The societal and ethical implications of artificial intelligence (AI) have sparked discussions among academics, policymakers and the public around the world. What has gone unnoticed so far are the likewise vibrant discussions in China. We analyzed a large sample of discussions about AI ethics on two Chinese social media platforms. Findings suggest that participants were diverse, and included scholars, IT industry actors, journalists, and members of the general public. They addressed a broad range of concerns associated with the application of (...) AI in various fields. Some even gave recommendations on how to tackle these issues. We argue that these discussions are a valuable source for understanding the future trajectory of AI development in China as well as implications for global dialogue on AI governance. (shrink)

Joseph Kupfer removes aesthetics from the exclusive province of museums, concert halls, and the periphery of human interests to reveal the impact of aesthetic experience on daily living.

MOST of us feel an aversion to lying and believe that it always stands in need of justification. One expression of this is to say that there is a prima facie duty not to lie. Another is Sissela Bok's "Principle of Veracity" which holds that lying has an "initial negative weight" so that there is always a presumption against telling a particular lie. Still a third variation can be found in Arnold Isenberg's "constancy principle" which holds that what is inherently (...) bad in any lie is the same for all, constant from one lie to the next. While these sorts of view are plausible, the literature on lying provides little in the way of a specific account for the negative weight inherent in all lies--their common disvalue. What follows is proposed as such an account, one which should also help clarify why some lies are worse than others, why some are excusable and others justifiable. Without presuming to be exhaustive, the view offered maintains that there are at least two inherent negative components of all lies; further, each of these inherent disvalues disposes the liar toward a particular, contingent harm. The inherent disvalues and the harms they threaten collectively constitute sufficient grounds for the presumption against lying. (shrink)

This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character. Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the (...) narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult. This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture. (shrink)

Individuals with trypophobia have an aversion towards clusters of roughly circular shapes, such as those on a sponge or the bubbles on a cup of coffee. It is unclear why the condition exists, given the harmless nature of typical eliciting stimuli. We suggest that aversion to clusters is an evolutionarily prepared response towards a class of stimuli that resemble cues to the presence of parasites and infectious disease. Trypophobia may be an exaggerated and overgeneralised version of this normally adaptive response. (...) Consistent with this explanation, individuals with trypophobia, as well as comparison individuals, reported aversion towards disease-relevant cluster stimuli, but only the trypophobic group reported aversion towards objectively harmless cluster stimuli that had no relevance to disease. For both groups the level of aversion reported was predicted uniquely by a measure of disgust sensitivity. Scaled emotion ratings and open-ended responses revealed that the aversive response was predominantly based on the disease avoidance emotion, disgust. Many open-ended responses also described skin sensations. These findings support the proposal that individuals with trypophobia primarily perceive cluster stimuli as cues to ectoparasites and skin-transmitted pathogens. (shrink)

Kupfer (philosophy, Iowa State) takes a different approach by examining the day-to-day reciprocal interaction between autonomy and social relations, and notes its effect on such notions as dependency, self- concept, self-knowledge, and ...

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.1 (2003) 77-89 [Access article in PDF] Engaging Nature Aesthetically Joseph H. Kupfer Acting in Nature For the most part, most of us appreciate nature as spectators. Some portion of a natural scene is viewed as if it were a painting or photograph. We look for the picturesque in experiencing the real thing because our aesthetic approach toward nature has been filtered through (...) pictures — a canyon's spacious contours, a spectacular waterfall, a weeping willow swaying and billowing in the breeze. And there is certainly nothing wrong with this approach. I like a splendid sunset or majestic peak as much as the next person. However, thinking of nature solely or chiefly as an aesthetic scene to be observed is unnecessarily limiting. Regarding natural phenomena as material for detached, pictorial observation overlooks the aesthetic features revealed only through our active intercourse with nature.In what follows, I outline an active aesthetic of nature appreciation in particular, a series of physical responses to nature which yield a spectrum of aesthetic possibilities. Our active relationship toward nature is expressible by the relevant prepositions, as action can be in or into nature, against or with nature. Of course there will be overlap among these modes of dealing with nature aesthetically, but they are nevertheless fairly distinct and distinguishable. Moreover, the types of activity are arranged so that each succeeding way of addressing nature encompasses the aesthetic virtues of the preceding types of activity. As we move from acting in nature to acting with nature, therefore, our aesthetic experience becomes richer and more inclusive. 1The first active departure from the role of mere observer is found in acting in nature. When we act in or within nature, natural phenomena are the medium of our movement. Whether, hiking up the valley or swimming in the lake, we participate in the natural environment. And that participation [End Page 77] uncovers aesthetic features of nature not available to the mere spectator or observer. Walking through the valley, the prospect of wildflowers shifts from a distant, cascading carpet to a direct encounter with individual shapes, colors, fragrances, and textures. Our aesthetic experience includes appreciation of the shift in perspective itself, from long-range floral vista to more intimate perception.When we swim in the lake, it is no longer simply a thing viewed — a shifting montage of patterns of light playing on its surface. Instead, the lake is experienced as a translucent medium which alternately resists and yields to our arm, leg, and torso movement. Immersed in the water, we feel warm and cool patches, and hear sounds muffled and transmuted by the lake. The sound of our breathing is also modified by the watery medium, as well as by our physical labors.Acting in nature provides two aesthetic opportunities absent from mere spectating. First, the fact that we are active in the natural environment brings home a sense of ourselves as causal agents. Instead of change merely taking place in the natural environment, we are directly bringing about the change. Because we walk through the valley or swim in the lake, otherwise unavailable sensory experiences are enjoyed. Our movement, moreover, enables these experiences to develop from one moment to the next, at best, in an integrated sequence. In addition, there are the specific aesthetic features created for us by our physical activity — our bodily involvement beyond the more typical visual panorama. For example, tension and relaxation in our muscles, the feel and sound of our breathing and heartbeat correspond to change in our natural surroundings. Our bodies furnish us with responses to the natural environment because we are moving in it, not simply observing it.A more homey example of acting in nature is the case of standing or climbing "inside" a tree. Most of us enjoy the aesthetic experience of walking in the woods, among clusters of trees and other wildlife. But the individual tree also offers an opportunity for acting in or within nature. Enclosed within its branches and leaves, whether on the ground or alight a limb, we gain a new aesthetic perspective. The... (shrink)

An interdisciplinary work in philosophy and film studies, Joseph Kupfer investigates narrative theory through the analysis of five films that have narrative as their subject matter and where stories and storytelling are central: A River Runs Through It, Wonder Boys, Ordinary People, The Shape of Things and Unforgiven. Kupfer's readings of the films explore the role of story creation in knowing ourselves and planning our future, in structuring social relationships, and in sharpening our experience of popular culture - (...) including mass-marketed films. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Mobility, Portability, and PlacelessnessJoseph Kupfer (bio)Introduction: A Danger of Electronically Mediated ExperienceA few months ago I was sitting in a Chicago airport, waiting to make my connecting flight. Everywhere I looked, people were talking on cell phones, but the man across from me had gone one better. He had a cell phone and a laptop computer. He was talking on a conference call with two people who were (...) at two different locations as they edited a document that appeared on his laptop. It was a contract that they would soon e-mail to yet a fourth individual for her agreement. In the midst of the conferring, the man across from me broke from the contract to look up something on an Internet Web site. He was able to access data that was needed for the contract work. There is no doubt something astonishing and wondrous about four people hooked up, converging on a document that exists—well, where? Nowhere yet, except in that fanciful ether called cyberspace. Although we need to describe this dimension in familiar language, we realize that the term is just a metaphor. There is no space in cyberspace and no time either for that matter.The portability of information, documentation, and communication enabled the man in the airport to work with people in different places to edit a contract that they would then electronically send to a fourth person. The portability facilitated the individual's mobility since he did not have to be in a particular location to create the document and discuss it with others. The man could have been anywhere. He just happened to be in an airport. But the fact that he, and presumably his colleagues as well, could have been in a car or a park, at home or in a restaurant, rendered the actual place in which he worked—the airport—irrelevant. He did not have to pay attention to his physical environment and probably did not wish to. He was absorbed in his electronically fabricated environment comprised of information, voices, and documents. [End Page 38]As such activity becomes more commonplace, this man and the rest of us become detached from our physical surroundings. When these environments become irrelevant to what we are doing, they will lose meaning for us and we will cease to inhabit them in any meaningful way. Anywhere is nowhere. Obviously, the electronic age of cyberspace provides enormous benefits, and I do not wish to minimize its advantages or seem overly pessimistic. Rather, I wish to call attention to what we risk losing in the hope that awareness of what is at stake can forestall the loss. Just as over-reliance on air travel can undermine our sense of movement through space and the aesthetic of such movement, so too can over-reliance on virtual, electronic connections erode our connection to actual physical places. The more electronically mediated activity replaces place, the more we become dis-placed.In what follows I sketch three dimensions of loss that accompany this exciting new electronic connectedness. With loss of place, with placelessness, we are deprived of the aesthetic experiences particular places provide. Second, we lose touch—with our bodies and other people. Last, we lose a sense of place altogether. Our entire way of being in the world may undergo such a radical change that we foreclose important aspects of our humanity and with it corresponding aesthetic appreciations.Electronic Displacement, Traditional Distance Communication, and Previous Revolutions in MobilitySeveral years ago I wrote about the loss of distinctive places as a result of homogeneity in architecture. The sameness of design in restaurants, motels, sport stadiums, homes, and malls yielded a loss of regionality and locality in our built environment. But these were the result of changes within a pervasive dimension of life—architecture or the built environment. Even if the restaurant, motel, or mall looked the same as others, we nevertheless were functioning within a recognizable spatio-temporal frame. We were aware of it as such and even took some comfort in the familiarity. Americans especially liked the idea of no surprises: the Holiday Inn in Topeka, Kansas, looked and felt and smelled the same as... (shrink)

The virtues and vices examined in Prostitutes, Musicians, and Self-Respect pervade and govern daily life, refer to our own person, and involve strong emotions. Kupfer analyzes such character traits as humility, gratitude, envy and sentimentality and explores themes of self-knowledge and self-respect.

Philosophers have been troubled by the apparent tension between humility and knowledge of one's excellence. However, humility is compatible with knowledge of one's merit because of the moral perspective in which humility is embedded. The perspective has four dimensions: radical dependence, moral comparison with other people, moral ideals, and objective valuation of things in the world. Recourse to this moral perspective also enables clarification of the relationship between humility and other virtues; what is wrong with arrogance; the role of belief (...) of God in humility; and the difference between being humbled and being humiliated. (shrink)

The proliferation of multistakeholder initiatives (MSIs) over the past years has sparked an intense debate on the political role of corporations in the governance of global business conduct. To gain a better understanding of corporate political behavior in multistakeholder governance, this article investigates how firms construct a political identity when participating in MSIs. Based on an in-depth case study of the Accord on Fire and Building Safety in Bangladesh—an MSI established after the collapse of the Rana Plaza garment factory complex (...) in 2013 to improve working conditions in the Bangladeshi garment industry—we introduce the construct of a political CSR (corporate social responsibility) identity (PCSRI) and explore how firms construct their PCSRIs in MSIs. Employing a qualitative, inductive theory-building method, we analyze interviews and archival data to develop a framework that elucidates how companies construct their PCSRIs within a continuum ranging from conservative to progressive. We show that constructing a PCSRI involves enacting specific, yet interrelated, political strategies that are themselves shaped by several forces over time. This article contributes to the literature by providing a political perspective on organizational identity construction that extends the emerging integrative perspective in political corporate social responsibility (PCSR) research. We suggest that MSIs should be conceptualized as inherently political governance mechanisms that are driven by multidirectional and dynamic political processes of identity construction. Our study shows that corporate political engagement in MSIs is a more nuanced and complex phenomenon than presently theorized. (shrink)

Scholars have long acknowledged the cultural and political significance attached to the fashioning of Israelite identity in Ethiopia. Insufficiently appreciated, however, is the extent to which the claim of descent from Jacob’s seed turned on its head the supersessionist paradigm that had come to prevail everywhere else in the Christian ecumene. Ethiopia invented for itself a biological Israelite genealogy, assuming the mantle of chosen peoplehood literally to become carnal Israel. How to reconcile the prestige of Israelite ancestry according to the (...) flesh with the Christian doctrine of spiritual inheritance according to the promise? How to channel Old Testament ritual into a national religious consciousness while at the same time repelling even the intimation of tainted kinship with the Jews? Visual evidence from late thirteenth-century wall paintings and fifteenth-century manuscripts demonstrates that the greater the investment in Solomonic succession, the translocation of Zion, and the embrace of Old Testament practices, the sharper the antithesis between becoming “Israel” and becoming “Jewish”. (shrink)

Driven by interests in workforce planning and patient safety, a growing body of literature has begun to identify the reality and the prevalence of missed nursing care, also specified as care left undone, rationed care or unfinished care. Empirical studies and conceptual considerations have focused on structural issues such as staffing, as well as on outcome issues – missed care/unfinished care. Philosophical and ethical aspects of unfinished care are largely unexplored. Thus, while internationally studies highlight instances of covert rationing/missed care/care (...) left undone – suggesting that nurses, in certain contexts, are actively engaged in rationing care – in terms of the nursing and nursing ethics literature, there appears to be a dearth of explicit decision-making frameworks within which to consider rationing of nursing care. In reality, the assumption of policy makers and health service managers is that nurses will continue to provide full care – despite reducing staffing levels and increased patient turnover, dependency and complexity of care. Often, it would appear that rationing/missed care/nursing care left undone is a direct response to overwhelming demands on the nursing resource in specific contexts. A discussion of resource allocation and rationing in nursing therefore seems timely. The aim of this discussion paper is to consider the ethical dimension of issues of resource allocation and rationing as they relate to nursing care and the distribution of the nursing resource. (shrink)

The application of machine learning in health care holds great promise for improving care. Indeed, our own team is collaborating with experts in machine learning and statistical modeling to bu...

The film Gandhi expands our understanding of how the virtue of care can function in the public sphere by portraying Gandhi dealing with Indian independence from Britain, the subjugation of women and Untouchables, and strife between Hindus and Muslims. Gandhi illustrates in his social and political activism how the virtue of care is animated by benevolence and structured by the building blocks of the care perspective: responsibility and need, relationship and mutual dependency, context and narrative.

The film Wings of Desire (Wim Wenders, 1987) begins to answer the startling question, “How could being human be superior to enjoying an angelic existence?” The film’s elevation of ordinary humanity is so persuasive that a few angels forego eternity, “take the plunge,” and become mortals. The first layer of human attraction is found in the uncomplicated pleasures of physical embodiment. To the enjoyment of bodily sensations such as warming our hands on a chilly day, the film adds the ecstasy (...) of romantic love, including the social intimacy of conjugal union. The third layer of human life is the stratum of meaning that purposeful action contributes. Finitude demands that we must decide how to spend our limited time as not all options can or will remain open. This animates life with the hope of positive outcomes and the trepidation of mishap. The meaning that accrues to experience, then, depends on the temporality and limitations inherent within life and definitive of mortal existence as such. (shrink)

This paper clarifies the nature of genetic screening and morally evaluates using it to deny people employment. Four sets of variables determine screening’s ability to forecast disorder. The first two concern epistemological limitations: whether the gene itself has been located; whether knowledge of other family members is necessary. The latter two refer to genetic causality: whether other genes are needed; whether the gene causes the disorder or just a susceptibility to it.Considerations of privacy and justice warrant restricting screening to job-specific (...) disorders, without prejudice to the worker. Screening is more of an invasion of privacy than most “searches” because our very selves are disclosed; serious stigmatizing can result. It is unjust to penalize someone for a susceptibility to a disorder. It is also unjust to use the genetic knowledge and technology, developed with public monies allocated for public good, against members of the public. (shrink)

Sentimentality is usually thought of as a mild vice. Unlike such vices as cruelty, dishonesty, or contemptuousness, sentimentality appears to affect only the individuals who have it, and then, not very adversely. So what if we indulge our taste for prematurely dying heroines or stoic, sweet-natured children? Shedding a tear or feeling a diffuse affection does not seem to hurt anyone, not even ourselves. But because of its impact on the self, sentimentality is a more serious vice than might be (...) suspected.Regardless of the immediate object of our sentimental gaze, the self is also sentimentalized. The self is not only the subject engaged in sentimentalizing activity, but also its mediated object. A sentimentalized sense of self discourages activity and keeps us from dealing with the world directly. The distortion of and absorption in the self is dangerous for sentimental individuals and those with whom they interact. To see why, we must examine the structuring of perception, thought, and emotion which makes up sentimentality. Our inquiry will be sharpened by reference to literary depictions which reflect or encourage sentimental response. Versing us in the ways of sentimentality, some literature may generate our everyday patterns of sentimentalized thought and feeling. (shrink)

Recent efforts in a range of scientific fields have emphasised research and methods concerning individual differences and individualisation. This article brings together various scientific disciplines—ecology, evolution, and animal behaviour; medicine and psychiatry; public health and sport/exercise science; sociology; psychology; economics and management science—and presents their research on individualisation. We then clarify the concept of individualisation as it appears in the disciplinary casework by distinguishing three kinds of individualisation studied in and across these disciplines: Individualisation ONE as creating/changing individual differences (the (...) process that generates differences between individuals: intrapopulation or intraspecific variation/heterogeneity); Individualisation TWO as individualising applications (the tailoring or customising of something—information, treatment, a product or service, etc.—for an individual or specific group of individuals); and Individualisation THREE as social changes influencing autonomy, risk, and responsibilities (the process discussed under the rubric of sociological individualisation theory). Moreover, we analyse conceptual links between individualisation and individuality, and characterise different sorts of individuality that the disciplines study. This paper aims to promote interdisciplinary research concerning individualisation by establishing a common conceptual-theoretical basis, while leaving room for disciplinary differences. (shrink)

The title of the film by Steve Kloves (1989) refers to the dual-piano, languishing lounge act performed by two brothers. The resurgence and demise of the musical team is brought about by the addition of a sultry, female vocalist--Susie Diamond. Embedded within the story is an exploration of integrity and its augmentation by the virtues of courage and honesty. Integrity marks an individual whose self is a coherent, consistent whole. Important elements of the individual’s personality are mutually supportive rather than (...) being disparate or in conflict. The integrity scrutinized by the film is Jack’s; it involves the younger brother’s inconsistent fidelity to his considerable musical talent. Late in the story we learn that he despises performing the popular musical fare with his brother and that he really wants to be creative, playing jazz. Although Jack is shown playing piano with modulated passion at a jazz club, we infer that he does so infrequently. Jack’s older brother is not in conflict with himself because his talent is suited to playing the bland tunes that are the staple of the act. Jack’s integrity is compromised because his commitment to his art is half-hearted; he cannot make the leap of faith--in himself. He knows that he hates playing the lounge music, is moved by jazz, and has considerable ability. Jack therefore realizes, however vaguely, that he ought to give himself to the music he loves, despite the risks this would entail. The trajectory of the film-story can be viewed as Jack finally summoning the courage to honestly confront his struggle with integrity and deciding to do something about it. (shrink)

Introduction -- Aestheticized violence -- Women warriors: the rise of female control -- Hyper-violence: the thrill of Kill Bill -- Surrealistic violence: no muscles, no splatter -- Surrealistic violence: women warriors unite.

The increasing research on international organisations' education policy lacks analyses of the relation between international organisations and nation states. This paper aims to analyse the power of nation states in international education policy. Focusing on the new degree system in higher education in Europe, partly from Foucault's governmentality perspective, the paper suggests that nation states retain power while operating in international settings. The study's conclusions argue that the nation states' power might be a chance for further participation of affected people.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)