The genetically manipulated organism crisis demonstrated that technological development based solely on the law of the marketplace and State protection against serious risks to health and safety is no longer a warrant of ethical acceptability. In the first part of our paper, we critique the implicitly individualist social-acceptance model for State regulation of technology and recommend an interdisciplinary approach for comprehensive analysis of the impacts and ethical acceptability of technologies. In the second part, we present a framework for the analysis (...) of impacts and acceptability, devised—with the goal of supporting the development of specific nanotechnological applications—by a team of researchers from various disciplines. At the conceptual level, this analytic framework is intended to make explicit those various operations required in preparing a judgement about the acceptability of technologies that have been implicit in the classical analysis of toxicological risk. On a practical level, we present a reflective tool that makes it possible to take into account all the dimensions involved and understand the reasons invoked in determining impacts, assessing them, and arriving at a judgement about acceptability. (shrink)

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

C'est au christianisme que remonte l'initiative d'une révolution sans précédent dans la cité antique : la révolution chrétiennc de la souveraineté. «Rendez à César ce qui est à César et à Dieu ce qui est à Dieu.» Le Christ établissait en ces mots une distinction nette entre des ordres jusqu'alors confondus : le spirituel et le temporel, les choses de Dieu et les choses de César. Aujourd'hui, un tel partage paraît aller de soi aux esprits moulés par une civilisation chrétienne. (...) Mais il n'en fut pas toujours ainsi. II fallut que le Christ vînt renverser un vieil état de choses qu'on prenait pour acquis, qu'il s'attaquât ni plus ni moins à la domination absolue que les empereurs romains s'arro-geaient sur la vie civile et religieuse des citoyens. Les souverains ne manquérent pas de le ressentir vivement. Ils relèveront sans tarder le défi en déclenchant les célèbres persécutions contre ses disciples. II s'agissait bien à leurs yeux d'un crime lèse-État. Pouvaient-ils laisser impunément les chrétiens scinder en deux parts une société moniste où le religieux était incorporé au politique, le jus divinum au jus civile. (shrink)

Le modèle européen, après une histoire médiévale riche et complexe, est devenu prévalent, c'est-à-dire classique, depuis deux siècles dans les Etats démocratiques. L'université devrait alors connaître, selon l'auteur, la liberté inconditionnelle de questionnement et de proposition.

L'homme est le seul être vivant qui ait besoin du langage pour vivre : il ne peut voir, agir et penser sans y avoir recours. Se voit ainsi résolue l'énigme que l'homme a toujours représentée à ses propres yeux car l'usage des sons engendre aussi bien le psychisme humain que les institutions. Prêtant sa parole au monde, l'être humain fait de chaque expérience une sorte de communication et lui subordonne l'usage de la main et celui de l'œil. Tout en proposant (...) ainsi une clef du fonctionnement du psychisme et des institutions humaines, le présent ouvrage dégage également ce qui a condamné l'histoire moderne à l'échec. L'homme ne peut tenter de se transformer directement lui-même sans se heurter aux limites que lui impose cet usage de la parole. Il ne peut se transformer lui-même qu'indirectement : en soumettant son action et son désir au jugement de vérité comme il lui soumet sa connaissance. C'est là que s'origine la fameuse révolution copernicienne que la modernité a opérée dans les sciences. Le langage doit en effet sa puissance d'orientation à la conscience d'écoute qui lui est inhérente, car celle-ci engendre perceptions, pensées, actions et désirs au filtre du jugement. La fonction de régulation que l'écoute de vérité a dans la vie humaine lui est ici restituée, ainsi que sa puissance critique. Ces éléments d'anthropobiologie du langage rendent ainsi à chacun l'accès à sa faculté philosophique de juger. (shrink)

Ce texte a déjà paru sur RussEurope le 6 mars 2015. Nous remercions Jacques Sapir de nous avoir autorisé à le reproduire ici. L'analyse des formes économiques qui commencent à se coaguler en Russie depuis 2000 suggère le retour à un modèle de développement où le poids de l'État sera particulièrement important, que ce soit sous des formes directes ou indirectes. Dans le même temps, ces formes économiques ne sont pas sans rappeler celles que l'on trouvait dans le modèle (...) de développement russe des années - Économie et Marxisme. (shrink)

Le chez-soi a toujours été travaillé par l'autre, et par l'hôte, et par la menace de l'expropriation. Il ne s'est constitué qu'à l'ombre de cette menace. Néanmoins, on assiste aujourd'hui à une expropriation nouvelle, à une déterritorialisation, à une délocalisation, une dissociation si radicales du politique et du local, du national, de l'Etat-national et du local, que la réponse, il faudrait dire la réaction, cela devient - je veux être chez moi, je veux être chez moi, je veux être chez (...) moi enfin, avec les miens, auprès de mes proches. Cela n'est même pas une réponse d'ailleurs, ce n'est pas une réactivité secondaire qui vient en quelque sorte compenser, réagir après-coup, non, c'est le même mouvement. Il appartient à la constitution du propre et relève de cette loi d'ex-appropriation dont je parlais plus haut - pas d'appropriation sans possibilité d'expropriation, sans la confirmation de cette possibilité. Prenons l'exemple de la télévision. La télévision introduit dans le chez-moi l'ailleurs, et le mondial, à chaque instant. Je suis plus isolé, plus privatisé que jamais, avec chez moi l'intrusion en permanence, par moi désirée, de l'autre, de l'étranger, du lointain, de l'autre langue. (shrink)

Jean-Jacques Lavoie | : L’auteur présente un état de la recherche des critiques textuelle et des sources de Qo 2,25 et propose une analyse structurelle de Qo 2,24-26 ainsi qu’une analyse littéraire de Qo 2,25, afin de montrer que le propos de la péricope qui conclut la fiction royale est de nature théologique : rien n’est possible pour l’être humain — pas même pour le roi Qohélet! — sans l’intervention divine. Autrement dit, le Dieu qui donne est également celui (...) qui détermine les conditions de l’existence humaine, aussi bien celles qui sont heureuses et avantageuses que celles qui sont malheureuses et désavantageuses. | : The author presents the state of research regarding textual criticism as well as source criticism concerning Qo 2,25, and then offers a structural analysis of Qo 2,24-26, and a literary analysis of Qo 2,25, in order to show that the subject of the section that concludes the royal fiction is of theological nature : nothing is possible for the human being — not even for the king Qohelet! — without divine intervention. In other words, the God who gives is also the one who determines the conditions of human existence, both the happy and advantageous ones, as well as the unhappy and disadvantageous ones. (shrink)

In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Mômo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums, while playing (...) off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida... will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 65 Heft: 4 Seiten: 727-761.

Entretiens avec le philosophe Jacques Derrida. Sont abordés entre autres thèmes : l'hospitalité, la religion, la démocratie, la littérature.

Cognitive Approaches to Early Modern Spanish Literature is the first anthology exploring human cognition and literature in the context of early modern Spanish culture. It includes the leading voices in the field, along with the main themes and directions that this important area of study has been producing. The book begins with an overview of the cognitive literary studies research that has been taking place within early modern Spanish studies over the last fifteen years. Next, it traces the creation of (...) self in the context of the novel, focusing on Cervantes's Don Quixote in relation to the notions of embodiment and autopoiesis as well as the faculties of memory and imagination as understood in early modernity. It continues to explore the concept of embodiment, showing its relevance to delve into the mechanics of the interaction between actors and audience both in the jongleuresque and the comedia traditions. It then centers on cognitive theories of perception, the psychology of immersion in fictional worlds, and early modern and modern-day notions of intentionality to discuss the role of perceiving and understanding others in performance, Don Quixote, and courtly conduct manuals. The last section focuses on the affective dimension of audience-performer interactions in the theatrical space of the Spanish corrales and how emotion and empathy can inform new approaches to presenting Las Casas's work in the literature classroom. The volume closes with an afterword offering strategies to design a course on mind and literature in early modernity. (shrink)

Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contradictions, the cinema is the real, material space in which one is moved by (...) the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images. (shrink)

« Je suis quelqu’un qui n’aime pas parler et qui aime les mots, qui pense que la puissance de l’événement est malgré tout liée à la puissance des mots capables de le qualifier ». Littéraire et cinéphile, Jacques Rancière élabore depuis les années 1960/1970 une philosophie de l’émancipation, celle de la participation de tous à l’exercice de la pensée, et donc au gouvernement de la cité. Contre ces intellectuels qui prétendent détenir la vérité, il se bat pour l’abandon de (...) la traditionnelle distinction entre savants et ignorants. Dans ce livre d’entretien, Dork Zabunyan et Laurent Jeanpierre croisent avec lui le parcours biographique, l’oeuvre philosophique et le regard du philosophe sur le monde. Nous relisons avec eux les années de formation et le parcours intellectuel, l’ENS, les maîtres, le séminaire d’Althusser, la thèse sur la nuit des prolétaires, Foucault, le cinéma, mais aussi des moments et des questions de notre histoire commune comme la guerre d’Algérie, le Parti communiste, 68, ou encore les révoltes arabes, l’écologie politique, le vote des étrangers... Une vie qui se veut tout sauf exemplaire, dédiée à l’exercice de la philosophie c’est-à-dire à l’émergence de nouveaux mondes possibles. (shrink)

An accessible and thorough introduction to implicatures, a key topic in all frameworks of pragmatics. Starting with a definition of the various types of implicatures in Gricean, neo-Gricean and post-Gricean pragmatics, the book covers many important questions for current pragmatic theories, namely: the distinction between explicit and implicit forms of pragmatic enrichment, the criteria for drawing a line between semantic and pragmatic meaning, the relations between the structure of language and its use, the social and cognitive factors underlying the use (...) of implicatures by native speakers, and the factors influencing their acquisition for children and second language learners. Written in non-technical language, Implicatures will appeal to students and teachers in linguistics, applied linguistics, psychology and sociology, who are interested in how language is used for communication, and how children and learners develop pragmatic skills. (shrink)

To Will & To Do presents one of the most significant theological contributions of the dynamic twentieth-century thinker Jacques Ellul. Benefiting from recent scholarship on Ellul and a discovery of a lost manuscript, this new edition renders the full text available in English for the first time, combining a fresh translation of Volume I with a first English translation of Volume II. Together, the two volumes constitute the introductory first part of Ellul's planned four-part treatment of Christian ethics. Volume (...) I examines the origin of the problem of Good and Evil, outlines the contemporary morality of Western society, and provocatively sketches the paradox of an impossible and yet necessary Christian ethics. Volume II carries this discussion forward, outlining the characteristics and conditions of Christian ethics. It then treats the relationship between ethics and the legal texts of the Bible, the relationship between ethics and dogmatic theology, and concludes by reimagining the theological use of the ""analogy of faith"" for scriptural interpretation. In constant dialogue with Karl Barth, Dietrich Bonhoeffer, Paul Ricoeur, and many other theologians and philosophers, To Will & To Do constitutes a major intervention in twentieth-century theological ethics. (shrink)

In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has (...) been established—and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history—especially in the United States, one of the last Christian-inspired democracies to resist abolition—The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida’s esteemed body of work. (shrink)

La Philosophie d'un anti-philosophe examines the attitude of poet and critic Paul Valery (1871-1945) to philosophy and its practitioners. In spite of Valery's explicit rejection of conventional philosophy, Professor Bouveresse shows that he was indeed prepared to admit to a personal philosophy which can be located in his works.