There are moments when things suddenly seem strange - objects in the world lose their meaning, we feel like strangers to ourselves, or human existence itself strikes us as bizarre and unintelligible. Through a detailed philosophical investigation of Heidegger's concept of uncanniness (Unheimlichkeit), Katherine Withy explores what such experiences reveal about us. She argues that while others (such as Freud, in his seminal psychoanalytic essay, 'The Uncanny') take uncanniness to be an affective quality of strangeness or eeriness, Heidegger uses (...) the concept to go beyond feeling uncanny to reach the ground of this feeling in our being uncanny. -/- "Heidegger on Being Uncanny" answers those who wonder whether human existence is fundamentally strange to itself by showing that we can be what we are only if we do not fully understand what it is to be us. This fundamental finitude in our self-understanding is our uncanniness. In this first dedicated interpretation of Heidegger's uncanniness, Withy tracks this concept from his early analyses of angst through his later interpretations of the choral ode from Sophocles's Antigone. Her interpretation uncovers a novel and robust continuity in Heidegger's thought and in his vision of the human being as uncanny, and it points the way toward what it is to live well as an uncanny human being. (shrink)

In this article, I argue for the notion of what I term ‘uncanny water’ as a conceptual tool for reading contemporary oceanic fictions. The uncanny’s affective capacity to destabilise epistemological and ontological certainties makes it a particularly potent literary tool for challenging the nature/culture binary. I argue that fictions which actively defamiliarise the ocean can be used to redress the anthropocentric privilege found in hitherto narratives of the oceanic that were predicated upon mastery and control, and that (...) class='Hi'>uncanny moments of displacement and uncertainty can illuminate human/oceanic interconnections and foster a sense of responsibility and compassion towards the oceans. I identify resonances between the uncanny’s continuing referentiality and the notion that feminist transcorporeality interrelates the subject into networks of materiality which extend across time and space in unknowable ways. Both transcorporeality and the uncanny work against the conceit of the individual through the dissolution of boundaries, and, crucially, both require a suspension of assumptions of the self as whole, discrete and impermeable. To demonstrate this, I read the uncanny waters of contemporary fictions from the Northern Atlantic Littoral (Atlantic Canada and the westernmost parts of the UK). The littoral position of these spaces makes them ideally placed to negotiate the borders between habitable and unhabitable spaces, and the limitations of knowledge that run alongside this. I assert that iterations of uncanny water offer a transoceanic dialogue which shifts constructions of subjectivity away from national and terrestrial boundaries to one more akin to the fluid and relational dialectics of transcorporeality. (shrink)

Stawarska considers the ambiguities surrounding the antagonism between the phenomenological and the structuralist traditions by pointing out that the supposed foundation of structuralism, the Course in General Linguistics, was ghostwritten posthumously by two editors who projected a dogmatic doctrine onto Saussure’s lectures, while the authentic materials related to Saussure’s linguistics are teeming with phenomenological references. She then narrows the focus to Merleau-Ponty’s engagement with Saussure’s linguistics and argues that it offers an unusual, if not an uncanny, reading of the (...) Course, in that it identifies a phenomenological dimension within the text, against the grain of the dominant structuralist claim. This phenomenological dimension is corroborated by the authentic sources of Saussure’s linguistics, even though the latter were beyond the philosopher’s own power to know. Merleau-Ponty’s unorthodox reading of the Course as being broadly compatible with the tradition of Husserlian phenomenology has been dismissed as an error and a contresens , but Stawarska proposes that such deviant appropriations of foundational texts are the ones to cherish the most, since they effectively dismantle the received dogmas and official doctrines stuffing the cabinets of canonical philosophy. She argues specifically that Merleau-Ponty’s contested distinction between “a synchronic linguistics of speech ” and “a diachronic linguistics of language ” , which gives primacy to la parole over la langue, and raises the possibility of a systematic study of la parole, contains a more faithful response to Saussure’s own project than the received structuralist view that la langue alone constitutes the proper object of linguistic study. (shrink)

In _Uncanny Rest_ Alberto Moreiras offers a meditation on intellectual life under the suspension of time and conditions of isolation. Focusing on his personal day-to-day experiences of the “shelter-in-place” period during the first months of the coronavirus pandemic, Moreiras engages with the limits and possibilities of critical thought in the realm of the infrapolitical—the conditions of existence that exceed average understandings of politics and philosophy. In each dated entry he works through the process of formulating a life’s worth of thought (...) and writing while attempting to locate the nature of thought once the coordinates of everyday life have changed. Offering nothing less than a phenomenology of thinking, Moreiras shows how thought happens in and out of a life, at a certain crossroads where memories collide, where conversations with interlocutors both living and dead evolve and thinking during a suspended state becomes provisional and uncertain. (shrink)

What happens when scholars come together to study Buddhist and German Idealist perspectives on mind and representation? We explore this question and reflect on methodological considerations in what is often referred to as "comparative philosophy.".

In this essay, I discuss the reports and results of recent official studies of UFOs, and argue they may pose a challenge to contemporary science, religion, and secularity. While the question of UFOs has been well addressed with respect to religion, this essay, which is also a report on current research, highlights the challenge to secularity and some of its constitutive practices. It aims to show how current knowledge on UFOs renders both science and religion uncanny, placing them in (...) a domain where they become irreducibly strange while unshakably familiar, pushing us to (re)consider some of the secular premises of the social sciences (e.g., anthropology) and the humanities (e.g., religious studies), and the possible need for new analytics. (shrink)

Human beings express affinity (Shinwa‐kan in Japanese language) in communicating transactive engagements among healthcare providers, patients and healthcare robots. The appearance of healthcare robots and their language capabilities often feature characteristic and appropriate compassionate dialogical functions in human–robot interactions. Elements of healthcare robot configurations comprising its physiognomy and communication properties are founded on the positivist philosophical perspective of being the summation of composite parts, thereby mimicking human persons. This article reviews Mori's theory of the Uncanny Valley and its consequent (...) debates, and examines "Uncanny" relations with generating healthcare robot conversational content with artificial affective communication (AAC) using natural language processing. With healthcare robots provoking influential physical composition and sensory expressions, the relations in human–healthcare robot transactive engagements are argued as supportive of the design and development in natural language processing. This implies that maintaining human–healthcare robot interaction and assessing the eeriness situations explained in the Uncanny Valley theory are crucial positions for healthcare robot functioning as a valuable commodity in health care. As such, physical features, language capabilities and mobility of healthcare robots establish the primacy of the AAC with natural language processing as integral to healthcare robot–human healthcare practice. (shrink)

This paper aims to examine the very unstable concept of the “uncanny” from an atmospherological point of view. Its official theoretical “sanction” is due to Heidegger, who considered it the latent but fundamental ground of any being-in-the-world, and especially to Freud, who described it as the feeling that arises when something familiar suddenly becomes unfamiliar. Freud claimed to be inspired in this conception by Schelling's definition of unheimlich, which I try to explain to better understand what an uncanny (...) atmosphere is. It seems characterized by elements such as ontological ambiguity-vagueness and paranoid subjectification, alien corporeality and unpredictable situations. The paper ends with a brief analysis of the specific uncanny of houses, both in terms of their transformation from a secure interior to an uncanny place and in terms of the anxiety about materially inheriting a house and thus cohabiting with the past. In the perspective adopted here, the uncanny shows that we are not at home within our own body because we always coexist with an external-foreign and in this sense “monstrous” presence. (shrink)

The aesthetic transformation becomes a vehicle of recognition and indictment. Herbert Marcuse, 1978, p. 9 In his ‘Reflections on Reclamation through Art’, Thomas Heyd poses the question: Can art ef...

In lieu of an abstract, here is a brief excerpt of the content:Adrian Del Caro PAUL CELAN'S UNCANNY SPEECH On October 22, 1960, Paul Celan was in Darmstadt, West Germany, to accept the prestigious Georg-Bûchner-Preis. Winners of this prize are required by custom to give a speech on some aspect of Georg Büchner's writings, and Celan followed suit with a speech entitled "Der Meridian." The speech itself, as an address given in German in Germany to German listeners, was (...) class='Hi'>uncanny, but it was Celan's "uncanny" discourse that had earned him this prize in the first place. In his poetry die uncanny takes on a life of its own. In the Meridian speech, dimensions of the uncanny in Büchner's writings are explored for the purpose of shedding light on the artistic impulse, and on poetry in particular. The poetic of Paul Celan is difficult to define from the aggregate of his poems, and hardly transparent in the Meridian speech, either. But it is the concentration on the uncanny in "Meridian" that makes the effort worthwhile. I will use the Meridian speech, examples from German literature, and examples of Celan's poems to unpack this uncanny. "Meridian," like so many words chosen by Celan, is full. Among the things it can mean are highest point, prime of life, circle from pole to pole, and lines numbered according to degrees of longitude. We speak also of a prime meridian, namely Greenwich, having the property of a center, of a locus from which we determine our bearings. Celan the linguist and etymologist knew and considered all meanings. "Uncanny" as a translation of German das Unheimliche is not quite sufficient, but it is a good starting point. German heim is English home, and unheimlich, unheimisch would be unhomely or unhomey—at least in the etymological spirit. When things are not as they are at home, they are unheimlich. Grimm's dictionary tells us that it wasn't until die end of Philosophy and Literature, © 1994, 18: 211-224 212Philosophy and Literature the eighteenth century that an emotive quality was added to this formerly cognitive adjective; it began at diis time to be associated with feelings of terror, dread, and anxiety. The Romantic Ludwig Tieck was among the first German writers to treat supernatural, uncanny themes, and as unheimlich became associated with the supernatural, it began to lose its sense of homeliness. Later on, E. T. A. Hoffmann became a master of die uncanny in his numerous weird tales. English "uncanny," which is still the best translation we have for unheimlich, experienced a similar development away from its origins in Scottish, where canny meant quiet, snug, cozy, and pleasant. The Oxford English Dictionary tells us that "supernatural, mysterious, uncomfortably strange or unfamiliar" were properties ascribed to "uncanny" after 1850. Poe's writings are uncanny in this modern sense. Freud devoted an essay to the uncanny in 1919. He made die point diat das Unheimliche is merely das Heimliche that we have repressed. Ifwe romanticize this idea, dien in the beginning all things were heimlich or homey to us, and it is only after consciousness thatwe become alienated from our home in nature, a condition which makes us feel unheimlich. Celan certainly had strong reason to focus on the earliest meaning of unheimlich, since he experienced homelessness in virtually every conceivable sense of the word, but then, so did his people, dieJews; first in their experience of the Diaspora, then in their "final" eradication during the Holocaust. The people without Boden or land became, by 1945, a people no longer of die earth. Freud linked the concept of das Unheimliche to its origin in heimlich. After exhaustively quoting the lexicologists Sanders and Grimm, Freud concluded that only Schelling had added a new dimension to das Unheimliche: "Uncanny would be everything that is supposed to remain a secret, remain concealed, but has emerged."1 This is credible enough, and fits Freud's repression theory. Freud's statement at the conclusion of the first part of his long essay would have appealed to Celan: "Heimlich is a word according to whose meaning an ambivalence develops until finally it corresponds in any uncanny way with its opposite. Unheimlich is somehow a kind ofheimlich... (shrink)

Imagine a Paleolithic hunter, who has failed to hunt down anything for a couple of days and is hungry. He has an urgent desire, the desire to eat, which he is not able to fulfill – his desire is frustrated by the world. Now imagine our contemporary bank clerk, who went to work forgetting his wallet at home and is hungry too. He too is not able to fulfill his urgent desire to eat because it is frustrated by the world. (...) From the viewpoint of the two individuals the situation is very similar. However, it differs in at least one crucial respect. While the hunter cannot eat because there is no food available to him anywhere near (at least as far as he can find out), the clerk can easily find tons of food - it is enough to visit a nearest supermarket. The reason why he cannot get the food is not that it would be physically impossible, but because taking food from store's shelves without paying is forbidden. This story reminds us that many of the barriers that constrain our lives and make us find our way merely within the space delimited by them are no longer barriers in the literal sense of the word - they are no longer produced by the conspiracy of the causal laws that form our physical niche. Rather they are produced by the conspiracy of attitudes of our fellow humans - they are deliberate rules, rather than inexorable natural laws. In this way evolution is canalized not by the environment relatively independent of it, but rather by the ploy of the organisms it itself has brought into being. I think that realizing the full import of this autocatalyctic situation may lead us, on the one hand, to the appreciation of certain philosophical doctrines, pervasive especially after Kant, regarding normativity as the hallmark of the human, while, on the other hand seeing how they get enlightened by scientific doctrines regarding the development of the human race its continuities/discontinuities with its animal cousins. (shrink)

In her book Heidegger: On Being Uncanny, Katherine Withy sets up three seemingly straightforward projects—explaining what Heidegger means by Unheimlichkeit, translated as ‘uncanniness’; explaining its underappreciated central role in his conception of Dasein; and using these to “illuminate something about what it is to be human”. Yet, the projects are not as straightforward as they might seem. ‘Unheimlichkeit’ is a technical term in Heidegger’s philosophy, so appeals to common experiences of uncanniness are of limited help. The interpretive focus must (...) be on the conceptual connections Heidegger makes between Unheimlichkeit and other, more familiar, terms, such as ‘Angst,’ ‘ownedness’ (‘Eigentlichkeit,’ often.. (shrink)

This paper explores Kierkegaard's encounter with the work of Arthur Schopenhauer, as recorded in a series of journal entries from mid-1854. Kierkegaard finds in Schopenhauer both an uncannily similar authorial voice to his own, and a cautionary picture of the failure of authorial integrity. By critiquing Schopenhauer's failure to inhabit his own philosophical categories, Kierkegaard reflexively sharpens his own conception of what his authorial project demands.

The deconstruction of stupidity [in French bêtise] plays a crucial role in Derrida’s The Beast and the Sovereign. Through the concept of stupidity/bêtise the violence of our relationship with others, as inseparable from our relation to animality comes into view. “Stupidity” is deeply political, but also directly connected to the trace and, thus, cannot be simply overcome. While Sartre claimed that there are no fools, but just wicked men, Derrida embraces an uncanny version of stupidity. In this paper, guided (...) by Derrida’s reflections, we will examine the many paradoxes that undermine the pseudo-concept of stupidity, as well as several key moments of its history in Schelling’s, Nietzsche’s, Sartre’s, and Deleuze’s philosophies. Eventually our purpose will be to display the ethical statements which can be extrapolated from Derrida’s perspective: when the world is gone, how can we carry stupidity? (shrink)

Abstract:What would Wittgensteinian fiction—not overtly about or influenced by him, but that resonates with his thought—look like? Lydia Davis has avowed, but never explained, her admiration for Ludwig Wittgenstein. Her short and fragmentary fictions are attuned to how grammar and usage reveal our forms of life. Alongside briefer discussion of Adam Ehrlich Sachs and other contemporary American writers, I characterize both Wittgenstein and Davis as uncanny grammarians: though we live in language, we are never fully at home in it. (...) Both press on our ordinary language in an extraordinary way, defamiliarizing the familiar to more explicitly understand it. (shrink)

Contemporary TV shows, characterized by their complex narrative form, are designed to reveal the simple. They enable characters and viewers alike to discover the ordinary by coupling the everyday to an underworld populated by criminals, demons, vampires, and other kinds of “lowlifes.” I will argue here that the structure of the Möbius strip, or Escher twist, draws a particular aesthetic appeal at the intersection of these worlds. I call these twists uncanny in the Cavellian sense that the underworld, looking (...) strangely familiar, has the capacity of making the ordinary look unfamiliar, inherently strange, and unstable. Rather than allowing us to judge the demonic or illegal, they disclose what is normally inaccessible to us precisely because it is so ordinary and simple, so familiar and in plain sight. I will support this idea of Escher-twisting from one world to another by analyzing examples from Twin Peaks (ABC 1990-2, Showtime 2017), The Sopranos (HBO 1999-2007), Awake (NBC 2012), and Ozark (Netflix 2017–2022). (shrink)

This book gathers an interdisciplinary group of thinkers to ask if intersubjective acts of relating can be transferred to artificial beings without remainder. Using the uncanny valley model developed by Masahiro Mori, this significant contribution to performance philosophy presents a clear framework to consider aesthetic experience beyond mimesis.

This is the first of two special issues and the articles are grouped according to two themes: This first issue will feature articles that share a theme we call Technologies and the Political, while the second issue will feature the theme Subjectivities. However, we could equally consider them exercises in provincialization in the (counter)factual register in the first issue, and by affective historiography as conceptual-empirical labor(atory) in the second issue. What we have generally asked of all authors is to consider (...) that the relation between science and society is often heavily influenced by and identified in the intermediary figurations portrayed in the genre of science fiction. (shrink)

An analysis and assessment of Nietzsche's metapsychology. Nietzsche is neither a dualist nor a physical reductionist about the mind. Instead, he is best interpreted as thinking that the mind is embodied and embedded in a larger natural and social environment with which it is dynamically engaged.

Years ago, Max Fisch, the great scholar and translator of Vico’s works, in reviewing A. Robert Caponigri’s obscure interpretation of Vico’s theory of history, Time and Idea, having searched Vico’s texts thoroughly, concluded that since he could not find any of Caponigri’s ideas in Vico, the ideas were Caponigri’s, not Vico’s. The reader who has carefully read Vico’s works will draw a similar conclusion regarding Professor Luft’s book. Caponigri wished to modernize Vico by making him the Italian Hegel. Luft wishes (...) to postmodernize Vico by making him the Italian Heidegger. Vico warns against such reductions in one of his first axioms of the New Science: the conceit or arrogance of scholars, who would judge what they wish to understand by what is familiar to them and at hand. (shrink)

Social robots are marketed as human tools promising us a better life. This marketing strategy commodifies not only the labor of care but the caregiver as well, conjuring a fantasy of technoliberal futurism that echoes a colonial past. Against techno-utopian fantasies of a good life as one involving engineered domestic help, I draw here on the techno-dystopian television show Humans (stylized HUMⱯNS) to suggest that we should find our desires for such help unsettling. At the core of my argument is (...) a return of the “uncanny valley” problem, from its reformulation as an engineering/design problem to its origins as a psychosocial symptom of an unresolved, traumatic past. I conclude that our sense of the uncanny may be best understood as a moral capacity that should be honed rather than evaded. (shrink)

The aspects of facial attractiveness have been widely studied, especially within the context of evolutionary psychology, which proposes that aesthetic judgements of human faces are shaped by biologically based standards of beauty reflecting the mate quality. However, the faces of primates, who are very similar to us yet still considered non-human, remain neglected. In this paper, we aimed to study the facial attractiveness of non-human primates as judged by human respondents. We asked 286 Czech respondents to score photos of 107 (...) primate species according to their perceived “beauty”. Then, we analyzed factors affecting the scores including morphology, colors, and human-likeness. We found that the three main primate groups were each scored using different cues. The proportions of inner facial features and distinctiveness are cues widely reported to affect human facial attractiveness. Interestingly, we found that these factors also affected the attractiveness scores of primate faces, but only within the Catarrhines, i.e., the primate group most similar to humans. Within this group, human-likeness positively affected the attractiveness scores, and facial extremities such as a prolonged nose or exaggerated cheeks were considered the least attractive. On the contrary, the least human-like prosimians were scored as the most attractive group. The results are discussed in the context of the “uncanny valley”, the widely discussed empirical rule. (shrink)

This article aims to explore the meaning of the notion of the “uncanny” in Nietzsche’s Birth of tragedy. To read today this work is to encounter a text that has preserved intact the force of its philosophical message: man is such only in the alternance and coexistence of health and illness, Apollonian and Dionysian, art and life. The role of Socrates’ philosophy in Nietzsche’s The birth of tragedy, however, needs to be reconsidered. Socrates is also, according to this reading, (...) an “uncanny” figure. This article is dedicated to an analysis of the aesthetical leitmotif of Nietzsche’s philosophy and a comparison between The birth of tragedy and Hoffmann’s Der Sandmann. Topics are the complex relationship between health and illness and the difference between humankind and mechanical robots or automata. (shrink)

The prospect of recognizing the ultimate is a matter of interpretation. As such, hermeneutics is used as a framework for describing the interactions of self, language, and the other (whether culturally other or ultimately other). Questioning whether religious ultimacy can be recognized across religious boundaries is based on a mistaken assumption that differences between religions are qualitatively different than differences within a religion. Hermeneutically speaking, intra-communal difference and inter-communal difference are of the same kind. If humans can negotiate the former, (...) they can negotiate the latter. Recognizing ultimacy is an intersubjective act of phronēsis, or practical wisdom. As such, it cannot be explained in any detail apart from the concrete particulars of each encounter. Below is an account of recognizing the Ultimate, analyzed into four explanatory ways: its immediate quality (uncanniness), its vehicle (the classic), its cultural-linguistic mechanism (metaphorical appropriation), and its ontological implications (a signifying cosmos). Each way offers a different type of explanation as to how a person can recognize another religion’s ultimate. I begin with the most concrete: spontaneous feeling, and work my way to more speculative implications. (shrink)

Psychological attitudes towards service and personal robots are selectively examined from the vantage point of psychoanalysis. Significant case studies include the uncanny valley effect, brain-actuated robots evoking magic mental powers, parental attitudes towards robotic children, idealizations of robotic soldiers, persecutory fantasies involving robotic components and systems. Freudian theories of narcissism, animism, infantile complexes, ego ideal, and ideal ego are brought to bear on the interpretation of these various items. The horizons of Human-robot Interaction are found to afford new and (...) fertile grounds for psychoanalytic theorizing beyond strictly therapeutic contexts. (shrink)

The purpose of the paper is to analyze the interrelations between the notions of one’s own and the foreign in later Heidegger’s philosophy. It is pointed out that later Heidegger contextualized the notion of the world by the notion of home and its derivatives “homelessness” and “homecoming” that are of great value in his philosophy. The scrutiny proceeds from the study of the peculiarities of Heidegger’s approach to the problem of being that is considered to be the knot of his (...) philosophy. It is noted that Heidegger, having deserted the traditional ontology already in his early works, continued, nevertheless, using its terms including “being” for a long time and thereby in a way obscured the peculiarities of his approach. Only later Heidegger tried to reject the traditional concept of being as infinitely continuing state in favor of the concept of Ereignis that is usually translated as “appropriating event” or “event of appropriation”. Thus, according to Heidegger, being gives us beings as a whole by appropriating sense to them and thereby turning them into the familiar and accessible environment for dwelling. Just the “givenness” of beings as a whole makes them familiar, one’s own. Accordingly, the “dwelling” means for Heidegger not only the security, but also the intelligibility of the environment, whereas the homelessness means the latter’s uncanny incomprehensibility. It is emphasized that Heidegger’s interpretation of homelessness is closely connected with a standard theoretical model explaining the emergence of the private and public realms. According to this model, just the extension of family as the initial one’s own resulted in the turning of household into city-state that, having been specified by the image of one super-family, added the elements of the foreign to the initial state of society. (shrink)

Modernist Architecture and Ruins: On Ruins as a Minus, Neoclassicism and the Uncanny.

Journal of Philosophy of Education, Volume 56, Issue 1, Page 173-179, February 2022.

The traditional distinction between social robots and service robots is gradually being eroded in the design, planning and public presentation of physically embodied artificial intelligence. The paper is mainly concerned with two case studies: a service robot named Spot, from Boston Dynamics, and two social robots named Kaspar and Zeno, advertised as useful therapeutic tools for children in the autistic spectrum. The discussion centers on three key factors that play a role in the affective responses robots may elicit in the (...) public: 1) the “uncanny valley effect,” i.e., the cognitive and affective dissonance that may be provoked by machines that are very close to reaching lifelike appearance, but fail to replicate it with respect to behavior, fine motor skills or perceptual cues. 2) the capacity to evoke affective responses thanks to the symbolic connotations that may be associated with the robot’s appearance. 3) The relevance of situational and contextual factors. -/- The paper reaches three conclusions: 1) producers sometimes fail to consider carefully the symbolic connotations that may be associated with the design chosen for their robots. 2) The context in which robots are meant to be used ought to play a more significant role in a fair-handed and pluralistic approach to robot production. 3) it is to be hoped that producers, in collaboration with psychologists and philosophers of emotion, extend their understanding of affectivity beyond the theories of basic emotions upon which they mostly rely. It is important and urgent to reflect on the relevance of social context with respect both to emotion recognition and to the affective response of the public. (shrink)

Following up on Thomas Nagel’s paper “What is it like to be a bat?” and Alan Turing’s essay “Computing machinery and intelligence,” it shall be claimed that a successful interaction of human beings and autonomous artificial agents depends more on which characteristics human beings ascribe to the agent than on whether the agent really has those characteristics. It will be argued that Masahiro Mori’s concept of the “uncanny valley” as well as evidence from several empirical studies supports that assertion. (...) Finally, some tentative conclusions concerning moral implications of the arguments presented here shall be drawn. (shrink)

Das Unheimliche je tisto nedomače, grozljivo in strašljivo, ki pri Freudu in Heideggerju izhaja iz najbolj domačega in varnega, obenem pa je tudi eden od običajno spregledanih skupnih točk njunega dela. To je tudi ravnina, na kateri moderna in modernistična arhitektura, kot jo je oblikoval tudi Le Corbusier, zasije v drugačni perspektivi. Jedro arhitekture in metropole moderne bi morebiti lahko prebrali ravno skozi okular te grozljivosti das Unheimliche. -/- Knjiga v slovenski kulturni prostor prinaša prvo poglobljeno analizo prepleta moderne in (...) njene arhitekture z grozljivo tesnobnostjo, ki jo označuje termin das Unheimliche. -/- Predgovor h knjigi je napisal Aleš Vodopivec, strokovni recenziji pa Žarko Paić in Mladen Dolar. Knjiga je izšla pri Inštitutu Nove Revije s podporo Javne agencije za raziskovalno dejavnost Republike Slovenije, oblikoval jo je Ivian Kan Mujezinović. (shrink)

A teoria da evidência faz-nos pensar o conhecimento a partir da sua face mais obscura, ainda que, paradoxalmente, a estranheza surja aqui do lado da luz: arquétipo cognitivo, diz-nos Fernando Gil, a luz é universalmente “a matéria natural do verdadeiro”. As condições perceptivas de produção da evidência apelam inevitavelmente para a visão e suas metáforas; os sentimentos de satisfação que o sujeito experimenta perante a descoberta da verdade são a consequência de um desejo em direcção ao verdadeiro, que eclode como (...) um brilho, uma iluminação, até mesmo uma vibração. Temos na evidência uma presença misteriosa, a partir do olhar giliano; ela exprime-se pelo conceito freudiano de unheimlich – a “inquietante estranheza”. Trata-se de um dos factores de eficácia da própria evidência, já que esta liga o sujeito ao mundo externo, de maneira apodíctica e plena, para além de que é típica das situações em que o real e o irreal se confundem, segundo Freud: esta “estranheza familiar”, como também se pode dizer, abre caminho a um excesso cognitivo no vislumbre certeiro de um possível real e verdadeiro. (shrink)