Significance appears as an alignment of stimuli, from a sea of randomly and methodically inputted or stored content into what we might call patterns in the mind. What Klaus Conrad refers to as apophenia, Micheal Shermer as patternicity and Jung as synchronicity, significance serves as synaptic moments recognizing formal elements of a thought, in many cases as individualized personal and possibly ethnocentric experience packets in the mind that have some significance to us. Finding significance in something, or associative significance between (...) things, can lead to some interesting and poetic creative forms of expression, for authors such as August Strindberg or Peter Watts. New ideas form in the mind from some origin. Apophenia, patternicity and synchronicity pose some interesting models for how the mind might process information not originating through the senses alone. Integrating the terms apophenia and ‘noetics’, this article will seek to define apophenoetics as the process and study of the way that patterns form and are processed and decoded in the mind from the sea of random content, virtual imagery and history (past/present/future), without the immediate influence of external stimuli, and could serve as a model for creativity, spiritual transcendence and connecting emotionally with others. (shrink)

We are living in a time of meta-organics and post-biology, where we perceive everything in our world as customizable and changeable. Modelling biology within a technological context allows us to investigate GEO-volutionary alternatives/alterations to our original natural systems, where augmentation and transmutation become standards in search of overall betterment (Genetically Engineered Organics). Our expectations for technology exceeds ubiquitous access and functional perfection and enters the world of technoetics, where our present hyper-functional, immersively multi-apped, borderline-prosthetic, global village devices fail to satiate (...) our desires to be synaptically surpassed. Most real-time interactive behavioural systems in art utilize two and three dimensions. Artificial neural networks and prediction (Latin: from pr- before plus dicere to say) systems give rise to experimentation within the third-plus-one (3+1) dimension of the spacetime continuum. Spacetime in accordance with string theory requires the where and when to describe something in existence, rather than mere points in space. It explains the workings of the universe from both super-galactic and subatomic levels. Physical cosmology studies the motions of the celestial bodies in relation to the first cause (ie. primum movens) or the source of all-being. In book 12 of Metaphysics, Aristotle spoke of something which moves without (itself) being moved (by anything), and referred to being as motion. In quantum mechanics, a particle is described by a wave. Physiognomy is an evolving area of psychological research that describes a direct correlation between human gesture (or movement) and thought. Early twentieth-century Persian philosopher Abdul-Baha mentioned that the reality of man is his thought, not his material body. Prediction systems apply models of the mind, or artificial neural networks and machine learning strategies, to use the recorded past with the present to anticipate the future. This article investigates existing human and artificial psychic systems in hopes of identifying tools necessary in building a gesture prediction system. The relationship of intent to gesture and whether intent can be perceived without the evidence of gesture are two factors that must be tested. (shrink)

Postnational, or after or more than national, is a world that connects the international with the local. Technollaboration, is how creative digital communities use technology to improve methods and environments for collaboration. Postbiotanical, after or more than biotanical, represents the future of human-centric collectives around farming and urban living and sustainability. Village, is ambiguous and raises the question how large is local, and how does a village-centric view impact the way we treat each other? Art traditionally functions as an environment (...) for philosophical and creative activity that works to secure its borders from intruding dictatorial ethics, ideology, politics or dogma that might sully its aim to maintain its open arduous exploration of the clash between image and meaning, icon and significance, or perception and identity in reference to culture and history. Integrating technology into this discourse introduces a milieu of associations, expectations and conclusions about how technological innovation, practices and products should be steered, which can also influence what we both make and teach. The web has since evolved into a pervasively instantaneous space for more involved forms of communication (Google hangout), content sharing (SVN), publishing (blogs), community building (messageboards, Facebook), creative performance (Isadora) and more. Now creative interactive initiatives are not limited to merely making a statement or triggering a semiotic synapse, but rather can have a social impact, enacting, mobilizing and serving as a resource for the public. Telematic Art that includes the activities surrounding Digital Communities and their behaviour, does not merely provide an environment to discuss social issues, but embodies social interaction in ways in which new forms of collective expression can be realized. The development of telematics tools is empowering for the public while serving as a medium that influences how individuals interact. Between DIY/DIWO models, open source hardware, software, and creation initiatives, practivist initiatives, creative hacking ideologies, immersion, and web-based communication tools to localize the international collaborative workshop, I believe our formats for education and exchange are becoming more collective and empowering, and with the inclusion of digital social collaboration initiatives seen in myriad examples of Telematic Art, there exists the potential to motivate a mindset desiring new shifts in perception and making with the goals of serving the global community in significant and direct ways. (shrink)

‘Six Degrees of Separation’ is analogous to what we have come to know as the origins of the ‘social network’ (social network service, social network software or SNS). In our time, the application of the ‘social network’ has become a common mode of living shared ubiquitously by different societies, cultures and communities. With the popularity of open source technology, the creation of social networks is no longer the exclusive domain of professional computer programmers. In China, social networking has also become (...) the new focus of new media artists, who are extremely sensitive to materials and creative media. The current article bases its analysis on the collaboration between American artist Max Kazemzadeh and the Jackie Chan Charitable Foundation Beijing in the exhibition of Max’s interactive work ‘Wishing Well’ in China, trying to showcase the intriguing interaction between the social network service, human beings and Chinese society, and inviting the reader to re-examine the role and duties of an artist in our time. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Bd. 2. Erkenntnislehre und Metaphysik -- Bd. 3. Philosophische Anthropologie -- Bd. 4. Philosophie und Geschichte -- Bd. 5. Varia I -- Bd. 6. Varia II.

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

The notion of reality in the physical world has become, during the last century, somewhat problematic. The contrast between the simple and obvious reality of the innumerable instruments, machines, engines, and gadgets produced by our technological industry, which is applied physics, and of the vague and abstract reality of the fundamental concepts of physical science, as forces and fields, particles and quanta, is doubtlessly bewildering. There has already developed a gap between pure and applied science and between the groups of (...) men devoted to the one or the other activity, a separation that may lead to a dangerous estrangement. Physics needs a unifying philosophy, expressible in ordinary language, to bridge this gulf between "reality" as thought of in practice and in theory. I am not a philosopher but a theoretical physicist. I cannot provide a well balanced philosophy of science that would take due account of the ideas developed by differing schools, but I shall endeavor to formulate some ideas which have helped me in my own struggle with these problems. (shrink)

This essay explores the film collaborations of Franco-Egyptian filmmaker Safaa Fathy and Franco-Maghrebian philosopher Jacques Derrida, offering an extended reading of their court-métrage, Nom à la mer —a film about language, exile, and loss, made by a pair of wanderers both keenly interested in the spectral effects of translation as they haunt the filmic medium. Nom à la mer is a cinematic rendering of the French translation of Fathy's original, Arabic-language poem, recited by Derrida in voice-off as Fathy's camera focuses (...) on a single, highly overdetermined site in a small Andalusian town. This essay reads the film as both an artefact of the pathos of translation and as a scene of valediction, played out by both collaborators on grounds simultaneously intimate and historical. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 208 Seiten: 177-201.

The postwar era saw a remarkable transformation of international law, from a loose arrangement of agreements designed to reduce collective action problems to a normative commitment to the inherent dignity of the individual person. Seyla Benhabib’s new book shows the extent to which this transformation was a matter of deeply personal experiences. Understanding this dialectic between the personal and the universal is crucial for understanding not just the genesis of contemporary normative international law, but also its prospects for survival. This (...) article focuses on Benhabib’s adoption of the process of jurisgenesis as an exemplary form of this dialectic, ending with a critical reading of Hannah Arendt’s attempt to contribute to this process. (shrink)

A “third generation” of critical theory can no longer be said to be composed of anything as cohesive and unified as a “school.” Critical theory today continues across a much more diverse spectrum of different philosophical approaches, influences, and questions. Its adherents are no longer united by national, geographical, or even linguistic ties, and do not necessarily even share the basic commitment to radical political change that characterized first generation critical theory. How, then, ought one to characterize the spectrum of (...) philosophers, social and political theorists, and literary critics who could be said to make up a “third generation” of the Frankfurt School? (shrink)

Utilitarians think that what matters in ethics is making the world a better place. In that case, it might seem that we each rationally ought to do our best—perform the actions, out of those open to each of us, with the best expected outcomes. In other words, we should follow act-utilitarian reasons. But often the result of many altruistic agents following such individualistic reasons is worse than the result of them following collectivist ‘team-reasons’. So utilitarians should reject act utilitarianism, and (...) accept a dualist view according to which both individualistic and team reasons are fundamental. In order to align these distinct kinds of reason, utilitarians must focus centrally on questions of political and social reform—as did their historical forebears. (shrink)

The views of the philosophers and theologians diverge and disagree on the issues whether or not the objects of religious faith: the existence and essence of God, the immortality of the soul and similar content, as well as the extent to which the belief and assertion of the existence of those objects can be objects of philosophical knowledge. It can be stated that, in contrast to the teachings that reigned in minds from the XIII and the end of the XVIII (...) century, the 19th century gave birth to an almost immense number of "positions" to the above-mentioned issues, which did not go beyond the scope of their adoption in narrower circles of scientific schools. These "positions" to this day are mutually fighting, without the prospect of winning any of them. (shrink)

David Lewis has tried to explain what it is for a possible language to be the actual language of a population in terms of his game-theoretical notion of a convention. This explanation of the actual language relation is re-evaluated in the light of some typical episodes of linguistic communication, and it is argued that speakers of a language do not generally stand in the actual language relation to that language if the actual language relation is explicated in Lewis's way. In (...) order to avoid these counterexamples, an alternative account of the actual language relation is proposed which makes use of Lewis's notion of convention in a different way. (shrink)

Individualpsychologie.--Ethik.--Geschichtsphilosophie.--Politik.--Religion.

This paper is devoted to the analysis of Plotinus’ citation of the Heraclitean saying B113 DK in the second treatise On the Presence of Being (VI 5 [23]). I shall argue that the use which the author of the Enneads makes of this fragment has been hitherto misunderstood by scholars and that, for this reason, the significance of the passage and its role within Plotinus’ argument have been missed. Close attention will be paid to the tool through which Plotinus conveys (...) his own reading of Heraclitus’ tenet, i.e. etymology, and to the passages in which he both lays down and puts into practice the programmatic guidelines for his interpretation of the Presocratic. In addition, I shall interpret Plotinus’ recourse to a wordplay which is, in character, quite Heraclitean as a proof of the importance of his philosophical engagement with the Obscure. (shrink)