principle, the concept of language as a tool, the idea of the relativity of good and the whole practical sphere of sophists’ activity. Contrary to the views of many researchers, we are certain that the representatives of the sophistic movement did not limit themselves only to the application of practical rules, which determined the extent of their educational or rhetorical-political activity. They were capable of creating – indeed, they did create comprehensive projects that embraced the whole thematic scope subject to philosophical reflection. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.2 (2002) 293-297 [Access article in PDF] Angela Hobbs. Plato and the Hero: Courage, Manliness, and the Impersonal Good. Cambridge: Cambridge University Press, 2000. xviii + 280 pp. Cloth, $59.95. Hobbs directs this stimulating but rather unfocused study to a question of considerable interest and centrality in Platonic studies: the engagement of Platonic texts with the traditional Greek ethic of heroic endeavor. As she is (...) able to show, the Platonic texts appropriate much of the traditional language and ideology familiar from archaic literature to a new paradigm in which the eccentric [End Page 293] figure of Socrates is the exemplar. Hobbs emphasizes the rhetorical value of this approach, in that it could help to make the image of philosophy accessible and appealing to the young men whom Plato wished to attract as students and colleagues at the Academy. She points to the difficulties of this appropriation, however; and more can be said about the problems that it poses for Platonic rhetoric.The most cogent and interesting analysis in the book is dedicated to the Republic. Hobbs is able to show the connection between traditional concepts of andreia and the function of the soldier class of the ideal city, the thumoeideis. She traces to a common source the apparently various aspects of Plato's thumos and its corresponding social class—readiness to anger, concern for social status, an intense sense of shame, and indignation at unfairness. Platonic thumos represents "the need to form an ideal image of the self in accordance with one's conception of the fine and noble [kalon]." When the image is threatened, "anger, self-disgust and shame are likely to be the result. This ideal of oneself also needs to be confirmed by social recognition: others must treat one in accordance with one's self-image" (30).Hobbs demonstrates that the susceptibility of the thumos element to the kalon is key to the training of the guardian class from childhood, when intellectual understanding is less developed. She has interesting things to say about the role of the kalon in the value schemes of the Republic and Symposium (222-31), arguing that, as a Form, it must ultimately be identical with the Good (agathon), but that the kalon, because of its greater accessibility to an undeveloped intellect, is an easier way to begin the ascent toward the ideal. She effectively connects the concept of the thymoeidic personality to the description of the timocratic man in Republic 8.549c-550b, and, in the middle chapters of the book, to Callicles in the Gorgias, whose motivation, she argues, is primarily thymoeidic or timocratic, since he values sensual indulgence primarily as a token of the power and autonomy desired by the lover of prestige.While Hobbs is certainly right to use Achilles as the exemplar of the traditional ethic that Plato confronts, she is less successful in arguing that Achilles is a central figure in the Republic. In fact, as she points out, he disappears altogether from the myth of Er, where he is replaced by Aias. Achilles cannot be connected with the Platonic concept of thumos in its positive aspects once it has been argued that he is depicted as greedy and impious (390e, 391c). A number of Hobbs's other claims, that Platonic texts identify Socrates with Odysseus, or that Achilles performs his heroic acts through fear of death, are not supported by an adequate textual analysis. Hobbs tends to push a single allusion out of its context to reach extreme speculative conclusions. That Socrates in the Protagoras (315b9 and c8) quotes Odysseus' words ("And then I noted him," "And I also saw Tantalus") as he lists famous figures in Hades does not necessarily mean that Socrates becomes an Odysseus figure: such an identification would require more than these passing allusions, which function quite sufficiently as an ironic comment on the viewing of celebrities. That Homer's Achilles refers to the bleakness [End Page 294] of life in the underworld or emphasizes what he loses by his heroic choice does not mean that... (shrink)

Plato's Theaetetus discusses and ultimately rejects Protagoras's famous claim that "man is the measure of all things." The most famous of Plato's arguments is the Self-Refutation Argument. But he offers a number of other arguments as well, including one that I call the 'Future Argument.' This argument, which appears at Theaetetus 178a−179b, is quite different from the earlier Self-Refutation Argument. I argue that it is directed mainly at a part of the Protagorean view not addressed before , namely, that all (...) beliefs concerning one's own future sensible qualities are true. This part of the view is found to be inconsistent with Protagoras's own conception of wisdom as expertise and with his own pretenses at expertise in teaching. (shrink)

Combining literary and philosophical analysis, this study defends an utterly innovative reading of the early history of poetics. It is the first to argue that there is a distinctively Socratic view of poetry and the first to connect the Socratic view of poetry with earlier literary tradition.Literary theory is usually said to begin with Plato's famous critique of poetry in the Republic. Grace Ledbetter challenges this entrenched assumption by arguing that Plato's earlier dialogues Ion, Protagoras, and Apology introduce a distinctively (...) Socratic theory of poetry that responds polemically to traditional poets as rival theorists. Ledbetter tracks the sources of this Socratic response by introducing separate readings of the poetics implicit in the poetry of Homer, Hesiod, and Pindar. Examining these poets' theories from a new angle that uncovers their literary, rhetorical, and political aims, she demonstrates their decisive influence on Socratic thinking about poetry.The Socratic poetics Ledbetter elucidates focuses not on censorship, but on the interpretation of poetry as a source of moral wisdom. This philosophical approach to interpreting poetry stands at odds with the poets' own theories--and with the Sophists' treatment of poetry. Unlike the Republic's focus on exposing and banishing poetry's irrational and unavoidably corrupting influence, Socrates' theory includes poetry as subject matter for philosophical inquiry within an examined life.Reaching back into what has too long been considered literary theory's prehistory, Ledbetter advances arguments that will redefine how classicists, philosophers, and literary theorists think about Plato's poetics. (shrink)

Contains Plato's famous philosophic dialogues with an introduction on their contemporary implications.

PLATO: PROTAGORAS, trans, with Notes by C. C. W. Taylor. Clarendon Press: O.U.P., 1976. vii+230 pp. £7.50 cloth, £3.75 paper.

In this dialogue Plato shows the pretensions of the leading sophist, Protagoras, challenged by the critical arguments of Socrates. The dialogue broadens out to consider the nature of the good life and the role of intellect and pleasure.

In addition to its interest as one of Plato's most brilliant dramatic masterpieces, the Protagoras presents a vivid picture of the crisis of fifth-century Greek thought, in which traditional values and conceptions of man were subjected on the one hand to the criticism of the Sophists and on the other to the far more radical criticism of Socrates. The dialogue deals with many themes which are central to the ethical theories which Plato developed under the influence of Socrates, notably the (...) nature of human excellence, the relation of knowledge to right conduct, and the place of pleasure in the good life. This translation of the Protagoras was originally published in 1976. In this revised edition, C. C. W. Taylor has made a number of changes in the translation and commentary, and has added a new Preface and Introduction. The Bibliography has also been extended to include titles published up to 1990. (shrink)

At the beginning of ch. xxv Socrates starts once more to prove his contention that courage is a form of wisdom. He begins by asking Protagoras whether pleasure is not always in itself good, pain in itself evil. Protagoras is not prepared to admit this, but he is willing to accept the position as a basis for discussion. Socrates then asks a second question : does Protagoras, like most people, think that knowledge has no power or authority in the soul? (...) does he think that knowledge may be present and yet not operative, being knocked about like a slave by the superior force of anger, pleasure, or passion? Must we not rather believe that knowledge can be conquered by nothing and is alone sufficient to salvation? (shrink)

Is virtue teachable? What should we value as an ideal? Is pleasure or perception the highest good that ought to be the object of our lives? Three of Plato's most important dialogues are brought together in a single volume to address these concerns which continue to occupy serious minds today. In the Protagoras Plato attempts to answer questions about the nature of virtue and whether it is inherent in humans or a subject capable of being taught. In the Philebus he (...) addresses the nature and content of the good and whether wisdom or pleasure is to be preferred. The Gorgias applies what is learned from the previous discussions to address larger issues, such as the proper functioning of society and the state and the individual's appropriate place within them. (shrink)

This is an English translation of four of Plato’s dialogue (Protagoras, Euthydemus, Hippias Major, and Cratylus) that explores the topic of sophistry and philosophy, a key concept at the source of Western thought. Includes notes and an introductory essay. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.

R.E. Allen's superb new translations of four Socratic dialogues—_Ion_, _Hippias Minor_, _Laches_, and _Protagoras_—bring these classic texts to life for modern readers. Allen introduces and comments on the dialogues in an accessible way, inviting the reader to reexamine the issues continually raised in Plato's works. In his detailed commentary, Allen closely examines the major themes and central arguments of each dialogue, with particular emphasis on _Protagoras_. He clarifies each of Plato's arguments and its refutation; places the themes in historical perspective; (...) ties each theme to interpretations of rival translations; and links the philosopher's thought to trends in late modern philosophy. Topics discussed include: whether virtue is an art, whether wisdom and courage are logically equivalent, whether virtue is knowledge, and whether to know the good is to do it. Allen connects his discussion of these issues to the Benthamite tradition of hedonism and utilitarianism and to the ethical theories of Mill, Sidgwick, Moore, and Freud. (shrink)

Plato is the first philosopher to see courage as primarily a philosophical virtue. This innovation, the necessary link between courage and philosophy, stands in stark opposition to the traditional view linking courage with military or civic affairs. Plato makes courage so central to the life of philosophy that this fact alone sets him apart from almost every other author in the western philosophical canon. Courage of a new type, philosophical courage, emerges in his writings, a kind of courage necessary for (...) and configured to the philosophical life. ;The Introduction presents an overview of the pre-philosophical development of courage from Homer to Thucydides in order to prepare the transition to the Platonic understanding. Chapter One discusses the Laches, the most extensive Platonic text on courage. Chapter Two takes up the Protagoras, which discusses the issue of knowledge and its relation to courage. Chapter Three turns to the Republic and argues that whereas the highest civic activity is characterized by a desire for honor, whose psychological basis is thumos, the life of philosophy is essentially erotic. Thus, thumos and eros are connected respectively to two distinct types of courage and the move from thumos to eros is the key to explaining the move from courage in the conventional sense to philosophical courage. ;Philosophical courage implies faith in the abiding power of reason to shed light on how to face ignorance, evil, and injustice with the conviction that the remedy is philosophy itself. Plato's account of the life of philosophy is, in its very essence, characterized by philosophical courage as an enduring commitment to the project of showing that the good is the ruling principle of the universe. Philosophy remains, therefore, a quest and philosophical courage is the virtue needed to endure in that quest. Philosophical courage sustains the life of philosophy, the striving after wisdom, by maintaining the conviction of the ultimate goodness of such a life in the absence of complete and comprehensive knowledge. If the life of philosophy represents the highest human activity, then the type of courage associated with this life is correspondingly highest. (shrink)

In the Phaedrus, Plato asserts that divine erotic mania is not an "invariable evil," but enables the philosopher to ascend to the forms and attain "true knowledge," On this view of the best life, this mania has value---it is even "superior" to sophrosume. This dissertation argues that this Phaedrus account should be read as a work in moral psychology. ;To this end, this dissertation considers the development of the ways of thinking about the individual, behavior, and ethics in Greek thought (...) before Plato, and argues that Homer, Aeschylus, and Euripides display a movement from an externalist to an internalist view. This movement, then, continues in the Charmides, Protagoras, and Gorgias, as Plato develops an increasingly complex moral psychology. Further, this internalist movement is revealed in a consideration of the concepts of sophrosune and mania, and in the development of a view of mania as an intensification of desire. ;Next, this dissertation argues that the failure of the Gorgias response to Callicles issues in the Republic's complex moral psychology---in an internalist view and justification of the best life. The Republic , account, however, results in a view on which excessive desires for the pleasures of wisdom may result in mania. Finally, then, the Symposium and the Phaedrus are read as attempts to construct a moral psychology which is both accurate and able to avoid this wisdom/mania difficulty. ;The Phaedrus, then, represents the result of the development and refinements of the internalist approach in Plato's thought. Plato provides a revised, complex psychology, which issues in a view on which the soul's proper goal---the apprehension of the forms---requires both the direction of reason and the motivational energy of the irrational elements. On this account, divine erotic mania---eros-doubled, as both the reason and desire are engaged---represents the method for attaining this knowledge. ;Thus, this dissertation concludes that the Phaedrus may be read as the culmination of the internalist movement toward moral psychology; that the dialogue extraordinary assertions about mania and sophrosune are part of a new view and justification of the best life. (shrink)

The paper is concerned with the medical and the biological sources of Protagoras' views.

Protagoras was an important Greek thinker of the fifth century BC, the most famous of the so called Sophists, though most of what we know of him and his thought comes to us mainly through the dialogues of his strenuous opponent Plato. In this book, Ugo Zilioli offers a sustained and philosophically sophisticated examination of what is, in philosophical terms, the most interesting feature of Protagoras' thought for modern readers: his role as the first Western thinker to argue for relativism. (...) Zilioli relates Protagoras' relativism with modern forms of relativism, in particular the 'robust relativism' of Joseph Margolis, gives an integrated account both of the perceptual relativism examined in Plato's Theaetetus and the ethical or social relativism presented in the first part of Plato's Protagoras and offers an integrated and positive analysis of Protagoras' thought, rather than focusing on ancient criticisms and responses to his thought. This is a deeply scholarly work which brings much argument to bear to the claim that Protagoras was and remains Plato's subtlest philosophical enemy. (shrink)

This book takes on two main tasks. The first is to argue that anti-hedonism lies at the center of Plato's critical project in both ethics and politics. Plato sees pleasure and pain as our sole sources of empirical evidence about good and bad. But as sources of evidence they are highly fallible; contrast effects with pain intensify certain pleasures, including most pleasures related to the body and social standing. This leads us to believe that the causes of such pleasures (e.g. (...) food, drink, sex, status) are greater goods than they are, and greater goods than other, more important goods (e.g. virtue, knowledge). As a result, hedonic error produces the belief that vice, including injustice, can be prudent. Hedonic error leads to other misconceptions of virtue as well, such as that wisdom is weak and can be ruled by the passions. These cognitive distortions can only be corrected by reference to some non-hedonic standard, so hedonists reliably fall prey to them. This entire system of attitudes—hedonism and its associated misconceptions of virtue—is widely held and constitutes popular morality. Popular morality's basic source is hedonic error, but it is also transmitted and sustained in society through shame and fear of punishment. However, avoiding shame and punishment requires a sort of double-think: adherents of popular morality must accept certain views that they cannot acknowledge too clearly or too publicly. For example, they must hold that injustice can be prudent and must be willing to wrong out-groups (e.g. another city), but openly acknowledging this same view threatens in-groups (one's own city) by implying willingness to wrong some in the city to benefit a closer in-group (e.g. one's class, clique, or family). // -/- The book's second task is to tackle a seeming outlier to Plato's anti-hedonism: the _Protagoras_, where Socrates appears to defend hedonism. I argue that the _Protagoras_ actually perfectly illustrates Plato's anti-hedonism, as explained above. Protagoras and other sophists think they shape public opinion, but in fact they have internalized popular morality through shame and fear. As a result, Protagoras accepts but refuses to openly endorse three parts of popular morality: that injustice can be prudent (333c), that pleasure is the good (351c-d), and that wisdom is weak and can be ruled by the passions (352c-d). Each time, his concealed view is (aptly!) attributed to "the many". So, when Socrates appears to endorse hedonism in the _Protagoras_, he actually introduces and develops the view as part of his examination of Protagoras' covert ethical commitments. (shrink)

In this contribution, I explore the treatment that Plato devotes to Protagoras’ relativism in the first section of the Theaetetus (151 E 1–186 E 12) where, among other things, the definition that knowledge is perception is put under scrutiny. What I aim to do is to understand the subtlety of Plato’s argument about Protagorean relativism and, at the same time, to assess its philosophical significance by revealing the inextric¬ability of ontological and epistemological aspects on which it is built (for this (...) latter aspect, I refer to contemporary discussions of relativism, mainly to Margolis’ robust relativism). I then turn to Aristotle’s treatment of Protagoras’ relativism in Metaphysics Γ, sections 5 and 6, in order to show that Plato and Aristotle surprisingly share the same view as regards the philosophical content of Protagoras’ relativism (in doing so, I take position against the standard opinion among scholars that Plato and Aristotle understand Protagoras’ relativism in different, even incompatible, ways). What I ultimately aim to demonstrate is that Protagoras’ relativism, as understood by both Plato and Aristotle, is a coherent, even attractive, philosophical position. (shrink)

More and more lately, commentators who have defended Socrates have emphasized the extent to which he uses non-rational means of educating his interlocutors, and commentators have downplayed the extent to which he means to offer arguments that provide justification or are rationally persuasive. The trend is refreshing since students of Socrates have often read him as Gregory Vlastos and Lawrence Kohlberg did — namely, as someone who, like Kohlberg, thinks that arguments are all-sufficient. In this paper, though, I suggest that (...) there is a danger of overcorrecting. I point to Plato's _Protagoras_ as a case where, on the one hand, Socrates makes an attempt at rational persuasion, and on the other hand, he does so sensibly. I contend that Socrates's strategy is worth considering for what it reveals about his approach to education and for how it might inform ours. (shrink)

I advocate an ad hominem reading of the hedonism that appears in the final argument of the Protagoras. I that attribute hedonism both to the Many and to Protagoras, but my focus is on the latter. I argue that the Protagoras in various ways reflects Plato’s view that the sophist is an inevitable advocate for, and himself implicitly inclined toward, hedonism, and I show that the text aims through that characterization to undermine Protagoras’ status as an educator. One of my (...) objectives in the course of my arguments is to explore connections between the final argument of the Protagoras and the Man-Measure Doctrine as it is developed in the Theaetetus. (shrink)

According to a prominent narrative, the problem of recognition arises in the modern period in opposition to premodern notions of honor. This chapter invites us to reconsider this narrative by examining two views of honor in ancient Greek thought. I first show that Homeric honor includes contestable norms of reciprocal respect and esteem for individual virtue. I then show how Plato appropriates the Homeric view in his ethical psychology yet articulates a competing view of the nature and value of honor. (...) By showing that ancient Greek honor is more continuous with theories of recognition than has been appreciated, this chapter offers fresh perspectives on a central strand of ancient Greek ethics and its relevance to social and political thought. (shrink)

This book presents a thorough study and an up to date anthology of Plato’s Protagoras. International authors' papers contribute to the task of understanding how Plato introduced and negotiated a new type of intellectual practice – called philosophy – and the strategies that this involved. They explore Plato’s dialogue, looking at questions of how philosophy and sophistry relate, both on a methodological and on a thematic level.

Ignorance is commonly assumed to be a lack of knowledge in Plato’s Socratic dialogues. I challenge that assumption. In the Protagoras, ignorance is conceived to be a substantive, structural psychic flaw—the soul’s domination by inferior elements that are by nature fit to be ruled. Ignorant people are characterized by both false beliefs about evaluative matters in specific situations and an enduring deception about their own psychic conditions. On my interpretation, akrasia, moral vices, and epistemic vices are products or forms of (...) ignorance, and a person who lacks knowledge is not necessarily ignorant. (shrink)

Phone is a topic that is not so much explored and examined in Plato. Given eighteen times use of this word in Protagoras, this dialogue can be the suitable place to do a research about its meanings. Here the use of phone covers different subjects and facets of this word as an umbrella word so that in order to reach an ordered and meaningful understanding we place those aspects which are analogous in specific set and title.

Protagoras u Sekstusa Empiryka (PH I 216) a platoński Teajtet Dzieła Sekstusa Empiryka stanowią ważne źródło doksograficzne, zawierając m. in. fragmenty i przekazy poświęcone sofistyce. Są wśród nich omówienia poglądów Protagorasa. W świetle problemów, jakie stwarza rekonstrukcja myśli tego sofisty, warto poddać badaniu źródła i perspektywę Sekstusa, zwracając szczególną uwagę na krótkie przedstawienie tez Protagorasa zawarte w Zarysach Pyrrońskich (PH I 216). Porównując omówienie Sekstusa i przedstawienie Platona w Teajtecie, dostrzec możemy podobieństwo prezentowanych poglądów. W przekazie Seksusa podobnie jak w (...) Teajtecie główny akcent położony jest na tezę homo-mensura, z którą wiąże się dwa inne podstawowe dla platońskiego dialogu wątki: zmienności rzeczy oraz "prywatności" spostrzeżeń. Mimo charakterystycznej dla sceptycyzmu modyfikacji strony pojęciowej, nadinterpretacji oraz wyrwania tez z dialogowego kontekstu przedstawienia obu wątków wykazują daleko idące paralele z Teajtetem. Bez względu na to, czy omówienie to jest dziełem samego Sekstusa, czy zaczerpnięte zostało z jakiegoś wcześniejszego źródła mającego charakter sceptycznej "ściągawki", możemy na jego podstawie wnioskować, że dialog Teajtet uważany był w późnej starożytności za wiarygodne źródło informacji na temat poglądów Protagorasa. Należy jednak podkreślić, że przekaz Sekstusa stanowi jedynie interpretację treści zawartych w platońskim Teajtecie i – wbrew praktyce wielu uczonych - nie może być brany pod uwagę jako niezależne źródło wiedzy o myśli Protagorasa. (shrink)

This book presents a thorough study and an up to date anthology of Plato’s Protagoras. International authors' papers contribute to the task of understanding how Plato introduced and negotiated a new type of intellectual practice – called philosophy – and the strategies that this involved. They explore Plato’s dialogue, looking at questions of how philosophy and sophistry relate, both on a methodological and on a thematic level. While many of the contributing authors argue for a sharp distinction between sophistry and (...) philosophy, this is contested by others. Readers may consider the distinctions between philosophy and traditional forms of poetry and sophistry through these papers. Questions for readers' attention include: To what extent is Socrates’ preferred mode of discourse, and his short questions and answers, superior to Protagoras’ method of sophistic teaching? And why does Plato make Socrates and Protagoras reverse positions as it comes to virtue and its teachability? This book will appeal to graduates and researchers with an interest in the origins of philosophy, classical philosophy and historical philosophy. (shrink)

In Protagoras’ so called Great Speach, in Plato’s dialogue named after him, the Greek philosopher attributes the sophist a myth about the origin, development and nature of human beings, which has philosophical relevance. It is said that the gods created the mortal beings out of two elements, earth and fire. They assigned two titans, Epimetheus and Prometheus, to provide mortals with their faculties. Do this implies that creation had not been finished by the gods? To what extent do the gods (...) entirely create human beings? Is this mith a creationist one? In this paper, the development of living beings is divided in four stages, and different hermeneutic and explanatory models are proposed to adress the myth and answer the questions raised before. (shrink)

Plato’s Protagoras plays off the genre of Greek comedy in its expression of its philosophical meaning. This dialogue at points invites us to re-envision Socrates against the backdrop of Aristophanes’ criticisms of Socrates and the sophists. The Protagoras follows some of the conventions of Greek comedy but interrupts its form with moments of lengthier rational discussion absent in Greek comedy. The dialogue’s logos and antilogos lead to aporia, but this aporia shows a limit to reason that recognizes human incompleteness without (...) leading to misology. In contrast to performed drama, the written form of the dialogue both engages its audience’s emotions while allowing the reader to return to the text and to continue their rational assessment of the arguments. (shrink)

The great speech of the Protagoras still leaves many questions open. Particularly striking is the presence of doctrines that later on will be taken up and further developed by Plato in such dialogues as the Politicus, the Timaeus and the Laws. For this reason, many scholars tend to think that the words of Protagoras are just a product of Plato’s invention that bear no relation to Protagoras’ actual doctrines. Nevertheless, it is possible to propose a different interpretation. At the beginning (...) of the Protagoras, Socrates develops the image of the sophist as the merchant of various μαθήματα: to sell his products, the sophist praises them all indiscriminately without knowing which of them are useful and which are harmful. But he who has the ability to make this distinction can still purchase the μαθήματα from Protagoras or anyone else. Through the dialectic, Plato is able to examine them without any danger in the Protagoras and then take them up and further develop in new ways in his later dialogues. (shrink)

This article addresses the unusually elaborate dramatic context in Plato’s Protagoras and effect of sophistry on democratic Athens. Because Socrates evokes Odysseus’ κατάβασις in the Odyssey to describe the sophists in Callias’ house (314c-316b), I propose that Socrates depicts the sophists as bodiless shades residing in Hades. Like the shades dwelling in Hades with no connection to embodied humans on Earth, the sophists in the Protagoras are non-Athenians with no consideration for the democratic body of the Athenian πόλις. I conclude (...) that sophistry can be detrimental to Athenian democracy because it can produce education inequality founded on wealth inequality. (shrink)

Plato's Protagoras casts the leading sophist of the 5th century BCE, Protagoras, against the author's paradigmatic philosopher, Socrates. In this paper I focus on what is arguably the guiding methodological issue of the dialogue: finding agreement upon impartial, common standards for resolving disagreements over abstract questions. In terms of this conference's theme, Protagoras dramatizes a search for common ground between figures who fundamentally disagree over how to locate that ground.