Noting that Benhabib’s ethical theory has seldom been engaged with by sociologists of morality, this paper introduces and interrogates Benhabib’s ethical theory from a sociological perspective. It is argued that Benhabib’s critiques of Enlightenment conceptions of morality complement sociological theories of morality. Her concepts of the ‘concrete’ and ‘generalized’ other and ‘interactive universalism’ can potentially inform recurrent debates in the sociology of morality about the extent to which cultural plurality precludes the possibility of sociologists providing normative judgements, and (...) the extent to which certain features of moral experiences can be taken to be universal. However, Benhabib’s argument that discourse ethics can provide a procedural means to judge between competing moral claims leads her to prioritise the perspective of ‘postconventional’ Western modernism as the means to adjudicate between the moral tolerability of cultural beliefs and practices. This leads her to characterise ‘conventional’ moral systems as subordinate, which succumbs to postcolonial critiques of the role of processes of domination in organising the validity of moral claims. (shrink)

This article conceptualises theories of ethics relevant to the recognised problem of decision variability in child protection. Within this field, social workers are faced with multiple ethical imperatives when making decisions about children’s care. They must respond to justice principles concerned with duties and consequences, as well as ethical obligations created by the relational and contextual elements of each case. Recent scholarship on decision variability highlights the justice issues that arise when decisions in response to apparently similar cases differ. An (...) ethical imperative is that similar cases should be treated ‘like for like’ so that children’s and family’s rights are upheld consistently. This article contends that ethical concepts relating to both universalist duties such as respect for persons, extended by the concept of interactive universalism, and contextual responses based on an ethic of care, help theorise the complexities of ethical decisions in child protection. These concepts develop a nuanced understanding of the ways social workers resist risk discourses, may make decisions reflecting the participation of service users, and contextual evaluations of risk based on understanding service user’s life histories. Understanding this combination helps explain the reasons behind variability, and evaluate the moral acceptability or otherwise of apparently variable decisions. (shrink)

In this paper, I distinguish two possible families of semantics of the open future: Linearism, according to which future tense sentences are evaluated with respect to a unique possible future history, and Universalism, according to which future tense sentences are evaluated universally quantifying on the histories passing through the moment of evaluation. An argument in favour of Linearism is based on the fact future tense does not exhibit scope interactions with negation. Todd (2020, 2021) defends Universalism against this (...) argument proposing an error theory, according to which the speakers engaged in non-philosophical conversations implicitly assume a linearist semantics of the future. In this paper, I show that an error theory is not needed for defending Universalism and that the scopelessness of negation can have another explanation. The absence of a wide-scope reading of negation characterises many other linguistic constructions: counterfactuals, vague predicates, generics and plural definite descriptions. My main thesis is that, their considerable differences aside, these constructions have something in common: they are true when the predicate applies to the members of a set, false when the predicate does not apply to the members of the set and indeterminate in the intermediate cases. When negation interacts with such constructions tends to take the narrow scope reading only. I review two types of explanations for this behaviour, one semantic and the other pragmatic. Since this explanation for the scopelessness of negation is at least as good as that of Linearism, I conclude that the argument against Universalism is ineffective. (shrink)

Is it possible to look at schools as spaces for encounters? Could schools contribute to a deliberative mode of communication in a manner better suited to our own time and to areas where different cultures meet? Inspired primarily by classical (Dewey) and modern (Habermas) pragmatists, I turn to Seyla Benhabib, posing the question whether she supports the proposition that schools can be sites for deliberative communication. I argue that a school that engages in deliberative communication, with its stress on mutual (...) communication between different moral perspectives, gives universalism a procedurally oriented meaning, serving as an arena for encounters that represents a weak public sphere. An interactive universalism of this kind attaches importance to developing an ability and willingness to reason on the basis of the views of others and to change perspectives. In that respect, the institutional arrangements of schools are potential parts of the political dimension of cosmopolitanism, as well as its moral dimension, in terms of the obligations and responsibilities we develop through our institutions and in our actions as human beings towards one another. (shrink)

While universalistic assumptions have been undermined by experiences of cultural difference, the notion of culture has been universalized. But it seems that the notion of culture, the way it has prevailed in public discourse as well as in social and cultural studies, has to be seen as the main stumbling block to intercultural dialogue. The article argues for an interactional concept of culture, or interpretation, as also of research and representation. Emphasis has to be put on modes of linkage between (...) social action and discourses and on social reflexivity. While attempting to avoid the logic of identity, epistemologically, identity has to be understood as a social project. Thus universalism, which `as such' is underdetermined and shows only contextually, has to be seen not as something achieved and secured, but as an objective. Universalism has to prove itself within difference, it cannot be imposed by one side. (shrink)

Confucianism is a rather typical non-universalism, even though it does believe that its own doctrines are indeed the ultimate truth, and denies the validity of any higher, universalist meta-standard. Therefore, when facing the contemporary culture intercourse, Confucianism advocates genuine discourse: It rejects any cultural conflict to-the-death, refuses to engage in universalist competition and antagonism, and maintains a mutually-beneficial interaction with other cultures. However, it also adheres to a “free-to-terminate-relations” principle, which implies that any side is free to terminate, at (...) any time, all potential and actual interactions, whenever it feels that its original cultural vitality is threatened. In other words, cultural interactions must only occur when the cultural uniqueness and independence of all participating sides is guaranteed. (shrink)

Evolution can be a “weasel word” unless circumscribed to mean only a morphological change over time. When this is done, the fact of what can be distinguished from the faith of how. I believe that evolution is purely a natural process, but recognizing that everyone creates his or her own God, I feel justified in giving the name God to that mysterious presence in every interaction that causes transformation, since this is what gives the universe its dynamism. I relate how (...) this God concept informs my religious and ethical life and gives my life meaning and purpose. (shrink)

In this article, I argue that a trans-Atlantic account of the constellations of race and religion demands that we understand racist thinking to be constituted by complex conceptual formations and relations. The failure to identify the conceptual complexity and interactive relations in racist thinking has led to universalist and exclusionary definitions of racist thinking and limited conceptions of the constellations of race and religion. Because the supposed universal definitions of racist thinking are formulated from particular regions of the trans-Atlantic, (...) it has led to the masking and rejection of other formations of racist thinking from other regions of the trans-Atlantic. To avoid this, this article proposes a Trans-Atlantic Interactive and Relational Approach that can help us to continue unmasking and understanding the trans-Atlantic connections between race and religion. (shrink)

This study extended the scope of previous findings in human–computer interaction research within the computers are social actors paradigm by showing that online users attribute perceptions of moral qualities to Websites and, further, that differential perceptions of morality affected the extent of persuasion. In an experiment (N = 138) that manipulated four morality conditions (universalist, relativist, egotistic, control) across worldview, a measured independent variable, users were asked to evaluate a Web site designed to aid them in making ethical decisions. Web (...) sites offered four different types of ethical advice as participants contemplated cases involving ethical quandaries. Perceptions of the Web sites’ moral qualities varied depending on the type of advice given. Further, the Web sites’ perceived morality and participants’ worldview predicted credibility, persuasiveness, and attitudes toward the Web sites. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 15.2 (2007) 150-160MuseSearchJournalsThis JournalContents[Access article in PDF]Songs to Teach a NationEstelle R. Jorgensen Indiana University, BloomingtonIn this symposium, I first briefly respond to Randall Allsup's piece, "Extraordinary Rendition: On Politics, Music, and Circular Meanings" with some general remarks on the distinctions between fundamentalism and liberalism, and internationalism, nationalism, and localism, and the importance of exercising judgment in order to find a middle ground between (...) extreme positions. Against this backdrop, I reflect on the songs we need to teach the nation to sing and, as a case in point, consider the National Anthem Project launched by the MENC—The National Association for Music Education. I suggest that at the very least the "Star-Spangled Banner" ought not be the only song to teach the nation at this time and it is important to carefully consider which songs we ought to teach the nation. And I propose that music teachers need to take a measured approach that eschews fundamentalism, rampant militarism, and excessive patriotism, embraces musically the tensions between internationalism, nationalism, and localism, and expresses a sensitive world-view through the choice of songs that cultivate and express liberal and democratic ideals and foster peace internationally.1Allsup's attention to the political character of research reminds us of the important consequences of any activity in the public and private spheres. Our endeavors as researchers are inherently ethical and have political consequences because as music teachers, we act on behalf of what John Dewey terms "the public."2 Dewey's "public" arises out of the need for social activities to be collectively organized, especially given the presence of the young, the poor, the ill, the elderly, the needy, and those who are otherwise dependent on others. Politics concerns the organization and governance of the public, that is the collective activities on behalf of society. For Dewey, educational activity cannot escape being ethical and political (construed positively) by the very fact of its undertaking on behalf of a public in the phenomenal world.3My understanding of fundamentalism is that it is, by definition, antithetical to liberalism. Whereas liberalism embraces surprise, entertains the possibility of doubt, and includes the "responsibility to choose,"4 fundamentalism is closed-minded and refuses to be surprised or to doubt the certainty of beliefs that have been accepted. Israel Scheffler notes that there is a safety in dogmatism in which one does not need to face the unsettlement of surprise that one might be wrong and one's beliefs mistaken.5 This quality of fallibility and openness to the possibility of surprise renders a liberal democracy fragile. Without cultivating [End Page 150] capacities and dispositions to open-mindedness and critical thought and action on the part of all the citizens of the democracy, it is open to being high-jacked by closed-mindedness and fundamentalism and thereby subject to dictatorial action on the part of those who seize political power.6 In difficult times, certainty may seem to be safer than open-mindedness that weighs possibilities and thinks through the complexities with which the public must deal. As Paul Woodford argues, if music education is to serve the interests of liberalism, it must likewise cultivate critical thinking and I add the caveat, as a means of defeating fundamentalism and literalism that would destroy liberal democracy.7Liberalism depends on the assertion of certain universal principles of ethical conduct. Seyla Benhabib's reconstruction of universals in what she terms her "post-Enlightenment project of interactive universalism" takes account of important postmodern, feminist, and communitarian insights and understands universals as "interactive not legislative, cognizant of gender difference not gender blind, contextually sensitive and not situation indifferent."8 In this frame, it is only possible to sustain liberalism on the assumption of action that takes for granted that others ought to agree with one and act in such-and-such ways. Whether these principles are referred to as "commonalities" or "universals" in the Benhabibian sense, one appeals to certain propositions on which ethical and political action should be predicated... (shrink)

A perceptive and reflective state? Such a state might not exist yet, but it refers to an ideal for state-provided care which can protect both the caregiver and recipient of care from emotional overload and indifference. Such an ideal introduces new lines of enquiry to contemporary theories of care and their sociological orientation. It is argued that theories of care need to be combined with insights from political science concerning power and dilemmas within care. Dilemmas within state-provided care which might (...) temporarily be overcome through an application of an interactive universalism such as more generally advocated by the Turkish-American feminist philosopher Seyla Benhabib. Interactive universalism implies a shift of perspective, a kind of hypothetical moral dialogue, which would bring a stronger element of reflection into caring practices in the welfare state. However, interactive universalism presupposes empathy understood as a kind of emotional attention to the other. If implemented this ideal will introduce a new form of authority: more compassionate and bodily oriented. (shrink)

Among the many interesting problems considered in this book, I will center my commentary on two issues: (1) on the role of narrative reconstructions as an alternative to objectivist accounts of culture; (2) on the implications of her proposed reformulation of discourse ethics as interactive universalism for the dilemmas of multiculturalism. On the question of the dialogical-narrative reconstructions of identity, a combination of perspectives of participants as well as of external observers is suggested, instead of a shift from (...) the latter to the former. On the more difficult question of the political, legal and moral implications for democratic theory of forms of rational accommodation of cultural differences, I will consider the problem of justification of morality under conditions not only of radical cultural differences but of asymmetries in power and resources among the participants, which seem to present a problem for a model that presupposes a cooperative engagement and free uncoerced consent from all involved. (shrink)

Proportionality is one of the most important adjudicatory tools, in human rights decision-making, primarily employed to balance rights and interests. Despite this there is very little feminist analysis of its use by the courts. This article discusses the doctrine of proportionality and considers its amenability to feminist legal methods. It relies on theories of deliberative democracy to argue that the proportionality test can be applied in a manner that facilitates a more “interactive universalism”, allows for greater participation in (...) decision-making and enables the courts to be more attentive to the disadvantaged. The commonalities between proportionality and feminist theory are examined, and its contribution to developing and reconstituting a more relational and contextual concept of rights is explored. (shrink)

It is well-known that people will adjust their first-order beliefs based on observations of others. We explore how such adjustments interact with second-order beliefs regarding universalism and relativism in a population. Across a range of simulations, we show that populations where individuals have a tendency toward universalism converge more quickly in coordination problems, and generate higher total payoffs, than do populations where individuals have a tendency toward relativism. Thus, in contexts where coordination is important, belief in universalism (...) is advantageous. However, we also show, across a range of simulations, that universalism will enshrine inequalities and eliminate diversity, and in these cases it seems that relativism has its own advantages. (shrink)

Turkish modernization relied on the western social sciences and humanities not only as an abstract and distant model, but also in the form of close encounters and interactions with western refugee scholars. This article examines the activities of western intellectuals and experts who visited Turkey in the early republican era (1923—50), especially focusing on a group of émigré scholars who were employed in Turkey after the university reform of 1933. While European and North American social scientists were drawn to meticulous (...) comparisons of `East' and `West' in this period, elites in the former component of this comparative dichotomy were seeking creative ways to turn this taxonomy to their advantage. In the Turkish case, the project of adopting modernity contained universalistic aspects intended to function for particular local needs. A body of racial, historical and linguistic theories attempted to create and sustain a nationally homogeneous society while, at the same time, emphasizing the contributions of Turkishness to western and modern history. Republican scholars tried to establish the Turkish origins of western civilization with the help of western social sciences in general and of western émigré scholars in particular. In the process of facilitating the local efforts to import western modernity into the specificity of Turkishness, refugee scholars encountered contradictory demands and employed different strategies to respond to these demands. (shrink)

The theoretical and moral bedrock of Western colonialism has been its claim to “universalism.” Central to this universalism is a Cartesian dualism in which only the disembodied mind has access to the universal, and the body, as a mere particular, does not. This paper (Part 1) and the following paper (Part 2) propose an alternative model of “universalism” as the totality of interactions between embodied particulars. This model of “universalism” is based on the relationship between the (...) classical Chinese philosophical concepts of “feeling” (qing, 情), interaction (gan, 感), and the unimpeded free-flow (tong, 通) that results. This Chinese model of universalism is ultimately based on the organicist metaphysics of life that understands meaning and order to be the result of organic interaction between bodies. this paper will show how the dominant Chinese tradition understood the universal as a result of the sympathetic interaction between embodied particulars. (shrink)

Two sets of self-transcendence values -universalism and benevolence - act as a source of motivation for the promotion of the welfare of the other rather than the self This article sought to determine the exact nature of the interaction between these sets of values and the consumption of fair trade products. In an earlier study, universalism values were found to have a significant influence on fair trade consumption whereas benevolence values did not, despite their shared goal and values (...) theory. Additionally, there was supporting evidence in the extant literature that benevolence values should influence fair trade consumption behavior. This study took a closer look at the individual values that make up the value categories universalism and benevolence to better understand and describe this universalism-benevolence distinction in fair trade consumption. It was established that perhaps group membership has an influence on the decision to buy fair trade products. Specifically, it seems that an overriding sense of responsibility to one's own group — the in-group — prevents some consumers from identifying with, empathizing with, and subsequently sharing resources with fair trade producers; members of out-groups in farflung corners of the globe. It appears that the universalism-benevolence distinction in fair trade consumption might also be described as an in-group-out-group distinction. (shrink)

L'idéal universaliste, qui a traversé les siècles jusqu'à aujourd'hui en surplombant les traditions intellectuelles tant chinoise qu'européenne, a façonné un certain nombre de nos représentations et imposé l'idée d'une antinomie entre ce qui relève de l'universel et ce qui renvoie à l'existence du particulier. Outre ce que, à bien y regarder, cette incompatibilité supposée peut avoir de paradoxal, divers épisodes chinois ou européens montrent que, au cours de sa très longue histoire, l'universalisme a aussi entretenu des relations équivoques avec des (...) créations historiques instituant des communautés particulières, telle la nation. Et ce sont ses rapports, tantôt connivents, tantôt antagoniques avec un ensemble de constructions mentales ou historiques particularisantes que l'auteure envisage en première partie. A partir du XVIIe siècle, les deux universalismes évoluent dans une certaine interaction, au gré des rencontres de leurs divers représentants ou de moments de proximité intellectuelle : c'est cette histoire de leurs relations, longue de plus de quatre siècles, que retrace la seconde partie. Le dialogue né de cette interaction, marqué par des méprises et incompréhensions, aura été quelque peu tortueux, mais néanmoins fructueux, dans la mesure où il aura favorisé une prise de conscience par chacun des deux universalismes... d'eux-mêmes. (shrink)

The ‘multicultural clinical interaction’ presents itself as a dilemma for the mental health practitioner. Literature describes two problematic areas where this issues emerges - how to make an adequate distinction between religious rituals and the rituals that may be symptomatic of ‘obsessive compulsive disorder’ (OCD), and how to differentiate ‘normative’ religious or spiritual beliefs, behaviours, and experiences from ‘psychotic’ illnesses. When it comes to understanding service user’s ‘idioms of distress’, beliefs about how culture influences behaviour can create considerable confusion and (...) ‘normative uncertainty’ for mental health practitioners. In the absence of clear diagnostic and assessment criteria on distinguishing between ‘culture’ and ‘psychopathology’, practitioners have had to rely on their own intuition and seek out possible ‘strategies’ or ‘procedures’ from a contradictory and cross-disciplinary evidence base. Decontextualisation of service users’ experiences may result in the pathologisation of culturally ‘normative’ phenomenon, ‘category fallacy’ errors, and poor health care experiences and outcomes for service users. This paper situates this dilemma within a wider debate that has concerned both the biomedical and social sciences, namely, the unresolved question of ‘normality’ or ‘abnormality’. Indeed, issues that arise from dilemmas surrounding the question of ‘culture’ or ‘psychopathology’ are intimately tied to wider cultural ideas about what is considered ‘normal’. The disciplines of psychiatry, psychology, and medical anthropology have struggled to establish workable criteria against which to judge behaviour as ‘normal’, ‘abnormal’, or ‘pathological’. Three models for understanding mental ‘abnormality’ are evident in ‘transcultural psychiatry’ (what is now commonly known as ‘cultural psychiatry’), and these models have corresponded closely to the interpretive models used by anthropologists attempting to make sense of the apparent diversity of human societies. The three models of ‘absolutism’, ‘universalism’ and ‘cultural relativism’ have not only important consequences for the nature and conduct of research enquiry, but also have implications for how the dilemma of ‘culture’ or ‘psychopathology’ is attended to in clinical practice. (shrink)

Inter-cultural dialog is frequently treated as either unnecessary or else impossible. It is said to be unnecessary, because we all are the same or share the same ‘human nature'; it is claimed to be impossible because cultures seen as language games or forms or life are so different as to be radically incommensurable. The paper steers a course between absolute universalism and particularism by following the path of dialog and interrogation - where dialog does not mean empty chatter but (...) the exploration of the ‘otherness’ of interlocutors on the far side of either assimilation or exclusion. Such dialog is the heart of hermeneutics as formulated by Hans-Georg Gadamer. The paper explores the question whether hermeneutical interpretation can be transferred from textual readings to the domain of cross-cultural encounters. After discussing both the historical development and the basic meaning of contemporary hermeneutics, the paper draws attention to the intimate linkage between interpretive understanding and ‘application’, or ‘practical philosophy.’ Drawing on the insights of Gadamer and some more overtly political thinkers, the paper then shows the relevance of hermeneutics for cross-cultural studies, as an antidote to the looming ‘clash of civilizations.’ It turns to some writings by Maurice Merleau-Ponty in order to emphasize the necessary linkage between interactive dialog and concrete embodied engagement. Undercutting purely mentalist or ‘idealist’ misconstruals of dialog, this linkage shows the mutual compatibility between Gadamerian hermeneutics and existential phenomenology. Keywords: hermeneutics; dialogue; praxis; cross-cultural understanding; Gadamer; Merleau-Ponty (Published: 10 March 2009) Citation: Ethics & Global Politics. DOI: 10.3402/egp.v2i1.1937. (shrink)

The main goal of this paper is to prove the thesis that the attempts to transpose the cultural differentiation into the social and economical universalism and globalism must lead to repressive psychosocial totalitarianism on a large scale. Modern human sciences and politics tend to classify the individual in respect to his adaptive efficiency in interactive relation with programmed environment and to qualify him according to given imposed criteria of social functionalism. The correctly socialized individual is expected to be (...) an exchangeable functional unit assessed according to its usefulness in performing a set of particular tasks, despite his cultural background being considered as a second-rate factor, which may affect the social acceptance and correctness of his behavior. However, no community is an exact representation of society because it is held together not by functions but by the values aswell as the forms of their actualization and implementation into the common organization and their way of life. The community is not a contract upon which society is based. The identity of the individual must not be removed from the culture of the community in which he lives and from its constitutive values. It is also rooted in the past and history of striving for self-determination and cultural as well as personal subjectivity. Without these significant cultural and historical components the individual identity is nothing but an operational, programmable algorithm of functional living unit assigned to perform short-term utilitarian tasks. This approach stands in contradiction to the Aristotelian concept of wellbeing and happiness considered as striving for the common good of spiritual values by individuals as well as by human communities. Any extensive and effective civilization neglecting the higher values of moral, symbolic and religious sense of the individual, must face totalitarianism or extinction. (shrink)

This article discusses the normative implications of the European integration process by addressing the question of the legitimacy deficit in the EU and its member states. It starts from an analysis of legitimacy as implying a distinction between `polity' and `regime', each of which has an `internal' and an `external' dimension relating respectively to the subjective perceptions of citizens and to more objective- and universalist-oriented criteria. Standard accounts of the integration process and the constitutionalisation of the EU have overlooked the (...) complex ways in which polity- and regime-building interact. They have also emphasized the external legitimacy of the EU while neglecting the internal dimension. Both descriptively and prescriptively, the EU lies in between the interpretations offered by neofunctionalist or intergovernmental realists and federal idealists. The `internal' norms channelled through the EU's `regime' have helped form the economic interests appealed to by the former, but in rather different ways to that assumed by the latter. The result has been a polycentric `polity' with a multi-level `regime'. Consequently, we reject having either an EU written constitution that goes beyond the treaties or a federal legislature, advocating instead the `republican' model of a `mixed commonwealth'. (shrink)

The philosophical substance of the senior thesis which the 21 years old John Rawls submitted to the Princeton Philosophy Department in 1942 consists in a religious ethics and its unfolding through communicatively mediated interaction. It already contains all the aspects essential for an egalitarian-universalistic deontology suitable for thematizing the absolute worth of the individual. The thesis shows that Rawls was not suppressing his religious socialization, but rather reworking it. We may now understand much better why Rawls was the first amongst (...) the great political philosophers to take seriously the pluralism of comprehensive doctrines and to initiate a fruitful debate on the status of religion in the public sphere. (shrink)

Although from diverse times and backgrounds, Confucius in the sixth century b. C. In china and immanuael kant in enlightenment both set forth doctrines for ethics and positive social interaction which revolve around the concept of respect. For confucius, Respect takes the form of "jen", What "ought" to occur when two people come together. Individuals are respected as social beings. In kant's case the principle of humanity demands respect for human beings "qua" rational. The difference reveals confucian dynamism versus kantian (...) universalism, Each keynotes of the respective cultural contexts. (shrink)

My dissertation traces key aspects of the conceptual influence of Heidegger's work on feminist poststructuralist theories. This archeology enables me to indicate that poststructualism cannot provide the foundation necessary to forming three normative ideals requisite to a viable feminist theory: personal autonomy, heterogeneous community, and solidarity. I argue that certain versions of poststructuralism repeat Heidegger's abstraction from an hermeneutics of suspicion and his totalizing rejection of modernity. Without a theory of willed ignorance, post-Lacanian feminism undercuts women's agency. And, without tying (...) a vision of Sittlichkeit to ideology critique, feminist ethics falls prey to abstraction and antinormativism. ;In Part I, I recover a dialectical theory of autonomy that can account for the deliberate ways that subjects mediate their environment. In Part II, I flesh out Heidegger's and Irigaray's respective visions of heterogeneous community. In Part III, however, I show how neither Heidegger nor US appropriations of Irigaray yield either a sufficiently complex moral theory or a theory of solidarity. After delineating Heidegger's antinormative tendencies, I reveal similar deficiencies in the works of Irigaray and Drucilla Cornell. I demonstrate that the nominalist underpinnings of post-Lacanian feminism threaten to normalize a fragmented view of pluralism rather than tackle the hard problem of developing interactive models of universalism and of solidarity. ;I conclude by developing features of a feminist methodology that can support solidarity and avoid antinormativism. These features include: a hermeneutic of the symbolic order complex enough to address the overlap between race, class and gender; grounding theory in ideology critique; a model of critical social consciousness rooted in the ability to disdain the immiseration of others and to acknowledge one's own interests; and an interactionist basis for moral theory. (shrink)

Philosophers, novelists, and intercultural comparisons : Heidegger, Kundera, and Dickens /​ Richard Rorty Lifeworlds, modernity, and philosophical praxis : race, ethnicity, and critical social theory /​ Lucius Outlaw Modern China and the postmodern West /​ David L. Hall From Marxism to post-Marxism /​ Svetozar Stojanović Incommensurability and otherness revisited /​ Richard J. Bernstein Incommensurability, truth, and the conversation between Confucians and Aritotelians about the virtues /​ Alasdair MacIntyre The commensurability of Indian epistemological theories /​ Karl H. Potter Pluralism, relativism, and (...) interaction between cultures /​ Bimal K. Matilal The problem of relativism /​ Jiang Tianji. Between relativism and fundamentalism : hermeneutics as Europe’s mainstream political and moral tradition /​ Ferenc Feher Conceptual schemes and linguistic relativism in relation to Chinese /​ A.C. Graham The origins of the question : four traditional Japanese philosophies of language /​ Thomas P. Kasulis Meaning as imaging : Prolegomena to a Confucian epistemelogy /​ Roger T. Ames On the dual nature of traditional Chinese thought and its modernization /​ Li Zhilin A planetary macroethics for humankind : the need, the apparent difficulty, and the eventual possibility /​ Karl-Otto Apel Reasonable challenges and preconditions of adjudication /​ Antonio S. Cua The French Revolution and the Holocaust : can ethics be ahistorical? /​ Hilary Putnam Tradition and moral progress /​ Joel J. Kupperman The shape of artistic pasts, East and West /​ Arthur C. Danto. Surrealistic distortion of landscape and the reason of the milieu /​ Megumi Sakabe Why art changes /​ Richard Wollheim The transcendental in a comparative context /​ Frederick J. Streng Reflections on religious pluralism in the Indian context /​ Margaret Chatterjee Three enduring achievements of Islamic philosophy /​ Lenn E. Goodman Two dimensions of religion : reflections based on Indian spiritual experience and philosophical traditions /​ G.C. Pande Between nationalism and nomadism : wondering about the languages of philosophy /​ Graham Parkes The discourse of cultural authenticity : Islamist revivalism and enlightenment universalism /​ Aziz Al-Azmeh Traditional political values and ideas : an examination of their relevance to developments in contemporary African political order /​ Kwame Gyekye On the interpretation of traditional cultures /​ Maria L. Herrera. The concept of progress and cultural identity /​ Roop Rekha Verma Moses, Hsüan-tsang, and history /​ Agnes Heller Secularism : sacred and profane /​ Daya Krishna Scientific progress and content loss /​ Larry Laudan A dialectical view of scientific rationality and progress /​ Marcello Pera Scientific progress reconsidered /​ Ilkka Niiniluoto Does progress in science lead to truth? /​ Lorenz Krüger. (shrink)

The recent emergence of generative AI software as viable tools for use in the cultural and creative industries has sparked debates about the potential for “creativity” to be automated and “augmented” by algorithmic machines. Such discussions, however, begin from an ontological position, attempting to define creativity by either falling prey to universalism (i.e. “creativity is X”) or reductionism (i.e. “only humans can be truly creative” or “human creativity will be fully replaced by creative machines”). Furthermore, such an approach evades (...) addressing the real and material impacts of AI on creative labour in these industries. This article thus offers more expansive methodological and conceptual approaches to the recent hype on generative AI. By combining (Csikszentmihalyi, The systems model of creativity, Springer, Dordrecht, 2014) systems view of creativity, in which we emphasise the shift from “what” to “where” is creativity, with (Lievrouw, Media technologies, The MIT Press, 2014) relational-materialist theory of “mediation”, we argue that the study of “creativity” in the context of generative AI must be attentive to the interactions between technologies, practices, and social arrangements. When exploring the relational space between these elements, three core concepts become pertinent: creative labour, automation, and distributed agency. Critiquing “creativity” through these conceptual lenses allows us to re-situate the use of generative AI within discourses of labour in post-industrial capitalism and brings us to a conceptualisation of creativity that privileges neither the human user nor machine algorithm but instead emphasises a relational and distributed form of agency. (shrink)

T opicality of the study of eurocentrism essence is caused by progressive globalization, the assertion of the systemic integrity of the world that highlites fundamentally new accent on the nature of the interaction of individual civilizations, leads to the unification of the civilizational process, its subordination to common principles and values. In philosophical and sociopolitical thought, the question of further orientations and development priorities of countries and peoples has recently become particularly acute. Analysis of the literature. We used the works (...) of the authors, who began the study of this problem: Z. Bauman, Zb. Brzezinski, U. Beck, I. Wallerstein, V. Inozemtseva, S. Kara-Murza, M. Castells, Claude Levi-Strauss, I. Osinsky, A. Panarina, A. Toynbe, F. Fukuyama, S. Huntingtonа, O. Spenglera and others, as well as the work of native scientists: Y. Afonina, V. Voronkova, A. Galchinsky, O. Gnatyuk, V. Gorbulina, L. Gubersky, O. Pakhlevskoy, Y. Pakhomova, S. Pirozhkova, M. Popovich, G. Shchekina. Purpose of the article – philosophical understanding of Eurocentrism as an ideological phenomenon and socio-political practice. The objective of the study is an analysis of the essence of the phenomenon of Eurocentrism, a description of its basic principles, a place in the life of Europe and in the world as a whole, the study of the peculiarities of the Ukrainian choice in modern conditions. The methodology of the study relies on an interdisciplinary approach, the principles of historicism and global evolutionism, the use of methods of analysis and synthesis, synergy to solve the complex problems of the dichotomy "we / they", "West-East" and their influence on the formation of a new world order. The results of the study: the article deals with the historiosophical basis of Eurocentrism, European universalism and European civilization. It reveals the methodological vulnerability and limited Western-centric interpretation and periodization of the historical process, reducing the diversity of past and future specific historical forms of its implementation to one of the possible. The idea of polycentricity, the existence of other models of social development is well grounded. In the context of new global trends of world development, each civilization is self-sufficient, distinctive in its originality and historical experience, and should develop through the self-knowledge of thenations inhabiting it and thereby fulfill its mission on the Earth. The conclusions of the study – progressive globalization and the formation of the systemic integrity of the world heighlight fundamentally new accents when it comes to the "unity of civilization", the interaction and interaction of different communities and cultures. The unity and integrity of human existence presupposes its diversity, the preservation of cultural identity and features of lifestyles, the mentality of nations and ethnic groups but not the subordination to a single model of civilizational being. (shrink)

One of the central issues facing contemporary political theory is the problem of difference. This problem is perhaps clearest in disagreements regarding the role of pluralism between advocates of deliberative, and agonistic, approaches to democracy. According to agonists, deliberative democracy has only paid lip-service to pluralism, emphasising agreement, consensus, and universalism. Instead, agonists argue that we should accommodate incommensurable difference as central to political organisation. But this shift threatens to emphasise particularity at the expense of commonality, so preventing the (...) transformation of social positions. These debates turn largely around the ways in which power is conceived in relation to democratic interaction, with deliberativists emphasising ideals of free and equal discourse, and agonists, the irreducible role of power. I begin by outlining a structural approach to social power, to show how we are all structurally implicated in power relationships. I go on to show how emphasising structural implication shifts us beyond debates that revolve around difference, drawing attention to the more foundational problem of how agents may come to understand these structures and each other, in ways that surpass or transcend the specific constraints acting upon them. Considering this, I develop a complex account of structural implication that emphasises the relationships between social norms, reasoning, and objective power relationships. This approach illuminates lacunae in similar approaches, particularly regarding the way in which structural power disenables us from often seeing structural imbalances of power, and clarifies the ways in which collective political transformation is possible. (shrink)

The debate about global distributive justice is characterized by an often stark opposition between universalistic approaches, advocating an egalitarian global redistribution of wealth (Beitz, Pogge, Barry, Tan), and particularistic positions, aiming to justify a restriction of redistribution to the domestic community (D. Miller, R. Miller, Blake, Nagel, Rawls). I argue that an approach starting from the deliberative model of democracy (Habermas) can overcome this opposition. On the one hand, the increasingly global scope of economic interactions implies that the range of (...) individuals concerned with the redistribution of wealth should also be increasingly universal. On the other hand, the need for democratic deliberation refers to the fact that demands of justice should be contextual and should take into account the particular circumstances, needs and values of the people concerned. Both concerns can be realized simultaneously only within a multi-layered democratic system in which redistribution is a concern at the domestic, the international and the global level. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Love Commandments: Essays in Christian Ethics and Moral Philosophy. Edited by EDMUND SANTURRI AND WILLIAM WERPE· HOWSKI. Washington, D.C.: Georgetown University Press, 1992. Pp. xxii + 307. $35.00 (paper). The essays in this volume address numerous philosophic and theological issues surrounding the two commandments of love of God and love of neighbor. A brief review cannot do justice to the careful argumentatation contained in the essays. (...) Forced to make an unhappy choice, I have decided to provide some sense of the main line of argument in each piece and to add a few general comments about the dominant approaches to Christian charity in the volume. Gene Outka's "Universal Love and Impartiality," which sets the stage for many of the other pieces, asks: Should there be " no disparity between our consideration of others and our consideration of ourselves? " (3). On the basis of a sustained comparison of Christian universal love with impartiality, Outka concludes that, " while universal love allies itself with impartiality at certain junctures, it represents an advance over impartiality because it more readily accommodates differences between neighbor-love and self-love" (79-80). Christianity's normative emphasis on regard for others goes beyond impartiality toward altruism. Christian ethics is not, however, identical with altruism if the latter means that the " self does not matter." This would be contrary to the theocentric framework of the commandments, which refer directly to the "self's well-being" (82). In contrast to both impartiality and altruism, universal love accents " inclusiveness " over " comparative measurement." On a descriptive level, impartialists " fall to take seriously enough the power of self-preoccupation." The simple assertions of equal regard do not meet the need for ameliorative strategies to correct our tendencies toward selfishness and pride. There are other disparities between self- and neighbor-love and thus between universal love and impartiality. In contrast to impartiality, universal love includes "legitimate, normative self-regarding considerations." This provides a response to the criticism that Christian love involves selfannihilation. A complete passivity to others can result in a loss of a determinate sense of self; but, as Outka argues, such passivity is not 313 314 BOOK REVIEWS to be confused with Christian humility. Rather, it can be rooted in the sin of sloth, disguised as humility. The theocentric concern with the self avoids both pride and sloth through obedient willing. Finally, there are legitimate and ineradicable self-regarding considerations at the descriptive level: I cannot "promote and protect" the well-being of neighbor and self in " exactly the same way" (87). In "Who is My Neighbor? Love, Equality, and Profoundly Retarded Humans,'' Edmund Santurri contrasts the humanist and inclusive view of equal worth with the rationalist view, which identifies being a person with having a rational capacity to desire, choose, evaluate, and so forth. As a way of clarifying the Christian-humanist view, Santurri considers various interpretations of the scriptural language concerning man as an image of God. He argues that in the biblical narrative all beings born of humankind are created in God's image. He then addresses two rival construals of personhood. The first limits personhood to those who have the capacity to value their existence, while the second accords equal standing to those who can participate in communal deliberation. Both views abstract from historical and social con· nections embedded in species life (124). The argument for inclusion of the severely retarded rests not on reductionist biological principles, hut upon social phenomena: " the retarded are born of us, look like us, and interact with us in a wide assortment of highly distinctive social settings " (126). In "'Agape' and Special Relations," William Werpehowski begins by engaging Gewirth's attempt to justify ethical particularism on the basis of ethical universalism. While his view is not as susceptible to criticism as some have thought, Werpehowski is nonetheless sympathetic with the concerns of Amelie Rorty, who worries that a view like that of Gewirth " locates the focus of moral theory and moral action in the processes and rules for justification " which thus " underdescribe and underdetermine the detailed thoughtfulness required for appropriate action" (146-147). As a corrective, Werpehowski appeals to Christian moral discernment or prudence. In a number of... (shrink)

Working from the concept of cosmopolitanism and incorporating textual evidence from philosophy, drama of the English Renaissance, seventeenth-century travel narratives, and eighteenth-century literature, The Cosmopolitan Evolution, explores the interactions between the European consciousness and the foreign. The book also chronicles the development of cosmopolitanism from a form of representative universalism, which seeks to enfold all humans under on ideal, towards complex universalism, which seeks to account for alternate and particular views.

The analysis of philosophically important themes can depart from two different angles. The first one investigates the various answers that have been given to a certain issue, like that of the problem of knowledge, the justification of theories, the notion of culture, etcetera. These answers are often mutually contradictory which, by the way, facilitates their overview (like the schemes of rationalism-empiricism, justification-discovery, universalism-relativism). A second approach starts from the problems (or: “problematique”) behind the divergent answers (e.g., foundationalism behind both, (...) empiricism and rationalism).In the following sections the issue of discovery is discussed. Here the second line of approach has been followed, not only by making visible a same problematique, but more by trying to set out the common context of the discussion about context of discovery and context of justification. The idea is that this discussion, or better the shift taking place in that discussion, finds its reason in a context in which the distance between traditional methodology and contemporary scientific practice, also between scientific knowledge and the experience of reality has become greater. This is related to the deepening awareness of the cultural context of scientific method. Man and world, scientific method and cultural context are always interacting.From this point of view quite different philosophical approaches show nevertheless similar features pointing to new solutions. A more psychological approach to scientific method (like: Gordon's and Grmek's, even perhaps Gutting's reinterpretation of Popper) and a sociological one (e.g., Barnes, Bloor, and already Durkheim) are opposed to a more logically structured analysis of Nagel, Hempel, and also Popper. Nevertheless the view on the flexibility of scientific method defended along different lines by for instance Achinstein, Bachelard, Hesse, Piaget, Polanyi, Toulmin manifests a certain convergence in those divergent standpoints, the more so since often the cultural context of science is being stressed (e.g., Ladriére, Prigogine, Needham).The miscellany of philosophical orientations, presented in the following sections, can in this way perhaps give profile to deeper tendencies: to relate again scientific method to the context of culture and of human strategy in general. This does not blend, however, the distinction between context of justification and context of discovery. By changing their roles a new overview of this dilemma becomes possible. There is no juxtaposition of both, nor has the one to be absorbed by the other. The conclusion will be that there are still two contexts, but that one is wider, less defined and demarcated from the wider field of daily culture, and that the other is more restricted, functioning as a kind of safetydevice on behalf of the wider strategy of discovery. In such a way discovery is regarded as the wider context of the more restricted context of justification. (shrink)

To explain agent-identification behaviours, universalist theories in the biological and cognitive sciences have posited mental mechanisms thought to be universal to all humans, such as agent detection and face recognition mechanisms. These universalist theories have paid little attention to how particular sociocultural or historical contexts interact with the psychobiological processes of agent-identification. In contrast to universalist theories, contextualist theories appeal to particular historical and sociocultural contexts for explaining agent-identification. Contextualist theories tend to adopt idiographic methods aimed at recording the heterogeneity (...) of human behaviours across history, space, and cultures. Defenders of the universalist approach tend to criticise idiographic methods because such methods can lead to relativism or may lack generality. To overcome explanatory limitations of proposals that adopt either universalist or contextualist approaches in isolation, I propose a philosophical model that integrates contributions from both traditions: the psycho-historical theory of agent-identification. This theory investigates how the tracking processes that humans use for identifying agents interact with the unique socio-historical contexts that support agent-identification practices. In integrating hypotheses about the history of agents with psychological and epistemological principles regarding agent-identification, the theory can generate novel hypotheses regarding the distinction between recognition-based, heuristic-based, and explanation-based agent-identification. (shrink)

Cosmopolitans inspire us to consider ourselves as citizens of the world and to take this allegiance to the world community as relevant in our moral deliberations. Cosmopolitanism is a western notion that epitomizes the need social agents have to conceive of a political and cultural entity, larger than their own homeland, that would encompass all human beings on a global scale. Cosmopolitanism presupposes a positive attitude towards difference, a desire to construct broad allegiances and equal and peaceful global communities of (...) citizens who should be able to communicate across cultural and social boundaries forming a Universalist solidarity. Its inclusive drive is most evident in moments of crisis of other modes of representing and ascribing membership to existing socio-political and cultural units. Cosmopolitanism slowly began to come to the fore again with the renewed study of more ancient texts, but during the humanist era cosmopolitanism still remained the exception. Despite the fact that ancient cosmopolitan sources were well-known and that many humanists emphasised the essential unity of all religions, they did not develop this idea in cosmopolitan terms. In most versions of cosmopolitanism, the universal community of world citizens functions as a positive ideal to be cultivated, but a few versions exist in which it serves primarily as a ground for denying the existence of special obligations to local forms of political organisations. Versions of cosmopolitanism also vary depending on the notion of citizenship they employ, including whether they use the notion of 'world citizenship' literally or metaphorically. The philosophical interest in cosmopolitanism lies in its challenge to commonly recognised attachments to fellow citizens, the local state, parochially shared cultures, and the like. Cosmopolitanism: Uses of the Idea compiles both historical and contemporary methodologies to cosmopolitanism, in addition to recognising its multidimensional nature to show the essence of cosmopolitanism as a theoretical idea and cultural practice. Since its inception, cosmopolitanism has been a category marked by a need to negotiate with others and has reflected tensions between local and supralocal realities, ethnocentric and relativist perspectives, and particularism and universalism. Historically, cosmopolitanism has mirrored the ideologies of different periods and modes of integration to larger, imperial or global, political entities. The Internet has brought about the possibility of a transnational imagined virtual community: a decentred cosmopolitan crowd, synchronized by cyberspace, interacting on real-time, and engaging in global commercial, cultural and political exchange. A number of works provide general overviews of cosmopolitanism, including its practices, theorising, and interpretations of issues in contemporary political and social theory. The monograph examines the idea of cosmopolitanism -- what it is and what it entails and its role in addressing global issues. (shrink)

India’s global proximities derive in good measure from its struggle against British imperialism. In its efforts to become a nation, India turned modern in its own unusual way. At the heart of this metamorphosis was a "colourful cosmopolitanism," the unique manner in which India made the world its neighbourhood. The most creative thinkers and leaders of that period reimagined diverse horizons. They collaborated not only in widespread anti-colonial struggles but also in articulating the vision of alter-globalization, universalism, and cosmopolitanism. (...) This book, in revealing this dimension, offers new and original interpretations of figures such as Kant, Tagore, Heidegger, Gandhi, Aurobindo, Gebser, Kosambi, Narayan, Ezekiel, and Spivak. It also analyses cultural and aesthetic phenomena, from the rasa theory to Bollywood cinema, explaining how Indian ideas, texts, and cultural expressions interacted with a wider world and contributed to the making of modern India. (shrink)

This article outlines the basic traits of a responsive phenomenology of Bernhard Waldenfels by focusing on the issue of the Alien. For the reason that we are commonly confronted with the Alien in everyday life, it is of crucial importance for us to understand and describe such experience without neglecting its special features. This is shown concerning the phenomenological issues of intentionality, by emphasizing the dimension of pathos. More precisely, pathos describes such a kind of affection which starts “somewhere” and (...) cannot be reduced to previous horizons. The Alienness is characterized as a hyperphenomenon which we experience in a paradoxical way only. In this respect, all our efforts to grasp the Alien transform into universalist pretensions that worsen the intercultural communication. To defend the modern politics from overwhelming eurocentrism, Waldenfels offers a method of a responsive epoche: the latter unveils the contingency of each order and the partiality of every universal claim. Moreover, this article covers the role of responsivity while interacting with the Alien, as well as the possible connections in the ethical perspective. In order to deepen the understanding of responsivity and its functioning, the author outlines the distinction between an answer as a merely typical reaction and a response as a part of creative discourse. All in all, the responsive phenomenology is believed to ground upon such concepts and principles which, if methodically developed, will enable more a sufficient and accurate international dialogue, as well as deepen the self-awareness. The main purposes of such phenomenology of the Alien are to demonstrate the “preceding” of the outer Demand and to introduce a special logic of responding that provides this dialogue with the peculiar dynamism. Article received 08.08.2019. (shrink)

The idea that science is historical is almost a cliché nowadays. The historical dimensions of science have begun to be appreciated by philosophers of science, for some through the work of Kuhn, and for others through Popper and Lakatos. Does this mean that contemporary philosophy of science understands the historical nature of science? Let me begin with a provocative negative answer. My reason is not the obvious one, namely, that there are several competing models that address the historical development of (...) science. Rather, it's more substantial: philosophers of science have not adequately reflected on the historical nature of science. There are still at least two barriers blocking a meaningful dialogue between the history of science and the philosophy of science: (1) the normative and evaluative orientation of philosophy of science and (2) its universalist stance toward science, a stance somewhat modified in current literature. No wonder Minerva cannot communicate with Clio; not only do they not speak the same language, but their perspectives and aims differ too. Does this mean that Minerva can't be replaced with Calliope, that philosophy of science will go on "its own way, paying little attention to the naturalist stories told by historians and sociologists, and, in turn, being widely ignored by them?". Does this mean that their only possible relation is lack of relation--their "splendid isolation"--entailing abstention from alliances, even from a "marriage of convenience," or, for that matter, from any other sort of interaction? Does this mean that philosophy of science uses historical episodes simply to find its problems, or appeals to those episodes only to illustrate its claims or to falsify the claims of opposing philosophical views? Well, not necessarily. Interactions and cooperation between the two are possible, but depend, first, on their (in particular, philosophy's) self-definitions, and, second, on how they both relate to philosophy, and, in particular, to the philosophy of history. (shrink)

Medical, scientific and societal progress has been such that, in a universalist humanist perspective such as the WHO’s, it has become an ethical imperative for the primary endpoints in evidence based health care research to be expressed in e.g. Quality Adjusted Life Years (QALYs). The classical endpoints of discrete health‐related functions and duration of survival are increasingly perceived as unacceptably reductionistic. The major problem in ‘felicitometrics’ is the measurement of the ‘quality’ term in QALYs. That the mental, physical and social (...) domains, each containing many dimensions and items, all contribute to QOL is uncontroversial. What is controversial, is the weight of the different dimensions in overall QOL. It has been shown to be very different between different patient populations. In human individuals, assuredly complex systems, the many dimensions and items of QOL observably interact, probably sometimes also in chaotic ways. In these conditions, the weights of isolated items in individuals become for all practical purposes meaningless. Therefore, the much used multi‐item questionnaires at best describe, but do not evaluate QOL, neither in individuals, nor in populations. For example, allergic patients treated with cetirizine scored better than those a placebo on all dimensions of the SF‐36, a standard QOL questionnaire. Here there is no serious doubt that the treatment improved QOL, because it is highly unlikely that any important dimension on which the patient groups would have scored otherwise is missing in the SF‐36. However, whether piracetam treatment of acute stroke, which improved the surrogate endpoints neurological and functional scores, also improved QOL is plausible, but will be proven only when comprehensive QOL measurement will have been done. And suppose in randomised populations of end‐stage metastatic solid cancer patients, one would compare palliative last‐line chemotherapy with only palliative care, and one would, as can be expected, find no significant differences in average survival, and chemotherapy superior for the mental domain, but inferior for the physical comfort domain: we would not know which treatment, on aggregate, would be the better. The problem is that QOL is an individual and emergent construct, the resultant of a great many intractions, and of a different order than its contributing components. Overall QOL can therefore best be captured only as the Gestalt of a global self‐assessment. Just as people in everyday life, while acting under uncertainty, make global assessments all the time, so they can seriously answer the serious question: ‘How have you been?’ A solemn, practical, non peer‐relativistic, non‐cultural, experiential, and well tolerated way to obtain such responses is Anamnestic Comparative Self Assessment (ACSA), in which the subjects' memories of the best and the worst times in their life experience define their individual scale of QOL. ACSA is thus both exquisitely idiosyncratic, and yet can in a universalist humanistic perspective be considered generic. Using both a multi‐item questionnaire and a global assessment allows by one logistic regression, to estimate the weights of the dimensions and items in populations, and thus identify those whose improvement would most contribute to the QOL of the greatest number. A combined approach to measurement of QOL is necessary to maximise the utility of QOL interventions. (shrink)

continent. 2.1 (2012): 29–35. Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. "Politieke Poëzie: Enige aantekeningen, Poëtica bij N30 (versie 2006)." In Weerstandbeleid: Nieuwe kritiek . Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. L’égalité veut d’autres lois . —Eugène Pottier The modern poem does not have form but consistency (that is sensed), no content but a problem (that is developed). Consistency + problem = composition. The problem of modern poetry is capitalism. Capitalism—which has no (...) image: the unrepresentable Idea of “everything.” The problem is that a poem cannot be justified. There is no excuse for it. Political poetry— pure poetry—has to be problematic, though not in a mannerist way. Yes, its problem is first its own problem—poetry’s existence in the same world as the newspaper—but therefore also always everybody’s problem (the problem of any world at all). The cult of the sublime points at a suspect desire for transcendence, nostalgia for paradise lost (the womb?). Melancholia of the post-. But a problem neither sorrows nor mourns, it is alive, and the fact that it is alive is the problem—the problem for death (rigidity, the status quo). Our symbols and ideologies do not hide any god: symbolic = state; imaginary = human; real = money. Problem: the possibility of communal speech (poetry) in the absence of a “we.” Or: what is a “we” that is not a collective subject (or in any case is not a volonté générale )? What is a universal history that is not a History? This work was started in the shade of the anti-globalization protests at the end of November 1999. I considered N30 to be the closure of the nineties, of my adolescence, and of the a seemingly total extinction of social desire. From the beginning I was skeptical about the alterglobalization movement as the avant-garde of a new politics, but something was happening . Maybe this event did not show that, as the slogan would have it, “another world” is possible, but for me it indicated that such possibility was at least still possible. That naked possibility is carrying forward. And if the fundamental tone of this work sounds more desperate than utopian, this is not caused by the catastrophic sequence that since 1999 has plunged us ever deeper into the right-wing nightmare—a nightmare that this work also gives an account for—but because my hope as yet remains empty. Composition . Composition is no design, but the production of an autonomous block of affects (i.e. a POEM), rhythmically subtracted from the language of a community. A poem does something. Is something. New Sentence . Choosing the non sequitur as compositional unit has the advantage that an abstract composition is subjected to the stress of concrete, social references. Where there is a sentence, there is always a world. (This does not hold necessarily for words on their own.) And where sentences collide, something akin to a textual civil war takes place. It is not about “undermining” whatever, or de-scribing the raging global civil war, but about writing social (or even: ontological) antagonism -- including all its catastrophic and utopian possibilities. Minor resistance. Why would poetry be the no protest zone par excellence? It is nothing but protest, not simply qua “content,” but in its most fundamental essence: rhythm. Rhythm is resistance against language, time, and space, and the basis of (what we will continue to call) autonomy. Rhythm starts with the anti-rhythmic caesura as Hölderlin remarked about Sophocles, a disruption of the quotidian drone. The destruction of everything that is dead inside of us. The noise of the avant-garde has never been the representation of the noise of (post)modernity (from the television or shopping mall), but the sober noise of the systematic exchange of an unbearable worldview. The poet does not describe, but looks for a way out: There is a Grain of Sand in Lambeth that Satan cannot find Nor can his Watch Fiends find it, tis translucent & has many Angles But he who finds it will find Oothoons palace, for within Opening into Beulah every angle is a lovely heaven William Blake was not mad. And there has always been only one poetry: the poetry of paradise. The principle is that there is something in art (the essentially creative element) that is disgusted by that which, unlike art, does not aim for the supreme. Wonder is not supreme, tranquility is not supreme, beauty is not supreme. Even amusement is not supreme! The supreme is supremely open, “das Einfache,/ Das Schwer zu machen ist” 1 : paradise. That is abstract. Literally. For me it is not about a concrete imagination, an idyll or utopia. There is no doubt a need for that, but it is not so much the supposed lack of imagination or ideals (human rights are ideals), but a fundamental lack of desire (human rights are no desires) that we suffer from, and from which we do not need to remove Nietzsche’s label of “nihilism.” “We.” George Oppen: “ Of Being Numerous asks the question whether or not we can deal with humanity as something which actually exists.” What is less actual than humanity? Nowadays it appears as a lifeless ideology of cynical power politics. Or as what makes one think. It is a shame to be human. The event is the caesura that defines rhythm. Writing toward the event is not the description of the event, but marking an abstract and intense space in which the event may unfold and keep itself. It is a task. “Remember that thou blesseth the day on which I seized thee, because such is thy obligation.” The event is a contraction (or a series of contractions) with its own rhythm and unique qualities. It is more than an explosion or demonstration. But at the same time less. The endless repetition of images and stories in the media points to a fear for the indeterminate and indeterminable void of the event. In the end there is nothing to see. We do not live in disaster’s shade or miracle’s light, but rather in the rhythm, which is contracted time, having little to do with omnipresent representations. For this book I did not intend a rhythm of evental representations (a narrative rhythm), but a rhythm which would be an event itself , because it draws the border between artwork and history. My desire for a direct engagement with the “extra-textual reality” has nothing to do with the representation of “rumor in the streets.” (What has less street cred than representation?) Naturally, a poem is no historical event and does not change anything. But a poem is a part of history that wants to be repeated forever, constructed in such a way that it is worthy of repetition. It is a part of desire (composition) made consistent (durable). The “historical event” flares up and burns down, and has to burn down to be effective. The leftovers are images and stories (representations), History—no event. The artwork—that is the ambition— remains event (though monumental and inefficient/inoperable). (No wonder that a historical singularity, a revolution, reminds us of a work of art; the resurrection yearns for a judgment, an affirmation; everything depends on it.) Hence the title does not summarize the book, let alone contract its “content” into a quasi-transcendental signifier. The title is juxtaposed to the book, like everything else inside the book, and in that relation it precisely forms a part of it. The ideal work is an open whole, lacking nothing but to which everything may be added. I have been interested in this “everything,” the world, or as I said above: capitalism. “Everything” is not the space for “wonder”—a code word, a shibboleth for petty bourgeois imagination (I recognize myself in the strangest things, a speaking dog, a canal, a pond standing straight—oh my god). No. The world is a social world, not YOUR world, poet. Power is number one. I will call “Dutch,” or “shitty,” whatever denies this power. That hurts, but this pain is an expression of the desire in the world to write another world, or as Blanchot says, “the other of all worlds” 2 : the world. Not as what “is there,” but rather as that which urges for an escape from what “is.” This is a testament of how radical reality has become, for me—or rather, a writing body—in a having-been-written. I am not interested in the problem of “meaning” as misunderstood by literary scholarsi: “order” in “chaos,” “symbolization.” Bullshit. What is there, hop, hope, now: the meaning of the taste in my mouth. Bullshit. I am not interested in the frustration of interpretation; I am writing for readers who do not want to interpret. I do not know how many “professional readers” will hear the music of a paragraph like: Sun. Sushi. Volvo. I hope more than I would think. There is a suggestion (or rather, an actual production) of speed and infinitive owing to the absence of plosives, i.e. articulations such as /k/, /t/, or /p/. Can you hear the slick suaveness? Driving car dark, vocal chiaroscuro of the word “sushi.” The unstressed /i/ stands in the middle of dark vowels and thus acquires its own special out of focus , like a momentary flash or brilliance—an obscure light. It is not about recognizing a story, but about avoiding any story whatsoever: the car disappears in the glow, cars and raw fish have nothing in common except their articulation in a language that brings them together, blurring them. A world appears in its disappearance. For a moment, light is a metaphor for language, though it cannot be reduced to tenor. It is not necessary to be a linguist or philosopher to hear this—a “difficult” poem all too often becomes an allegory of its own impenetrable being-language. The only demand: leave your hermeneutical fetish at home. This was no interpretation. Most shit has been stolen etcetera. That is no longer interesting. You cannot shoot the body with information and let your lawyers reclaim the bullets. So every sentence has been stolen. Also the ones “out” “of” “my” “head.” Why would I be allowed to steal from myself and not from others? Man takes what he needs to move forward. Whatever he encounters, finds in front of him, “occurs” to him. The writer as text editor, or singing pirate. Nothing new here. Important difference with for example Sybren Polet’s 4 montage technique: anti-thematicism. Most of the time ferocious citation from whatever I was reading, listening to, ended up in, and so on. I wrote chapter 12 on my laptop while watching CNN. On the air instead of en plein air . I often employed search engines to generate material. Chapter 20 offers the purest example of this. Often I stop recognizing a particular citation after some time. It is not uncommon for a stolen sentence to conform itself to the paragraph in which it finds itself. Sometimes I nearly arbitrarily replace words. Arbitrariness as a guarantee for absolute democracy. It is a poetics of the non sequitur : a conclusion that does not follow from the premises, the strange element in the discourse. A discourse of strangers. No logical, narrative, thematic unity. There is unity in speed/flight. It has to be read linearly, but not necessarily (not preferably) from beginning to end. The shortest distance between two points is a straight line, but this line precedes every point. The middle, the acceleration, comes first. A point occurs where two lines cross. It has been written from up close, at the level of the tension between sentences. Nothing to be seen from a distance: no form except the exchange of form, no geometrical or mythical meaning. You have to get in, “groping toward a continuous present, a using everything a beginning again and again” (Stein). 5 In Dutch, experimental poetry has been mainly dense: a small rectangular form filled with a maximum amount of poetic possibility. But at the moment the poem starts to relax, the anecdotical content seems to increase. This is what is called “epic”: long, narrative. I believe that an epic is more than that, in fact something completely different. An epic is “a poem including history,” 6 a long poem tied up with the life of community, that as a whole does not need to be narrative. The American poets of the twentieth century (Pound, Williams, Zukofsky, Oppen, Olson, Silliman) have put the epic back on the map by interpreting the poem itself as a map, and writing it as navigation. They have invented the experimental epic, a genre that has generated little original following in “our” poetry. N30 is the middle part—“always start in the middle”—of a trilogy, the contours of which remain as of yet unclear, although each episode investigates one of the three “ecstasies of time”—past, present, future—concerning society X. N30 concerns itself with the PRESENT: not with the description of actual facts but of the rhythm and the intense depth in which facts appear to us. Where are we? We are camping in the desert. Sometimes we are looking at the stars. As opposed to maximum density and minimal tension (a characteristic of most (post-)experimental lyricism), I have sought a minimal density and maximum tension in this book, considered as a long non-narrative prose poem. On the one hand, the minimal density is obtained by the inherent formlessness of prose, on the other hand by the conscious refusal of any active (formal, non-rhythmic) synthesis: the poem tells nothing, shows nothing, has no theme. I did not seek maximum tension either by loading the quotidian with epiphanic radioactivity (“wonder,” confirmation from above), or by means of the intensity of the linguistic structure. I want an abstract tension, but social in its abstraction, in other words, not neutralized by and subjected to Form. Instead of form (transcendent): composition (immanent). The concept is series. Ideal: every unit is necessary for the efficacy of the others and the whole, their relation is purely linear, i.e. non-hierarchic, non-syllogistic, non-discursive, non-narrative. Sentence related to sentence like paragraph to paragraph and chapter to chapter; the whole means nothing and represents nothing. Inside the sentence: syntax (Chomsky’s tree, a type of parallel circuit), outside: parataxis (coordination, an asyntactic line through language and world). I consider duration—the energy of duration (rhythm)—to be the fundament of a poem, the temporal inclination to delimit a “space.” Being as consistency, its consistency. A spatial part of time is not merely a metaphor for an inevitable trajectory, an inescapable time, something like “our time.” Not merely—because rhythm comes from language and is not projected onto it; the poem derives from the world like a scent and a color and a life from a flower. A series, a sequence: nothing potential, but truly infinite—the movement of an infinitude. The infinite series = everything minus totality. That means that there is no container—no Form, no Self, no Image, no Structure, not even a Fragment—just “the prose of the world.” No representation, but also no staging of the impossibility of representation (the postmodern sublime). These are no fragments, no image of a fragmented world or personality, no cautious incantations around the Void. It does not exist. It is a movement. Buying bread, a flock of birds, a bomb falling—they do not depict or represent anything, not literally, not metaphorically. There is an Idea, which is however nothing more than a rhythm, in the same way that capitalism is nothing more than a pure function. Parataxis: the white space between two sentences stresses, which is nevertheless always there, also between words, even between letters: the out of focus of idle talk, the gutter, the irreducible Mallarméan mist which renders even the seemingly most transparent text legible. The white space suggests a neutral medium for free signification, a substance of language. A non sequitur is an element from a foreign discourse, which stresses the white space as space, and problematizes freedom for supra-sentential signification. I start by withdrawing material, leaving the initiative to the sentences. In general a word presupposes less often a discourse than a sentence. What discourse is presupposed by “dog”? We could think of several, but why would we? It is more probable that, when faced with the naked word, we think of its naked (dictionary) meaning, of its denotative signified. By means of two simple interventions we may also write the word as sentence: Dog. In no way this suggests the discourse from which this sentence originates, but in any case we’re presupposing one. This is shown by questions like: “Whose dog? Who’s a dog? What kind of dog?” Etc. (Sentences are question marks.) A sentence implies/is a microcosm—a subject, a verb, an object, and so on. Even an incomplete or ungrammatical sentence does so. My main fascination while writing this book is the worldly and social aspect of language, an aspect that often becomes invisible, or rather, transparent in narrativity—the stretching of sentences into stories. Narrativity organizes a new discourse and a new world, and places a sometimes all too dispersing relation of transparence in between. The conventional novel is the brothel of being. I do not intend to prohibit brothels, and I have certainly not intended to write an anti-novel (THIS IS A POEM), but I do consider narrativity (in general, in poetry, in the news, in daily life) to be ontologically secondary with regard to an immediate being in the world through sentences, also if the latter have been withdrawn from a narrative or otherwise externally structured discourse (which in that case would therefore be chronologically primary ). Naturally, two or more sentences are always in danger of telling stories or arguing, just like the world is always in danger of becoming an objective representation, facing us, strangers. That is why need to wage war—against representation and against the interface, against interaction. AGAINST THE “READER.” To the extent that a sentence is worldly, writing is a condensed global war, and in so far as there is ultimately only one world and one open continuum of languages, it is a global civil war. Nice subject for an epic. The elaboration of a singular problem—prose as the outside of poetry, the form of the novel as purely prosodic composition scheme—“expresses” the universal problem: capitalism as Idea of the world vs. poetry as language of an (im)possible community. The paragraphs are blocks of rhythmically contracted social material. By choosing the sentence as the basic compositional component, an abstract whole may contain social sounds, without telling a story or showing an image. Composition is subrepresentative —a rhythmic, passive synthesis, or rather: a synthesis of syntheses. I never write large blocks of prose in one sitting, because there is no obvious organizational vector —plot, theme, conscience—outside the inherent qualities of the material itself. Usually I write down one sentence, sometimes two, but rarely more than three. Those sentences are usually placed in the text which I am editing at the time. In fact, there is no original composition, new chapters split off from chapters which became too long during the editing process. (Revision mainly consists of adding and inserting, displacing and dividing; only during the last phase, when the text has gained enough consistency, there may be subtraction to tighten the composition; each chapter requires a season of daily revision). This constant revision, accompanied by a continuous influx of collective background noise (to speak with Van Bastelaere), 7 makes every chapter a block condensed (“historical” and “personal”) time. The block itself is a-personal and a-historic; it is ontologically autonomous. If there is such a thing as a spirit of the times, I do not try to offer an image of it, but rather to cancel something of it by erecting a monument of its own excrement within its own boundaries. Tuning and dis-tuning , “in de taal der neerslachtigen een eigen geluid doen klinken,” 8 in other words, desiring in an Elysian way. In this sense I have intended to be able to write a political poetry. The ultimate political poem is the epic, “the tale of the tribe.” I consider N30 to be a prolegomenon to a future epic (of which it in the end will form a part a structural moment, as introduction-in-the-middle), an extended pile on top of an epic as narrative, a question of the tribe and question of its history. I was burdened by too much satire, too much bullshit. But: satire willy-nilly = the only justifiable satire. Against the abstract universalism of the market (“globalism”): concrete disgust, a positive way of saying “No.” Moreover, disgust is a specifically total attitude, which ultimately concerns the world as a whole. I hate this or that, but I am disgusted by EVERYTHING (when I am disgusted), and so it appears that satire is in fact related to the epic, in so far as it concerns society, the cosmos, history. Maybe it is no coincidence that the Dutch literary canon knows no great poet of disgust; what could be more fearful to us than society, the cosmos, and history? The T-tendency (T from Tollens 9 ) clearly points into the direction of the small, friendly, ironic, melancholic, acquiescent, wondrous, and so on. The anti-political, anti-cosmic, anti-historical. (Why am I so philosophical? To scare away the Dutchies.) And most of all: the “poetical” (the pseudo-mysticism from the backyard). Yes, the N in N30 also stands for the Netherlands (just like 30 indicates the number of chapters). I was not in Seattle, I do not live in Iraq. But is not the whole world bleeding to death on Dutch paving stones? Let’s hope that we mowed away something with this total satire, also “in myself.” The arrogant stupidity that definitely thinks to know the essence of freedom (the free development of esthetic needs inside the void), that cannot take anything serious, only believes in the disciplined bestiality of the individual (“norms and values”) and the mere functioning of a social factory which finds no justification whatsoever outside its functioning (“get to work”)… Who knows. A certain aimed destruction leaves grooves and craters, mapping out a next adventure. Pound’s periplum : sailing while mapping the coasts. Immanent orientation. The terrain changes with the map, history changes with the poem. Maps never merely organize the chaos, transcendent schemes imposed on a formless Ding-an-sich . They organize from within, surfing. But they are most of all routes back into the chaos or forward to paradise (final identity of chaos and paradise; Schlegel: “ Nur diejenige Verworrenheit ist ein Chaos aus der eine Welt entspringen kann ”10). A poem is not only a piece of history, it is also a flight from history. Maps give chaos to the form of reality , open escape routes, break through representations, make us shivery and dazed. Paradise is immanent to a fleeting desire. History is the history of labor—this is Adam’s curse—and the poet works too: For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, school masters, and clergymen The martyrs call the world 11 But: the poet works in paradise. The paradox of the artwork, the work that is no work, the piece of history that cannot be reduced to History—this is explained by The Space of Literature , a virtual space, an autonomous rhythm, not outside, but in the midst of the noise, a piece of paradise in hell, a postcard from the vale of tears addressed to paradise, to X. Political poetry means: a poetry that dares to think about itself, about its language and about its world and about the problematic relation between both, which is this relation as problem. A poetry that thinks at all, articulates its problem. It has nothing to do with journalism or morality or debate, let alone the law or the state. It has nothing to do with “criticism” if this means the replacement of incorrect representations by other, more correct representations. It has something to do with ethics in the sense of learning to live. It has something to do with the community and the language of the community (whichever that may be) and the role of the poet regarding the community. It concerns justice without judgement or measure. In the end the just word is just a word , to paraphrase Godard: it is from a future that is unimaginable. It Is no rational engagement, but an aversion against everything that obstructs life, and love for everything what is worthy of having been loved. The world is engaged with me, not the other way round. First Exodus, then Sinai. A desire does not start with an agenda. To answer the question whether I am really so naive as to want to change the world: “We only want the world.” Justice is the world appealing to us to liberate it from all possible chains, from each organization and inequality, to be it, smooth, equal, under a clear sky—a desert and a people in a desert. That moment between Egypt and the Law. It is not a revolution, but the sky above the revolution. Poetry = the science of escape. There is no art that we already know. The weakness of modernistic epic poetry seems to me to be the unwillingness to completely abandon narrative as a structural principle, in favor of a composition “around” or from an event. The China Cantos and Adams Cantos are the low point, and the Pisan Cantos the high point of Pound’s poetry. Two types of research: archival representation of the past vs. ontology of the present (which virtually presupposes the entire history). Presupposing an event means that it is impossible for the poet to stage his own absence, but in no way makes the work personal. An event is the unknown, the new invading into the business as usual, so also the personal. The question heading this research is not: “Who am I?” but “What is happening?” The book is as little illegible as Mondrian’s work is invisible. Form is of interest only to the extent that it empowers liberation. Ron Silliman So no formalism, but what it means to live in this world and to have a future in it. I want something that holds together that’s not smooth. Bruce Andrews The past above, the future below and the present pouring down: the roar, the roar of the present, a speech— William Carlos Williams If my confreres wanted to write a work with all history in its maw, I wished, from the beginning to start all over again, attempting to know nothing but a will to create, and matter at hand. Ronald Johnson NOTES 1) “The easy thing/ that is difficult to make.” Bertold Brecht, Lob des Kommunismus . (All footnotes are the translator’s) 2) Maurice Blanchot, The Space of Literature , trans. Ann Smock. Lincoln/London: University of Nebraska Press (1989), 75. 3) Mettes uses the word “Neerlandicus,” which refers to scholars of Dutch language and literature. 4) Dutch poet. 5) Gertrude Stein. “Composition as Explanation.” A Stein Reader . Ed. Ulla E. Dydo. Evanston, IL: Northwestern University Press (1993), 495-503. 6) Ezra Pound. 7) Flemish poet. 8) “Resounding an original sound in the language of the despondent.” A. Roland Holst, De afspraak . 9) Dutch poet. 10) “Only such a confusion is a chaos which can give rise to a world.” 11) W.B. Yeats, “Adam’s Curse.&rdquo. (shrink)

Ms. Neumer and her team began their project with a critical analysis of the various theories of the relationship between language and thought. Their aim was to develop a theoretical position concerning the issue of universalism versus relativism. This issue is closely bound up with one of the main questions of the history of East and Central Europe, namely, the question of the nation, and the possibility of mutual understanding between national cultures. The team attempted to avoid falling into (...) an all-too-common trap, that of allowing a political perspective to obscure the central theoretical issues. In a project whose outcome totalled over 1000 pages of manuscript in German, English and Hungarian, they touched on cognitive psychological, linguistic, semiotic, socio-semiotic, and other such themes. Their experience has convinced them of the fruitful heuristic possibilities of the interaction of scientific and philosophical approaches in this area of research. A preliminary analysis of the history of philosophy and inquiries into conceptual fields revealed that, in order to reach strong relativist conclusions concerning the unity of thought and language, it is required to take as a point of departure the widest possible sense of these concepts. But in fact, such an option ends up refuting itself: pursuing the premises to their final conclusion one arrives at the restriction of relativism. The team outlined a theory of the understanding of the Other which, borrowing from analytical as well as continental-hermeneutic trends, does not underestimate, on the one hand, the difficulties of understanding between various forms of life, cultures, and languages, but, on the other hand, can provide an alternative solution to the theory of incommensurabiltiy. Within the boundary of this problematic the team studied the problems of translatability, the acquisition of the mother and foreign languages, and natural or cultural determinacy of kind terms. The team regards its most original contribution to be the association of the problem of relativism-universalism and the language-thought relation with contemporary investigations into the question of orality, literacy, and secondary orality. Their conclusion was that, although certain connections can be revealed both between forms of communication and the thesis of the unity of language and thought, and between periods in the history of communication and the predominance of relativistic or universalistic tendencies, forms of communication do not unequivocally determine the answers to these questions. (shrink)

Transcendental Pragmatics and Discourse Ethics. Elements and Perspectives of Apel's Discourse-Philosophy. The author follows Apel's intellectual biography and shows the conception of a critique of meaning qua ‘reflection upon the discourse within the discourse’ to be the centre of Apel's language-pragmatic ‘Transformation of Philosophy’. Beginning with an explication of the situation of a speaker/thinker, especially of the situation of a philosophising speaker/thinker, Apel reconstructs a two fold apriori of communication: Every thought is situated within the context of a particular, historically (...) evolved, community of language and interaction. At the same time, however, the validity-claims of thoughts transcend the context of their origin towards an unlimited community of argumentation. On the basis of the first apriori Apel criticises the methodical solipsism as well as the objectivism of modern philosophy and theory of science. Drawing upon the second apriori he develops a universalist critique of meaning of relativism and contextualism. In the sixties and seventies Apel worked out a differentiated theory of the – more or less – communicatively cognizing humanities and set it apart from the theory of the causal-explanatory natural sciences, thus challenging the objectivism of a Theory of Unified Science. Building upon this work Transcendental Pragmatics, as developed by Apel and others, sets philosophy primarily two tasks: firstly, a internal reconstruction of argumentative discourse as the situation of speech and thought which seeks to elucidate the conditions of the meaningfulness, i. e. the presuppositions, of discourse. These presuppositions comprise, thus Apel with Habermas, the four validity-claims to intelligibility, sincerety/credibility, truth and normative rightness/legitimacy. Their moral content consists, thus Apel, not only in the recognition of the equality of all beings capable of discursive reasoning but also in their recognition of a co-responsibility for the realizability of discourses and of responsibility. The author argues that the existence of a co-responsibility of this kind is indisputable because the discursive claims to validity are intertwined with a set of ‘primordial promises of dialogue’. Only with the elucidation and explication of these promises can the reconstruction of the internal conditions of discourse be completed.The second task of a pragmatics of argumentation isthe strict resp. actual reflection of the thinker upon the presuppositions of the discourse in which he currently engages. This reflection has a Socratic character and can only be done in the form of discussion and debate with critics of the reconstruction. In this context, the author proposes a method of Socratic reflection upon the presuppositions of dialogue which suspends the usual, theoretically oriented, attitude of the scientist and the philosopher in favour of an actual reflective attitude. Within a dialogue with a sceptic who doubts one of the results of the internal reconstruction of dialogical presuppositions, say X, it is tested whether his doubt as to the unrestricted validity of X can be understood as a sincere contribution to the current dialogue or whether this particular sceptical thesis does not make sense, because it is incompatible with the role of a sincere participant of argumentation which, after all, the sceptic cannot refuse to claim for himself.Finally the author explains Apel's characterization of the tension between “Discourse and Responsibility”. In the course of discussions with Max Weber, Lawrence Kohlberg, Hans Jonas et al., Apel formulates and justifies an ethics of responsibility and gives an affirmative answer to the crucial question of whether the fulfilment of the moral obligations connected with the recognition of co-responsibility can be demanded within the non-dialogical circumstances of social reality. Apel's answer employs the idea of counter-strategies which are morally legitimate in virtue of their being worthy of argumentative consensus. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IntroductionArindam Chakrabarti (bio)I. UrgencyAs global tourism and global profiteering businesses keep aggravating the global ecological crisis, the need for global mutual understanding across cultures increases. But digitally drunk human consumers, generally, do not want what they need most, for example, clean air or cultural epistemic humility. Despite almost a century-long tradition of academic verbiage about “cosmopolitanism” and “postcolonial rectification” of the routine erasing, blanketing, and exoticization of non-Western philosophical (...) cultures, constructive and mutually instructive philosophical dialogue across cultures has just barely begun. But only a small minority of philosophers in Europe and America would deny that philosophy needs to be practiced in an intercultural key more urgently now than ever before. For one thing, as was argued succinctly by Jay L. Garfield and Bryan W. Van Norden more than a decade back in The New York Times (Garfield and Van Norden 2016), at least Histories of Philosophy, which only cover the thinkers from Democritus to Deleuze or from Plato to Putnam, should not be named—without a qualifier—as a history of philosophy. The qualifier “Western” must be added.One of the world’s greatest philosophical classics, Bhagavadgītā, was allegedly delivered “between two armies” ready to launch a genocidal war. Whatever universality the philosophical insights in that text may claim could perhaps be attributed, albeit metaphorically, to the tension between the two sides, two conflicting ideologies, and two lifeworlds in between which Krishna’s “metaphysic of morals” (arguably comparable to Kant’s) was formulated. The four essays collected in this special issue of PEW exemplify and theorize different kinds of border-recognizing, border-ignoring, and border-crossing practices of philosophy. They illustrate the fecundity of philosophy done from more than one cultural standpoint, for example, those of classical Buddhist and contemporary Western environmental philosophies, European and Chinese philosophies, African and Euro-American philosophies, and Analytic versus Indian (South Asian) philosophies.But, of course, no comparative (post-comparative or fusion) philosophy can be done without translating texts of one language into another, for example, classical Chinese into English, Sanskrit into French or German, Spanish into [End Page 1] English, or Akan into English, and some day even Japanese into Hindi. Ideally, the bridge-building philosopher herself should be reading both languages, even if she writes only in English (which, for a couple of centuries, now unfortunately irremediably, is the language of publishable “global”/“cosmopolitan” philosophy, often even in the countries of the global south). Comparative philosophy, dependent upon translation, suffers from the same double bind that the act of intercultural translation faces: It cannot be done, yet—now, of all times—it must be done.II. What May We Hope?Jonardon Ganeri, in a talk given at SUNY, Stony Brook, on March 2, 2016, entitled “Why Philosophy Must Go Global,” said optimistically:The world of academic philosophy is now entering a new age, defined neither by colonial need for recognition nor by postcolonial wish to integrate. There is heightened appreciation of the value of world philosophies; internationalization of the student body; a philosophical pluralism which interaction and migration make salient; growing concerns about diversity within a still too-white faculty body and curricular canon; and identification of deep structural problems with the contemporary philosophical academy. We are entering the age of “re-emergence:” (1) philosophies from every region of the world, are finding new autonomous and authentic forms of articulation; (2) philosophical industry, leaving behind a center-periphery mode of production, is becoming again polycentric; (3) Europe and other colonial powers have been provincialized, no longer mandatory conversation partners or points of comparison; (4) philosophers within the largely Anglophone international academy are beginning to acknowledge their responsibility to arrange international institutions to enable open participation, that is, acknowledge that their control over the academy is a fall-out from colonialism rather than a reflection of intellectual superiority. We may thus look to a future of vibrant pluralistic realism in departments of philosophy, and a new cartography of philosophy.The first wave of translations of “oriental” texts into German, English, and other European languages ushered in, at best, giddy universalism. It chanted slogans like “Neo-Platonists like Plotinus and Indian Monists like Śaṃkara were giving... (shrink)

SummaryParadigmatology as a science of structures of reasoning which vary from culture to culture, from profession to profession, and sometimes from individual to individual is outlined, and communication difficulties between paradigms are discussed. Three paradigms are used as examples: hierarchical, unilateral, homogenistic, universalistic, categorical, classificational, deductive, rank‐ordering, competitive paradigm with predetermined universe; individualistic, isolationists, random, nominalistic, atomistic, statistical, probabilistic, egocentric paradigm with thermodynamically and informationally decaying universe; mutualistic, reciprocally interactive, heterogeneity‐creating, network‐structured, relational, contextual, complementary, symbiotic paradigm with self‐generating and (...) self‐organizing universe based on mutual causality and post‐Shannon information theory.Paradigmatologie et son Application à la Communication entre des Domaines de Spécialisation différents, entre des Professions et entre des Cultures. (shrink)

In this article, we take into consideration two semantics of the future tense: linearism, according to which future-tense sentences are interpreted on a single history, and universalism, according to which they are evaluated by universally quantifying on the plurality of future histories that radiate from the present instant. Specifically, we focus on a objection advanced against universalism: if universalism were correct semantics of _will_, negated future-tense sentences of natural language should have two readings, depending on the scope (...) of negation with respect to the universal quantifier on histories. However, since natural language does not show this difference, one may conclude that there is no universal quantifier in the interpretation of these sentences. We show that this conclusion is premature. First, _will_ has clear scope interactions with indefinite nouns phrases, contrary to what linearism predicts. Second, it is possible to extend the treatment of vague predicates as partial predicates to _will_: Since partial predicates have no scope interactions with negation, this can account for the scopelessness of _will_. The partiality of truth conditions is not restricted to _will_ but also pertains to counterfactuals and generics and probably is part of a general tendency to maximize contraries. (shrink)

Discusses the conditions of possibility for intercultural and comparative philosophy, and for crosscultural communication at large. This innovative book explores the preconditions necessary for intercultural and comparative philosophy. Philosophical practices that involve at least two different traditions with no common heritage and whose languages have very different grammatical structure, such as Indo-Germanic languages and classical Chinese, are a particular focus. Lin Ma and Jaap van Brakel look at the necessary and not-so-necessary conditions of possibility of interpretation, comparison, and other forms (...) of interaction and how we can speak of similarities and differences in this context. The authors posit that it is necessary to dissolve the question of universalism versus relativism by replacing the ideal language paradigm with a paradigm of family resemblances and that it is not necessary to share a common language to engage in comparison. Numerous case studies are presented, including many comparisons of Western and Chinese concepts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"New" Media, Art, and Intercultural CommunicationBart Vandenabeele (bio)It is fairly common — but perhaps not altogether innocent — to avoid addressing new media and intercultural aspects of communication in one and the same essay. Here, however, both issues are treated together. I shall investigate, in a perhaps somewhat unusual way, the phenomenon of "new" artistic media and some related issues such as virtual reality, computer and telecommunications technology, and (...) cyberspace. I offer some philosophical remarks, especially of an epistemological kind, that are important to every debate in which terms like multimedia art, "new" media art, and screen based art occur. I argue that the novelty of some changes in the use of artistic media tends to be overemphasized and dramatized. Furthermore, I shall point to the lack of interest in intercultural aspects of artistic communication and to the relevance an intercultural orientation can have for reflection on the phenomenon of so-called "new" media in art.1It has often been claimed that art is the best possible window into another community. Art would be a universal language and contact with works of art supposedly offers the best direct or immediate internal access to another community. This is purported to be a kind of access that cannot possibly be matched by knowledge about the geography, religion, and history. Even John Dewey believes that "au fond, the aesthetic quality is the same for Greeks, Chinese, Americans."2 This idea is surprisingly reminiscent of Clive Bell's "discovery" of Significant Form in so-called primitive art.3 Dewey says thatbarriers are dissolved, limiting prejudices melt away, when we enter into the spirit of Negro or Polynesian art. This insensible melting is far more efficacious than the change effected by reasoning, because it enters directly into attitude."4To this contention one could object in the following way. Immediate contact with for example, Congolese Nkisi nkondi fetish statues (in the museum of [End Page 1] African Art and History in Tervuren), which are bristling with nails are quite shocking to Europeans — such as Joseph Conrad in the Congo.5 Only by acquaintance with facts that are external to the artwork can one get real access to and understanding of them. One has to know that the nails are meant to seal dispute resolutions and that the statues "were considered so powerful that they were sometimes kept outside the village."6 Only when I know this, will my first perception be seriously altered. It is an objection that is often made against the privilege enjoyed by the immediate contact with the senses: knowledge of the "context" can enhance our appreciation of the art of the foreign community.Both the universalist view and the objection are flawed.7 First of all, we have to ask whether we can make such a sharp distinction between internal and external information and, second, whether it is correct to presuppose a typical proper aesthetics to make artistic communication possible. Is not every form of life already the (not fully definable) outcome of conscious or unconscious influence by other forms of life? What would be the so-called "own" internal aesthetics by which we should judge the famous "Turkish" Iznik tiles that reflect especially the Ottoman rulers' interest in Chinese porcelain, or the "Japanese" aesthetics of Zen Buddhism that is the result of a century-long historical interaction between Japanese culture and the new, foreign religion of Buddhism, which traveled from Japan to India via China and Korea? What would be the "typical" English garden, which was realized on the basis of travel reports from the Far East? And what of the Eastern influence on so-called typical Western painters as Matisse, Whistler, and Degas or composers such as Debussy, Messiaen, Ravel, Rimski-Korsakow and Puccini? What is clear is that it is completely unclear what is "own," "typical," or "authentic." Live communities are never isolated islands developing by themselves. It is as impossible to demarcate strictly the "proper" from the "foreign" as it is to find a universal language that would make artistic communication possible in an absolutely definitive way.Just as it is not necessary to share a language to communicate8 — this holds both for people... (shrink)

Are there universally valid moral principles that dictate what's right regardless of what the consensus is within a particular society? Or are moral judgments culturally relative, ultimately dictated by conventions and practices which vary among societies? Practices and Principles takes up the debate between cultural relativists and universalists, and the related debate in political philosophy between communitarians and liberals, each of which has roots in an earlier debate between Kant and Hegel. Rejecting uncritical deference to social practice, I acknowledge the (...) need for standards for judging existing practices; but, I argue, the fact that there are principles we can use to criticize practices does not mean we can ignore social practice when making ethical and legal judgments. While defending principled criticism,I show the important role social practices have both in selecting and applying principles. I show precisely how both principles and practices interact through three case studies: promises, contract law, and the fourth amendment issue of whether an expectation of privacy is reasonable. When we turn to particular instances of ethical and legal judging we find that it is appropriate sometimes to appeal to principles that seem foreign to a culture to criticize aspects of that culture, sometimes to appeal to principles immanent in a culture and its practices, sometimes to defer to expectations arising from practices without subjecting the practices to critical scrutiny. I reject simplifying dichotomies that force us to choose between either practices or principles, universalism or relativism, and liberalism or communitarianism. (shrink)

This chapter examines the distinction among observers, participants, and agents from the perspective of the Cologne program of interactive constructivism. It first examines an exemplary discourse on the nonscientific theme of “beauty” using the evil stepmother in “Snow White” as an example. It discusses this theme from the perspective of interactive constructivism and interprets it as a problem between universalist and anti-universalist approaches. The chapter then demonstrates numerous connections between constructivism and Dewey's Pragmatic theory of inquiry. Dewey, for (...) example, had already distinguished spectators, agents, and participants, even though he did not articulate those distinctions in a systematic way. This chapter follows upon Dewey's insights, suggesting ways in which a constructivist theory of observation can enrich contemporary Pragmatist arguments. (shrink)

Time belongs to a handful of categories (like form, symbol, cause) that are genuinely transdisciplinary. Time touches every dimension of our being, every object of our attention - including attention itself. It therefore can belong to no single field of study. Of course, this universalist view of time is not itself universal but rather is a product of the modern age, an age that conceived of itself as the 'new' time. Time has thus gained new importance as a theme of (...) general research with the 'post-modern turn' now manifest in many areas of intellectual endeavor, especially in the humanities and social sciences. 'Chronotypes' are models or patterns through which time assumes practical or conceptual significance. Time is not given but (as the subtitle indicates) fabricated in an ongoing process. Chronotypes are themselves temporal and plural, constantly being made and remade at multiple individual, social, and cultural levels. They interact, they change over time, and they have histories, whose construal is itself an act of temporal construction. This book - an interdisciplinary collaboration of philosophers, historians, literary critics, and anthropologists - examines the ways individuals, societies, and cultures make sense of time by constructing it in diverse patterns. Its title intentionally echoes a concept of narrative theory, Mikhail Bakhtin's 'chronotype', because narrative recurs as a chief form within which we build temporality. The topics treated by these essays range from story-telling to cross-cultural communication, from epistemological debates to concepts of historical periodization, from the construction of life stories to the stratification of social time. (shrink)