This profound analysis of the nature of art is the culmination of a series of essays and polemics on issues of morality, social justice, and religion. Considering and rejecting the idea that art reveals and reinvents through beauty, Tolstoy perceives the question of the nature of art to be a religious one. Ultimately, he concludes, art must be a force for good, for the progress and improvement of mankind. For more than seventy years, Penguin has been the leading publisher of (...) classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. (shrink)

This essay is basically exegetical in nature, and its purpose is fourfold. First, I argue against the prevailing view that the dao 道 of the Daodejing 道德經 is metaphysically either a non-being or something transcending all senses by showing that it is a nonempty transforming unsummed totality.1 Dao is still metaphysical, but only as something that defies our ability to experience it as a totality or as any of its aspectual totalities.Second, I argue that in the Daodejing Laozi 老子 adopts (...) the condition of naming that a sign becomes a name only if it can be used to describe what it signifies.2 Because none of the aspectual totalities of dao can be described, the naming condition is contravened, and thus dao and its... (shrink)

Sometimes an individual gets taken as speaking for a wider group without laying claim to any such authority – they are thrust unwillingly, and sometimes even unknowingly, into the role of that grou...

"Strauss gives us an impressive addition to his life's work—the recovery of the Great Tradition in political philosophy. The problem the book proposes centers formally upon Socrates.

The present study aims at supporting the argument that emotions, unlike a physicalistic interpretation, cannot be reduced to the conceptual elements used in the communication or exteriorization process. The subject is based on two hypotheses: the first is that the relation between the issuance of an emotive content (emotion) and a possible mental representation presents a linguistic nature. In general terms, this means that an emotion, or the psychological content associated with it is based on the plot of other concepts. (...) The second hypothesis is that it is not possible to refer to emotions without considering cognition from a semantic problem and, consequently, in the refusal of a realistic or anti-realistic posture in relation to the way the phenomena - internal and/or external to our consciousness - are referred. Thus, a conceptual model to understand emotions would be essential to settle the problem associated with ordinary language, realism, and the computational tendencies that comprehend the mental content in strictly syntactic terms. (shrink)

I explore the possibility and rationality of interpersonal mechanisms of doxastic self-control, that is, ways in which individuals can make use of other people in order to get themselves to stick to their beliefs. I look, in particular, at two ways in which people can make interpersonal epistemic commitments, and thereby willingly undertake accountability to others, in order to get themselves to maintain their beliefs in the face of anticipated “epistemic temptations”. The first way is through the avowal of belief, (...) and the second is through the establishment of collective belief. I argue that both of these forms of interpersonal epistemic commitment can function as effective tools for doxastic self-control, and, moreover, that the control they facilitate should not be dismissed as irrational from an epistemic perspective. (shrink)

This essay offers a critique of Larry Temkin’s seminal new book, Rethinking the Good, at the heart of which is the highly counterintuitive claim that all things considered judgments are not transitive. I evaluate Temkin’s claims through the lens of social choice theory, pursue some of its larger implications and applications, and conclude with a very general worry having to do with the intimate connection between transitivity and logical consistency, namely whether, if Temkin is right, this would not bring all (...) moral reasoning to an abrupt halt. (shrink)

This book explores the multiple meaning of the notion of otherness in Søren Kierkegaard’s thought. Leo Stan discusses in detail the threefold structure of human existence in Kierkegaard’s authorship as a whole, both pseudonymous and self-signed.

George Grote published the History of Greece between 1846 and 1856, thereby providing the first positive evaluation of democratic Athens in the early modern period and a novel interpret...

This paper provides an analysis of the paradoxical definition of art as the silence of the world, as presented in Maurice Blanchot’s The Space of Literature. The definition is analysed phenomenologically, by treating the world as the universal horizon of all experiences. The paper presents two possible interpretations of Blanchot’s statement. First, a possibility is considered that, according to Blanchot, in genuine artistic experience the mundane everyday life falls silent, and an autonomous fictional world opens up. The paper argues that (...) while Blanchot does oppose art to everyday life, this interpretation is insufficient. Firstly, because on the basis of the phenomenological premise, all possible worlds fall within the universal world-horizon, and secondly, the function Blanchot attributes to art is considerably more radical, as when he speaks about the directedness of art outside of all possible worlds. While such an aim may seem impossible from the viewpoint of the phenomenological premise, the second part of the paper demonstrates that it can indeed be meaningfully interpreted on the basis of Martin Heidegger’s transcendent approach to the world. According to this interpretation, while the phenomenological premise prevents all discussion of places and experiences outside the world, a liminal experience can nevertheless be discussed. If this is true, it is not an entity within the world which opens up, but rather the world-horizon itself in the form of an anxious silence. (shrink)

In this paper, I argue that the Tractatus classifies names into constant names and variable names. A variable name, via the application of the existential quantifier against the background of picturing, picks out and denotes an unspecified object from the range of objects of the form shown by the relevant variable. A constant name labels an object picked out from a scope of the existential quantifier. I also refute two types of attempts to argue that the Tractarian relation between a (...) name and its meaning is not realist, and to explain why it is more reasonable to hold that it is. (shrink)

While relatively unknown to Anglophone circles, there was a thriving Anabaptist community in Italy during the reformation. It is the scope of this article to help retrace the origins of the Anabaptist movement in Italy and to set straight some misconceptions unintentionally perpetuated by some who have attempted this journey in the past. This is done in the hopes of raising appreciation for the movement and of enticing future research interest in this forgotten branch of the Radical Reformation.

Cet article étudie l'aspect sociologique des recherches de Lefebvres des Noëttes, plus particulièrement son ouvrage : „L'attelage. Le cheval de selle à travers les âges“. Comme le sous-titre de cet ouvrage („Contribution à Thistoire de l'esclavage“) l'indique déjà, le savant français y étudie la technique de l'attelage des animaux de trait. Il tend à démontrer que ce fut l'insuffisance de ces derniers, phénomène resté inchangé jusqu'au vu® siècle de l'ère chrétienne, qui joua un rôle principal dans le maintien de l'esclavage. (...) Les travaux les plus pénibles, le transport des grosses charges en particulier, qui furent accomplis plus tard par les animaux et qui le sont aujourd'hui essentiellement par des moyens mécaniques, ne pouvaient en effet être exécutés à cette époque qu'en recourant au travail forcé, élément caractéristique de l'esclavage. L'histoire nous montre qu'il existe un rapport direct entre l'ampleur des réalisations de l'homme, tout particulièrement des constructions et des routes, et la rigueur avec laquelle on traitait les êtres privés de liberté. Même dans les temps modernes, l'institution de l'esclavage réapparaît, sous une forme ou sous une autre, partout où la force animale est insuffisante (plantations en Amérique du Sud, portage en Afrique centrale). La question de l'esclavage peut donc aujourd'hui être traitée comme une branche de 1' „histoire critique de la technique“, comme un chapitre de la grande controverse entre l'homme et la nature, retirant ainsi tout fondement aux vagues explications politiques ou morales concernant l'origine et le déclin de l'esclavage.This essay deals with the sociological significance of Lefebvres des Noettes' researches, in particular with his work „Harnessing. The Saddle- Horse throughout the Ages“. As the sub-title of his book „Contribution to the History of Slavery“ indicates, the French scholar studies the technical art of harnessing draught-animals, and endeavours to show how its inadequacy, which remained unchanged right into the seventh century A. D. was an essential condition for the maintenance of slavery. For the heavy labour-tasks, above all the transport of huge loads, which later were based on animal-power and to-day are largely accomplished by mechanised locomotion, were then only to be achieved by man-power, by the use of force, as exemplified in slavery. In history there obtains a direct relationship between the extent of cultural achievements, shown especially in buildings and roads, and the severity in the treatment of slaves. Wherever in more recent times, there was not at hand, an extensive draught-animal apparatus, there arose, in some form or other, the institution of slavery (plantations in South America, porters in Central Africa). Such an interpretation makes it possible to consider the question of slavery, as a part of the „critical history of technology“, and as a chapter in the struggle of man against nature. In this way, vague political or moral explanations of the rise and fall of slavery lose all their force. (shrink)

This profound analysis of the nature of art is the culmination of a series of essays and polemics on issues of morality, social justice, and religion. Considering and rejecting the idea that art reveals and reinvents through beauty, Tolstoy perceives the question of the nature of art to be a religious one. Ultimately, he concludes, art must be a force for good, for the progress and improvement of mankind. For more than seventy years, Penguin has been the leading publisher of (...) classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. (shrink)