The distinction between moral values and others is not an easy one. There are easy extremes: the value that one places on his neighbor's welfare is moral, and the value of peanut brittle is not. The value of decency in speech and dress is moral or ethical in the etymological sense, resting as it does on social custom; and similarly for observance of the Jewish dietary laws. On the other hand the eschewing of unrefrigerated oysters in the summer, though it (...) is likewise a renunciation of immediate fleshly pleasure, is a case rather of prudence than morality. But presumably the Jewish taboos themselves began prudentially. Again a Christian fundamentalist who observes the proprieties and helps his neighbor only from fear of hellfire is manifesting prudence rather than moral values.1 Similarly for the man with felony in his heart who behaves himself for fear of the law. Similarly for the child who behaves himself in the course of moral training; his behavior counts as moral only after these means get transmuted into ends. On the other hand the value that the child attaches to the parent's approval is a moral value. It had been a mere harbinger of a sensually gratifying caress, if my recent suggestion is right, but has been transmuted into an end in itself. · 1. Bernard Williams, Morality , pp. 75-78, questions the disjointedness of these alternatives. I am construing them disjointedly. W.V. Quine, Edgar Pierce professor emeritus of philosophy at Harvard University, is the author of many influential works, including The Roots of Reference. "A Postscript on Metaphor," his previous contribution to Critical Inquiry, appeared in the Autumn 1978 issue. The present essay is being published in a festschrift, Values and Morals: Essays in Honor of William Frankenna, Charles Stevenson, and Richard Brandt. (shrink)

This chapter presents an essay by W. E. B. Du Bois on the strivings of the American Negro. He cites the double-consciousness of the Negro, the sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness—an American, a Negro two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength (...) alone keeps it from being torn asunder. He argues that the history of the American Negro is the history of this strife,—this longing to attain self—conscious manhood, to merge his double self into a better and truer self. (shrink)

Although the notion of spatiality has always lurked in the background of discussions of literary form, the self-conscious use of the term as a critical concept is generally traced to Joseph Frank's seminal essay of 1945, "Spatial Form in Modern Literature."1 Frank's basic argument is that modernist literary works are "spatial" insofar as they replace history and narrative sequence with a sense of mythic simultaneity and disrupt the normal continuities of English prose with disjunctive syntactic arrangements. This argument has been (...) attacked on several fronts. An almost universal objection is that spatial form is a "mere metaphor" which has been given misplaced concreteness and that it denies the essentially temporal nature of literature. Some critics will concede that the metaphor contains a half-truth, but one which is likely to distract attention from more important features of the reading experience. The most polemical attacks have come from those who regard spatial form as an actual, but highly regrettable, characteristic of modern literature and who have linked it with antihistorical and even fascist ideologies.2 Advocates of Frank's position, on the other hand, have generally been content to extrapolate his premises rather than criticize them, and have compiled an ever-mounting list of modernist texts which can be seen, in some sense, as "antitemporal." The whole debate can best be advanced, in my view, not by some patchwork compromise among the conflicting claims but by a radical, even outrageous statement of the basic hypothesis in its most general form. I propose, therefore, that far from being a unique phenomenon of some modern literature, and far from being restricted to the features which Frank identifies in those works , spatial form is a crucial aspect of the experience and interpretation of literature in all ages and cultures. The burden of proof, in other words, is not on Frank to show that some works have spatial form but on his critics to provide an example of any work that does not. · 1. Frank's essay first appeared in Sewanee Review 53 and was revised in his The Widening Gyre . Frank's basic argument has not changed essentially even in his most avante-garde statements; he still regards spatial form "as a particular phenomenon of modern avante-garde writing." See "Spatial Form: An Answer to Critics," Critical Inquiry 4 : 231-52. A useful bibliography, "Space and Spatial Form in Narrative," is being complied by Jeffrey Smitten .· 2. This charge generally links the notion of spatial form with Wyndham Lewis and Ezra Pound, the imagist movement, the "irrationality" and pessimistic antihistoricism of modernism, and the conservative Romantic tradition. Frank discusses the complex motives behind these associations in the work of Robert Weimann and Frank Kermode in his "Answer to Critics," pp. 238-48. W. J. T. Mitchell, editor of Critical Inquiry, is the author of Blake's Composite Art, and The Last Dinosaur Book: The Life and Times of a Cultural Icon. The present essay is part of Iconology: The Image in Literature and the Visual Arts. "Diagrammatology" appeared in the Spring 1981 issue of Critical Inquiry. Leon Surette responds to the current essay in "‘Rational Form in Literature’". (shrink)

In diesem Aufsatz soll versucht werden, die praktische Möglichkeit eines Verfahrens einer "externen" Sicht auf die Probleme der Wissenschaftstheorie zu demonstrieren. Da es sich um ein u. W. bisher unerprobtes Verfahren handelt, könnte es nur durch eine konkret ausgewiesene reductio ad absurdum eliminiert werden. Um jedoch den Anschein eines naiven Instrumentalismus zu vermeiden, seien zwei erläuternde Bemerkungen vorangeschickt. Es ist anzunehmen, daß die drei gesonderten Fachrichtungen bemüht sind, jenseits ihrer Grenzen von einem fachlich nicht spezialisierten Publikum rezipiert oder zumindest begriffen (...) zu werden. Das heißt, jede einzelne wendet sich an den allgemeingebildeten Leser, ohne sich bewußt zu sein, daß die beiden anderen das gleiche Ziel verfolgen. Dies impliziert die Möglichkeit, den unreflektierten Anspruch auf Gemeinverständlichkeit zu hinterfragen. Dementsprechend läßt sich vermuten, daß die wachsende Verschwommenheit des Gegenstandes der Wissenschaftsforschung die Kehrseite der erstrebten Gemeinverständlichkeit ist. Ein äußerliches Merkmal unseres Verfahrens manifestiert sich in der vielfachen Verwendung des der Alltagssprache entlehnten Wortes "Vokabular". Darin äußert sich lediglich ein sprachlicher Kunstgriff, um eine langwierige sprachanalytische Auseinandersetzung zu vermeiden. Worauf es ankommt, ist allein die Feststellung, daß den untersuchten Vokabularen strukturelle Regelmäßigkeiten anhaften, die innerhalb der konventionellen Wissenschaftsforschung nicht erklärt werden könne. Ähnlich ist auch die statistische Darstellungsweise nur ein vorläufiges Hilfsmittel zur Veranschaulichung dieser Beobachtungen: ein Gerüst, das, im Sinne Wittgensteins , nach dem Gebrauch nicht mehr benötigt wird. (shrink)

Hardcover reprint of the original 1899 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Windelband, W. (Wilhelm). History Of Ancient Philosophy. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Windelband, W. (Wilhelm). History Of Ancient Philosophy,. New York, (...) C. Scribner, 1899. Subject: Philosophy, Ancient. (shrink)

Can someone be a good person yet act in a professional role that may involve deception, procedural trickery, withholding information, and working on behalf of terrible people and institutions? This question is at the heart of legal ethics. Using cases from around the common-law world, W. Bradley Wendel looks at issues including confidentiality, the moral responsibility of lawyers, and truth and deception in advocacy. He then examines the classic questions of philosophy of law, including the nature of law, positivism, natural (...) law, the relationship between law and morality, unjust legal systems, and the obligation to obey the law. Finally, he considers the ethical issues surrounding the role of lawyers, including criminal defense and prosecution, civil litigation, counseling clients on the law, and representing corporations. Combining the theoretical, philosophical, and practical, his book will be of vital interest to students of law, the philosophy of law, ethics, and political philosophy. (shrink)

It may seem a bit perverse to argue that pluralism is a kind of dogmatism, since pluralists invariably define themselves as antidogmatists. Indeed, the world would seem to be so well supplied with overt dogmatists—religious fanatics, militant revolutionaries, political and domestic tyrants—that it will probably seem unfair to suggest that the proponents of liberal, tolerant, civilized open-mindedness are guilty of a covert dogmatism. My only excuse for engaging in this exercise is that it may help to shake up some rather (...) firmly fixed ideas about dogmatism held by those who advocate some version of pluralism. Dogmatism, I want to argue, has had a very had press, some of it deserved, some of it based in misunderstandings and ignorance. Much of that bad press stems, I will suggest, from the dominance of pluralism as an intellectual ideology since the Enlightenment. If “dogmatism” is a synonym for irrationality, infelixibility, and authoritarianism, the fault lies as much with pluralism as it does with any actual dogmatism. I’d like to begin, therefore, with a definition of dogmatism that comes, not from its pluralist foes, but from a historian of religion who treats it as a fairly neutral term, describing a complex and ancient feature of social institutions. This definition comes from E. Royston Pike’s Encyclopedia of Religion and Religions:DOGMA . A religious doctrine that is to be received on authority—whether of a Divine revelation, a Church Council, Holy Scripture, or a great and honoured religious teacher—and not, at least in the first instance, because it may be proved true in the light of reason. Almost always there is associated with dogma the element of Faith. The term comes from the Greek word for “to seem,” and it meant originally that which seems true to anyone, i.e. has been approved or decided beyond cavil. In the New Testament it is applied to decisions of the Christian church in Jerusalem, enactments of the Jewish law, and imperial decrees, all of which were things to be accepted without argument. A little later it had come to mean simple statements of Christian belief and practice; and it was not until the 4th century, when the heretics were showing how far from simple the basic Christian beliefs really were, that it acquired the meaning of a theological interpretation of a religious fact. Then came the division of the Church into a Western and an Eastern branch, and never again was it possible to frame a dogma that might be universally held. The 39 Articles of the Church of England, the principles deduced from Calvin’s “Institutes” and John Wesley’s “Sermons,” and the items that compose the Mormon creed may all be classed as dogmas.1 W. J. T. Mitchell, editor of Critical Inquiry, is professor of English and a member of the Committee on Art and Design at the University of Chicago. His most recent book is Iconology: Image, Text, Ideology. (shrink)

I might as well say at the outset that, although I can return Christensen’s compliment, and call his response “thoughtful,” I am most interested in those places where the fullness of his thought, and particularly of his own language, has paralyzed his thought in compulsively repetitious patterns, and led him into interpretive maneuvers that he would surely be skeptical about in the reading of a literary text. Even more interesting is the way Christensen’s antipathy to the film, and the violence (...) of the language in which eh expresses the antipathy, has prevented him from registering the plainest sensory and perceptual elements of the film text. In a rather straightforward and literal sense, Christensen has neither seen nor heard Do the Right Thing, but has screened a fantasy film of his own projection. To say Christensen has projected a fantasy, however, is not to say that his response is eccentric or merely private. On the contrary, it is a shared and shareable response, a reflex in the public imaginary of American culture at the present time. As such, it deserves patient and detailed examination. W. J. T. Mithcell, editor of Critical Inquiry, is Gaylord Donnelly Distinguished Service Professor of English and art at the University of Chicago. His most recent book is Iconology: Image, Text, Ideology. (shrink)

This may be an especially favorable moment in intellectual history to come to some understanding of notions like “abstraction” and “the abstract,” if only because these terms seem so clearly obsolete, even antiquated, at the present time. The obsolescence of abstraction is exemplified most vividly by its centrality in a period of cultural history that is widely perceived as being just behind us, the period of modernism, ranging roughly from the beginning of the twentieth century to the aftermath of the (...) Second World War.1art is now a familiar feature of our cultural landscape; it has become a monument to an era that is passing from living memory into history. The experiments of cubism and abstract expressionism are no longer “experimental” or shocking: abstraction has not been associated with the artistic avant-garde for at least a quarter of a century, and its central masterpieces are now firmly entrenched in the tradition of Western painting and safely canonized in our greatest museums. That does not mean that there will be no more abstract paintings, or that the tradition is dead; on the contrary, the obsolescence we are contemplating is in a very precise sense the precondition for abstraction’s survival as a tradition that resists any possible assault from an avant-garde. Indeed, the abstract probably has more institutional and cultural power as a rearguard tradition than it ever did as an avant-garde overturning of tradition. For that very reason its self-representations need to be questioned more closely than ever, especially its account of its own nature and history. This seems important, not just to set the record straight about what abstract art was, but to enable critical and artistic experimentation in the present, and a more nuanced account of both pre-and postmodern at, both of which are in danger of being swallowed up by the formulas of abstract formalism. If art and criticism are to continue to play an oppositional and interventionist role in our time, passive acceptance and reproduction of a powerful cultural tradition like abstract art will simply not do. 1. I define modernism and “the age of abstraction” here in familiar art historical terms, as a period extending from Kandinsky and Malevich to Jasper Johns and Morris Louis. There are other views of this matter which would trace modernism back to the emergence of an avant-garde in the 1840s , or to romanticism , or to the eighteenth century . My claim would be that “the abstract” as such only becomes a definitive slogan for modernism with the emergence of abstract painting around 1900. W. J. T. Mitchell, editor of Critical Inquiry, is professor of English and a member of the Committee on Art and Design at the University of Chicago. His most recent book is Iconology: Image, Text, Ideology. (shrink)

Lon Fuller, one of the great American jurists of this century, is often remembered only for his stand on the morality of law in the Fuller-Hart debate. Rediscovering Fuller considers the full range of Fuller's writings, from his early engagement with legal fictions and his critique of legal positivism to his later work on implicit law and the art of institutional design. Contributors from the fields of both civil law and common law argue that Fuller's insights are highly relevant to (...) contemporary concerns. The book contains essays by K. Winston, D. Dyzenhaus, P. Cliteur, F. Schauer ("Beyond the Fuller-Hart Debate"), P. Westerman, W. van der Burg, D. Luban ("Moralities of Law"), G. Postema, P. Teachout ("Implicit Law"), R. Macdonald, W. Witteveen, J. Allison, M. Hertogh, K. Soltan ("The Art of Institutional Design"), J. Allan, F. Mootz, J. Vining ("Law's Dialogue"), and a preface by Ph. Selznick. "At some point in the future, when we become more open to the moral relevance of social inquiry, more empirical in our study of philosophical issues, more capable of uniting moral and social theory, Lon Fuller's work will stand as a landmark. This volume will help show the way." —Ph. Selznick. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 401-423 [Access article in PDF] Petrarch and the Genealogy of Asceticism W. Scott Blanchard The morality of thought lies in a procedure that is neither entrenched nor detached. --Theodor Adorno Perhaps no author within or outside of the canon of Western literature wrote as extensively on the topic of solitude as did Francesco Petrarch. While many of our modern associations with (...) the term may find some of their origins traceable as far back as Petrarch's career, the term "solitude" carried with it much different associations in his century than it does for us today, influenced as we are by the Romantic tradition and especially by Wordsworth's absorption with the idea of solitude as an ideal state for self-conscious reflection on the individual's personal history and its meaning. No less than three of Petrarch's major prose works--the De otio religioso, the De vita solitaria, and the Secretum--confront the topic of solitude directly, and we can also point to many letters, poems, and portions of his treatises that either directly or indirectly reflect Petrarch's virtual obsession with solitude. In Petrarch we are confronted with an author who was at once the most politically connected intellectual of his century--we are even tempted to call him a "public intellectual"--and yet who constantly invoked his desire for solitude, for an escape from the many distractions and seductions that the cities and courts of his society offered. For Petrarch these were invariably places where desire lurked and power held sway, so that the life of solitude was often invoked as an alternative--a counter-cultural locus, perhaps--where freedom from temptation and subjection was imagined as an escape from the negotium of worldly life. There is much in Petrarch's writings on the solitary life that is wishful and that we might characterize as merely compensatory in a life that was otherwise quite active and engaged, but there is also a [End Page 401] strain of thought in these works that indicates a certain intransigence beneath Petrarch's overdetermined attachment to the idea, if not the practice, of withdrawal and detachment. An inquiry into Petrarch's idealization of the solitary life may even yield a somewhat reactionary aspect of his complex mind, a conservative strain in an author who was in almost every other way the literary herald of a humanism that was at the center of the cultural avant-garde of the Trecento. Is the Petrarch that in so many accounts of his character is construed as the "first modern man" actually something else, a reluctant ascetic holdover from the Middle Ages? How did Petrarch use his unique understanding of the life of solitude, of ascesis, as a pose from which to construct his sense of himself as an author and intellectual? Or are we simply confronted in the figure of a worldly and an ascetic Petrarch with yet another set of contradictions so appropriate to the "immensely complex" author whose poetic signature was the oxymoron? 1"Asceticism" and "solitude" are of course not synonymous terms, but any examination of a number of Petrarch's works as they fall within what might be called a genealogy of asceticism must recognize from the start that Petrarch's brand of asceticism was somewhat unique, especially insofar as it was deeply influenced by ancient Stoicism as well as by his reading in authors from the early Christian era. The most useful expression for our purposes may be the medieval concept of the "contemplative life," since much of the analysis in what follows will focus on how Petrarch often used his self-proclaimed pose of detachment and withdrawal as a technique for carrying on what were otherwise quite engaged dialogues with those worldly formations of power and authority that are normally conceived of as belonging to the "active" sphere of human existence. 2 For despite Petrarch's participation in or association with a number of political and civic ventures during his long and productive career, he likely never would have freely chosen... (shrink)

This book contains three essays: "The Mask and the Face: The Perception of Physiognomic Likeness in Life and Art" by Gombrich, the renowned art historian and critic; "The Representation of Things and People" by psychologist, Julian Hochberg; and "How Do Pictures Represent" by philosopher, Max Black. The book is based upon lectures delivered in the Johns Hopkins 1970 Thalheimer Lectures, where, taking off from the question "how there can be an underlying identity in the manifold and changing facial expression of (...) a single individual," there is an interdisciplinary attempt at clarifying the problem of representation. Gombrich’s central thesis is that the key to artistic representation is empathy and projection, which is guided by the interlocking display of the permanent and mobile features of the object represented. Perceptual activity and empathy rely more on the muscular imitation than on passive visual reception. He holds that what is singled out as the likeness-factor uniting the permanent and mobile features in, for example, the photograph of the four-year old Lord Russell and such factors in the ninety-year old Russell is the "general tonus, the melody of transition from given ranges of relaxations to forms of tenseness." Hochberg’s essay spells out the position that perception is purposive behavior, wherein the purpose is the information sought and behavior is the "succession of glances in different directions." Holding that perceptual activity is grounded in expectations, he lays aside Gombrich’s muscularity-thesis in favor of a learned expectation of feature characteristics. Black’s essay is a conceptual analysis of "depiction," or more precisely, of "P displays a subject S if and only if R, where R ‘will constitute the necessary and sufficient condition for P displaying S'." The essay, which proceeds in a Wittgensteinian Investigations-type fashion ends where the reader would hope it begin. He concludes that the problem can only be adequately answered by moving from logical investigation to the world of the artisan and art lover. To arrive at this conclusion he debunks six candidates that claim to meet the depiction conditions: causal history, selective information, intention, mimesis, resemblance, and "looking-like." At best, depiction may be considered a "cluster" concept of all six. Further determination, he holds, requires knowledge of the purpose of a particular depiction, and this takes us out of logic and into art; and so Black stops, unfortunately.—W. A. F. (shrink)

A massive series of meticulous clarifications and arguments is marshalled to attempt to refute, first, the doctrine that all relations are "internal", next, the claims that coherence is the sole criterion of the nature of truth, and finally, the theory of degrees of truth and falsity. The author's great familiarity with the literature of the coherence theorists proves almost a drawback: he prefers to cite texts extensively, but must then acknowledge important differences among them. There is little in the way (...) of a constructive alternative theory of truth, but the criticism is formidable.--W. L. M. (shrink)

The essay "Augustine's View of Reality" was originally delivered by Dr. Bourke at St. Louis University as the 1963 Saint Augustine Lecture. To it, he has added here seventy-five pages of bilingual texts from Augustine, in which various metaphysical matters are treated, and four "appendices" in which Dr. Bourke carries out in greater detail the ideas advanced in his lecture. Dr. Bourke intends to explore the specifically metaphysical aspects of Augustine's writings, and in effect compares Augustine's Christian Platonism with Thomistic (...) metaphysics. He discusses Augustine's conception of the relation between being and essence, and his conception of the being of God. In the appendices, Dr. Bourke considers Augustine's approach to the subjects of Participation, Causality, Analogy, and the idipsum of God. While Dr. Bourke acknowledges from the start the extraction of a metaphysical system from the specifically theological writings of St. Augustine cannot do the entirety of those writings justice, it remains doubtful that this comparison of St. Augustine's thought with Thomism on the ground of the latter, is at all a fruitful way of understanding the real religious insights of the bishop of Hippo.—A. W. W. (shrink)

The central themes of the indicated company of ethical theorists are set forth in simple terms. --E. W.

A symposium by twelve English thinkers of various Christian backgrounds. The papers investigate the possibility of incorporating traditional metaphysics and the insights of contemporary continental philosophers into the empirical and analytic tradition. The concept of intuition or immediate apprehension is explored in several of the papers as a possible key to the problem. Though the writers often fail to face up to hard problems, the book offers an important, if cautious, effort at integration.--F. W. N.

A compact, lucidly written book by a formal logician dealing with "the application of the laws of logic to various fields". After an introductory section in which the author fixes his terminology and clarifies the specific intent of the book, four "methods" are systematically discussed: the phenomenological, the semiotic, the axiomatic, and the reductive. According to Bochenski, the book is not intended to be philosophical in a primary sense. That is, the author is not himself immediately concerned with the justification (...) of any one of the "methods." This does not mean, however, that the problems intrinsic to each of the "methods" are not pointed out, problems such as the possibility of carrying out a phenomenological reduction in the Husserlian sense, the difficulties in the semantic definition of truth, the significance of the relativity of systems of logic, and the justification of inductive procedures. In each case Bochenski mentions alternative solutions that have been suggested. The book is extremely helpful in spelling out the consequences involved in the choice of a particular problem. It should prove informative to philosophers regardless of their allegiance to any one of the four "methods" discussed by Bochenski.—L. W. (shrink)

The 1963 Aquinas Lecture will serve to link Weiss's recent The World of Art and Nine Basic Arts with his forthcoming treatment of religion. It also stands on its own merits as a fascinating examination of the relations between these two irreducibly "basic enterprises." Weiss begins by listing seven possible relations between religion and art: in terms of mutual independence, or the dominance, completion or qualification of one by the other. His most thorough examination, in the light of each of (...) the basic arts, is reserved for the final relation, art religiously qualified, "religious art." In this form God is faced not directly, but rather as qualifying Existence. Memorable short excursuses include discussions of the various ways of adjusting to Existence and of the special character of religious language. In the final paragraph, Weiss says that other basic enterprises should be intersected by art and religion to yield new areas of activity.--W. L. M. (shrink)

Subtitled "A Study in Comparative Philosophy," the concept of man in Greek, Jewish, Chinese, and Indian cultures is briefly outlined.--W. L. M.

Subtitled "Rejections of Cartesian Dualism" this collection of essays traces through western Philosophy the strong but often overlooked idea that the body and the mind are not two different kinds of entity somehow reconciled in man, but rather a unity that is man. The editor's introduction sets forth Aristotle's ideas, concentrating on the dictum that it is the same man that thinks and runs. Spicker also treats Descartes' view, and the view of the Cartesians, ably separating the two when necessary. (...) The rest of the book is basically arranged chronologically, starting with extracts from Spinoza's Ethics, an essay on these extracts by Hans Jonas, and then moving through Julien de la Mettrie and two short essays by Kant. The second part of the book contains interesting essays on the human body by John Dewey, Douglas Long, and B. A. O. Williams, all defending the essential unity of body and soul. The third and last section of the book is itself divided into two parts, the first of which, entitled "Philosophy of Embodiment" contains four extracts from the works of prominent phenomenologists, Max Scheler, Gabriel Marcel, Jean-Paul Sartre, and Maurice Merleau-Ponty. These essays all center around the necessity of a concept of the "lived body" to the understanding of man's being-in-the-world. In the last section, the quality of the essays drops, although it is delightfully leavened by a witty essay by Richard Griffith on the foot. This section contains essays on particular parts of the human body, such as sight and the upright posture, by Herbert Plügge, Hans Jonas, and Erwin W. Straus. There is a selected bibliography for those who are captured by this basic thread of western thought.--W. A. de V. (shrink)

Beardsley's exposition of his large subject shows lucidity, objectivity, deftness, and a good sense of proportion; and these virtues become more apparent the closer his history approaches the complex diversity of contemporary aesthetic speculation. Especially skillful are the succinct accounts of those aspects of each philosopher's thought which, though not directly concerned with aesthetics, are necessary for a full understanding of his aesthetic theories. Beardsley himself remains neutral, arguing neither for nor against the theories he analyzes. Some may feel that (...) the visual arts are slighted, but this is a minor criticism of a very informative and illuminating book.—W. B. K. (shrink)

These essays were originally presented at the first of an annual series of seminars in the humanities at John Hopkins. To avoid imposing an artificial unity on the subject, the contributors were deliberately left unguided in their choice of subject and method. The result of this policy is a rich and stimulating collection ranging from gardens to musicology. Reproductions of paintings and copious printings of musical scores show that no expense was spared to make the book as useful as possible. (...) Of greatest interest to philosophers are George Boas's witty demolition of "the age of reason" as a description for the period, J. A. Passmore on "the malleability of man," Isaiah Berlin's long reconsideration of Herder, Alfred Cobban on "the Enlightenment and the French Revolution," and Henry Guerlac on Newton's place in intellectual history.—W. B. K. (shrink)

This selection of readings in ethics is divided into five parts: Classical and Medieval Intellectualist Thought; Dialectical Thought; American Naturalistic Thought; Analytic-Positivist Thought; Existentialist and Post-Existentialist Thought. An anthology such as this one is needed to balance the limited selections offered in the area of morality contained in the anthologies dealing with philosophy in general. For example Part II contains selections from Kant, Fichte, Hegel, Marx, and Engels. And Part III features James, Dewey, Edel, Hook, Romanell, and Dennes. It would (...) not be possible to include the majority of these authors' writings on ethics in an anthology dealing with philosophy generally. This anthology could best be used in introductory courses in ethics. Some of the introductions given to each of the five parts are good and the rest are adequate. At the end of each reading there are questions designed to guide the reading and discussion. This could have been omitted without any loss to the anthology. At the conclusion of each part there is a limited list of recommended readings. For the beginning student of ethical theory Approaches To Morality offers a quick but fairly inclusive view of the various ways in which some individuals have approached the philosophical problems inherent in a study of morality.--W. P. G. (shrink)

A very detailed piece of scholarship devoted to showing the fundamental importance and meaning of Aristotle's notion of phronesis in the Nicomachean Ethics and the Politics, which express Aristotle's complete philosophy of human life. The infelicity of style and omnipresence of scholarly paraphernalia obscure the philosophic importance of the analysis unnecessarily. This is especially true in the case where imprecision of language leads Michelakis to treat phronesis as a faculty along with nous praktikos rather than a disposition modifying it. As (...) a result an important section of the second chapter is mystifying, if not completely wrong, issuing in the identification of the subordinate disposition nous with the nous praktikos itself. Michelakis is correct in thinking that an analysis of phronesis is urgently needed to clear up the confusion of interpretations of Aristotle's ethical and political doctrine. This book presents much of the requisite material for that analysis, but not the requisite analysis.--W. G. E. (shrink)

Designed to complement the editors' earlier selection, The Social and Political Philosophy of Jacques Maritain, this book arranges its material in six sections: theory of knowledge, metaphysics, ethics, esthetics, politics, and philosophy of history, with the editors contributing a one-page or two-page introduction to each section. The texts, taken from some fifteen of Maritain's works and in some cases published for the first time in English, are well chosen and interesting in themselves, but are too brief to present fully developed (...) arguments. This raises the question of the audience being aimed at. The book is not coherent enough to serve as a serious introduction to Maritain or to modern Thomism; it is rather a "sampler," and might be most useful as a kind of bedside book for those already acquainted with Maritain.--W. B. K. (shrink)

Reilly approaches his topic by presenting the spirit of science and the phases of scientific inquiry as Peirce saw it, keeping before the reader, at all times, Peirce’s overarching view of man and the universe. The two prevailing themes guiding Peirce’s thought are 1) that there is a special conformity of the human mind to nature and of nature to God, and 2) that there is an architectonic qualifying all the various types and levels of treatment which occupy the philosopher’s (...) interest. The first question examined is the nature of the scientific concern. For Peirce, the scientist’s spirit is marked by the pure love of knowledge. It is important to note the theoretical aspect because it explains the possibility of holding belief in abeyance while examining nature: the purity of motive allows that proper questions will be asked and errors will be readily corrected. The scientist’s purpose is the real truth of things; he begins with questions about the world. There are four stages of scientific method: 1) The scientist observes nature as a thinking, analytic inquirer. Observation presupposes that nature is intelligibly structured. 2) He formulates an explanatory hypothesis which is a process of bringing a manifold of characters to a unified whole. 3) By deduction, the inquirer gathers experiential consequents of the hypothesis. 4) By induction the question is put to nature and observed phenomena are matched to the predicted phenomena, resulting in either truth or a modified hypothesis. Peirce’s principle of the kinship of man’s mind to nature supports his dictum to follow instinct over reasoned likelihood in choosing hypotheses. Also important is the doctrine of moderate fallibilism which holds that there is a convergence upon the truth founded upon the regularity of nature, but that chance is a real factor due to nature’s evolution. Reilly’s book gives an adequate account of the aspects of Peirce’s scientific method sacrificing specific and detailed analysis to a more general approach wherein he shows the unity operative throughout Peirce’s thinking. A good index and copious notes are provided.—W. A. F. (shrink)

Allen begins with a general survey of "atheism and atheists" in the Renaissance, gives brief sketches of six individual "atheists"—Pomponazzi, Cardano, Vanini, Montaigne, Charron, Bodin—devotes chapters to rational theology against atheism and to reason and immorality, and closes with a portrait of the "atheist redeemed" in the person of the Earl of Rochester, the arch-rake of the Restoration who was converted during his final illness. He points out that during this period "atheist" usually meant no more than a person whose (...) theology did not agree fully with that of the name-caller, and that none of the thinkers he mentions merited the term in any strict sense. The book is a wide-ranging, erudite survey without much attempt at either analysis in depth or synthesis, but Allen's somewhat Voltairean point of view helps give it form.—W. B. K. (shrink)

A fine introduction to a medieval philosopher who has recently been receiving greater attention Bettoni's study is both sympathetic and balanced.--W. L. M.

Hoping to overcome the deficiencies of Bailey and Dewitt, and taking into account the insights of Diano, Kleve, and Merlan, Rist presents this book as an accurate and complete doxology of Epicurus’ philosophy. The book is written in a condensed style where doctrines treated early in the book are not fully explained until the completion of later parts. In trying to pin down Epicurus, distinct from the Epicureans, he depends heavily upon Lucretius and the few extant writings of Epicurus himself, (...) but he does range over the works of all the later students and commentators. Even so, much is left either vaguely outlined or problematic, and what is accepted from the more distant or biased sources is judiciously measured against the more accepted teachings. There are seven major chapters dealing with the canonic, physics, man and the cosmos, soul and mind and body, pleasure, friendship, and gods and religion. Certain of the teachings presented have a bearing, one upon the other, throughout the book and do much toward showing some consistency and richness to Epicurus’ philosophy: In the canonic, three types of criteria for judging as to the existence of a thing or the truth of a proposition are explained, viz., sensation, general concepts, and feeling. In the physics, a crucial topic is the role of the swerve with its logical priority. In the cosmos, there is the developmental, evolutionary character of the universe. In the soul and body of man, the animus/anima distinction is worked out. The interrelation of all these is brought to bear on the central theme of pleasure and the gods. Pleasure, as the stable condition of the flesh and confident expectation of the future on this score, with complete absence of pain and anxiety, involves the physics, friendship, the soul of man, and the canonic. Also important to his teaching on pleasure is the interplay of those pleasures based upon want and that pleasure which is a state of untroubledness. Rist makes good use of the teachings of the canonic to establish the existence of the gods. In describing their structure, he shows how the gods, as detached exemplars, fit in with the physics and canonic, and with the teaching on pleasure and friendship. He assiduously refrains from interpreting the role of the gods in Epicurus’ philosophy, but with their existence so presented future interpretations should be much enriched. This book is a superb piece of scholarship and an invaluable aid to the study of Greek philosophy.—W. A. F. (shrink)

A detailed study of Heidegger's views on the dialogue between poet and thinker. Allemann's discussion of Heidegger's neologistic experiments in philology point up the immense problem of translating the German's writing. Fédier's translation is an example of precision and self-effacement, though the resulting text suffers from an understandable heaviness.--W. L. M.

Pearson points to the radical questioning of the traditional Greek ethic, which is found in the classical dramatic literature of fifth century Athens, as an example of popular ethics. The philosophic discussion of the Socratic-Platonic tradition supplanted this popular ethics in the fourth century. Many of the problems discussed in the philosophic literature were taken over as developed and articulated by the classical dramatists. Thus, three ethical traditions are described and related in this book: the "traditional" ethics coming from Homer, (...) Hesiod, and Solon, the "popular" ethics of the classical dramatists, and the technical "philosophic" ethics of Plato. The main effort of the book is to discuss the popular ethics as related to both the traditional and philosophic ethics The student of the Platonic dialogues will find the book of great value in identifying the various positions represented by the dramatis personae of the dialogues.--W. G. E. (shrink)

The two interpretations with which La Croix is dissatisfied are 1) the traditional view, which focuses exclusively on St. Anselm’s argument for the existence of God in Proslogion II; and 2) the newer view, championed by Hartshorne and Malcolm, which claims that the argument in Proslogion III supercedes the material in Proslogion II, and is immune from the traditional criticisms. Neither view is correct, La Croix argues, because both assume that Proslogion II and III are logically separable. La Croix places (...) extreme emphasis on Anselm’s assertion in the Preface to the Proslogion that he found "one argument" by means of which he could prove both that God exists and that God possesses the traditional divine attributes. According to La Croix, the overall structure of the Proslogion is to show first, in chapters II and III, that that-than-which-nothing-greater-can-be-conceived exists, and then, in the subsequent chapters, that that-than-which-nothing-greater-can-be-conceived is God, i.e., has the various perfections traditionally ascribed to God. The major task of the book is to argue that neither chapter II nor chapter III contains a "logically complete and independent" argument for the existence of that-than-which-nothing-greater-can-be-conceived, but that taken together, they provide the premises for the propositions that that-than-which-nothing-greater-can-be-conceived exists, cannot be thought not to exist, and cannot not exist. Moreover, La Croix argues that there are no new arguments presented in Anselm’s Reply to Gaunilo: all the apparently new arguments merely make explicit what was left implicit in the Proslogion. As one can guess from these few remarks, there is much to quarrel with in La Croix’s book, but that is a never-ending feature of historical interpretation, and one can certainly sympathize with La Croix’s complaints against the other two interpretations. Unfortunately, La Croix relies on the Charlesworth translation of the Proslogion and the Reply, a translation which is not to be used without great care.—W. E. M. (shrink)

In this short work, Bouyer sets forth clearly and briefly, yet comprehensively, the developments of the past one hundred years in the study and interpretation of religion, showing the defects of the early reductionistic schemes and the richness of the contemporary phenomenological approach. He proceeds to a penetrating and suggestive analysis of ritual action, using the "sacred meal" as his example. He shows it to be a universal phenomenon in religion, always expressive of profound human meaning heightened and transformed by (...) religious meaning.--W. G. E. (shrink)

In this lecture Armstrong argues that the main point of difference between Saint Augustine and other Christian Platonists centers less on how they view the effectiveness of man's free will than on their view of man's relationship to God. The Platonic tradition always stressed the goodness of the deity. Augustine, however, stressed God's immutability and power, and paid little attention to His goodness and His offer of redemption to all men, including those who stand outside the institutionalized church. This engaging (...) 1966 Saint Augustine Lecture is an unabashed polemic which is cast within an examination of three topics which illustrate Augustine's relationship to pagan and Christian Platonism. The criticism is stated with refreshing boldness and masterly erudition. The extensive notes are stimulating and informative. In the first section the author discusses the natural divinity of the soul and tells why most Christian thinkers, including Augustine, rejected the Platonic view that man's soul is naturally divine. The second topic presents the different attitudes Augustine and Platonism expressed toward the body and the material universe. Here Armstrong argues that in their fervent rejection of the Plotinian doctrine of the mystical body of the universe, Christians lost the sense of the holiness of everyday life and thereby dampened their awareness of the immediacy of the Holy Spirit. In his last topic of discussion Armstrong preaches against Augustine's doctrine of selective predestination and his conception of God as an arbitrary tyrant. These two views, says Armstrong, bring bad news to mankind and cause extreme pessimism rather than an awakening of love--the motive force which speeds man back to God.--W. D. T. (shrink)

The purpose of this book is to examine and explicate a definition given in Philosophical Investigations. The definition of the meaning of a word is that "the meaning of a word is its use in the language." Hallett understands this as a definition in the strict sense of the word. In Chapter I, the author looks to the Tractatus for its treatment of the picture theory of meaning and the Bedeutung/sinn distinction. The conclusion which he pulls from the early work (...) is that, for Wittgenstein, meaning was already in a proposition by way of the meaning of names. Yet, only in the use or application, i.e., in a proposition with sense is meaning revealed. Although the Tractatus is far from saying that meaning is use, certain guiding themes are elaborated and carried into later works; namely, the search for meaning, the impossibility of meaning outside use, and meaning as revealed by use. Chapter II, III, and especially IV bear the brunt of establishing Hallett’s thesis that Wittgenstein presented a significant and sound definition. He begins by showing what Wittgenstein proved meaning not to be: meaning is not images, objects, mental referents, nor feelings. All of these theories have convincing confirmation in certain respects, yet analysis, i.e., observation of the actual working of language, shows each to be too narrow. In making his transition to the true definition, the author shows Wittgenstein elaborating the theses that meaning is to be found in the system or context of language. These are elaborated only to be cast aside as were the previous suggestions. The pattern elicited from these examinations is that meaning is use and, hence, defined as such. To explicate the definition, Hallett presents and examines seven characteristics of use: complexity, regularity and utility, abstraction, openness, vagueness, variety, and family resemblances. The book concludes with a consideration of the major objections to Wittgenstein’s definition. There are too many objections presented to be handled justly. For the most part, the argument is superficial, usually presuming a familiarity with the issue, and with but an indication of how the objection could be handled. The strength of the book is that it gives an organization to Wittgenstein’s later thinking, especially by way of the above-mentioned seven characteristics. In identifying and elucidating them, Hallett does Wittgenstein students a great service. Its chief weakness, although pale in regard to the overall worth, is that the main thesis is not firmly established. To say that a precise and complete definition is given is contrary to what is maintained throughout the Investigations, and perhaps a serious misreading of the German word, erklaren, as the precise English phrase, "to define." There are extensive notes and an adequate index.—W. A. F. (shrink)

This work, a reworked doctoral thesis written for Roland Bainton at the Yale Divinity School, begins with an announcement of a specific scholarly purpose: "To clarify the relationship between the clergy and the magistracy which grew out of Zwingli's reforming work at Zurich... the main focus of the study is upon the early stages of Zwingli's career at Zurich.... The ensuing study accepts the assumption that Zwingli believed in a Christian society ruled by two God-ordained officers, the magistrate and the (...) pastor, and asks 'What place did Zwingli assign to the magistrate and the clergy in order to realize the rule of God?'" Using as his model the German habilitations schrift, the author exhausts every possible aspect of Zwingli's theological and political thought. All of Zwinglian scholarship is summarized here, and problems in Zwingli's thought are dealt with emphasizing its development and its contradictions. Basically Walton argues that most of the scholarship about Zwingli is wrong because it assumes that Zwingli advocated domination of the government by the clergy. Zwingli was a defender of a theory of government which envisaged a co-operation between the spiritual and secular authority in a Christian society in order to realize the will of God. Walton finds that Zwingli's success in reforming Zurich was based upon the fact that his formulation of a Church-State detente conformed to pre-existing conditions in that city. Zurich was dominated by a corporate form of government which had already permitted the magistracy to take on a semi-sacral character. Zwingli, Walton argues, fit his theory of government to the conditions as they existed at Zurich. This is a book for Zwingli aficionados. It is an example of extremely well-done Continental scholarship: precise, insightful, and dry. No doubt the work has already become a definitive work on Zwingli's notion of theocracy.--W. A. J. (shrink)

Das »Richtige und das Gute« (1930), das ethische Hauptwerk W. D. Ross’, enthält eine Vielzahl wichtiger moralphilosophischer Thesen und Argumente, die bis in die Gegenwart kontrovers diskutiert werden. Im Mittelpunkt steht seine pluralistische Deontologie, der zufolge sich die richtige Handlung aus einer Abwägung der in der jeweiligen Situation relevanten und unableitbaren Prima-facie-Pflichten ergibt, von denen nur ein Teil auf die Optimierung der Handlungsfolgen bezogen ist. Diese Deontologie wurde zu einem modernen Klassiker unter den normativen ethischen Theorien. Darüber hinaus stellt Ross’ (...) These, dass moralische Intuitionen eine Quelle selbstevidenten Wissens sein können, einen wichtigen Referenzpunkt in Debatten um den erkenntnistheoretischen Fundamentalismus dar. Auch für die Handlungstheorie liefert Ross einflussreiche Argumente, wenn er die Ansicht vertritt, dass Pflichten nie ein bestimmtes Motiv des Handelnden zum Gegenstand haben können. Eine zentrale Stellung nimmt für Ross die Güterlehre ein, in welcher er von vier Grundgütern, Tugend, Wissen, Lust und Gerechtigkeit, ausgeht. Wurde Ross in den ersten Jahrzehnten des 20. Jahrhunderts im damaligen Großbritannien als ein herausragender Ethiker – einer der bedeutendsten des Jahrhunderts, auf Augenhöhe mit G.E. Moore – angesehen, wandelte sich das Meinungsbild in den folgenden Jahrzehnten unter dem Einfluss besonders des Logischen Positivismus und der Philosophie Wittgensteins. In den letzten Jahrzehnten ist jedoch wieder ein wachsendes Interesse an Ross’ Ethik festzustellen. Dabei wird »Das Richtige und das Gute« bisweilen sogar mit der »Nikomachischen Ethik«, Kants »Grundlegung« und Humes »Untersuchung über die Prinzipien der Moral« verglichen. (shrink)

In einem Brief nennt Adorno die "Negative Dialektik" kurz nach ihrem Erscheinen unter seinen Schriften "das philosophische Hauptwerk, wenn ich so sagen darf“. Dieser herausgehobenen Bedeutung, die das Werk für Adorno hatte, entspricht nicht nur die lange Zeit, die er mit der Abfassung des Buchs beschäftigt war, sondern auch die lange Geschichte, die ihre zentralen Motive in seinem Denken haben. Philosophische Begriffsklärung, die Arbeit an "Begriff und Kategorien“ einer negativen Dialektik, versteht Adorno dabei als dialektischen Übergang in inhaltliches Denken – (...) und so betreibt er sie auch hier. Das hat Konsequenzen für die Form des kooperativen Kommentars, der in diesem Band versucht wird. Adornos "Negative Dialektik" zu kommentieren, kann nur in dem Bewußtsein der unüberbrückbaren Kluft gelingen, die den Kommentar von diesem Text trennt. (shrink)

The paper „F. W. Bessel and Russian science by K. K. Lavrinovich published in NTM-Schriftenreihe contains several errors coming mainly from re-translations of German names and texts from Russian into German. The correct spelling of names and original texts are given here. Beside this, some additional information from sources not mentioned by the author is presented, and the kind of relationship between Bessel and W. Struve is discussed on the basis of their correspondence.

The following is the transcript of a lecture taken in shorthand by Hans-Georg Backhaus. The transcript was originally published as an appendix in Hans-Georg Backhaus, Dialektik der Wertform. Untersuchungen zur marxschen Ökonomiekritik, a complete translation of which is forthcoming in the Historical Materialism book series.