première partie. Le maître et son disciple : une amité improbable -- deuxième partie. Deux acteurs de la vie publique -- troisième partie. Un renouvellement de la pensée philosophique.

Jacques Chevalier et Emmanuel Mounier : deux philosophes, le maître et l'élève, engagés dans la vie de leur pays. Leurs liens d'amitié, noués dès 1924, se relâchent progressivement, sans pour autant disparaître, dès lors que le nazisme dévoile sa vraie nature, que l'Allemagne rompt le traité de Versailles, que la guerre civile espagnole fait rage, que le Front populaire s'effondre, que l'État français est institué et met fin à la démocratie et à la République. En 1932, Mounier crée, avec l'appui (...) de Chevalier, la revue Esprit. Celle-ci, d'abord tolérée par les autorités de Vichy, sera interdite, mais elle réapparaîtra à la Libération. Chevalier, engagé depuis toujours contre le "laïcisme", deviendra ministre du Maréchal Pétain. En charge de l'Instruction publique, il réintroduira Dieu à l'école et sera condamné en 1946, en Haute Cour de justice. Cet ouvrage prend appui sur leurs correspondances et sur les verbatims de leurs entretiens, pour la plupart inédits. (shrink)

The essays gathered here recommend the work of Ernest Bloch as a challenge to older models of historical materialism and utopian emancipation and give specific examples of how Bloch's work can contribute to current debates about utopia, nationalism, collective memory, and the complex relationship between ideology and everyday life.

Les philosophes et les clowns se ressembleraient-ils? L'hypothèse est peut-être moins incongrue qu'il n'y paraît. Elle est même suggérée par... des philosophes, en particulier ceux qui, observant ce que devient l'individu humain depuis le début du terrible XXe siècle, interrogent sa foncière ambivalence. Le clown serait-il le modèle d'un sujet devenu bancal mais rusé, dépassé mais calculateur, égaré mais lucide, épuisé mais inventeur d'espérances? Le temps des clowns que décrivent les philosophes et écrivains ici invités (Ernst Bloch, Siegfried Kracauer, (...) Walter Benjamin, Franz Kafka, Theodor Adorno, Samuel Beckett, Hannah Arendt, Günther Anders) n'est pas celui des Lumières, et il n'est pas non plus celui des transports romantiques ou tragiques du XIXe. Il témoigne d'une expérience historique spécifique, qui pourrait bien être encore, pour une grande part, la nôtre."--Page 4 of cover. (shrink)

La importancia de la esperanza en la vida de las personas es reconocida portodos; sin embargo, el tema ha sido trabajado casi exclusivamente porteólogos. El artículo intenta encontrar, mediante el análisis de los aportes deKant, Maree! y Bloch, un vocabulario que nos permita comprender laesperanza en términos filosóficos; es un ejercicio reflexivo de spes quaerensintellectum y, a la vez, de intellectus quaerens spem.

La philosophie d'Adorno est une critique de la domination politique et ideologique. Elle est aussi une meditation sur les devoirs de la pensee confrontee a la Shoah et aux totalitarismes du XXe siecle. Face a la Catastrophe, elle ne s'abime pas dans le defaitisme mais tente de retrouver, sous les mythes qui les etouffent, les raisons d'esperer sans lesquelles l'experience humaine ne serait pas viable. La notion d'utopie, qu'il herite d'Ernst Bloch et de Walter Benjamin, a d'abord chez Adorno (...) ce sens d'un degagement de possibles qui, enfouis dans l'Histoire et reprimes par la logique du capitalisme, peuvent cependant etre reconnus et liberes. Cela suppose que les singularites - l'individu dans le collectif, le detail dans l'ensemble, l'element dans la composition - ne soient pas annexees et liquidees, mais au contraire preservees dans leur expression propre. Adorno, avec Benjamin, nomme constellations les modes d'articulation qui y parviennent. Pour en degager les enjeux, il faut entrer dans le mouvement d'une pensee qui deconstruit les concepts d'identite et de totalite mais ne renonce pas a l'esperance. Les conceptions adorniennes de la dialectique et de la negativite sont traversees par cette tension feconde. Cette introduction a l'oeuvre d'Adorno l'interprete comme une reponse a ce que Miguel Abensour appelait la sommation utopique : sous l'opacite et la noirceur du monde, l'ecriture d'Adorno tente de reveiller un dire de verite, de sauvetage et d'emancipation. (shrink)

This essay traces a Marxist notion of cultural heritage drawing on the work of twentieth-century thinkers Daniel Bensaïd and Ernst Bloch. Both authors, indeed, address the act of inheriting as a way of rethinking Marxism beyond determinist and teleological concepts of history. In particular, Bensaïd’s 1995 Marx for Our Times and a 1972 essay on cultural heritage by Ernst Bloch reimagine the handing-on of cultural inheritance as the political reactivation of untimely and non-synchronous survivals of past social (...) formations. For this reason, the heritage of Marx conveyed by these authors does not result in a nostalgic preservation of the past but in reviving unrealised possibilities of social transformation. In a comparative reading of Bensaïd and Bloch, the act of ‘inheriting Marx’ analysed in this essay hence formulates a de-commodifying conception of cultural heritage set against the violence of capital. (shrink)

Marcuse’s Challenge to Education, a collection of essays by scholars who have explicated his theories accompanied by unpublished lecture notes by Marcuse himself, examines his ground-breaking critique of education as well as his own pedagogical alternatives. This compilation provides an overview of the various themes of Marcuse's challenges to traditional education and connections with ideas of other radical thinkers ranging from Bloch and Freire to Freud and Lacan.

Interrogating Modernity returns to Hans Blumenberg's epochal The Legitimacy of the Modern Age as a springboard to interrogate questions of modernity, secularisation, technology and political legitimacy in the fields of political theology, history of ideas, political theory, art theory, history of philosophy, theology and sociology. That is, the twelve essays in this volume return to Blumenberg's work to think once more about how and why we should value the modern. Written by a group of leading international and interdisciplinary researchers, this (...) series of responses to the question of the modern put Blumenberg into dialogue with other twentieth, and twenty-first century theorists, such as Arendt, Bloch, Derrida, Husserl, Jonas, Latour, Voegelin, Weber and many more. The result is a repositioning of his work at the heart of contemporary attempts to make sense of who we are and how we’ve got here. (shrink)

ABSTRACT Schubert’s lied An die musik celebrates music’s capacity to transport the listener or performer into a better world. That capacity renders music utopian for it is this better world and the experience of its prefiguration that is the defining character of utopianism. This article explores the ways in which music may be distinctive in its utopian force, and thus suggests several approaches to researching the underdeveloped area of music and utopia. It draws particularly on Ernst Bloch’s analysis and (...) on work by Daniel Barenboim and Edward Said to argue that there are two distinct aspects to the ‘special case’ for music: abstraction or unutterability, and performance. Neither of these elements is straightforward, since neither is peculiar to music, although they are arguably present in music in distinct ways, rendering it qualitatively different from other forms of utopian expression. (shrink)

Saadya ben Joseph al-Fayyumi, gaon of the rabbinic academy at Sura and one of the preeminent Jewish thinkers of the medieval period, attempted to create a complete statement of Jewish religious philosophy in which all strands of philosophical thought were to be knit into a unified system. In _The Book of Doctrines and Beliefs_, Saadya sought to rescue believers from "a sea of doubt and the waters of confusion" into which they had been cast by Christianity, Islam, and other faiths. (...) By employing philosophical--or kalamic--argumentation to examine and defend traditional Jewish beliefs, Saadya hoped to turn blind faith into conviction based on rational understanding. First published in 1946, and reprinted here without alteration, Alexander Altmann’s judicious abridgment of his own translation has remained the standard edition of this influential work. A new Introduction by Daniel Frank sets Saadya’s work in its broader historical, cultural, and philosophical contexts. (shrink)

Bigotry distractions are strategic invocations of racism, transphobia, or negative stigma toward other marginalized groups to shape political discourse. Although the vast majority of Americans agree on large policy issues ranging from reducing air pollution to prosecuting corporate crime, bigotry distractions divert attention from areas of agreement toward divisive identity issues. This article explores how the nefarious targeting of identity groups through bigotry distractions may be the tallest barrier to health reform, and social change more broadly. The discussion extends the (...) literature on dog whistles, strategic racism, and scapegoating. (shrink)

Previous research has demonstrated how emotion resembling cues in the face help shape impression formation. Perhaps most notable in the literature to date, has been work suggesting that gender-related appearance cues are visually confounded with certain stereotypic expressive cues. Only a couple studies to date have used computer vision to directly map out and test facial structural resemblance to emotion expressions using facial landmark coordinates to estimate face shape. In one study using a Bayesian network classifier trained to detect emotional (...) expressions structural resemblance to a specific expression on a non-expressive face was found to influence trait impressions of others. In another study, a connectionist model trained to detect emotional expressions found different emotion-resembling cues in male vs. female faces. Despite this seminal work, direct evidence confirming the theoretical assertion that humans likewise utilize these emotion-resembling cues when forming impressions has been lacking. Across four studies, we replicate and extend these prior findings using new advances in computer vision to examine gender-related, emotion-resembling structure, color, and texture and their impact on gender-stereotypic impression formation. We show that all three are meaningfully related to human impressions of emotionally neutral faces. Further when applying the computer vision algorithms to experimentally manipulate faces, we show that humans derive similar impressions from them as did the computer. (shrink)

In this preface, we introduce Roger Schwarzschild’s body of work, as well as the papers in this volume. Because Roger’s work is so diverse and comprehensive, the book is divided into four categories: papers that address the semantics of nouns and plurals; papers on focus semantics; papers on degree semantics; and papers addressing the semantics of tense and aspect. We end with compelling arguments that Roger is the best.

We address how trait self-control and trait concern for others relate to the concepts of monitored and intrinsic Welfare Tradeoff Ratios (WTRs), respectively, and how recent work on personality, revenge, and forgiveness are informed by the adaptationist perspective proposed in the target article. We also discuss how the proposed adaptationist perspective provides clues to some previously puzzling findings on revenge.

In this article I deal with the topic of perceptual self-awareness, focusing on whether a plausible account of sensory self-perception having exterior sensations as its objects requires sensible species representing these acts. I first introduce Aristotle’s two distinct views from On the Soul and On Sleep and Waking as defining the scholastic status quaestionis, then bring in Francisco Suárez’s, Bartholomeo Mastri’s and Bonaventura Belluto’s, and Hugh McCaghwell’s accounts. I show, first, that Suárez’s view, which cannot be substantiated by Scotus’s littera, (...) is rejected by Mastri/Belluto and by McCaghwell in one of his conclusions. Second, I argue that McCaghwell’s second tenet is to be assessed as Suarezian. This shows that Suárez’s philosophy of perception was positively received also by seventeenth-century Scotists. (shrink)

I argue that the separation of the conjoined Attard twins of Manchester was not morally justified as it involved intentionally internally affecting (“invading”) the body of the weaker twin without permission and without any advantage to her.

By speaking directly to the students in a personal tone, this text invites students to get excited about philosophy and to explore how philosophy affects them. Fourteen lively chapters take students deep into the world of philosophical thinking and challenge them to ponder life's big questions.

Worlds Apart is concerned with one of the new futures of anthropology, namely the advances in technologies which r eate an imagination of new global and local forms. It also analyses studies of the consumption of these forms and attempts to go beyond the assumptions that consumption either localises or fails to effect global forms and images. Several of the chapters are written by anthropologists who have specialised in material culture studies and who examine the new forms, especially television and (...) mass commodities, as well as some new uses of older forms, such as the body. The book also considers the ways in which people are increasingly not the primary creators of these images but have become secondary consumers. (shrink)

Resumo: O presente artigo tem por objetivo apresentar o tema da corrupção, a partir da filosofia política de Enrique Dussel. No marco dos movimentos críticos que emergem no chamado Sul Global, a produção teórica de Dussel busca desenvolver uma estrutura que possibilite a crítica ao que denomina como fetichização do poder. Esse conteúdo é abordado como fundamento da corrupção das instituições que, despercebido pela tradição filosófica moderna, implica uma teoria política que legitima o poder corrompido. Na argumentação aqui concretizada, será (...) exposta a arquitetônica da política dusseliana, distinguindo os conceitos de potentia e potestas. Estes, por sua vez, permitem a diferenciação entre o uso delegado do poder e a execução corrompida do poder. Em seguida, será explicitado o movimento que Dussel assume da crítica de Marx à economia política, para, então, indicar o conteúdo material a partir do qual a constituição crítica de uma nova teoria política deve ser desenvolvida - inspirado em experiências políticas latino-americanas.: The purpose of this article is to present the theme of corruption, based on Enrique Dussel’s political philosophy. Under the scope of the critical movements that emerge in the so-called Global South, Dussel’s theoretical production aims to develop a structure that makes it possible to criticize what he calls the fetishization of power. The fetishization of power is presented as a foundation for the corruption of institutions that, unnoticed by the modern philosophical tradition, implies a political theory that legitimizes corrupted power. In our argument, we will expose the architecture of Dusselian politics, distinguishing the concepts of potentia and potestas. These concepts, in turn, allow for the differentiation between the delegated use of power and the corrupt execution of power. Then, we will make explicit the movement that Dussel assumes from Marx’s critique of political economy to indicate the material content from which the critical constitution of a new political theory must be developed - content that is inspired by Latin American political experiences. (shrink)

Shortly after the Presidential Commission for the Study of Bioethical Issues was constituted in 2010 and days before the commission members were to join a conference call to discuss possible topics for their deliberation, Craig Venter held a press conference announcing that his lab had created a synthetic chromosome for a species of mycoplasma and had inserted this genetic material into organisms of another species of mycoplasma (the genes of which had been deactivated), transforming the host species into the donor (...) species. While not overtly claiming to have “created life in the test tube,” Venter's publicity seemed cleverly designed to provoke the media into reporting his discovery in just that way. The resulting uproar caused President Obama to give his new bioethics commission the assignment of investigating the ethics of the emerging field of synthetic biology. The commission went right to work. It formed working groups to deliberate about parts of the report, feeding ideas and language to the staff members who would do the actual writing, and then present the working group suggestions to the commission as a whole for public deliberation at open meetings. One of those working groups was charged with coming up with ethical principles that would guide the analysis. Having served as a member of that working group, I report here on the process by which these principles emerged and reflect upon the suitability of that process for the work of public bioethics commissions. (shrink)

In Critique of Dialectical Reason Vol. 2, Sartre analyzes a boxing match in light of a typology of violence. He suggests that individual conflicts incarnate broader forces of structural violence. He distinguishes between incidents of incarnating violence in terms of their broader social effects, as either alienated – commoditized or “mystified” and rendered illicit – or emancipatory – embedded in a collectively willed political project. This conceptualization is used to analyze two films, Aronofsky’s The Wrestler and McQueen’s Hunger. The Wrestler (...) is an excellent meditation on the ways in which the violence of the oppressed is alienated in contemporary U.S. culture, whereas Hunger gestures toward the possibility of emancipatory violence. The article finally considers the act of watching these films as a Sartrean incarnation of violence. (shrink)

Are there universal transcendent features that any natural language must possess in order to provide for its human speakers adequate means of expression and of communication of their conceptual thoughts? As Frege, Austin and Searle pointed out, complete speech acts of the type called illocutionary acts, and not isolated propositions, are the primary units of meaning in the use and comprehension of language. Thus it is in the very performance of illocutionary acts that speakers express and communicate their thoughts. For (...) this reason, speech act theory contributes to the theory of linguistic universals in formulating the necessary and universal laws governing the successful performance and satisfaction of illocutionary acts in language use and comprehension. I will argue that the logical form of illocutionary acts imposes certain formal constraints on the logical structure of a possible natural language as well as on the mind of competent speakers. In particular, certain syntactic, semantic and pragmatic features are universal because they are indispensable. Moreover, in order to perform and understand illocutionary acts, competent speakers and hearers must have certain mental states and abilities which are in general traditionally related to the faculty of reason.Há características transcendentes universais que qualquer linguagem natural tem que possuir para fornecer meios adequados de expressão e de comunicação de pensamentos conceituais aos seus falantes humanos? Como Frege, Austin e Searle mostraram, atos de fala completos do tipo denominado atos ilocucionários, e não proposições isoladas, são as unidades primárias de significado no uso e compreensão da linguagem. Assim, é no exato desempenho dos atos ilocucionários que os falantes expressam e comunicam os seus pensamentos. Por esta razão, a teoria dos atos de fala contribui para a teoria dos universais lingüísticos, formulando as leis necessárias e universais que governam o desempenho bem-sucedido e a satisfação dos atos ilocucionários no uso e compreensão da linguagem. Eu argumentarei que a forma lógica dos atos ilocucionários impõe certas restrições formais na estrutura lógica de uma possível linguagem natural como também na mente de falantes competentes. Em particular, certos aspectos sintáticos, semânticos e pragmáticos são universais porque eles são indispensáveis. Além disso, a fim de desempenhar e entender os atos ilocucionários, os falantes e ouvintes competentes têm que ter certos estados mentais e habilidades que estão, em geral, tradicionalmente relacionadas à faculdade de razão. (shrink)

The topic of my dissertation is satire. This seems to excite many people, and over the past four years I have heard many variations of a similar refrain: “Oh, wow. You’re studying satire? That’s very topical. You must have a lot of material to work with.” There is a way in which this is true, though I suspect in a way that diverges from the way that most of my interlocutors believed. I suspect that the material they imagined me to (...) be working with was the output of Donald Trump, first a candidate for and now holder of the office of President of the United States. That is not the material I find interesting. More interesting to me is their statement. It evinces a number of beliefs that I find interesting, chief among them that Trump makes the current period particularly apt for satire, as if a doddery and incompetent ruling class is somehow a recent phenomenon. And I suspect that underneath this belief in the aptness of satire is a belief in the power of satire. Satire is somehow how people are going to strike back at the vice-governed fools who rule us. Those beliefs are the material I want to work with. This is my interest in satire, then: not so much what it is about satire that makes it powerful, but what is it about satire that makes people think it is powerful? And what is it about satire that makes people think it is powerful when there is pretty powerful evidence that it is not? Unfortunately, here is where I run into the problem that in a very important way I do not have a lot of material to work with. There is not an awful lot on satire within the analytic tradition: outside of a few references to satire, analytic discussions of satire are limited to two short articles. Accordingly, I have taken the task of my dissertation to be to create an account of satire that helps to bring forward why satire is a thing that people can imagine to be powerful, that they can imagine to be politically effective. My dissertation will effectively have two halves, one where I build my account and one where I begin to apply it. The purpose of applying my account, which will comprise the final two chapters, will not be to show its implications so much as how it can be used. My goal will not so much be to give definitive answers about the nature of satire, but rather to give a demonstration of how my account facilitates engaging questions about the role of satire in social and political context. (shrink)

According to Fink, self-reference is one of the distinct features of philosophy. This isn’t merely restricted to her referring to herself thematically. Self-reference is also the key feature of philosophy’s principles, inasmuch as any principle has to be a principle for the very philosophical position explicating this principle. Thus, in my article I will look at four ways in which Fink addresses the self-referential structure of philosophy: Firstly, I will recapitulate Fink’s concept of a “meontic” philosophy. Secondly, I will link (...) this “meontic” philosophy with Fink’s reading of Hegel’s concept of theophany, tracing it back to neoplatonic tradition. Thirdly, I will follow Fink’s reading of Hegel as it transforms his former phenomenological approach into a speculative dialectics of a metaphilosophy of philosophical principles. In a fourth and last step, I will try to give a sketch of Fink’s “phenomenology of the absolute” which combinesHusserl, Heidegger, and Hegel into a speculative phenomenology. (shrink)

In _The Smile of Tragedy_, Daniel Ahern examines Nietzsche’s attitude toward what he called “the tragic age of the Greeks,” showing it to be the foundation not only for his attack upon the birth of philosophy during the Socratic era but also for his overall critique of Western culture. Through an interpretation of “Dionysian pessimism,” Ahern clarifies the ways in which Nietzsche sees ethics and aesthetics as inseparable and how their theoretical separation is at the root of Western nihilism. (...) Ahern explains why Nietzsche, in creating this precursor to a new aesthetics, rejects Aristotle’s medicinal interpretation of tragic art and concentrates on Apollinian cruelty as a form of intoxication without which there can be no art. Ahern shows that Nietzsche saw the human body as the vessel through which virtue and art are possible, as the path to an interpretation of “selflessness,” as the means to determining an order of rank among human beings, and as the site where ethics and aesthetics coincide. (shrink)