Deploring this prospect, he theorized elite-dominated forms of society in which democratic change could be reined in."--BOOK JACKET.

Being dedicated to the memory of the great Catholic philosopher Elizabeth Anscombe, who died in the month it was given, this Aquinas lecture begins with some reflections on the relationship between the anti-scientistic, anti-Cartesian position argued for by Anscombe and her teacher Wittgenstein, and the outlook of Thomas Aquinas. It then proceeds to explore the familiar Thomistic idea that philosophical reflection provides the means to establish the existence of God. Drawing in part on Aquinas, but also and perhaps unexpectedly on (...) the idealism of Berkeley and on the semantic intuitionism of Michael Dummett (a former student of Anscombe), I argue that theism follows both from the assumption of realism and from the assumption of anti-realism, and that this fact reveals something of the complexity involved in the claim that God both creates and knows the world. Finally, I examine the relationship between Aristotelian-Thomistic pluralistic realism and the attempt by John McDowell to fashion a position that lies between Platonism and reductive naturalism. (shrink)

Hill, John In a previous article, I broached the subject of priesthood as style, along the lines taken by Christoph Theobald and other contemporary French theologians.1 In that article I argued for a priestly style that fitted in with Theobald's vision of the Christian life as apprenticeship to Christ's own style of hospitable and eschatological messianism, and that also addressed current charges of clericalism and infantilism. I began to formulate that style in terms of citizenship, and I wish to (...) develop that approach in this article. (shrink)

SPECIAL INTRODUCTORY PRICE! Daniel Dennett has been one of the central voices in the philosophy of mind for at least the past forty years. Unlike most philosophers of his generation, Dennett’s work has resonated far and wide. It has powerfully influenced the development of cognitive science, robotics, developmental psychology, and artificial intelligence. Indeed, his work has led to many new lines of inquiry. For example, he has developed a theory of consciousness which provides an approach to naturalizing mind which circumvents (...) many of the most significant philosophical arguments against the possibility of a scientific explanation of consciousness. The daunting quantity of literature available on Dennett makes it difficult to discriminate the useful from the tendentious, superficial, and otiose. Moreover, because no comparable philosopher has had a profound impact across such a wide range of disciplines and on intellectual culture in general, responses to Dennett’s philosophy are dispersed across a broad range of scientific, philosophical, and cultural domains. That is why this new title in the highly regarded Routledge series, Critical Assessments of Leading Philosophers, is so urgently needed. Edited by John Symons, this new Routledge Major Work is a four-volume collection of the best scholarship on Dennett; the collected materials have been carefully selected from a wide range of academic journals, edited collections, research monographs, and other sources. The tightly focused organization of this collection allows users quickly and easily to access both established and cutting-edge assessments of Dennett’s work. The set is also made for irresistible browsing. With comprehensive introductions to each volume, providing essential background information and relating the various works to each other, Daniel Dennett is destined to be an indispensable resource for research and study. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:DIKTAT OR DIALOGUE? ON GADAMER'S CONCEPT OF THE ART WORK'S CLAIM by John Pizer How do we experience a work of art? Put another way, how does die work of art engage and address us? Hans-Georg Gadamer devoted much of his magnum opus, Truth and Method, to answering these questions, and he takes up the task again in a brief essay entided "Aesthetics and Hermeneutics" (1964). Earlier positions (...) on the nature of hermeneutical reflection, the historical context of aesthetic interpretation and the linguistic character underlying the apprehension of all modes of art are reformulated here. At first glance, the essay appears to be more the summary of a previous epistemology than a venture into new terrain. There is, in fact, almost nothing in this work which seems to contradict Gadamer's previous view. Nevertheless, the closing lines of the essay give his concept of art a dimension not directly perceptible in Truth and Method. This is the notion that the work of art challenges us, on a personal level, to change the course of our existence: "The intimacy with which the work of art touches us is at the same time, in enigmatic fashion, a shattering and a demolition of the familiar. It is not only the 'This art thou!' disclosed in ajoyous and frightening shock; it also says to us: 'Thou must alter thy life'!" {PH, p. 104).1 Whereas Truth and Method focuses on the heightened reflexivity gained in a dialogue with an aesthetic object, Gadamer's citation of Rilke's admonition would appear to turn the dialogue into a command, or at least an unmediated personal challenge, issued by the work of art. 272 John Pizer273 This is not to say that Truth andMethod is free ofpowerful, even violent language in its description of aesthetic experience. In discussing the concept of "Erlebnis" as it came to be the dominant term in phenomenological investigations ofconsciousness, Gadamer represents aesthetic experience as paradigmatic of all experience. Like the hermeneutic circle, consciousness is grounded in the interplay of discrete, individual experience and the experience oflife as a whole. Life as a whole consists of unique, episodic experiences, and yet these experiences only acquire meaning in the context of life in its totality. As Joel Weinsheimer puts it: "An experience is something the meaning ofwhich accompanies one through life, determining that life and being determined by it."2 An exceptional experience is an adventure, which gives a disruptivejolt to the even flow of life. But it allows one to experience life in its richness, fullness, and totality even as it tears one from life's quotidian context. In this, the aesthetic experience has the character ofan adventure: "The work of art seems destined to become an aesthetic experience. This means the person experiencing it is wrenched at one blow from the context of his life while at the same time he is related back to the whole of his existence" {WM, p. 66).3 But while Gadamer's terminology here in describing the experience of art is as violent as that of "Aesthetics and Hermeneutics," he does not suggest in Truth and Method that the work of art issues a command or injunction. Rather, by reflecting on the essence of experience as the dialectic of "exile and reunion," 4 our dialogue with the art work enriches our ability to understand and find truth in life as a whole. Of course, even in Truth and Method Gadamer distinguishes clearly between the silent dialogue between art work and spectator, particularly between reader and text, and the colloquy of individuals engaged in conversation. Nevertheless, he makes it clear that in both cases an openended dialectic ofquestion and answer motivates the engagement. Does the notion that a work of art "shatters" the familiar and admonishes us to change our lives contradict the earlier, seemingly more democratic parameters established by Gadamer as defining the search for ontological truth, and, more narrowly, the attempt at legitimate interpretation? The purpose of this paper will be to demonstrate that it does not. First ofall, we must note Gadamer's concept ofexperience {Erfahrung) in relationship to the text implies an openness to it rather than a detached, objective... (shrink)

The Collected Works of John Stuart Mill took thirty years to complete and is acknowledged as the definitive edition of J.S. Mill and as one of the finest works editions ever completed. Mill's contributions to philosophy, economics, and history, and in the roles of scholar, politician and journalist can hardly be overstated and this edition remains the only reliable version of the full range of Mill's writings. Each volume contains extensive notes, a new introduction and an index. Many of (...) the volumes have been unavailable for some time, but the Works are now again available, both as a complete set and as individual volumes. (shrink)

The common autoimmune disease type 1 diabetes provides a paradigm for the genetic analysis of multifactorial disease. Disease occurrence is attributable to the interaction with the environment of alleles at many loci interspersed throughout the genome. Their mapping and identification is difficult because the disease-associated alleles occur almost as commonly in patients as in healthy individuals; even the highest-risk genotypes bestow only modest risks of disease. The identification of common quantitative trait loci (QTL) in autoimmune disease and in other common (...) disorders, therefore,requires a very close marriage of genetics and biology. Two QTLs have been identified in human type 1 diabetes: the major histocompatibility complex HLA class II loci and a promoter polymorphism of the insulin gene. The evidence for their primary roles in disease aetiology demonstrates the necessity of combined studies of genetics and biology. Their functions and interaction underpin an emerging picture of the basic causes of the disease and direct analyses towards other candidate genes and pathways. The genetic tools used for QTL identification include transgenesis and gene knockouts, whole genome scanning for linkage, mouse congenic strains, linkage disequilibrium mapping, and the establishment of ancestral haplotypes among disease-associated chromosomes. BioEssays 1999;21:164–174. © 1999 John Wiley & Sons, Inc. (shrink)

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Jacques Derrida offers his recent commentary on the early career of Paul de Man as an urgent intervention in a discussion he fears is going awry. The most pressing danger he sees in the recent revelations is that they have played into the hands of de Man’s antagonists, who are now ready to denounce the whole of his career and even deconstruction itself. Against such indiscriminate critiques Derrida hurls the epithet: totalitarian. He is attempting to reseize the initiative in the (...) discussion and to reset the terms of the debate. His agenda extends across historical, theoretical, and political questions.He wants to affirm that a radical, indeed absolute break separates the later from the earlier de Man. He also wants to show that the young de man, however firmly committed to fascist ideology and however much an accomplice of the Nazis occupying Belgium, at the same time regularly distanced himself from that ideology and even undermined its meanings. Moreover, Derrida boldly takes up the challenge that these revelations have cast on the intellectual movement he and de Man have shaped. Can deconstruction come to grips with the political and intellectual history of its own leading American proponent? And can deconstruction in the process make a distinctive contribution to the understanding of fascism and intellectuals’ participation in it? John Brenkman is associate professor of English at Northwestern University. He is the author of Culture and Domination . Jules David Law is assistant professor of English at Northwestern University. He is currently working on a book-length study of the metaphors of surface, depth, and reflection in eighteenth- and nineteenth-century British prose. (shrink)

Do we have any obligations to our political society? If so, how should they be understood and explained? Political philosophers since Socrates have grappled with these questions, and have reached a diverse range of conclusions.

In the introduction to his book, African Art, Pierre Meauze refers to carving as a dialogue between man and matter. He does not specify what he means by this statement but if it is his intention to let African sculpture speak for itself he is to be credited for his accomplishment, for the book contains beautiful pictures of some of the most well known pieces of African sculpture. However, as the following inquiry seeks to indicate, it is not possible to (...) fully understand the sense in which carving is a dialogue between man and matter without an initiation into the world of African art. It is therefore the aim of the following inquiry to reveal the sense in which Meauze's statement accurately reflects African sculpture in particular and African art in general. It is necessary, at the outset, to point out that an initiation into the world of African art is not simply an intellectual process. As is the case with other African initiations, it is a process that involves the entire being of man. (shrink)

In her well-known paper ‘Modern Moral Philosophy’ G. E. M. Anscombe makes the following assertion: ‘he [Sidgwick] thinks that humility consists in underestimating your own merits—i.e. in a species of untruthfulness’. I should like to show that this is not so.

‘When a dog runs, the dog is moving his legs; when a sea urchin runs, the legs are moving the sea urchin.’ Philosophers have come to appreciate the importance of understanding what action is. Their attempts at the clarification of ‘action’ have led them to talk of arms going up, muscles contracting, psychokinesis, bodies moving. They want to distinguish between sea urchins and dogs. Joined with the concept of action there is that of the person. Some are inclined to say (...) we fail to understand action when we treat the agent as the responding organism; in such a view there is no room for ‘responsibility’, ‘duty’, ‘ought’, ‘intention’, ‘volition’. Man as responding organism cannot be distinguished from sea urchins or from complex mechanisms. (shrink)

Una nuova traduzione di "An Essay Concerning Toleration" di John Locke.

Alternate View Column AV-58 Keywords: Japan science fiction HamaCon physics Tscuba KEK TRISTAN Published in the April-1993 issue of Analog Science Fiction & Fact Magazine ; This column was written and submitted 9/17/92 and is copyrighted ©1992 by John G. Cramer. All rights reserved. No part may be reproduced in any form without prior explicit permission of the author.

When a collective is blamed, the responsibility does not escape individuals. Spheres of influence are designed to determine the scale of blame; namely, by proximity and ability to influence a different result. Agents in the respective role types will be responsible upon our examining their extent of influence. Although you may be inclined to say that the responsibility lies with those who have access to policy-making, this doesn't allow for the deviants we expect at appropriate times. Here we are compelled (...) to seek a new moral outlook that maintains our perception of ourself: “what is not worthy of me must not be confused with special requirements of my ‘station and its duties’.”This essay offers a direction to assuage Lewis's fears toward collective responsibility. The challenges to individual responsibility behind such an ascription is complex but need not obliterate it. The delineation of roles by spheres of influence and activity gives some markers to the culpable agents. (shrink)

Ziege’s book focuses primarily on the two main empirical studies carried out by Max Horkheimer’s Institute of Social Research during its exile in the United States in the 1940s: a relatively unknown and never-published study of anti-Semitism among American workers and the much better known, five-volume Studies in Prejudice. Ziege poses and successfully answers the question of why the Institute began to focus more on empirical studies and anti-Semitism in the 1940s. Her thorough archival research illuminates as never before the (...) Institute’s relations to the main organizations that funded its ambitious empirical projects during this time: the American Jewish Committee and the Jewish Labor Committee. She also provides the richest existing account of how the experience of American exile affected the Institute’s theoretical premises and empirical work. By distinguishing between the Institute’s ‘esoteric’ theoretical assumptions, which maintained a large degree of continuity with its earlier work, and a willingness to work at the ‘exoteric’ level with many scholars who didn’t share these assumptions, Ziege explains how the Institute made certain concessions to mainstream American academic culture without ever abandoning the radical intentions of Critical Theory. (shrink)