Hedwig Conrad-Martius, the woman pioneer of the realistic phenomenological school, describes the reality to which her philosophizing is addressed as “totally non-material corporeality”. With this contradictory expression she seeks to affirm two foundational aspects regarding reality: the spatial that achieved material realization in real existents and the concealed non-spatial that is at the cradle of the establishing of reality and remains present behind its phenomenal and material appearing. This article focuses on three ontological elements in HCM’s idea of reality—“essence”, “ (...) class='Hi'>abyss”, and “self”—whose meaning both implies and raises the issue of the non-spatiality of Being in a complex manner. Moreover, the three seek the same objective of coming to terms with the force in real beings that will never ever be able to shine in its entirety. By means of philosophical explication of the mentioned elements and the illumination of the dialectic of each of them with the corresponding spatial aspects, this article demonstrates the evolution of HCM's understanding of the issue of spatiality that mirrors her metaphysics as a whole. (shrink)

In The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called "the ancient quarrel between philosophy and poetry," Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream (...) of reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique. (shrink)

Despite the many ways in which the so-called psychoses can become manifest, they are ultimately human events arising out of human contexts. As such, they can be understood in an intersubjective manner, removing the stigmatizing boundary between madness and sanity. Utilizing the post-Cartesian psychoanalytic approach of phenomenological contextualism, as well as almost 50 years of clinical experience, George Atwood presents detailed case studies depicting individuals in crisis and the successes and failures that occurred in their treatment. Topics range from depression (...) to schizophrenia, bipolar disorder to dreams, dissociative states to suicidality. Throughout is an emphasis on the underlying essence of humanity demonstrated in even the most extreme cases of psychological and emotional disturbance, and both the surprising highs and tragic lows of the search for the inner truth of a life – that of the analyst as well as the patient. (shrink)

This essay concerns various difficulties encountered in the attempt to assess the relation between Heidegger and Nietzsche. More specifically, those difficulties are due to the notion and function of repetition in the texts of both Heidegger and Nietzsche. I attempt to provide an analysis of repetition in the Heidegger of Being and Time and surrounding texts (e.g., Plato’s Sophist and Grundbegriffe der aristotelischen Philosophie). Following this attempt, I then examine the transformed notion of repetition operative in the now famous text (...) written at the time of the Nietzsche lectures, Beiträge zur Philosophie (Vom Ereignis), a repetition that goes by the name of crossing (Übergang). In my presentation of crossing, I attempt to draw Heidegger and Nietzsche together through the repetition of crossing and that of eternal recurrence of the same. Finally, I argue that what draws Heidegger and Nietzsche together is also what prevents us from distinguishing them in any traditional way, a distinction that could then be followed by any number of judgments regarding historical influence. That is, that what draws the two to thinking is what both draws them together, which is abyssal repetition, and problematizes any attempt to distinguish them. (shrink)

In this paper, I critique the prevalent notion that only in the abyss can one emerge to be the Übermensch, or to use Hollingdale’s term, the Superman. To support this, I will first expound on the notion of the abyss as ethical nihilism from the perspective of the death of God to Nietzsche’s critique of morality. I argue that ethical nihilism as an abyss is insufficient in constituting Nietzsche’s Superman. I will then set how the Superman emerges (...) through counter-stages. The paradox is that such tragic an abyss that serves as conditio sine qua non for the Superman falls flat when looked at in the perspective of life. There underlies a fundamental difficulty in simply accepting the proposals of acknowledging the abyss or ‘becoming what one is.’ Later, Nietzsche’s anti-romanticism and anti-Darwinism are explored to support such difficulty. (shrink)

Grand Hotel Abyss investigates the lives and afterlives of the critical theorists who formed the Frankfurt School.

_Courting the Abyss_ updates the philosophy of free expression for a world that is very different from the one in which it originated. The notion that a free society should allow Klansmen, neo-Nazis, sundry extremists, and pornographers to spread their doctrines as freely as everyone else has come increasingly under fire. At the same time, in the wake of 9/11, the Right and the Left continue to wage war over the utility of an absolute vision of free speech in a (...) time of increased national security. _Courting the Abyss_ revisits the tangled history of free speech, finding resolutions to these debates hidden at the very roots of the liberal tradition. A mesmerizing account of the role of public communication in the Anglo-American world, _Courting the Abyss_ shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today. A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, _Courting the Abyss_ invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil. (shrink)

ABSTRACTConsulting Heidegger's other texts composed during 1936–1942, this article employs a principle of charity and constructs a consistent discourse about an inceptual negativity Heidegger articulates through a confrontation with Hegel in GA 68. Heidegger deliberately differentiates his use of denial that bears Being-historical significance from Hegel's Negation that allegedly aims at synthesis or elevation as a dialectical movement. Being unsatisfied with his approach that remains entangled with metaphysics in the Contributions, Heidegger attempts to transform the question of the Nothing from (...) a subsidiary question to Beyng to an abyssal question. One needs to go under toward the Nothing in its concealed, conjoined, and most intimate relation to Beyng. The movement of going under is fundamentally significant for transitions that could occur from out of the history of Beyng. Never being the fullness of essence, the Nothing places a limit on Beyng, constantly thwarts its unfolding, and maint... (shrink)

From the Copernican revolution of Immanuel Kant to the cognitive mapping of Fredric Jameson to the postcolonial politics of Gayatri Chakravorty Spivak, representation has been posed as both indispensable and impossible. In his pathbreaking work, _The Abyss of Representation_, George Hartley traces the development of this impossible necessity from its German Idealist roots through Marxist theories of postmodernism, arguing that in this period of skepticism and globalization we are still grappling with issues brought forth during the age of romanticism (...) and revolution. Hartley shows how the modern problem of representation—the inability of a figure to do justice to its object—still haunts today's postmodern philosophy and politics. He reveals the ways the sublime abyss that opened up in Idealist epistemology and aesthetics resurfaces in recent theories of ideology and subjectivity. Hartley describes how modern theory from Kant through Lacan attempts to come to terms with the sublime limits of representation and how ideas developed with the Marxist tradition—such as Marx’s theory of value, Althusser’s theory of structural causality, or Zizek’s theory of ideological enjoyment—can be seen as variants of the sublime object. Representation, he argues, is ultimately a political problem. Whether that problem be a Marxist representation of global capitalism, a deconstructive representation of subaltern women, or a Chicano self-representation opposing Anglo-American images of Mexican Americans, it is only through this grappling with the negative, Hartley explains, that a Marxist theory of postmodernism can begin to address the challenges of global capitalism and resurgent imperialism. (shrink)

Introduction: Staring into the abyss -- Situating the self in the abyss -- The mystical abyss: via negativa -- The dialectical abyss: the restless negative of Hegel -- The colonial abyss: groundlessness of being -- Creolizing cosmopolitics: poetics from the deep.

Sounding the Abyss achieves an analysis that extends Cavell's already rich range of work into surprising new directions in postcolonialism, multiculturalism, and general cultural criticism. The work never strays from its concern with reassessing the divide between philosophy's analytic and Continental factions.

The paper undertakes to analyze the specificity of Gilles Deleuze’s concept of crystal-image in two films: The Structure of Crystal/ Struktura krysztalu (Krzysztof Zanussi, 1969) and Heart of Glass/ Herz aus Glas (Werner Herzog, 1976). The crystal-image offers an insight into the amorphous abyss of consciousness, but it also represents the natural culmination of image in the history of modern cinema. Whereas in Zanussi the crystal of time depicts the figure of the visionary that sees the self-castration of time, (...) the non-actor of Herzog, with a hypnotic gaze and a heart of glass, is the only one capable of seeing the inner being of a landscape. (shrink)

Since Plato, western philosophy has had an uneasy relationship with the sea. The sea has always acted as the unspoken that threatens to breaks up the laborious definitions attained by philosophical achievements. Of all the thinkers who grapple with the maritime latency of philosophy and the openness inherent to thinking, Nietzsche is perhaps the most outspoken about the force of the sea for the birth of a new philosophy. Throughout his works, Nietzsche has consistently commended: “Aboard the ships, ye philosophers!” (...) Nowhere has Nietzsche pursued the philosophical potency of the maritime so forcefully as in Thus Spoke Zarathustra. In this essay, I aim to show how the sea is pivotal to the thinking of eternal recurrence and how Zarathustra comes to embody the maritime and becomes a khoratic site of hospitality and transfiguration – for the birth of new historical values and for the condition of possibility of the value of values. (shrink)

When Heidegger pursues his destructive interpretation of Leibniz's doctrine of judgment, he identifies a principle of abyssal ground and a concealed metaphysics of truth that undermine the priority of logic with respect to ontology. His reading turns on an account of Leibniz's methodological generation of metaphysical principles and the relation between reason and identity, which, I argue, is at once deeply flawed and extremely productive. This essay pursues the implications of Heidegger's quickly abandoned suggestion that Leibniz's principle of identity is (...) reflexively self-grounding, arguing that this claim makes possible a rigorous interpretation of Leibnizian method as an abyssal logic of repetition. I hold that the identification of such a methodology requires a modified account of the metaphysics of truth operative in Leibniz that reinvigorates Heidegger's reading even while moving beyond his now exhausted trope of a hidden presupposition of subjectivity. (shrink)

In this paper I intend to discuss some notions encountered in Jacques Derrida’s The Truth in Painting (1978) immediately linked to the manner in which the art object is understood and addressed, its limits, what it does/does not include/exclude, what it touches upon—if we can use such formalist terms in a deconstructive framework. These notions have perhaps formed in the past decades the art object, even though there is no frequent reference of Derridean deconstruction in texts regarding art.3 The ones (...) I will mostly refer to are the parergon, the frame and the abyss. I intend to support that Derrida has not just doubted the limits between ergon and parergon but has also illustrated in an almost painterly manner the abyss and the parergon, thus reframing fields of aesthetics, philosophically and visually. (shrink)

An essay by philosopher Slavoj Zizek, with an English translation of Schelling's beautiful and evocative "Ages of the World, " second draft.

Offering both a discussion of feminism in its postmodern context and a critique of contemporary theory, the author here challenges feminists to move away from a theory-based approach, which focuses on securing or contesting "women" as an ...

The name of “Peru” and the entities and beings it names first appeared “in an abyss of history” on “the edge of the world” in the early 1500s. In this essay I ask what hermeneutical truths or meanings the strange event that made the name of Peru both famous and historical holds for—and withholds from—any understanding of the meaning of colonial history. By way of a reading of Inca Garcilaso de la Vega’s rendering, in Los Comentarios Reales de los (...) Incas of “the origin and principle of the name of Peru,” I suggest that Peru’s name is itself an inaugural event that marks the founding void or abyss of colonial and postcolonial history, which is to say, of modern global history. This événemential void is not unoccupied, however. It is inhabited by another founding, mythopoetic figure of history: “the barbarian” whose speech is registered in the historian’s text. (shrink)

Kant empahtically denied that living forms unfold according to a mechanical law. Yet if living nature were not law-like, natural science would be futile. The justification for a concept of purposiveness is to ensure “the lawfulness of the contingent” against the last exception. It was not until we learned to think about contingency without effacing it that natural history crossed the threshold of a science, Darwin leading the way. While his theory of evolution proposes mechanical explanations for a wide range (...) of natural historical phenomena, the explanations do not overcome but actually presuppose life’s ultimate contingency. (shrink)

The aim of this study is to address the “Grounding Grounding Problem,” that is, the question as to what, if anything, grounds facts about grounding. I aim to show that, if a seemingly plausible principle of modal recombination between fundamental facts and the principle customarily called “Entailment” are assumed, it is possible to prove not only that grounding facts featuring fundamental, contingent grounds are derivative but also that either they are partially grounded in the grounds they feature or they are (...) “abysses”. (shrink)

This article articulates a dialogue between Werner Herzog’s films and Martin Heidegger’s philosophy to illuminate human dwelling. In the light of Heidegger’s ideas of dwelling, thrownness, they-self, authenticity, abyss and being-towards-death, I look into the abyss of society as represented by Herzog, considering dwelling with humans in The Enigma of Kaspar Hauser (1974) and Into the Abyss (2011) as dwelling through language and dwelling in proximity to death. This article’s primary purpose is to redress society’s overly negative (...) connotation as monstrous and unhomely in Herzog and, against the predominant critical interpretations and Herzog’s self-commentary, discover the homely therein. Specifically, this film-philosophy dialogue will shed important light on both Herzog and Heidegger. Heidegger’s philosophical thought enables a creative and insightful reading of overlooked yet significant aesthetic forms in Herzog’s films: the motif of tears in Kaspar Hauser and the jump cuts and close-ups in Abyss. Meanwhile, Herzog’s films work out Heidegger’s paradoxical and etymological wordplay of the abyss that also grounds. Not only do the films affectively effectuate and interrogate the terror and promise of human dwelling in artistic terms, but Abyss also breaks the Heideggerian category of mortality and gestures towards Hannah Arendt’s idea of natality. (shrink)

In all his works, Hegel makes very few references to the unconscious. In fact, the account is limited to only a few passages in his Encyclopaedia of the Philosophical Sciences; and these do not explicitly develop a formal theory of the unconscious. Yet Hegel does not completely ignore the issue. In the Encyclopaedia, as outlined in Petry’s presentation of Hegel’s Philosophy of Subjective Spirit, Hegel describes the unconscious processes of intelligence as a “nightlike abyss.” It is important to understand (...) what Hegel means by this “abyss” and what role it plays in the life of subjective spirit. But with a few noteworthy exceptions, which focus on Hegel’s theory of mental illness, Hegel’s treatment of the unconscious has been largely overlooked. In this essay, therefore, I will explore Hegel’s treatment of the abyss in mental life and explain how this constitutes a position on the unconscious. (shrink)

"A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."—G. Y. Craig, New Scientist "This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the (...) early modern era.... [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist. (shrink)

Despite its superficial similarities with Rousseau's _Confessions_, Constant's _Adolphe_ functions in fact as a devastating critique from within of the entire autobiographical project. Proceeding from the threefold assumption that the soul is irremediably divided, self-opaque, and untranslatable into language, it interrogates the very feasibility of autobiography, implicitly presenting its protagonist's maxims (which only appear to be the fruits of experience altruistically shared) and his claim never to have loved (which only appears to be brutally honest, but is a curious act (...) of self-slander) as desperate attempts to produce the illusion of unity. Behind everything stands the spectre of the French Revolution, its excess of liberty engendering relentless, paralyzing doubt – a thoroughly modern species of self-division from which it is difficult, if not impossible, to recover. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 2013 Heft: 1 Seiten: 143-156.

One of America's foremost historians discusses the intellectual arrogance and spiritual impoverishment at the heart of structuralism and shows how they have led to a trivializing of the Holocaust. Reprint.

Aims to find the common language between two of the most important philosophical thinkers of the twentieth century.

CHAPTER ONE The Human Scene: INDIVIDUAL, COMMUNITY, COLLECTIVE IN THE COURSE of this study we shall see the evidences of disintegration of the individual in ...

The first extended treatment of Hegel’s theory of the unconscious and his anticipation of Freud.

Peter Bornedalprovides an interpretation of Nietzsche's philosophy as a whole in the context of 19th century philosophy of mind and cognition.

Beth Cykowski offers a fresh reading of Heidegger's discussions of animality, arguing that they point beyond received dualisms back to a more essential way of philosophising about life and the relationship to it of the human. His exploration of animality raises deep questions about the status of the human within nature.

PriestGraham. Towards Non-Being: The Logic and Metaphysics of Intentionality. Oxford University Press, 2016. 2nd ed. ISBN 978-0-19-878359-6 ; 978-0-19-878360-2. Pp. xxxvi + 368.

This book is an in-depth discussion that seeks to answer two main questions: what is the nature of romantic love? What is the meaning of human life? The author argues that the longing for romantic love is part of the quest for meaningful life and human fulfillment.

PurposeThe purpose of this paper is to analyse the extent to which information communication technologies have worked as instruments of perpetuating social exclusion in developing countries.Design/methodology/approachThe paper uses theoretical and conceptual analysis method based on an extensive survey of literature. It greatly draws from the theoretical and empirical insights of social policy sub disciplines of social inclusion/exclusion and social aspects of ICTs.FindingsThe paper finds that ICTs in developing countries work to further social marginalization and exclusion. The argument is that developing (...) countries already experience high levels of social exclusion and as a result, ICTs deepen this exclusion.Originality/valueTheoretically, the paper contributes to the development of literature on the impacts of ICTs in developing countries which are in most cases only assumed. The paper is also pivotal for policy analysis purposes as it informs policy makers on appropriate interventions that can ensure sustainable integration of the socially excluded groups in developing countries. In addition, this paper creates a research sub area for further empirical analysis. (shrink)