In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images (...) of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. (shrink)

Aladdin.--Pan.--Jupiter.--Christophorous.--Selected bibliography.

Cicero's philosophical works are now exciting renewed interest and more generous appreciation, in part because he provides vital evidence of the views of the Greek philosophers of the Hellenistic age, and partly because of the light he casts on the intellectual life of first-century Rome. Hellenistic philosophy has in recent years atrracted growing interest from academic philosophers in Europe and North America. The Nature of the Gods is a document of central significance in this area, for it presents a (...) detailed account of the theologies of the Epicureans and of the Stoics, together with the critical objections to these doctrines raised by the Academic school. When these Greek theories of deity are translated into the Roman context, a fascinating clash of ideologies results. (shrink)

An analysis of Heidegger’s philosophy of technology.

In Big Gods, Norenzayan (2013) presents the most comprehensive treatment yet of the Big Gods question. The book is a commendable attempt to synthesize the rapidly growing body of survey and experimental research on prosocial effects of religious primes together with cross-cultural data on the distribution of Big Gods. There are, however, a number of problems with the current cross-cultural evidence that weaken support for a causal link between big societies and certain types of Big Gods. (...) Here we attempt to clarify these problems and, in so doing, correct any potential misinterpretation of the cross-cultural findings, provide new insight into the processes generating the patterns observed, and flag directions for future research. (shrink)

The paper reconstructs the trip to Rome of the first Bollandist Fathers, providing numerous historical, documentary and cultural details, while offering a generous cross-section of the academic life of the period.

... EARTH AND GODS AN INTRODUCTION TO THE PHILOSOPHY OF Martin Heidegger the language of science ...

Cicero's letter to his brother Quintus from February 54 is best known for containing the sole explicit contemporary reference to Lucretius’De rerum natura, but it is also notable as the source of the only extant reference of any kind to another (presumably) philosophical didactic poem, Sallustius’Empedoclea(Q. fr.2.10(9).3= SB 14):Lucretii poemata, ut scribis, ita sunt: multis luminibus ingenii, multae tamen artis. sed, cum ueneris. uirum te putabo, si Sallusti Empedoclea legeris; hominem non putabo.Lucretius’ poems are just as you write: they show (...) many flashes of inspiration, but many of skill too. But more of that when you come. I shall think you a man, if you read Sallustius’Empedoclea; I shan't think you a human being. (shrink)

THE GODS OF BUSINESS is, as the MIDWEST BOOK REVIEW writes, "A 'must-have' primer for anyone unfamiliar with basic tenets of world religions in today's era of ...

The Gods of our Ancient World are migrating toward the South. Pushed back by supermarkets, television shows and the rights of man divorced from himself, they have ended up taking refuge in the last Christian region that faces Islam: in Andalusia that is one of their last lands of asylum. They have left traces of their passage in our museums upon which we construct pyramids in order to feign our veneration for them. Now and then they accompany the silence (...) of a symphony to the rhythm of the high priest's baton. However, in the South they are alive. Accommodating themselves to the din of household appliances and of tourism, they appear sometimes in all the splendor of the Midi during the passage of the virgins of peace and bleeding christs. But most frequently they hide in the midst of the Andulusian festival, under the flanks of the fighting bulls or in taverns that are filled with raucous songs. Be it that they intrude upon a play in order to transform it into a ritual; be it that they honor art and sensuality in their celebrations — they choose for their appearances the blurred boundary between the world of the sacred and of the profane. (shrink)

This book contains reference to a number of Sontag's earlier articles on Becker. Becker won the Pulitzer Prize for writing The Denial of Death. His psychological/anthropological writings examined human nature and its tendency to religion. He proposed a self-made «hero religion», but his critique of the assumptions of modern social science equally make possible a return to traditional forms of religion: the return of the Gods.

This book begins with a careful taxonomy of divine attributes. It continues with detailed examinations of: divine infinity; divine simplicity; divine perfection; divine necessity; omnipotence; omniscience; divine goodness; divine beauty; divine fundamentality; divine will; divine freedom; etc.

During the era in which the Spanish first encountered public religious practices that they perceived to be idolatrous in the Americas, the study of Hermetic and Platonic texts in Europe was reactivating interest in the power of images and idols, and in the agency of demons. In the Americas, Spanish newcomers encountered idolatry, the cult of deities present to their worshippers in material objects of various kinds, as part of daily religious practice. The resulting battle over idols and the beliefs (...) surrounding them is in one sense only an outcrop of debates over idols and demons in the ancient Mediterranean and in medieval and Renaissance Europe. Yet while ancient beliefs about idols were reiterated in Peru, arguments shifted in this new context. At question is whether these arguments achieved anything beyond imposing European ideas and cognitive models on the Andean world? (shrink)

This dissertation is an effort to describe the effects of Postmodern thought in a variety of narrative forms, including novels, film, and computer games. Using Brian McHale's description of the focal point of Modernist narratives as being epistemological and Postmodernist narratives as being concerned primarily with ontological issues, I trace the possible meaning of the changing understanding of these concepts in the twentieth century. In addition, I interrogate the ramifications of the Postmodern resolution to the crisis of epistemology presented through (...) the work of Modernist writers to test whether or not the Postmodern idea of "claiming worlds" is, indeed, a reasonable or viable resolution to this crisis. ;It is my contention that a changing sense of the relationship between the definitions of epistemology and ontology in traditional literary narrative has been affected by and has affected the narratives of less traditionally "literary" media. In order to show that this change has occurred, I use a number of texts to serve as examples, first, of the conception of epistemology as presented in Modernist works like James Joyce's "The Dead" and Edith Wharton's A Son At the Front and then of the conception of ontology as presented in Postmodernist work like Salman Rushdie's Midnight's Children. I then examine more popular narrative forms to examine how Postmodernism's focus on what I term an "epistemologically derived ontology" has crept into the general culture. My specific examples in these cases are Norman Spinrad's cyberpunk novel Little Heroes , the film The Matrix, and a number of video games, particularly online games. ;My final conclusions are exemplified by the film Memento, which contains many of the Postmodern tenets I propose are typical of mainstream Postmodern works and which also serves as a basis for revealing some of my ethical concerns about the ramifications of this shift in understanding of the aforementioned philosophical categories. (shrink)

Cities of the Gods is a historical study of the theory of Utopian communism in ancient Greek thought, identifying and assessing its several currents. The author looks at the reason for the decline of the Utopian traditions after c. 150 BC and suggests that the main factor was the Roman conquest of the Greek world, which produced a more conservative intellectual climate. He concludes by looking at the evidence for the survival of utopian traditions, particularly their influence on early (...) Christianity. (shrink)

At least some of these commentators have then, rather naturally, taken a step which it will be the business of this essay to criticize. They have suggested that Leibniz’s "counter-part theory" can be understood as providing an interpretation of counter-factuals and certain forms of modal discourse within his system. For example, Mondadori writes.