D’où vient le jargon scientifique ? Quel lien l’éditeur et l’auteur entretiennent-ils dans l’écriture ? Pascal Rouleau, s’appuyant sur son expérience, montre qu’il faut distinguer trois domaines d’écriture, la création, le jargon et les langages techniques, et que l’éditeur ne doit pas chercher à vulgariser à tout prix.Where does scientific jargon come from? How do publishers and authors relate to each other in the writing process? Pascal Rouleau, drawing on his own experience, shows that a distinction has (...) to be made between three kinds of writing – creative writing, jargon and technical language – and that publishers should not attempt to « popularise » at any cost. (shrink)

Comment l'idéologie nazie a-t-elle imprégné et corrompu jusqu'au plus intime de la pensée et du langage? Jargon de l'authenticité est l'une des charges les plus féroces écrites contre Heidegger et son jargon. Qu'est-ce que le jargon? C'est un maniement de la langue qui vise à exercer un charme magique sur les lecteurs grâce à une sacralisation du langage et à un pathos de l'authenticité. Nationalisme, repli sur soi, mépris de la réalité sociale sont dès lors autant de (...) voies pour perdre l'objet, le monde, les choses. Un livre qui mérite d'être confronté à la célèbre étude de Klemperer, LTI, qui porte sur le langage totalitaire sous le IIIe Reich. (shrink)

This devastating polemical critique of the existentialist philosophy of Martin Heidegger is a monumental study in Adorno's effort to apply qualitative analysis to the content and impact of cultural phenomena.

RESUMEN Los debates entre periodistas, intelectuales y activistas sobre la verdad, la "posverdad", y las formas de subjetividad política no han utilizado bien los abundantes recursos de las largas luchas de la filosofía europea sobre esos temas. Este artículo intentará mostrar que la poco conocida polémica de Theodor Adorno contra las formas filosóficas y populares del discurso existencialista en la Alemania de posguerra -el sarcàstico librito titulado La jerga de la autenticidad- contiene recursos que pueden ser herramientas útiles para ir (...) más allá del viejo binario periodístico "hechos reales" vs. "noticias falsas". ABSTRACT The debates among journalists, intellectuals and activist about truth, "post-truth" and the forms of political subjectivity have not properly used the abundant resources provided by the extensive struggles of European philosophy with these issues. This article attempts to show that the hardly known polemic of Theodor Adorno against the philosophical and popular forms of the existentialist discourse in post-war Germany-the sarcastic book entitled The jargon of authenticity-contains resources that might be used to go beyond the old journalistic binary "real facts" vs. "false news". (shrink)

Tracing the origin and circulation of the “jargon” spoken at Canton, the paper examines how “jargon” became an issue of Sino-foreign communication conflicts in the early 19th century, and how Westerners responded to it. As a lingua franca spread extensively in the Canton trade, the so-called “jargon” (a pidgin form of patois) played an essential role as communication tool between Chinese and foreign traders. However, in the eyes of missionaries in early 19th century China, the normal Sino-foreign (...) contact process was interrupted and distorted by both parties’ overusing of the jargon. In this regard, early Protestant missionaries’ support of Chinese language study reveals an initial effort to break through the “jargon” barrier. (shrink)

Language is an important part of the human culture. It serves for the expression and communication of thoughts. In is article, the problem of chemical jargon as a tool for communication between scientists is discussed.

Graphical AbstractBottom-up metabolic systems biology is of particular relevance to biochemists. The jargon of bottom-up metabolic systems biology however represents a major obstacle that needs to be overcome by a prospective practitioner in this emerging field. Herein, we diminish this early hurdle by providing a lexicon of the most important terms.

This devastating polemical critique of the existentialist philosophy of Martin Heidegger is a monumental study in Adorno's effort to apply qualitative analysis to the content and impact of cultural phenomena.

En partant de la notion de « jargon » mobilisée par Adorno dans son livre contre Heidegger, cet article entend contribuer à une histoire sociale du concept d’authenticité, dans une perspective critique qui s’intéresse à ses usages au sein de différents milieux musicaux et musicologiques. Le rock et la pop, les musiques ethniques et/ou traditionnelles, les musiques anciennes, sont autant de contextes où dans la deuxième moitié du vingtième siècle ont pris forme de manière indépendante ce qu’on peut appeler (...) des querelles de l’authenticité. Nous faisons l’hypothèse que cela s’explique moins pour des raisons techniques communes à ces différents types de musiciens que parce que la diffusion de l’existentialisme et la vogue de la contreculture dans les années 1960 ont installé dans le sens commun l’idée qu’une vie authentique est l’un des noms contemporains de la vie bonne. (shrink)

Abstract This paper argues that the concept of authenticity has evolved since the time of Adorno’s critique in The Jargon of Authenticity, and that an analysis of tourism offers a way of grasping the altered status of the concept of authenticity and its current ideological function in the contemporary capitalist system. It is suggested that authenticity no longer refers to an existential state, but instead to a purchased experiential moment. This paper traces the alterations in the understanding of existential (...) authenticity from its origins in existential phenomenology to its current status as a key concept in tourism research. It suggests that, while Adorno’s critique of authenticity has become somewhat outdated due to changes in the social relations of modern capitalism, its central argument still holds true, in that contemporary notions of authenticity still play an ideological role in securing the socio-economic status quo by both expressing and concealing the sense of alienation caused by social relations under capitalism. (shrink)

Theodor W. Adornos Jargon der Eigentlichkeit (1963) gehört zu den umstrittensten Texten der Kritischen Theorie. Während der Titel inner- und außerhalb der akademischen Debatte längst zu einem geflügelten Wort mutiert ist, steht diesem die Kenntnis des Inhalts diametral gegenüber. Zumeist wird die Schrift als eine Polemik gegen Martin Heidegger abgehandelt, die zu einer 'philosophischen Kommunikationsverweigerung' Hermann Mörchen) zwischen Frankfurt und Freiburg geführt habe. Plattitüden dieser Art verkennen jedoch den ideologiekritischen Charakter der Streitschrift. Adornos Kritik am neudeutschen Jargon richtet (...) sich keineswegs primär gegen Heidegger, sondern bezieht sich auf ein breites gesellschaftliches Phänomen. Sie hat ihren Ursprung bereits in den 1920er-Jahren in der Kritik Siegfried Kracauers an der Bibel-Übersetzung von Martin Buber und Franz Rosenzweig. Ziel des Sammelbandes ist es, den Jargon der Eigentlichkeit jenseits akademischer Departementalisierungen zu erschließen und auf die Aktualität von Adornos Kritik hinzuweisen. (shrink)

The language used to talk about computers is uniquely colorful and sometimes extraordinarily difficult. This paper examines ‘computer discourse’ and points out its highly metaphorical nature. While the use of metaphor is unavoidable, it often leads, especially in informal settings, to the mannered use of words we call jargon. Metaphor becomes jargon when it is used too literally in a self-conscious manner. Experts often use their metaphors as though they were literally true. Technical details fall away and the (...) metaphor is taken for the reality it represents. The less expert sometimes mimic the language they hear, in a self-conscious manner, without truly understanding it. (shrink)

:This article interrogates “masculinity” as a named object of study for the social sciences, and sociology in particular, by drawing on the analysis of sense and language in Gilles Deleuze's The Logic of Sense. While rejecting essentialist definitions of masculine attributes, sociologists have long insisted that masculinity can be defined as a strategic articulation in the pursuit of social goals. Developing Deleuze's notion of the “singularity” within signifying series, this article argues that sociological emphases on goal-oriented practices have elided important (...) problems around the individuation of social relations, as well as neglecting the subsequent textual work of naming such relations as masculine. To develop this argument, the article begins with R.W. Connell's concept of “hegemonic masculinity” as one example of empirical investigation that proceeds by way of specialised metaphors – strategies, positions, goals – that make masculinity appear self-evident as an innate communication between men. In scrutinising the efficacy of such metaphors, the article questions the paradigm of homosociality as a methodological a priori in social scientific research. Finally, the article asks how masculinity studies might engage a more critical relationship to observation and description, a question that remains urgent for developing the ethical vision of gender studies more broadly. (shrink)

Hegel's reading of Hafez as part of his Berlin aesthetics lectures. The jargon of the prosaic world -/- This essay deals with Hegel's reading (Georg Wilhelm Friedrich Hegel, 1770 - 1831) of Hafez' poetry (Moḥammad Schams ad-Din Hafez Schirazi, around 1315 - 1390) during his lectures on the Aesthetics or Philosophy of Art at the University of Berlin (1820/21; 1823; 1826; 1828/29). Hegel's writings, Lectures on Aesthetics, were published from his remains by Heinrich Gustav Hotho (1802 - 1873) in (...) three volumes (1835 - 1838) and in a second edition from 1842 onwards. The posthumously published writings of Hegel are, considering the preserved archive material and the unreliable editing work by Hotho, a thoroughly complex research topic. Therefore, this problem area also forms the starting point of the present analysis of Hegel's reading of Hafez. -/- Within the framework of this essay, Hegel's categories of historical frameworks (Symbolic, Classical, and Romantic Art), especially that of the "Symbolic Art", are examined in his lectures on Aesthetics . This will do in three steps: starting with the current state of research, problematizing of Hegelian concepts in his Lectures on Aesthetics like "oriental Pantheism" or Vorkunst, ("the threshold of art" or "praeambula": T. M. Knox' translation, 1975, part I); extending the discussion by focusing on similarities and differences between Hegel's reading of Goethe (part II) and Hegel's reading of Hafez (part III) in his Berlin Aesthetics Lectures of the 1820's. For this purpose, material from Goethe's literary remains (II), as well as a masterpiece of Dutch painters van Eyck analyzed by Hegel (Ghent Altarpiece) during his lectures (III), will be included in the analysis and explored from an interdisciplinary and intercultural perspective. In doing so, Goethe's “Space of Experience and Horizon of Expectation” (Koselleck) in imitating Arabic script and calligraphy (II) is linked to Hegel's reading of Hafez during his Berlin lectures on aesthetics (III). Thus, a dialogue of cultures unfolds between poetry and philosophy. The main questions are: How does the German philosopher Hegel interpret and receive Hafiz's poetry in the context of German idealist philosophy as a topic of his lectures on aesthetics? What epistemological aspects can be gained from Hegel's reading of Hafez for a cultural studies analysis, especially regarding the history of the ideas? In addition to analyzing the historical aspects, the aim is also to uncover new perspectives in order to look with Hafez and Rumi at Hegel's problem child of ‘history’. Of particular interest are epistemological aspects and problems of reception and translation studies in sense of interdisciplinary and intercultural research (e. g. connected/entangled histories; boundary objects). Interculturality is understood in the context of the present essay as a cross-disciplinary theoretical framework in the sense of entangled histories research work interwoven with communication, aesthetic and cultural techniques approaches or resilience studies in a historical perspective. (shrink)

ABSTRACT In this paper, I analyse Rahel Jaeggi’s socio-ontological account of forms of life. I show that her framework is a two-sided one, since it involves an understanding of forms of life both as inert bundles of practices and as having a normative structure. Here I argue that this approach is based on an a priori argument which assumes normativity as the condition of intelligibility of social criticism. I show that the intimate tension between these two sides is reflected in (...) the socio-ontological model of the constitution of social phenomena, which on the one side is understood in terms of habituation and materialization, and on the other side in terms of constitution through norms. The second side in the end prevails and leads to some sort of normative essentialism which involves a prescriptive meta-theoretical understanding of normativity combined with a socio-ontological model of constitutive rules. I then analyse two arguments that Jaeggi offers in support of her assumption that normative constitution is the deep structure of social practices. I name these the functional-teleological argument, and the crisis developmental argument, and argue that neither succeeds in proving that practices are not normatively underdetermined. (shrink)

Crisis jargon has become endemic in modernity. Whether in radical or in affirmative versions, the idea that ‘crisis’ offers ‘opportunity’, in accordance with the meaning of crisis as ‘decision’, is widespread. This paper questions the relationship between modernity and crisis, first by highlighting the ways in which modernity itself has been cast as ‘crisis’: first as crisis of tradition, then as crisis of modernity itself. The main part of this paper then consists of a reading of modernity-as-crisis inspired by (...) Walter Benjamin, most notably by his Passagen-Werk. It consists of an attempt to consider ‘crisis’ as what Benjamin calls a ‘wish image’, an image that contains hidden utopian ideals. In invoking ‘crisis’, I argue, a conception of modernity as shock, raised to the level of the collective, becomes apparent. Crisis jargon thereby remains wedded to what Benjamin calls a mythical conception of history. The paper ends with a discussion of the political consequences that follow from this that are grounded in the relation between messianism and profane politics in Benjamin. (shrink)

These are the commentaries (or notes) for Aristotle's Metaphysics V (Delta) 18-30. This file must be read together with the translation into Portuguese, which has been published as a different item, with a different DOI. In the Introduction, I discuss many issues about Aristotle's jargon, Aristotle's style and Aristotle's awareness of many philosophical problems that nowadays we locate within the branch Philosophy of Language.

This essay defines Theodor W. Adorno’s philosophical language criticism as materialistic. It takes up Max Beck’s discussion of Adorno’s critique of German metaphysical jargon in his paper “Jargon, Bullshit, sinnlos”. However, this essay argues for a twofold critique as being constitutive for Adorno’s approach: It is directed not only at Martin Heidegger’s ontological understanding of language but also at Logical Empiricism’s formalistic understanding of it. Beck’s claim of an affinity between the methods of Adorno and the Vienna Circle (...) is therefore questionable. The first part illuminates the philosophical significance of Adorno’s encounters with the Vienna protagonists. The second part discusses the differences between a formalistic and a materialistic approach: instead of excluding metaphysical expressions as meaningless, Adorno contextualizes them historically and socially. Thus Adorno criticizes early analytic philosophy’s reductive treatment of language and its rigorist understanding of enlightenment. The third part connects the critiques of formalism and of jargon by pointing to their own socio-historical embeddedness. Finally, it argues for the contemporary relevance of such twofold critique. (shrink)

The jargon of evolutionary psychology has recently migrated from a few minor American universities into the academic mainstream and thence into Sunday supplements and dinner party conversations. It has even formed the backdrop to at least one award-winning novel (McEwan, 1997). Evolutionary psychology and other similar ‘biological’ explanations of human conduct pervade the Zeitgeist and, as Kenan Malik has persuasively argued, they tap into a prevailing mood of cultural pessimism. Evolutionary psychology, it seems, speaks to our desire to see (...) the worst in ourselves (Malik, 2002). (shrink)

A jargon-free explanation of two central teachings of the Buddha: karma and rebirth. By now, we've all heard someone say, "It must have been his karma" or "She had bad karma." But what is karma, really? Does karmic theory say that we are helpless victims of our past? Is all karma bad, or can there be good karma too? Is reincarnation the same as the Buddhist theory of rebirth? In this short and eminently readable book, Traleg Kyabgon answers these (...) questions and more by elucidating the Buddha's teachings on karma and rebirth. He distinguishes the Buddhist view of karma and rebirth from related notions of karma and reincarnation found in the Hindu tradition, explains why the notion of karma is indispensable to the theory and practice of Buddhism, and demonstrates how karmic theory provides a foundation for morality that doesn't require belief in God. Throughout he shows how to work with karma intelligently to bring about beneficial changes in the way we relate to our thoughts, feelings, and circumstances. (shrink)

Written in a jargon-free way, Body Matters provides a clear and accessible phenomenological critique of core assumptions in mainstream biomedicine and explores ways in which health and illness are experienced and interpreted differently in various socio-historical situations. By drawing on the disciplines of literature, cultural anthropology, sociology, medical history, and philosophy, the authors attempt to dismantle common presuppositions we have about human afflictions and examine how the methods of phenomenology open up new ways to interpret the body and to (...) re-envision therapy. (shrink)

The jargon of Japanese art criticism has always had an abundance of unique terms, categories, and concepts. This is not only true when discussing traditional Japan, since there are just as many new terms today as there were in the past. Some of the new terms have developed or evolved from old ones, while others have appeared with no seeming connection to any traditional tendency. Yet, only a few of these terms can be considered for the meta-level discussion of (...) Aesthetics, whether or not they can be linked with a certain historical linage, as they have a simple descriptive function. This article will first try to discern between aesthetic and non-aesthetic terms that are at the core of Japanese discourse today. Second, and accordingly, following the footsteps of the renowned modernist aesthetician Kuki Shūzō, this article will also try to convey a single linguistic map of the distinctive cultural Aesthetic that is in motion in Japan today. (shrink)

"Si le "jargon de l'authenticité" a sans doute rendu nombre de phénoménologies incapables de penser l'histoire et le politique, Merleau-Ponty a su le faire au coeur des textes étrangement les moins commentés, dans leur lien même, ceux des cours au Collège de France de 1954-1955: L'Institution et La Passivité. Des cours que cet ouvrage se propose enfin de relire, en discussion serrée avec l'ensemble de l'oeuvre merleau-pontienne, tant celle qui les précède que celle qui leur succède, pour la dévoiler (...) autrement. Cela, en trois temps, qui sont autant de "lectures de Merleau-Ponty", et de portes d'entrée dans son oeuvre la moins connue. Trois temps formant les parties de cet ouvrage qui suivent l'élaboration du concept merleau-pontien d'institution dans son rapport même à la passivité, sans chronologie fixe, et sans voeu de systématicité, mais en tentant d'être fidèle à la rédaction même de ces notes de cours d'une rare densité. Des cours qui foisonnent de références, tant à son oeuvre propre qu'aux nombreux auteurs avec lesquels Merleau-Ponty dialogue, tissant ainsi de nouveaux liens thématiques, et n'hésitant pas, par exemple, au coeur même d'un chapitre sur le vivant, à évoquer la question de la révolution marxiste. De Ruyer, Gesell, Lévi-Strauss, Alquié, Lachièze-Rey, à Sartre et Freud, etc., ce sont autant de dialogues qui éclairent en effet l'oeuvre et l'auto-critique de Merleau-Ponty, qui se confronte ici, mieux que nulle part ailleurs, à l'échec de son oeuvre passée, comme au contexte de l'époque. Plutôt qu'une exégèse ou qu'une interprétation orthodoxe, il s'agit au fond de continuer la pensée de Merleau-Ponty en questionnant ses dilemmes, ceux de la praxis mais aussi et en amont ceux de la méthode entre analogie et métaphore, en puisant à des essais qu'il aura en partie abandonnés, et qui nous semblent pourtant les plus prometteurs. D'où le pluriel, encore, de ces lectures."--Page 4 of cover. (shrink)