In conclusion of his Being and Nothingness Sartre articulated the problem of freedom as a moral one, promising to write a book concerning the problem. The work was published only posthumously. As a consequence of it he was reproached by his critics either for the absence of the moral problematic in his existentialism or for that in the long run the moral problem disappears . Some of them recognized his moral vision, but only in its negative form . In contrast (...) to these views the author tries to show, that the perspective of meaning and values is the core of Sartre’s phenomenological ontology, which is the necessary background of the ultimate objective of the French philosopher: a conception of morals, which would be concrete and historical at he same time. Her argumentation is based on the passages from Being and Nothingness, as well as from Sartre’s posthumous Cahiers pour un morale . A special attention is paid to problems such as the distinction between ethical anxiety and the everyday mo_rals, the spirit of seriousness, understanding man as useless passion and also the problema_tic of the motive and sense of moral conversion, articulated by Sartre. (shrink)

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea . The Transcendence of the Ego is the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in many subsequent writings, (...) Sartre embraces Husserl's vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Ego offers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness : the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

First published in France in 1936 as a journal article, The Transcendence of the Egowas one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea. The Transcendence of the Egois the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in many subsequent writings, Sartre embraces Husserl's (...) vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Egooffers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness: the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context.t of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness: the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

The Transcendence of the Ego may be regarded as a turning-point in the philosophical development of Jean-Paul Sartre. Prior to the writing of this essay, published in France in 1937, Sartre had been intimately acquainted with the phenomenological movement which originated in Germany with Edmund Husserl. It is a fundamental tenet of Husserl, the notion of a transcendent ego, which is here attacked by Sartre. This disagreement with Husserl has great importance for Sartre and facilitated the transition from phenomenology to (...) the doctrine of Being and Nothingness. (shrink)

A cornerstone of Sartre’s philosophy, _The Imaginary_ was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, _The Imaginary_ crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both (...) as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom. (shrink)

_Being and Nothingness_ is without doubt one of the most significant books of the twentieth century. The central work by one of the world's most influential thinkers, it altered the course of western philosophy. Its revolutionary approach challenged all previous assumptions about the individual's relationship with the world. Known as 'the Bible of existentialism', its impact on culture and literature was immediate and was felt worldwide, from the absurd drama of Samuel Beckett to the soul-searching cries of the Beat poets. (...) _Being and Nothingness_ is one of those rare books whose influence has affected the mind-set of subsequent generations. Sixty years after its first publication, its message remains as potent as ever - challenging the reader to confront the fundamental dilemmas of human freedom, responsibility and action. (shrink)

Being and Nothingness is without doubt one of the most significant books of the twentieth century. The central work by one of the world's most influential thinkers, it altered the course of western philosophy. Its revolutionary approach challenged all previous assumptions about the individual's relationship with the world. Known as 'the Bible of existentialism', its impact on culture and literature was immediate and was felt worldwide, from the absurd drama of Samuel Beckett to the soul-searching cries of the Beat poets. (...) Being and Nothingness is one of those rare books whose influence has affected the mind-set of subsequent generations. Sixty years after its first publication, its message remains as potent as ever - challenging the reader to confront the fundamental dilemmas of human freedom, responsibility and action. (shrink)

Jean-Paul Sartre was one of the most influential philosophers of the twentieth century. The fourteen original essays in this volume focus on the phenomenological and existentialist writings of the first major phase of his published career, arguing with scholarly precision for their continuing importance to philosophical debate. Aspects of Sartre’s philosophy under discussion in this volume include: consciousness and self-consciousness imagination and aesthetic experience emotions and other feelings embodiment selfhood and the Other freedom, bad faith, and authenticity literary fiction as (...) philosophical writing _Reading Sartre: on Phenomenology and Existentialism_ is an indispensable resource for understanding the nature and importance of Sartre’s philosophy. It is essential reading for students of phenomenology, existentialism, ethics, or aesthetics, and for anyone interested in the roots of contemporary thought in twentieth century philosophy. (shrink)

La transcendance de l’ego signe à la fois l’entrée de Sartre en phénoménologie et la première mise en cause de l’idée de sujet au sein des philosophies du Cogito. En montrant que l’Ego se constitue comme illusion nécessaire, Sartre libère un champ transcendantal déshumanisé, allégé du moi et du psychique, polarisé par ses entours. C’est pourquoi son article sur l’intentionnalité précède cette réédition critique de la Transcendance : ce texte ne prépare pas L’être et le néant mais scelle la redéfinition (...) sartrienne du moi, du monde et de la conscience, puisée dans une lecture rigoureuse de Husserl, mais aussi dirigée contre lui. Le troisième texte de ce volume, Conscience de soi et connaissance de soi, une conférence devenue presque introuvable où se résume une bonne part de L’être et le néant approfondit la visée anti-humaniste de cette théorie inédite du Cogito, qui jette la conscience dans le monde sans jamais les réconcilier. (shrink)

SummaryThis article examines the international debate over the most appropriate name for what became known as ‘existentialism’. It starts by detailing the diverse strands of the Kierkegaard reception in Germany in the early inter-war period, which were given a variety of labels—Existentialismus, Existenzphilosophie, Existentialphilosophie and existentielle Philosophie—and shows how, as these words were translated into other languages, the differences between them were effaced. This process helps explain how over the 1930s a remarkably heterogeneous group of thinkers came to be included (...) under the same label. The article then shows how the word ‘existentialism’ and its cognates in other languages gained prominence because they were considered to represent best the diversity and richness of the movement. In detailing this process the article helps elucidate how existentialism emerged as an international philosophy in the period immediately following World War II, and sheds light on the ambivalence with which many have viewed both the term and the philosophy it represents. (shrink)

This chapter explores some of the similarities and differences in the philosophical methods of five philosophers often considered existentialists: Heidegger, Sartre, Merleau-Ponty, de Beauvoir and Marcel. The relationship between existentialism and phenomenological methods, as well as transcendental reasoning in general, is examined.

Webber argues for a new interpretation of Sartrean existentialism. On this reading, Sartre is arguing that each person’s character consists in the projects they choose to pursue and that we are all already aware of this but prefer not to face it. Careful consideration of his existentialist writings shows this to be the unifying theme of his theories of consciousness, freedom, the self, bad faith, personal relationships, existential psychoanalysis, and the possibility of authenticity. Developing this account affords many insights into (...) various aspects of his philosophy, not least concerning the origins, structure, and effects of bad faith and the resulting ethic of authenticity. This discussion makes clear the contributions that Sartre’s work can make to current debates over the objectivity of ethics and the psychology of agency, character, and selfhood. Written in an accessible style and illustrated with reference to Sartre’s fiction, this book should appeal to general readers and students as well as to specialists. (shrink)

Professor Grossman’s introduction to the revolutionary work of Husserl, Heidegger and Sartre studies the ideas of their predecessors too, explaining in detail Descartes’s conception of the mind, Brentano’s theory of intentionality, and Kierkegaard’s emphasis on dread, while tracing the debate over existence and essence as far back as Aquinas and Aristotle. For a full understanding of the existentialists and phenomenologists, we must also understand the problems that they were trying to solve. This book, originally published in 1984, presents clearly how (...) the main concerns of phenomenology and existentialism grew out of tradition. (shrink)

This article is on Jean-Paul Sartre’s existentialist philosophy and his theory of art. Sartre, first of all, sets up phenomenological ontology, then founds humanist atheist existentialism. Sartre projects his theory of committed literature as his contribution to the field of philosophy of art on phenomenological ontology and humanist atheist existentialism. In the first part of this article, a brief description of the sources and grounds of Sartre’s ideas are given. In the second part, the theory of committed literature is explained. (...) Here, the most important property of Sartre’s art theory, namely Sartre’s separation of literature from plastic arts is clarified. The second part of the article is composed of four sections. In the first section of the second part, Sartre’s critique against the theory of aesthetic purity is investigated. In the second section, a relation between development of art and human freedom is set up. In the third section the difference between art of literature and plastic arts is determined. In the fourth and the last section the meaning of committed literature is defined. (shrink)

A study of the work of Jean-Paul Sartre and of its relevance for contemporary sociology. Dr Craib sees Sartre as a central figure in modern European thought - providing links between Husserl and Heidegger on the one hand and Marxists and Structuralists on the other. He is concerned to relate Sartre's apparently abstract and often obscure philosophical work to methodological and other research problems in sociology; in particular he uses Sartrean philsophy to criticize the very influential work of Gouldner, Goffman (...) and Garfinkel. In the first part of the book Dr Craib concentrates on Being and Nothingness and considers the way in which Sartre's brand of phenomenology can inform studies of inter-personal relationships. In the second part, he examines La Critique de la raison dialectique, which deals with the wider structure of society, the nature of social classes and the development of history. He goes on to investigate the connections between these two levels of analysis, and the complex inter-relationships between the sociologist, his fellows, his objects of study and his theoretical work. (shrink)

This volume provides basic writings of Dostoevsky, Kierkegaard, Nietzsche, Rilke, Kafka, Ortega, Jaspers, Heidegger, Sartre, and Camus, including some not previously translated, along with an invaluable introductory essay by Walter Kaufmann.

An easily recognizable feature of Sartre’s phenomenological existentialism is his conception of freedom. According to a popular interpretation, we are absolutely free, not only from factual constraints, but also free to create and pursue our own values. In this respect, Sartre appears to continue in a radical direction the Kantian project of making room for freedom in a world colonized by scientific determinism and dogmatic moralism. This chapter challenges the popular reading. It argues that Sartre extends the implications of Kant’s (...) conception of freedom, especially concerning the constraining character of imperatives and principles; yet he acknowledges the need for some limitation on a legitimate account of freedom. This limitation is given by the higher-order values expressed by our free actions. (shrink)

A reprint of the popular 1972 Harper and Row collection of essays in phenomenology and existential phenomenology. Contributions from a wide range of scholars are included, among them Husserl, Frege, Chisholm, Merleau-Ponty, Schmitt, Tillman, Gendlin, Sellers, Linsky, Dreyfus, Ryle, Solomon, Schlick, Ricoeur, Marcel, Heidegger, Sartre, Brentano, Olafson, Camus, and de Beauvoir.

This chapter contains sections titled: Phenomenology The Nineteenth‐Century Roots of Existentialism Jean‐Paul Sartre Heidegger Other Existentialists Works cited.

Named one of the Ten Best Books of 2016 by the New York Times, a spirited account of a major intellectual movement of the twentieth century and the revolutionary thinkers who came to shape it, by the best-selling author of How to Live Sarah Bakewell. Paris, 1933: three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to (...) them about a new conceptual framework from Berlin called Phenomenology. "You see," he says, "if you are a phenomenologist you can talk about this cocktail and make philosophy out of it!" It was this simple phrase that would ignite a movement, inspiring Sartre to integrate Phenomenology into his own French, humanistic sensibility, thereby creating an entirely new philosophical approach inspired by themes of radical freedom, authentic being, and political activism. This movement would sweep through the jazz clubs and cafés of the Left Bank before making its way across the world as Existentialism. Featuring not only philosophers, but also playwrights, anthropologists, convicts, and revolutionaries, At the Existentialist Café follows the existentialists' story, from the first rebellious spark through the Second World War, to its role in postwar liberation movements such as anti-colonialism, feminism, and gay rights. Interweaving biography and philosophy, it is the epic account of passionate encounters--fights, love affairs, mentorships, rebellions, and long partnerships--and a vital investigation into what the existentialists have to offer us today, at a moment when we are once again confronting the major questions of freedom, global responsibility, and human authenticity in a fractious and technology-driven world. (shrink)

There is a growing discourse on “new sincerity,” and related terms like “quirky” and “metamodernism,” as a movement or sensibility in contemporary cinema developing from the late 1990s onward, exemplified by the work of filmmakers such as Wes Anderson and Charlie Kaufman. However, what this new concept means in the context of cinema has so far remained under-defined and requires further philosophical analysis. This article provides such an analysis by offering a reconceptualization of Jean-Paul Sartre's existentialist-phenomenological notions of good faith (...) and sincerity, which will be connected to developments in film and elaborated in relation to Frances Ha (Noah Baumbach, 2012). I propose, against Sartre's own preference for the problematic term “authenticity,” to understand sincerity as the reflective resumption of good faith's pre-reflective acceptance of human-reality. This conception of sincerity as reflective allows us to accurately understand the combination of self-awareness and affirmation that characterizes new sincerity cinema: its self-awareness does not serve the postmodernist strategy of endless self-ironization; instead, its portrayals affirm the meaningfulness of its filmic reality, while also being aware of film as a medium. An analysis of Frances Ha illustrates how this concept of sincerity might be seen to function both on the level of story world, characters and themes, and on that of narrative structure and audio-visual style, thereby showing how we can meaningfully speak of sincerity in and of film. (shrink)

After a streamlined confrontation of husserl's phenomenology and sartre's existentialism, this paper affirms their compatibility, denies their necessary connection, pleads for their cooperation and criticizes sartre's rejection of husserl's phenomenology of the pure ego.

Existentialism and phenomenology seem, at first glance, to constitute one of those rare strands of modern Western philosophy that converges productively with feminism. They form a tradition that opposes abstract, rationalist thought and is instead committed to elucidating concrete, “lived experience,” including experiences of embodiment and emotion. As such, they anticipate much “second‐wave” feminist thought that criticizes abstraction, beginning from accounts of women's concrete experiences and emphasizing the importance of personal politics. However, feminists engaged with the tradition have also cautioned (...) that the main canonical figures remained ensconced in masculinism, since their allegedly generic accounts of “human existence” were tacitly grounded in male experience. During the 1980s interest in existentialism and phenomenology waned, as notions of women's experience increasingly came under suspicion with the poststructuralist, or “postmodern,” turn in feminism. But in the last few years interest has grown again, as theorists have sought insights from the tradition that might move theory beyond the impasses that postmodernism now seems to some to present. (shrink)

Jean-Paul Sartre was one of the most influential thinkers of the twentieth century. Regarded as the father of existentialist philosophy, he was also a political critic, moralist, playwright, novelist, and author of biographies and short stories. Thomas R. Flynn provides the first book-length account of Sartre as a philosopher of the imaginary, mapping the intellectual development of his ideas throughout his life, and building a narrative that is not only philosophical but also attentive to the political and literary dimensions of (...) his work. Exploring Sartre's existentialism, politics, ethics, and ontology, this book illuminates the defining ideas of Sartre's oeuvre: the literary and the philosophical, the imaginary and the conceptual, his descriptive phenomenology and his phenomenological concept of intentionality, and his conjunction of ethics and politics with an 'egoless' consciousness. It will appeal to all who are interested in Sartre's philosophy and its relation to his life. (shrink)

This anthology of classic essays focuses on the philosophy of Edmund Husserl and the philosophical movement to which his writings gave impetus: phenomenology. Sixty contributions from a wide variety of scholars provide an introduction to phenomenology and existentialist phenomenology. Among the contributors are Frege, Chisholm, Merleau-Ponty, Schmitt, Tillman, Gendlin, Sellars, Linsky, Dreyfus, Ryle, Solomon, Schlick, Ricoeur, Marcel, Heidegger, Sartre, Brentano, Olafson, Camus, and de Beauvoir.

Sartre fits fully within the phenomenological tradition inaugurated by Husserl, although he somewhat reelaborates it in an original way, on the basis of Heidegger’s philosophy, with the aim of outlining, in a first stage of his thoughts dating back to the publication of Being and Nothingness, the features stemming from his peculiar atheistic existentialism. Subsequently, in the mature stage of his intellectual itinerary, Sartre will attempt to combine the existentialist ideas with the basic principles of Marxism, a synthesis that will (...) create important works such as Search for a Method and Critique of Dialectical Reason. This chapter analyses time from the phenomenological perspective of the Sartrean ontology of temporality. This analysis allows to conceive the typically human “existential time” as a permanent existence out of oneself. For this purpose, we will retrace the fundamentals of Sartre’s phenomenological ontology outlined in his most important work of 1943, Being and Nothingness, focusing in particular on the structures of consciousness understood as “être-pour-soi”, i.e. the conditions of man’s “absolute freedom”, which Sartre refers to when he shows the one “pour-soi” as the being who is pure nothingness. (shrink)

The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's “The Work of Art in the Age of Mechanical (...) Reproduction” to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukács, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema. (shrink)

The release of Andrew Dominik’s Blonde in 2022 on Netflix caused a furor of out-rage, and the film was seen variously as misogynistic, exploitative, and badly made. Here I wish to explore the ways in which we can think about the hyper-mediated image of Marilyn Monroe through Jean-Paul Sartre’s phenomenological consid-eration of imagination and Simone de Beauvoir’s existentialist analysis of ethics and ambiguity. I will argue that Sartre’s idea of irreality (unreality) guarantees the freedom of each individual and that the (...) irreal Marilyn Monroe, as played by Ana de Armas and others, reflects a freedom that, while ambiguous, is nevertheless necessary. (shrink)

Kant and Sartre are two of the most significant figures in modern philosophy, and yet there has, until very recently, been little comparative research undertaken on them. Despite dealing with many shared philosophical issues, they have traditionally been taken to be too opposed to each other to render any search for possible parallels between their works a useful enterprise. Indeed, Sartre is often taken to be one of Kant’s most vocal critics in the literature, and as rather indebted to other (...) major figures, such as Husserl and Heidegger. As a consequence, often, where comparative analysis has been done upon Kant and Sartre, the emphasis has been on their differences, rather than on their similarities. However, as recent research has begun to show, the story is not that straightforward and there is much to be explored with regard to parallels between Kant and Sartre. Baiasu has characterised Sartre’s relation to Kant as one of an “anxiety of influence” – Sartre desires to explicitly distance himself from Kant, but this obscures some deeper underlying parallels between them1. Such parallels can form a foundation for productive dialogue, more widely, between the schools of Kantian “Critical philosophy” and existentialism2. (shrink)

Heidegger’s early project aims to articulate the form of our being as Dasein, and he says that for this usually hidden form to become accessible, a certain kind of “mood” is required of the philosopher. This “ground-mood” he identifies in Sein und Zeit as anxiety. He also, however, presents anxiety as a mood anyone, philosopher or not, experiences when there is some significant breakdown in the living of her life. I argue here that there are largely unrecognized problems (...) with this conflation of methodological and “existential” moods, but that there is nevertheless a compelling methodological account of anxiety that can be teased apart from the existentialist one: methodologically understood, anxiety is a self-affected state of the ontologist, one that results from her asking ontological questions of herself, and, by imagining crisis or breakdown, withdrawing from her determinate situation to a position where she can see the form of her own activity as questioner and imaginer. I draw out some consequences this has for how we should understand the place of ontological understanding in living one’s life, and I conclude by briefly showing how my reading helps us see Heidegger as developing key elements in the work of Descartes and Kant. (shrink)

A novel introduction to Jean-Paul Sartre’s existentialist phenomenology. Draws parallels between Sartre’s work and the work of Wittgenstein Stresses continuities rather than conflict between Sartre and Merleau-Ponty, and between Sartre and post-structuralist/post-modernist thinkers, thus corroborating ‘new Sartre’ readings Exhibits the influence of Gestalt psychology in Sartre’s descriptions of the life-world Forms part of the _Blackwell Great Minds_ series, which outlines the views of the great western thinkers and captures the relevance of these figures to the way we think and live (...) today. (shrink)

This book contextualizes Maxine Greene's educational pedagogy within an existentialist tradition. By drawing on the works of Jean-Paul Sartre, Paulo Freire, and Merleau-Ponty, Professor Rasheed analyzes how Greene's work represents an advance in existentialist discourse via her interpretation of concepts, such as choice, freedom, and possibility within an educational setting.

In lieu of an abstract, here is a brief excerpt of the content:Reading The Second Sex Sixty Years LaterJulia KristevaTranslated by Timothy HackettPublished in 1949, today The Second Sex is a youthful sixty-year-old woman who has created a scandal, but also a school of thought: She marks a decisive stage in women's liberation and continues to accelerate it.Let's try to place ourselves in that year, 1949: The world has barely dressed its wounds from World War II and onto the scene (...) steps a young French woman—from an aristocratic and Catholic background, enjoying a liberal lifestyle and endowed with philosophical tenacity, pedagogical talents, and contagious style without precedent—who announces to her dumbfounded readers that the second sex is free. To be sure, she immediately issues the following qualification, "the free woman is just being born" (Beauvoir 2010, 751), and this remains the case today. It is, however, already a global phenomenon, one that has not yet finished leaving its effects, since what is at stake is a veritable anthropological revolution: I say "anthropological revolution" for, beyond the freedom of choice with respect to maternity and the right to social, economic, and political equality, what is at stake is a new form of assuring the continuity of the human species along with the bold definition of transcendence as freedom. What becomes of humanity if birth, freedom, and the spectacle are put in the hands of women? Obscurantists, fundamentalists, and puritans of all stripes become alarmed and decry the scandal. If the future is hereby opened up—with all the risks that this entails—does it welcome and offer new possibilities?This anthropological revolution has been in preparation since the beginning of time. The British suffragettes inscribed it in their political agenda and feminist movements after May '68 intended to deepen it. But this revolution [End Page 137] [elle] only became conscious of its magnitude and took the world by storm, thanks to the experience and the pen of Simone de Beauvoir.Simone de Beauvoir (1908-1986) is already a well-known philosopher and writer by 1949, when she begins to create something of a scandal: she has already published She Came to Stay, Pyrrhus and Cineas, The Blood of Others, Who Shall Die?, All Men Are Mortal, The Ethics of Ambiguity, and America Day By Day. Along with Jean-Paul Sartre and in the wake of the burgeoning (naissant) existentialist movement (whose genesis she would intimately describe in Les Mandarins, 1954), Simone de Beauvoir pursues an experience that is at once personal and political, as well as a philosophical project whose central theme and absolute objective is freedom, which she understands as a form of revolt and non-consent. It remains important to emphasize this today as we begin the third millennium, a time in which freedom, revolt, and non-consent tend to disappear in favor of other concerns that reflect a globalized world: fear, security, adaptation, and integration."Freedom" lies at the heart of the life and the work of the one whom the hostile press disparagingly calls "Sartrean." The freedom of Madame Roland, who acknowledged, "Oh what crimes are committed in thy name," is the same freedom whose risks Simone de Beauvoir downplays in The Ethics of Ambiguity, a work that denounces the ambivalent fascination with communism found in other existentialists.Freedom nevertheless; above all and at all costs: For Simone de Beauvoir, freedom (elle) remains and will remain the inextinguishable star that has incessantly guided philosophical inquiry since Socrates; inspired the noble heights of Christian thought, particularly in Pascal (who deemed man more noble than the universe that crushes him, for he knows that he dies while the universe doesn't). It is the same freedom that fueled the rebellious bodies and spirits of the Enlightenment; that forged the style of great European literature; it is the same freedom that animates Hegel's dialectic and even modern phenomenology, which existentialism takes as its support. So many references and experiences resonate in the work of this forty-year-old author as she sets out to write The Second Sex.Her first novels recount the relentless struggles that women undergo (jealousy, abandonment, solitude, violence, various injustices) in order to extricate themselves from their... (shrink)

In this paper, a number of lines of argument buttress and support the contention that Dirty Hands is a comparatively undervalued part of the Sartrean oeuvre. Using commentary from Bell and Pellauer, and employing categories relevant also to the work of Beauvoir and Camus, the paper comes to the conclusion that Hugo, as the central character of the play, is an exemplary Sartrean protagonist, and that the play is worthy of more attention than it has received. An important part of (...) the central assertion is that the play is as critical a part of the Sartrean dramatic canon as The Flies and No Exit. (shrink)

Phenomenology's central insight is that affectivity is not an inconsequential or contingent characteristic of human existence. Emotions, moods, sentiments, and feelings are not accidents of human existence. They do not happen to happen to us. Rather, we exist the way we do because of and through our affective experiences. Phenomenology thus acknowledges the centrality and ubiquity of affectivity by noting the multitude of ways in which our existence is permeated by our various affective experiences. Yet, it also insists that such (...) experiences are both revealing and constitutive of human nature. It is precisely this last point that marks an important distinction between a phenomenological study of affectivity and perhaps all others. For phenomenology, one cannot understand the nature of human existence without coming to terms with the character of affectivity and at the same time, one cannot come to terms with the character of affectivity without understanding the nature of human existence. Practical and social engagements, scientific endeavors, familial and political interactions are all predicted on the fact that we are beings who are capable of being affectively attuned to ourselves, to the world, and to others. In this entry, we discuss Martin Heidegger's and Jean-Paul Sartre's respective accounts of affectivity. In the first section, we present Heidegger's understanding of affective existence. In this context, we discuss the significance of moods and offer an analysis of the affective phenomena of fear, anxiety, and boredom. In the second section, we present an overview of Sartre's account of emotions and advance a Sartrean interpretation of fear and boredom. We conclude by raising some brief concerns with both accounts. (shrink)

This book discusses the work of the existential phenomenologists - Heidegger, Sartre, Merleau-Ponty and de Beauvoir - and the final chapter looks at the legacy of existentialism upon the thought of Derrida and other post-structuralist thinkers.

A lively introduction to this celebrated philosophical tradition. -/- Existentialism pervades modern culture, yet if you ask most people what it means, they won’t be able to tell you. In this lively and topical introduction, Wartenberg reveals a vibrant mode of philosophical inquiry that addresses concerns at the heart of the existence of every human being. Wartenberg uses classic films, novels, and plays to present the ideas of now-legendary Existentialist thinkers from Nietzsche and Camus to Sartre and Heidegger and to (...) explore central concepts, including Freedom, Anxiety, and the Absurd. Special attention is paid to the views of Simone de Beauvoir and Franz Fanon, who use the theories of Existentialism to address gender and colonial oppression. (shrink)