Subjective and psychophysiological emotional responses to music from two different cultures were compared within these two cultures. Two identical experiments were conducted: the first in the Congolese rainforest with an isolated population of Mebenzélé Pygmies without any exposure to Western music and culture, the second with a group of Western music listeners, with no experience with Congolese music. Forty Pygmies and 40 Canadians listened in pairs to 19 music excerpts of 29–99 s in duration in random order (eight from the (...) Pygmy population and 11 Western instrumental excerpts). For both groups, emotion components were continuously measured: subjective feeling (using a two- dimensional valence and arousal rating interface), peripheral physiological activation, and facial expression. While Pygmy music was rated as positive and arousing by Pygmies, ratings of Western music by Westerners covered the range from arousing to calming and from positive to negative. Comparing psychophysiological responses to emotional qualities of Pygmy music across participant groups showed no similarities. However, Western stimuli, rated as high and low arousing by Canadians, created similar responses in both participant groups (with high arousal associated with increases in subjective and physiological activation). Several low-level acoustical features of the music presented (tempo, pitch, and timbre) were shown to affect subjective and physiological arousal similarly in both cultures. Results suggest that while the subjective dimension of emotional valence might be mediated by cultural learning, changes in arousal might involve a more basic, universal response to low-level acoustical characteristics of music. (shrink)

While it has extensively been argued that aesthetic categories such as beauty have a direct relationship to emotion, there has only been limited psychological research on the relationship between aesthetic judgments and emotional responses to art. Music is recognized to be an art form that elicits strong emotional responses in listeners and it is therefore pertinent to study empirically how aesthetic judgments relate to emotional responses to music listening. The aim of the presented study is to test for the impact (...) of aesthetic judgment on various psychophysiological response measures of emotion that were assessed in parallel in two contemporary music concerts, each with a different audience and program. In order to induce different levels of aesthetic judgments in participants, we assigned them randomly to one of two groups in a between-subjects design in both concerts: One group attended a talk on the music presented, illustrating its aesthetic value, while the other group attended an unrelated talk on a non-musical topic. During the concerts, we assessed, from 41 participants in Concert 1 (10 males; mean age 23 years) and 53 in Concert 2 (14 males; mean age 24 years), different emotional response components: (a) retrospective rating of emotion; (b) activation of the peripheral nervous system (skin conductance and heart rate); (c) the activity of two facial muscles associated with emotional valence (only Concert 1). Participants listened to live performances of a selection of contemporary music pieces. After each piece, participants rated the music according to a list of commonly discussed aesthetic judgment criteria, all thought to contribute to the perceived aesthetic value of art. While preconcert talks did not significantly impact value judgment ratings, through factor analyses it was found that aesthetic judgments could be grouped into several underlying dimensions representing analytical, semantic, traditional aesthetic, and typicality values. All dimensions where then subsequently shown to be related to subjective and physiological responses to music. The findings reported in this study contribute to understanding the relationship between aesthetic judgment processes and emotional responses to music. The results give further evidence that cognitive-affective interactions have a significant role in processing music stimuli. (shrink)

A political sociologist examines the concept of universal, egalitarian citizenship and assesses the prospects for developing democratic solidarity at the global level.

Wie lässt sich der Bereich des Privaten heute genau beschreiben? Welchen Wert besitzt Privatheit in digitalisierten Gesellschaften für den Einzelnen und die Gesellschaft als Ganzes? Welche Werte und Lebensformen werden durch Privatheit geschützt, welche eingeschränkt? Entstehen durch die Informationsasymmetrie zwischen Technologieunternehmen, staatlichen Verdatungsinstitutionen und Verbrauchern/Bürgern möglicherweise neue Machtstrukturen? Welche rechtlichen Implikationen ergeben sich hieraus? Dieser Band geht diesen und anderen Fragen, die sich im Hinblick auf die etablierte Gleichung von Freiheit und Privatheit stellen, nach und versucht Antworten zu finden.

The truth potential of art is realized not only by great art (of educated elites) but also by the cultural industry that has become the art of the masses. Great art and cultural industry do not only contradict one another but often interpenetrate and overlap subversively. Especially in critical periods of crisis (and revolution) great art and cultural industry go together with political action. However, in more counterrevolutionary periods as nowadays post-truth democracy, Adorno's gloomiest interpretation of the cultural industry becomes (...) topical again. (shrink)

The complex figure of Theodor Adorno has made a lasting impact on modern political and philosphical development. Deeply interested in the flowering of modern art and an accomplished musician who was close to Schoenberg's circle, he was profoundly affected by revolutionary Marxism, although he always resisted its institutionalized manifestations. Adorno sought to highlight the negative characteristics of the Enlightenment while at the same time emphasizing its positive and empancipatory aspects. In both politics and philosophy he preferred the spontaneous to the (...) orthodox, the experimental to the conventional. His life's work rejects the capitalist system of the twentieth-century while at the same time acknowledging and affirming its creative cultural achievements. Hauke Brunkhorst's book is the first English-language assessment of Adorno's life and work. He stresses the links between Adorno and the dialectical thinking of Hegel and Marx, but also emphasizes the connection between Kant and Adorno. The book sheds new light on Adorno's negative dialectic and is an important contribution to the debate on this celebrated philosopher. (shrink)

The author uses the heidegger debate to juxtapose adorno's modernism to the 'postmodernism' of heidegger and others, Including rorty and lyotard. In contrast to heidegger, The author finds adorno's modernity to be more informed by enlightenment categories. Starting with adorno's suggestion that "ratio" must "transcend" the self-Preservation of instrumental thought, The author interprets adorno as moving in a somewhat universalist direction. According to this interpretation, Although adorno would agree with heidegger's critique of "identifying thought," he would find the category of (...) "rational identity" something much more positive than did heidegger. In contrast to heidegger, Adorno's critique of instrumentality has a strong ethical component. (shrink)

Experiments in which subjects play simultaneously several finite two-person prisoner's dilemma supergames with and without an outside option reveal that: an attractive outside option enhances cooperation in the prisoner's dilemma game, if the payoff for mutual defection is negative, subjects' tendency to avoid losses leads them to cooperate; while this tendency makes them stick to mutual defection if its payoff is positive, subjects use probabilistic start and endeffect behavior.

Let me first thank Bill Scheuerman for his long and rich argument on my different considerations of global and European constitutionalism and democracy. It was an inspiring reading, and I have learnt a lot by it. I agree with most of his basic assumptions, and even with some of his more critical remarks. Here, I will first take the opportunity to make some revisions and clarify some conceptual misunderstandings. I will then make some additional remarks on my theoretical framework, and (...) the ideas of law and constitution which are fundamental for it. In the last section I discuss again the issue of state and constitution about which Scheuerman and I already had a short controversy in Constellations last year.1 This time, however, I will discuss the development of modern society in a broader historical, or evolutionary, perspective. Keywords: state; world state; monopoly of power; co-evolution; nation; national identity; territory; cituzenship; modern society (Published: 10 March 2009) Citation: Ethics & Global Politics. DOI: 10.3402/egp.v2i1.1940. (shrink)

This book is an interdisciplinary contribution to bioethics, bringing together philosophers, sociologists and Science and Technology Studies researchers as a way of bridging the disciplinary divides that have opened up in the study of bioethics. Each discipline approaches the topic through its own lens providing either normative statements or empirical studies, and the distance between the disciplines is heightened not only by differences in approach, but also disagreements over the values, interpretations and problematics within bioethical research. In order to converse (...) across these divides, this volume includes contributions from several disciplines. The volume examines the sociological issues faced by interdisciplinary research in bioethics, the role of expertise, moral generalisations, distributed agency, and the importance of examining what is not being talked about. Other contributions try to take an interdisciplinary look at a range of specific situations, fetal alcohol syndrome in the media, citizen science, electronic cigarettes and bioethical issues in human geography. (shrink)

ABSTRACT: This paper presents a discourse analysis of 40 semi-structured interviews with scientists on their views of Occam's razor and simplicity. It finds that there are many different interpretations and thoughts about the precise meaning of the principle as well as many scientists who reject it outright, or only a very limited version. In light of the variation of scientists' opinions, the paper looks at the discursive uses of simplicity in scientists' thinking and how scientists' interpretations of Occam's razor impact (...) on philosophy's representation of the principle and affects the communication between philosophy and science. (shrink)

Most scholars dealing with neo-Kantianism emphasize the existence of an explicit origin that characterizes neo-Kantianism as a clearly defined ‘movement’ with certain objects. In spite of the fact that differences between various neo-Kantian authors are mentioned in the current discourse (e. g. ‘Südwestdeutsche’ and ‘Marburger Schule’) scholars claim a singular unity of all neo-Kantian debates represented in the problem of ‘Geltung’. This is used to construct a certain relevance of neo-Kantianism in today’s philosophy. My contribution will pursue a historical approach (...) following Klaus Christian Köhnke’s and Ulrich Sieg’s demands. Instead of sketching systematic topics I pay further attention to the context in which an essence of neo-Kantianism was claimed or rejected. In doing so I will examine the discussions on the doctrine of postulates in Kant’s philosophy mainly led by Hans Vaihinger’s ‘Philosophy of As If’ and the impact of Eduard von Hartmann on the genesis of neo-Kantianism. I conclude that the definition of a consistent neo-Kantian ‘movement’ was an effect of rejecting spiritualist interpretations of the doctrine of postulates and in the following a rejection of the whole doctrine as ‘mysticism’ in canonical Kant interpretations. (shrink)

This article evaluates two opposing approaches to the Western transition from a monotheistic and metaphysically grounded religious dispensation to secularized modern political theory. Where some philosophers emphasize the independence of modern political ideals, others argue that these ideals cannot remain theoretically coherent or practically effective once they are separated from the religious sources that have given rise to them. The theory of communicative action can bring together the insights of both independency and dependency theorists, thereby accounting for the public-political significance (...) of redemptive criticism and other important forms of religious discourse. Yet given that religious groups are no longer embedded within the nation state, an additional and pressing contemporary challenge is to develop an adequate constitutional framework for global society. (shrink)

The psychological writing of Jung and the post-Jungians is all too often ignored as anachronistic, archaic and mystic. In Jung and the Postmodern, Christopher Hauke challenges this, arguing that Jungian psychology is more relevant now than ever before - not only can it be a response to modernity, but it can offer a critique of modernity and Enlightenment values which brings it in line with the postmodern critique of contemporary culture. After introducing Jungians to postmodern themes in Jameson, Baudrillard, (...) Jencks and Foucault, the author introduces postmodernists to Jung's cultural critique and post-Jungian discussions of representation, individuation, consciousness, and the alternatives to Enlightenment rationality. He also takes a totally fresh approach to topics such as hysteria and the body, Jung and Nietzsche, architecture and affect, Princess Diana and the 'death' of the subject, postmodern science and synchronicity, and to psychosis and alternative 'rationalities'. Jung and the Postmodern is vital reading for everyone interested in contemporary culture, not only Jungians and other psychotherapists who want to explore the social relevance of their discipline, but anyone who shares a assionate concern for where we are heading in postmodern times. (shrink)

_Why is the moving image so important in our lives? What is the link between the psychology of Jung, Freud and films? How do film and psychology address the problems of modernity? _ _Visible Mind_ is a book about why film is so important to contemporary life, how film affects us psychologically as individuals, and how it affects us culturally as collective social beings. Since its inception, film has been both responsive to historical cultural conditions and reflective of changes in (...) psychological and emotional needs. Arising at the same moment over a century ago, both film and psychoanalysis helped to frame the fragmented experience of modern life in a way that is still with us today. Visible Mind pays attention to the historical context of film for what it can tell us about our inner lives, past and present. _Christopher Hauke_ discusses a range of themes from the perspective of film and analytical psychology, these include: The Face, The Shadow, Narrative and Story, Reality in Film, Cinema and the American Psyche, the use of Movies in the Psychotherapy Session and Archetypal themes in popular film. Unique to Visible Mind, six interviews with top film professionals from different departments both unlocks the door on the role of the unconscious in their creative process, and brings alive the reflexive critical thinking on modernity, postmodernity and Jungian psychology found throughout Visible Mind. _Visible Mind_ is written for academics, filmmakers and students who want to understand what Jung and Freud's psychology can offer on the subject of filmmaking and the creative process, for therapists of any background who want to know more about the significance of movies in their work and for film lovers in general who are curious about what makes movies work. (shrink)

The purpose of this paper is to defend an understanding of social participation that spells out inclusion as a dispositional property. I assume that an agent must occupy at least one position within a social order so that he is leastways partially included. The fact that a social position is open to someone means that he has the opportunity to take it. However, disputed is how "having the opportunity" should be understood exactly. My thesis, which I will develop and defend (...) in the context of this article, is: Since the appropriate application context decides whether the role characteristics of an agent actually become manifest, participation is a dispositional property. Therefore, a role is not open to someone only if he cannot claim a certain status for himself, even though he is in the relevant context. It is thus not a logical or metaphysical modality, but a normative modality that is relevant in terms of the openness of a role. Hence, social participation consists in a normative status that takes effect when certain conditions occure. (shrink)

Bekanntester deutscher Philosoph der Gegenwart. Seit mehr als fünfzig Jahren prägt Jürgen Habermas das intellektuelle Leben Deutschlands und darüber hinaus. Mit seinem Werk nimmt er entscheidenden Einfluss auf die Wissenschaften, auf Politik und aktuelle gesellschaftliche Diskussionen. Neben einem Überblick zur Biografie stellt das Handbuch Habermas intellektuelle Kontexte, wie z. B. die Frankfurter Schule, vor und beleuchtet die wichtigsten Stationen seines komplexen Werkes. Der Schlussteil informiert über Begriffe und Konzepte, die sich durch das gesamte Werk ziehen.

Eine Neuverortung des Privaten, wie im Titel dieses Bands angekündigt – was hat es damit auf sich? Wer oder was sind die treibenden Kräfte hinter dieser Entwicklung? Warum ist sie notwendig oder zumindest sinnvoll? Was steht dabei auf dem Spiel?

Die Autorinnen und Autoren widmen sich der Frage nach dem Verhältnis von Kunst und Moral. Wie weit darf künstlerische Freiheit gehen? Lassen sich ästhetischer und moralischer Wert eines Kunstwerks trennen oder ist Kunst immer im Licht der Absicht.

Wie lässt sich der Bereich des Privaten heute genau beschreiben? Welchen Wert besitzt Privatheit in digitalisierten Gesellschaften für den Einzelnen und die Gesellschaft als Ganzes? Welche Werte und Lebensformen werden durch Privatheit geschützt, welche eingeschränkt? Entstehen durch die Informationsasymmetrie zwischen Technologieunternehmen, staatlichen Verdatungsinstitutionen und Verbrauchern/Bürgern möglicherweise neue Machtstrukturen? Welche rechtlichen Implikationen ergeben sich hieraus? Dieser Band geht diesen und anderen Fragen, die sich im Hinblick auf die etablierte Gleichung von Freiheit und Privatheit stellen, nach und versucht Antworten zu finden.

The evolution of the present legal system is powered by the contradictory double-structure of a law that is at once is repressive and emancipatory. I take three examples, one from the early stage of the twentieth century’s legal transformations, and two from the present. They all show that the latent emancipatory potential of public law can be activated to challenge repressive function of hegemonic law. The first example is concerned with the challenge of imperial law from within the managerial mindset (...) of the legal system, the second shows that every modern constitutional law “can strike back”. The third one emphasizes the tension between the Kantian constitutional mindset and the managerial mindset that dominates present international law. (shrink)

Following Hannah Arendt's work on totalitarianism, the first part of the paper gives an account of the historical advances of the republican nation state that was born during the constitutional revolutions in France and America at the end of the eighteenth century. This state has organised an efficient solidarity among strangers by means of democratic legislation. The European nation state was particular and universal at once. As Arendt could demonstrate on the Dreyfus affair, republicanism of a specific people was based (...) on the Jacobean patriotism of universal human rights. In the second part an explanation is laid out for the destruction of the European nation state during the first fifty years of the nineteenth century. Beginning with Arendt's thesis on the imperialist society that blurred the borders of state, this thesis is revised with reference to the sociological theory of modern society (Luhmann, Habermas). The last part then turns to the rebirth of the nation state after World War Two and the postimperialist development of globalisation at the same time. Again progress in globalising human rights and civil society is threatened by the uncontrolled expansion of capital and power. The lasting problem is to find any regional or global functional equivalent for the democratic rule of law that for so long only worked on the level of the nation state. (shrink)

This article claims that Arendt’s political theory is about power. By combining several different dimensions of power, I develop a simple cross-table by which I compare Arendt with the notions of power of other philosophers, such Weber, Marx, Habermas, and Foucault. In contrast to these thinkers, Arendt presents us with different notions of power. After briefly discussing each of her notions, I focus on her understanding of constitutionalism. Arendt is embedded in the Hegelian and German Staatsrecht-tradition of constitutionalism. However, her (...) thought also entails the idea of a revolutionary constitution. And although she shrank back from the radical democratic consequences of this idea, she did develop the categories of power that we need to draw the critical distinction between the branches of power constituting the communicative power of the people and the branches of repressive power. (shrink)

This paper asks how ‚image‘ and ‚imagination‘ relate to each other. The first part deals with important aspects such as ‚visuality‘, ‚reference‘, ‚order‘, ‚mediation‘ and ‚constructivity‘. The connection between ‚image‘ and ‚imagination‘ is then explored in texts on metaphysics and aesthetics by Christian Gottfried Bardili and Wilhelm Traugott Krug. With his ‚Law of Complementation‘, Bardili offers a solution to the problem of the mediation of the senses and the intellect. For Krug, ‚image‘ is a modality in which imagination in the (...) field of art proceeds with the aim of creating order and unity in diversity. (shrink)

The paper starts with a thesis on the dialectical structure of modern law that goes back the European revolutionary tradition and constitutes a legal structure that is at once emancipatory and repressive. Once it became democratic the modern nation states has solved more or less successfully the crises that emerged in modern Europe since the 16th Century. Yet, this state did not escape the dialectical snares of modern law and modern legal regimes. It’s greatest advance, the exclusion of inequalities presupposed (...) the exclusion of the internal other of blacks, workers, women etc, and the other that stemmed from the non-European world that furthermore was under European colonial rule or other forms of European, Northamerican and Japanese imperial control. Yet, the wars and revolutions of the 20th Century let to a complete reconstruction, new foundation and globalization of all national and international law. The evolutionary advance of the 20th Century was the emergence of world law, and this enabled the construction of international and national welfarism and the global expansion of the exclusion of inequalities. Nevertheless the dialectic of enlightenment came back again and led to new forms of postnational domination, hegemony, oppression and exclusion. The final section tries to detect some ideas and principles how to overcome the crisis. (shrink)

Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 67 Heft: 3 Seiten: 464-489.

In a lecture that Habermas gave on his 90th birthday he ironically, but with serious intent, called a good Kant a sufficiently Marxist educated Kant. This dialectical Kant is the only one of the many Kants who maintains the idea of an unconditioned moral autonomy but completely within evolution, history and in the middle of societal class and other struggles. The article tries to show what Kant could have learned from his later critics to enable him to become a member (...) of the Frankfurt School’s neo-Marxist theory of society. (shrink)

Since _Jung and Film_ was first published in 2001, Jungian writing on the moving image in film and television has accelerated. _Jung and Film II: The Return_ provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as _Birth, The Piano, The Wrestler _and _Breaking (...) the Wave_, there is also a unique chapter co-written by documentary film-maker Tom Hurvitz and New York Jungian analyst Margaret Klenck. Other areas of discussion include: the way in which psychological issues come under scrutiny in many movies the various themes that concern Jungian writers on film how Jungian ideas on psychological personality types can be applied in fresh ways to analyse a variety of characters. The book also includes a glossary to help readers with Jungian words and concepts. _Jung and Film II_ is not only a welcome companion to the first volume, it is an important stand- alone work essential for all academics and students of analytical psychology as well as film, media and cultural studies. (shrink)